Roland MC-09
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Manual
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(English)Roland MC-09, size: 2.0 MB |
Roland MC-09
User reviews and opinions
| 9YKWetwNUz |
4:02pm on Sunday, October 10th, 2010 ![]() |
| This is a great card for the cost. It plays WoW on all the highest settings with a solid 60 fps. Even in Oggrimmar with all the players. | |
| gol_luiz |
5:01pm on Tuesday, September 14th, 2010 ![]() |
| Featuring a closed-loop liquid cooled system, the Sapphire Radeon HD 4870 X2 Atomic ST-6026 brings workstation class cooling to the PC. | |
| RossA |
9:29pm on Monday, July 12th, 2010 ![]() |
| I bought this card to replace an ageing Radeon 3650 in my current PC, which to be honest, was the only thing holding it back. | |
| laney_uk |
12:48pm on Wednesday, June 9th, 2010 ![]() |
| is it ok Not Using the card for games at all, but for streaming video from card to high definition television. | |
| boboeuf |
6:24am on Thursday, May 6th, 2010 ![]() |
| I just purchased one of these for a pc I built for a friend. In years past I was pretty much anti-ati. | |
| duranda |
5:48am on Sunday, April 18th, 2010 ![]() |
| The ATI Radeon HD 4850 X2 graphics cards deliver up to 2x the performance per watt of the previous generation. | |
| djval2006 |
5:31am on Friday, March 19th, 2010 ![]() |
| This has been my primary video card from 12/2007 - 12/2010, and during that time I was generally very happy with it. However. I have had this card for nearly a year in my Windows 7 system. | |
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Documents
MIDI Implementation
Status Symbol n vv kk xx Description MIDI Channel Control value Note Number ON/OFF Range 0H-FH (ch.1-ch.16) 00H-7FH (0-127) 00H-7FH (0-127) 00H-3FH (0-63:OFF), 40H-7FH (64-127:ON) BnH * 2nd byte 12H
MC-09 (Phrase Lab) Date: May 21, 2002 Version: 1.00
General Purpose Controller 3 (Controller number 18)
3rd byte vvH
The C3 parameter will change.
Portamento (Controller number 65)
Status 2nd byte 3rd byte BnH 41H xxH xx = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
1. Data Reception (DSP Synth. Section)
Channel Voice Messages
Note Off
Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H vv = Note Off velocity: 00H - 7FH (0 - 127)
Resonance (Controller number 71)
Status 2nd byte 3rd byte BnH 47H vvH vv = Resonance value: 00H - 7FH (0 - 127) * The RESO parameter will change.
Cutoff (Controller number 74)
Status 2nd byte BnH 4AH vv = Cutoff value: 00H - 7FH (0 - 127) * The CUTOFF parameter will change. 3rd byte vvH
Note On
Status 2nd byte 3rd byte 9nH kkH vvH vv = Note On velocity: 01H - 7FH (1 - 127)
Control Change
Bank Select (Controller number 0, 32)
Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384) * * Not received when Receive Program Change switch parameter is OFF. The Patterns corresponding to each Bank Select are as follows.
General Purpose Controller 8 (Controller number 83)
Status BnH * 2nd byte 53H 3rd byte vvH
The DECAY parameter will change.
Program Change
Status 2nd byte CnH ppH pp = Program number: 00H - 7FH (prog.1 - prog.128) * Not received when Receive Program Change switch parameter is OFF.
Bank Select | Program No.| Group Pattern No. MSB | LSB | | ------+------+------------+--------------------------81 | 0 | 001 - 040 | Preset Lead 001 - | 1 | 001 - 060 | Preset Bass 001 - | 2 | 001 - 100 | Preset Rhythm 001 - | 3 | 001 - 030 | Preset Effects 001 - | 0 | 001 - 020 | User 001 - | 0 | 001 - 050 | Card 001 - 050
Pitch Bend Change
Status 2nd byte 3rd byte EnH llH mmH mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191) * Not received when Receive Pitch Bend switch parameter is OFF.
Modulation (Controller number 1)
Status BnH 2nd byte 01H 3rd byte vvH
Volume (Controller number 7)
Status BnH * 2nd byte 07H 3rd byte vvH
Channel Mode Messages
All Sounds Off (Controller number 120)
Status BnH 2nd byte 78H 3rd byte 00H
The Level parameter will change. * When this message is received, all notes currently sounding on the corresponding channel will be turned off.
Panpot (Controller number 10)
Status 2nd byte 3rd byte BnH 0AH vvH vv = Panpot: 00H - 40H - 7FH (Left - Center - Right) * The DSP Synth Pan parameter will change. *
Reset All Controllers (Controller number 121)
Status BnH 2nd byte 79H 3rd byte 00H
When this message is received, the following controllers will be set to their reset values. Reset value +/-0 (center) 0 (off)
General Purpose Controller 1 (Controller number 16)
Status BnH * 2nd byte 10H 3rd byte vvH Controller Pitch Bend Change Modulation
The C1 parameter will change.
All Notes Off (Controller number 123)
General Purpose Controller 2 (Controller number 17)
Status BnH * 2nd byte 11H 3rd byte vvH Status BnH * The C2 parameter will change. 2nd byte 7BH 3rd byte 00H
When All Notes Off is received, all notes on the corresponding channel will be turned off.
Copyright 2002 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
OMNI OFF (Controller number 124)
Status BnH * 2nd byte 7CH 3rd byte 00H
Data Request 1 (RQ1)
This message requests the other device to transmit data. The address and size indicate the type and amount of data that is requested. When a Data Request message is received, if the device is in a state in which it is able to transmit data, and if the address and size are appropriate, the requested data is transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted. The model ID of the exclusive messages used by this instrument is 00 4FH. Status F0H Data Byte 41H, dev, 00H, 4FH, 11H, aaH, bbH, ccH, ddH, ssH, ttH, uuH, vvH, sum Remarks Exclusive status ID number (Roland) device ID (dev: 10H - 1FH) model ID #1 (MC-09) model ID #2 (MC-09) command ID (RQ1) address MSB address address address LSB size MSB size size size LSB checksum EOX (End Of Exclusive) Status F7H
The same processing will be carried out as when All Notes Off is received.
OMNI ON (Controller number 125)
Status BnH * 2nd byte 7DH 3rd byte 00H
The same processing will be carried out as when All Notes Off is received. OMNI ON will not be turned on.
MONO (Controller number 126)
Status BnH * 2nd byte 7EH 3rd byte mmH
POLY (Controller number 127)
Status BnH * 2nd byte 7FH 3rd byte 00H
System Realtime Message
Timing Clock
Status F8H * This message will be received if the Sync Mode parameter is SLAVE. Settings can be made to synchronize the LFO rate.
Byte F0H 41H dev 00H 4FH 11H aaH bbH ccH ddH ssH ttH uuH vvH sum F7H * *
For the checksum, refer to (p. 6). Not received when Receive System Exclusive switch parameter is OFF.
Data Set 1 (DT1)
Status F0H Data byte Status 41H, dev, 00H, 4FH, 12H, aaH, bbH, ccH, ddH, eeH,. ffH, sum F7H
Active Sensing
Status FEH * When Active Sensing is received, the unit will begin monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.
System Exclusive Message
Status F0H F0H: ii = ID number: Data byte iiH, ddH,.,eeH Status F7H
dd,.,ee = data: F7H:
System Exclusive Message status an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Rolands manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH). 00H - 7FH (0 - 127) EOX (End Of Exclusive)
Byte F0H 41H dev 00H 4FH 12H aaH bbH ccH ddH eeH : ffH sum F7H * * *
Explanation Exclusive status ID number (Roland) device ID (dev: 10H - 1FH) model ID #1 (MC-09) model ID #2 (MC-09) Command ID (DT1) Address MSB: upper byte of the starting address of the data to be sent. Address: upper middle byte of the starting address of the data to be sent. Address: lower middle byte of the starting address of the data to be sent. Address LSB: lower byte of the starting address of the data to be sent. Data: the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address. : Data Checksum EOX (End Of Exclusive)
Of the System Exclusive messages received by this device, the Data Request (RQ1) messages and the Data Set (DT1) messages will be set automatically.
For the checksum, refer to (p. 6). Data larger than 128 bytes will be divided into packets of 128 bytes or less, and each packet will be sent at an interval of about 20 ms. Not received when Receive System Exclusive switch parameter is OFF.
2. Data Transmission (DSP Synth. Section)
2nd byte Status 8nH kkH vv = note off velocity: 40H (64) 3rd byte vvH
When the DECAY parameter is changed, the corresponding value will be transmitted.
Status 2nd byte CnH ppH pp = Program number: 00H - 7FH (prog.1 - prog.128) * Not transmitted when Transmit Program Change switch parameter is OFF.
Status 2nd byte 3rd byte 9nH kkH vvH vv = note on velocity: 01H - 7FH (1 - 127)
System Realtime Messages
Status FEH * Transmitted at intervals of approximately 250 ms.
Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384) * * Not transmitted when Transmite Program Change switch parameter is OFF. For the Bank Select that corresponds to each Pattern, refer to section 1.
System Exclusive Messages
Data Set 1 (DT1) are the only System Exclusive messages transmitted by the MC-09.
Status F0H Data byte 41H, dev, 00H, 4FH, 12H, aaH, bbH, ccH, ddH, eeH,. ffH, sum Status F7H
When the Level parameter is changed, the corresponding value will be transmitted. Byte F0H 41H dev 00H 4FH 12H aaH bbH ccH ddH eeH : ffH sum F7H * *
Status 2nd byte 3rd byte BnH 0AH vvH vv = Panpot: 00H - 40H - 7FH (Left - Center - Right) * When the DSP Synth Pan parameter is changed, the corresponding value will be transmitted.
Status BnH * 2nd byte 10H 3rd byte vvH
When the C1 parameter is changed, the corresponding value will be transmitted.
Status BnH * 2nd byte 11H 3rd byte vvH
When the C2 parameter is changed, the corresponding value will be transmitted.
For the checksum, refer to (p. 6). Data larger than 128 bytes will be divided into packets of 128 bytes or less, and each packet will be sent at an interval of about 20 ms.
Status BnH * 2nd byte 12H 3rd byte vvH
3. Data Reception (Sequencer Section)
Status F8H * This message will be received if the Sync Mode parameter is SLAVE.
When the C3 parameter is changed, the corresponding value will be transmitted.
Status 2nd byte 3rd byte BnH 47H vvH vv = Resonance value: 00H - 7FH (0 - 127) * When the RESO parameter is changed, the corresponding value will be transmitted.
Status FAH * This message will be received if the Sync Mode parameter is SLAVE or REMOTE.
Status 2nd byte BnH 4AH vv = Cutoff value: 00H - 7FH (0 - 127) * 3rd byte vvH
When the CUTOFF parameter is changed, the corresponding value will be transmitted.
Status FCH * This message will be received if the Sync Mode parameter is SLAVE or REMOTE.
4. Data Transmission (Sequencer Section)
4.1 Messages transmitted during playback.
5. Parameter Address Map
* Addresses for which the Description field is listed as Reserved have no meaning for the MC-09. They will be ignored.
1. MC-09 (Model ID=00H 4FH)
++ | Start | | | Address | Description | |+| | | System 11 | |+| | | Temporary Pattern 12 | | | User Pattern | | | User Pattern 2 | | : | | | | User Pattern 20 | |+| | | Process Patch 13 | |+| | | Memory Save Request 14 | ++
2nd byte 3rd byte Status 9nH kkH vvH vv = note on velocity: 01H - 7FH (1 - 127)
2nd byte 3rd byte Status BnH kkH vvH kk = controller number: 10H - 12H, 41H (16 - 18, 65)
When MC-09 receive Memory Save Request after receiving System parameters, User parameters or Process Patch parameters, Parameter data is saved to a memory of MC-09.
1-1. System
++ | Offset | | | Address | Description | |+| | | 0aaa aaaa | Master Tune | | | | (427.4 452.6) | |++| | | 0000 000a | Receive Program Change | | | | (OFF, ON) | | | 0000 000a | Reserve | | | | () | | | 0000 000a | Receive Control Change | | | | (OFF, ON) | | | 0000 000a | Reserve | | | | () | | | 0000 000a | Reserve | | | | () | | | 0000 000a | Receive Pitch Bend | | | | (OFF, ON) | | | 0000 000a | Reserve | | | | () | | | 000a aaaa | MIDI Channel | | | | (1 16, OFF) | | | 0000 000a | Transmit Program Change | | | | (OFF, ON) | | 00 0A | 0000 000a | Reserve | | | | (OFF, ON) | | 00 0B | 0000 000a | Reserve | | | | (OFF, ON) | | 00 0C | 000a aaaa | Transpose | | | | (12 +12) | |+| |Total size | 00 0D | ++
4.2 If the Through parameter is ON, messages received (except for System Common messages and System Realtime messages) will be transmitted. 4.3 Messages that are generated and transmitted 4.3.1 Messages automatically generated by the system
Omni Off (Controller number 124)
1-2. Pattern
++ | Offset | | | Address | Description | |+| | | 000a aaaa | Master Tempo(H) | | | | (40.0 240.0(TEMPO_H)) | | | 0aaa aaaa | Master Tempo(L) | | | | (40.0 240.0(TEMPO_L)) | | | 0000 000a | Pattern LengtH | | | | (1, 2) | | | 0000 000a | Pattern Scale | | | | (12, 16) | | | 0000 00aa | Loop Ctrl | | | | (OFF, PITCH, TRIG, DIVIDE TIMES 16) | |++| | | 00aa aaaa | Synth/Effect Type | | | | (LINE, LEAD, BASS, RHYTHM, | | | | FILTER, ISOLATOR, PHASER, SLICER) | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 0A | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 0B | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 0C | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 0D | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 0E | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 0F | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 1A | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 1B | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 1C | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 1D | 0aaa aaaa | Synth/Effect Parameter 127 | | 00 1E | 0aaa aaaa | Synth/Effect Parameter 127 | |++| | 00 1F | 0aaa aaaa | Step1 Note/Value | | | 0aaa aaaa | Step2 Note/Value | | | 0aaa aaaa | Step3 Note/Value | | | 0aaa aaaa | Step4 Note/Value | | | 0aaa aaaa | Step5 Note/Value | | | 0aaa aaaa | Step6 Note/Value | | | 0aaa aaaa | Step7 Note/Value | | | 0aaa aaaa | Step8 Note/Value | | | 0aaa aaaa | Step9 Note/Value | | | 0aaa aaaa | Step10 Note/Value | | | 0aaa aaaa | Step11 Note/Value | | 00 2A | 0aaa aaaa | Step12 Note/Value | | 00 2B | 0aaa aaaa | Step13 Note/Value | | 00 2C | 0aaa aaaa | Step14 Note/Value | | 00 2D | 0aaa aaaa | Step15 Note/Value | | 00 2E | 0aaa aaaa | Step16 Note/Value | | 00 2F | 0aaa aaaa | Step17 Note/Value | | | 0aaa aaaa | Step18 Note/Value |
At start-up, this message is transmitted to all channels.
Poly (Controller number 127)
4.3.2 Messages generated and transmitted when the Sync Out is ON
Status F8H * This message is transmitted if the Sync out is ON.
Status FAH * This message is transmitted if the Sync out is ON.
Status FCH * This message is transmitted if the Sync out is ON.
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39 3A 3B 3C 3D 3E 3F 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F
00 6A 00 6B 00 6C 00 6D 00 6E 00 6F 00 7A 00 7B 00 7C 00 7D 00 7E 00 7F 01 0A 01 0B 01 0C
0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa 0aaa
aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa
0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0aaa aaaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa 0000 0aaa
Step19 Note/Value Step20 Note/Value Step21 Note/Value Step22 Note/Value Step23 Note/Value Step24 Note/Value Step25 Note/Value Step26 Note/Value Step27 Note/Value Step28 Note/Value Step29 Note/Value Step30 Note/Value Step31 Note/Value Step32 Note/Value Step1 Velocity Step2 Velocity Step3 Velocity Step4 Velocity Step5 Velocity Step6 Velocity Step7 Velocity Step8 Velocity Step9 Velocity Step10 Velocity Step11 Velocity Step12 Velocity Step13 Velocity Step14 Velocity Step15 Velocity Step16 Velocity Step17 Velocity Step18 Velocity Step19 Velocity Step20 Velocity Step21 Velocity Step22 Velocity Step23 Velocity Step24 Velocity Step25 Velocity Step26 Velocity Step27 Velocity Step28 Velocity Step29 Velocity Step30 Velocity Step31 Velocity Step32 Velocity Step1 Gate Time Step2 Gate Time Step3 Gate Time Step4 Gate Time Step5 Gate Time Step6 Gate Time Step7 Gate Time Step8 Gate Time Step9 Gate Time Step10 Gate Time Step11 Gate Time Step12 Gate Time Step13 Gate Time Step14 Gate Time Step15 Gate Time Step16 Gate Time Step17 Gate Time Step18 Gate Time Step19 Gate Time Step20 Gate Time Step21 Gate Time Step22 Gate Time Step23 Gate Time Step24 Gate Time Step25 Gate Time Step26 Gate Time Step27 Gate Time Step28 Gate Time Step29 Gate Time Step30 Gate Time Step31 Gate Time Step32 Gate Time Step1 Status Step2 Status Step3 Status Step4 Status Step5 Status Step6 Status Step7 Status Step8 Status Step9 Status Step10 Status Step11 Status Step12 Status Step13 Status Step14 Status
(NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE, 0 (NORMAL, TIE, SLIDE,
105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 105 ((%)) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT) 4 REST, ACCENT)
| 01 0D | 0000 0aaa | Step15 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 0E | 0000 0aaa | Step16 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 0F | 0000 0aaa | Step17 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step18 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step19 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step20 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step21 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step22 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step23 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step24 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step25 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step26 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | | 0000 0aaa | Step27 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 1A | 0000 0aaa | Step28 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 1B | 0000 0aaa | Step29 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 1C | 0000 0aaa | Step30 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 1D | 0000 0aaa | Step31 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | | 01 1E | 0000 0aaa | Step32 Status | | | | (NORMAL, TIE, SLIDE, REST, ACCENT) | |+| |Total size | 01 1F | ++ ================================================================================= Synth/Effect Parameter Value Disp --------------------------------------------------------------------------------TYPE 0:Line In prm8 LEVEL 0 - - 127 --------------------------------------------------------------------------------TYPE 1:Lead prm1 TONE 0 - - 128 prm2 EFX_PRM- - 127 prm3 EFX_PRM- - 127 prm4 EFX_PRM- - 127 prm5 CUTOFF 0 - - 127 prm6 RESONANCE 0 - - 127 prm7 DECAY 0 - - 127 prm8 LEVEL 0 - - 127 prm9 PAN 0 - 127 L64 - R63 prm10 LFO_RATE 0 - - 120, 16n, 8n, 4n, 2n, 1-b, 2-b, 4-b prm11 LFO_WAVE 0 - 3 TRI, SQR, SAW, S-H prm12 OSC_WAVE 0 - 10 TRI, SAW, P10, P20, P30, P1S, P2S, P3S, P1D, P2D, P3D prm13 OSC_VIB_DEPTH 0 - - 127 prm14 FIL_TYPE 0 - 5 LP1, BP1, HP1, LP2, BP2, HP2 prm15 FIL_ATTACK 0 - - 127 prm16 FIL_SUSTAIN 0 - - 127 prm17 FIL_RELEASE 0 - - 127 prm18 FIL_LFO_DEPTH 0 - - 127 prm19 AMP_ENV_DEPTH 0 - - 127 prm20 AMP_ATTACK 0 - - 127 prm21 AMP_DECAY 0 - - 127 prm22 AMP_SUSTAIN 0 - - 127 prm23 AMP_RELEASE 0 - - 127 prm24 AMP_LFO_DEPTH 0 - - 127 prm25 EFX_TYPE 0 - 10 OD1, OD2, DS1, DS2, PH1, PH2, PH3, PH4, SL1, SL2, OFF --------------------------------------------------------------------------------TYPE 2:Bass prm1 TONE 0 - - 128 prm2 TUNE 0 - 127 -64 - 63 prm3 ENV_MOD 0 - - 127 prm4 ACCENT 0 - - 127 prm5 CUTOFF 0 - - 127 prm6 RESONANCE 0 - - 127 prm7 DECAY 0 - - 127 prm8 LEVEL 0 - - 127 prm9 PAN 0 - 127 L64 - R63 prm10 LFO_RATE 0 - - 120, 16n, 8n, 4n, 2n, 1-b, 2-b, 4-b prm11 LFO_WAVE 0 - 3 TRI, SQR, SAW, S-H prm12 OSC_WAVE 0 - 10 TRI, SAW, P10, P20, P30, P1S, P2S, P3S, P1D, P2D, P3D prm13 OSC_VIB_DEPTH 0 - - 127 prm14 FIL_TYPE 0 - 5 LP1, BP1, HP1, LP2, BP2, HP2 prm15 FIL_ATTACK 0 - - 127 prm16 FIL_SUSTAIN 0 - - 127 prm17 FIL_RELEASE 0 - - 127 prm18 FIL_LFO_DEPTH 0 - - 127 prm19 AMP_ENV_DEPTH 0 - - 127 prm20 AMP_ATTACK 0 - - 127 prm21 AMP_DECAY 0 - - 127 prm22 AMP_SUSTAIN 0 - - 127 prm23 AMP_RELEASE 0 - - 127 prm24 AMP_LFO_DEPTH 0 - - 127 prm25 TB_MODE 0 - 1 OFF, ON --------------------------------------------------------------------------------TYPE 3:Rhythm prm1 DRUM_KIT 0 - - 10 prm5 BD_LEVEL 0 - - 127 prm6 SD_LEVEL 0 - - 127 prm7 HH_LEVEL 0 - - 127 prm8 LEVEL 0 - - 127 prm9 PAN 0 - 127 L64 - R63 --------------------------------------------------------------------------------TYPE 4:Filter--prm1 EFFECT_TYPE 0 - 7 F-1 - F-8 prm2 RATE 0 - - 127 prm3 DEPTH 0 - - 127 prm4 RESONANCE 0 - - 127 --------------------------------------------------------------------------------TYPE 5:Isolator prm1 EFFECT_TYPE 0 - 6 I-1 - I-7 prm2 LOW 0 - - 127 prm3 MIDDLE 0 - - 127 prm4 HIGH 0 - - 127 --------------------------------------------------------------------------------TYPE 6:Phaser prm1 EFFECT_TYPE 0 - 7 P-1 - P-8 prm2 RATE 0 - - 127 prm3 DEPTH 0 - - 127 prm4 RESONANCE 0 - - 127 --------------------------------------------------------------------------------TYPE 7:Slicer prm1 EFFECT_TYPE 0 - 6 S-1 - S-7 prm2 RATE 0 - - 127 prm3 GATE_TIME 0 - - 127 prm4 PAN 0 - 127 L64 - R63 ---------------------------------------------------------------------------------
1-3.Process Patch
++ | Offset | | | Address | Description | |+| | | 0aaa aaaa | Process Patch | | : | : | : | |+| |Total size | | ++
6. Supplementary Material
Calculating a checksum of an Exclusive message
Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.
1-4.Memory Save Request
++ | Offset | | | Address | Description | |+| | | | Memory Save Request 0 | |+| |Total size | | ++
How to calculate the checksum (hexadecimal numbers are indicated by H)
The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits. Heres an example of how the checksum is calculated. We will assume that in the Exclusive message we are transmitting, the address is aa bb cc ddH and the data or size is ee ffH. aa + bb + cc + dd + ee + ff = sum sum 128 = quotient. remainder 128 - remainder = checksum
MIDI Implementation Phrase Lab Model MC-09
Function.
Date : MAR. 28 , 2002
MIDI Implementation Chart
Transmitted Mode 3 OMNI OFF, POLY
**************
Version : 1.00
Remarks
Recognized *116 Mode 3 Mode 3
Basic Channel
Default Changed Default Messages Altered
Note Number : True Voice Velocity After Touch Pitch Bend
O X X X O
O O O O O
Note On Note Off Key's Channel's
: True Number
System Exclusive : Song Position System : Song Select Common : Tune Request System : Clock Real Time : Commands
O X X X O O
X : All Sound Off : Reset All Controllers X Aux X : Local On/Off Messages : All Notes Off X O : Active Sensing X : System Reset Notes
*1 *2 *3 *4
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO
X O X X X
O X O O O O O O O O O O
*1 *1 *1 *1 Bank select Modulation Volume Panpot Portament
X O O O O O O
Step Sequencer *1 *1 *1 *1 *1 *1
General purpose controller (C1) General purpose controller (C2) General purpose controller (C3) General purpose controller (CUTOFF) General purpose controller (RESO) General purpose controller (DECAY)
O 0127 O X X X O O X O X O (123127) O X
*1 Program No. 1128 *1
*1 *2 *1 *3
O X is selectable. When Sync Mode is SLAVE. When Sync Mode is SLAVE or REMOTE. Mode messages (123127) are stored/transmitted after All Note Off processing is performed. O : Yes X : No
Tweak, Sample, Loop.
The MC-09 PhraseLab is a new creative tool for producing loops. Combining an analog modeling synth, step sequencer, 4-part audio looper, and effects processor, this instrument helps musicians develop loops with multiple variations. The MC-09 is a must for musicians, DJs and synth enthusiasts who work with audio phrases and want powerful analog-modeled synthesis at an affordable price.
-------------------------------------------------------------- -------------------------------------------------------------Its a Synth! Its an Effects Processor!
First and foremost, the MC-09 is a powerful modeling synthesizer designed in the tradition of Rolands analog synths of the past. Using six control knobs, users can create a wide variety of monophonic synth and rhythm sounds which can be played via the MC-09s pads and 32-step sequencer, or MIDI. Even drum patterns can be programmed with Rolands popular TR-REC method, first introduced on TR-Series Rhythm Composers. With the PhraseLab, theres no need to hunt down vintage synths and drum machines its all here! Once the DSP synth has been freed up using the audio looper its time to add effects. Simply choose from one of the PhraseLabs four high-quality algorithms: Filter, Isolator, Phaser and Slicer. Effects can be applied to any of the four audio loops or to live inputs, and can be controlled in real time via the knobs for more intuitive tweaking.
-------------------------------------------------------------The PhraseLab in Action
Start by creating a synth or drum pattern using the step sequencer and record it as an audio loop. Repeat the process until you have drums, bass or any other sound recorded from the Line input. Then arrange up to four phrases with the sequencer and add effects. Once finished, you can save your workincluding synth/effect patches, sequences and audio loopsusing an optional SmartMedia card. Creating phrase-based music has never been this easy!
-------------------------------------------------------------Its an Audio Looper!
But the PhraseLab is more than just a synth. Its also an audio looper capable of playing back four monaural phrases up to six seconds each. (Phrases can be taken from the internal synth or external sources.) Best of all, looping is simple since the PhraseLab uses BPM and measures to automatically stop recording at the perfect point. Loops can be triggered with the step sequencer anywhere desiredeven at different pitches. And with the Divide !16 function, the MC-09 can automatically divide a loop into 16 slices for constructing new phrases.
*Actual product appearance may be subject to change without notice.
Tabletop synth/audio looper with onboard sequencing and effects Analog modeling monosynth creates realistic TB-303-like basslines, synth-lines, and analog-type rhythm sounds 4-track Audio Looper with mixer to create loop variations
Programmable step sequencer that emulates TB-303 sequencing (slides, accents, etc) Easy automatic looping using BPM and measures Loop Control function to get wild new phrases 4 built-in effects: Filter, Isolator, Phaser and Slicer that can be manipulated with the step sequencer SmartMedia slot for pattern/audio storage; MIDI In/Out
MC-09 Specifications
[DSP Synthesizer] q Max. Polyphony Lead: 1, Bass: 1, Rhythm: 3 q Preset Tones Lead: 128, Bass: 128, Rhythm: 10 q Effects Type (total 30): Filter, Isolator, Phaser, Slicer, Lead Sound Group: Overdrive, Distortion, Phaser, Slicer + Ring, Modulator [Step Sequencer] q Number of Steps Max. 32 q Resolution sixteenth note q Tempo quarter note = 40 to 240 q Preset Patterns Lead: 40, Bass: 60, Rhythm: 100, Effect: 30 q User Patterns Lead, Bass, Rhythm, Effect, Loop Control: total 20 q External Memory (Memory card) Pattern, Loop, All: 50 each q Signal Processing AD Conversion: 24 bits, DA Conversion: 24 bits q Sample Rate 44.1 kHz q Connectors Input L/R (RCA phono type), Output L/R (RCA phono type), Headphones (Stereo miniature phone type), MIDI (In, Out), DC In, Ground Terminal, Memory Card Slot q Power Supply AC Adaptor (DC 9V) q Current Draw 350 mA q Dimensions 318.6 (W) x 207.2 (D) x 69.5 (H) mm (12-9/16 x 8-3/16 x 2-3/4) q Weight (excl. AC Adaptor) 1.2 kg (2 lbs. 11 oz) q Accessories AC Adaptor, Lead Control Map Seal, Phrase CD (CD-Extra format), Memory Card Protector q Options MIDI Implementation
* 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.
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