Welcome

RD-700NX

Digit al Piano

Adding Additional Tones to a Live Set
You can layer new sounds into a live set by activating additional tones. Heres how: Select the desired live set. Press LAYER EDIT so it lights.
Congratulations on your purchase of the Roland RD-700NX. This TurboStart contains step-by-step instructions that will quickly introduce you to its major features.
Listening to the RD-700NXs Preset Live Sets
The RD-700NX contains 200 Preset live sets, and you can store up to 100 of your own. Use the following procedure to select a Preset live set on the RD-700NX. Press the desired PIANO, E. PIANO, or LIVE SET button to select a category. Use the INC and DEC buttons to choose live sets within the selected category.
Note: You can now see the live sets tones. To activate a tone thats not yet in use, press its UPPER 1 or 2 or LOWER 1 or 2 button so it lights. Press the 5 and 6 buttons to highlight the newly activated tone. To change the selected tone, press a PIANO, E. PIANO, or LIVE SET button to select the desired tone category. Use the INC/DEC buttons or the dial to choose a tone in the selected category.
Changing a Live Sets Tones
The sound of each live set is a result of the tones it plays. You can have two Upper tones and two Lower tones in a live set. The UPPER 1 and 2 and LOWER 1 and 2 buttons in the LAYER SWITCH/CONTROL area show you the tones that are active in the current live setif Upper 1 or 2, or Lower 1 or 2 is turned on, its button lights. Heres how to change these tones. 3 Press a PIANO, E. PIANO, or LIVE SET category button so it lights, and then choose the desired sound within that category. Press LAYER EDIT so it lights. Press the 6 button to highlight the desired tone onscreen.

Creating a Split

When youve got a live set that plays across the entire keyboard, you can divide, or split, the keyboard so that each hand plays a different tone or pair of tones as follows: Select the desired live set. Press SPLIT so it lightsthe live sets Upper tones now play starting at the G below Middle C, and the Lower tones play below that key.
Note: The RD-700NXs PIANO and E. PIANO sounds are based on SuperNATURAL technology and have a unique internal structure in which Upper 1 cant be selected or changed. Note: If you highlight a tone thats not already turned on, its UPPER 1 or 2 or LOWER 1 or 2 button flashes. If you want to activate the tone, press the flashing button so it lights. When LAYER EDIT is turned on, the PIANO, E. PIANO, and LIVE SET buttons act as shortcut buttons that select tone categories instead of live set categories. Press a PIANO, E. PIANO, or LIVE SET button to select the desired tone category. Use the INC/DEC buttons or the dial to choose a tone in the selected category.
Note: You can change the split point by holding down the SPLIT button and touching the lowest key that you want play the Upper tones. 3 Press LAYER EDIT so it lights.
Note: You can now see the live sets tones. To turn a tone on or off, press its UPPER 1 or 2 or LOWER 1 or 2 button to light or unlight it. Press the 5 and 6 buttons to highlight the various Upper and Lower tones and turn the dial to change the sound currently assigned to each as described earlier.
Note: You can also use these steps to change other tones in a live set.
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TBS276

Transposing the RD-700NX

Use the following procedure to transpose your RD-700NX. 3 Press and hold the TRANSPOSE button to display the TRANSPOSE menu. While continuing to hold the TRANSPOSE button, use the INC and DEC buttons to raise or lower the transposition amount in half-steps. Release the TRANSPOSE buttonit lights to indicate that the Transpose feature is turned on.

How to Save a Live Set

The RD-700NX has 100 live set memory locations in which you can save your favorite settings. Use the following procedure to save your current settings as a live set on the RD-700NX. 3 Press the WRITE button so it lights. Using the 3 and 4 buttons to select character positions and the INC/DEC buttons to select characters, enter the name you want to use for your new live set. Press the 6 button to highlight the number at the bottom of the display, and then turn the dial to select a live set memory location.

Note: Press the TRANSPOSE button again so its not lit to turn off transposition. The RD-700NX remembers the most recent Transpose value until you change it or until you turn off the RD-700NX. This allows you to quickly re-engage transposition by simply pressing the TRANSPOSE button again.
Note: The live set User memory locations contain demonstration live sets. Feel free to replace them with your own live sets. Press the flashing ENTER button to display Are You Sure? Press ENTER once more to display Executing. and to finish saving your live set.

Recording Audio

Use the following procedure to RECORD AUDIO on the RD-700NX. Insert a formatted USB memory stick in the USB slot. Press SELECT so it lights. Press the LAYER EDIT button to select the SONG menu in the display. Press the TONE EDIT button to enter Record Standby. Press the flashing PLAY/STOP button to begin recording. When youre finished recording, press the lighted PLAY/STOP button to stop the recording process. You can now name your recorded song by using the 3 and 4 buttons and the INC and DEC buttons. When youre finished naming your song, press the flashing ENTER button to save the song.
How to Load a Live Set Youve Saved
Use the following procedure to select a live set youve created and saved on the RD-700NX. Press the USER button in the BANK area so it lights. Use the INC and DEC buttons to select the desired live set.

How to Play a Rhythm

Use the following procedure to play a rhythm on the RD-700NX. 3 Press the SELECT button so it lights. Press the LAYER EDIT button to select the RHYTHM screen. Press the / button to start and stop the rhythm.
Note: To change the tempo, press 5 to highlight the tempo and press the INC/DEC buttons or turn the dial. Note: To select a different rhythm pattern, press 6 to highlight the rhythm name and press the INC/DEC buttons or turn the dial.

OMNI ON (Controller number 125)
Status 2nd byte BnH 7DH n = MIDI channel number: * 3rd byte 00H 0H - FH (ch.1 - 16)

00H, 02H

00H, 05H
The same processing will be carried out as when All Notes Off is received. OMNI ON will not be turned on.
MONO (Controller number 126)
Status 2nd byte BnH 7EH n = MIDI channel number: mm = mono number: * 3rd byte mmH 0H - FH (ch.1 - 16) 00H - 10H (0 - 16)

7FH, 7FH

---, ---
POLY (Controller number 127)
Status 2nd byte BnH 7FH n = MIDI channel number: * 3rd byte 00H 0H - FH (ch.1 - 16)

GM2 System On

Status F0H Byte F0H 7EH 7FH 09H 03H F7H * Data byte 7EH 7FH 09H 03H Status F7H

System Realtime Message

Timing Clock Active Sensing
Status FEH * When Active Sensing is received, the unit will begin monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.
Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI 2 On) EOX (End Of Exclusive)
Not received when the Rx GM/GM2 System On parameter (EDIT: System: Rx GM/GM2 System ON) is OFF.

GM System Off

Status F0H Byte F0H 7EH 7FH 09H 02H F7H * Data byte 7EH, 7F, 09H, 02H Status F7H

System Exclusive Message

Status F0H F0H: ii = ID number: Data byte iiH, ddH,.,eeH System Exclusive Message status Status F7H
Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI Off) EOX (End Of Exclusive)

dd,.,ee = data: F7H:

an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Rolands manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH). 00H - 7FH (0 - 127) EOX (End Of Exclusive)
Not received when the Rx GS Reset parameter (EDIT: System: Rx GS Reset) is OFF.
Universal Realtime System Exclusive Messages

Master Volume

Status F0H Byte F0H 7FH 7FH 04H 01H llH mmH F7H * * Data byte 7FH, 7FH, 04H, 01H, llH, mmH Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Device Control) Sub ID#2 (Master Volume) Master Volume lower byte Master Volume upper byte EOX (End Of Exclusive) Status F7H
Of the System Exclusive messages received by this device, the Universal Non-realtime messages and the Universal Realtime messages and the Data Request (RQ1) messages and the Data Set (DT1) messages will be set automatically.
Universal Non-realtime System Exclusive Messages

This is the message that actually performs data transmission, and is used when you wish to transmit the data. Status F0H Data byte 41H, dev, 00H, 00H, 50H, 12H, aaH, bbH, ccH, ddH, eeH,. ffH, sum Status F7H
Byte F0H 41H dev 00H 00H 50H 12H aaH bbH ccH ddH eeH : ffH sum F7H *

: F7 *

This parameter affects drum instruments only.

Data Transmission

This instrument can use exclusive messages to exchange many varieties of internal settings with other devices. The model ID of the exclusive messages used by this instrument is 00H 00H 2BH.
Explanation Exclusive status ID number (Roland) Device ID (dev: 10H - 1FH, 7FH, Initial value is 10H) Model ID #1 (RD-700NX) Model ID #2 (RD-700NX) Model ID #3 (RD-700NX) Command ID (DT1) Address MSB: upper byte of the starting address of the data to be sent Address: upper middle byte of the starting address of the data to be sent Address: lower middle byte of the starting address of the data to be sent Address LSB: lower byte of the starting address of the data to be sent. Data: the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address. : Data Checksum EOX (End Of Exclusive)

Data Request 1 RQ1 (11H)

This message requests the other device to transmit data. The address and size indicate the type and amount of data that is requested. When a Data Request message is received, if the device is in a state in which it is able to transmit data, and if the address and size are appropriate, the requested data is transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted. Status F0H data byte 41H, dev, 00H, 00H, 50H, 11H, aaH, bbH, ccH, ddH, ssH, ttH, uuH, vvH, sum Remarks Exclusive status ID number (Roland) Devdevice ID (dev: 10H - 1FH, 7FH) Model ID #1 (RD-700NX) Model ID #2 (RD-700NX) model ID #3 (RD-700NX) Command ID (RQ1) Address MSB Address Address Address LSB Size MSB Size Size Size LSB Checksum EOX (End Of Exclusive) status F7H
The amount of data that can be transmitted at one time depends on the type of data, and data will be transmitted from the specified starting address and size. Refer to the address and size given in Parameter Address Map (p. 9). Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each packet will be sent at an interval of about 20 ms. Regarding the checksum, please refer to p. 13.
Byte F0H 41H dev 00H 00H 50H 11H aaH bbH ccH ddH ssH ttH uuH vvH sum F7H *
The size of data that can be transmitted at one time is fixed for each type of data. And data requests must be made with a fixed starting address and size. Refer to the address and size given in Parameter Address Map (p. 9). For the checksum, refer to 13 page.

Attack Time (Controller number 73)
Status 2nd byte BnH 49H n = MIDI channel number: vv = Attack time value (relative change): * 3rd byte vvH 0H - FH (ch.1 - 16) 00H - 7FH (-64 - 0 - +63)
Status 2nd byte BnH 07H n = MIDI channel number: vv = Volume: * * 3rd byte vvH 0H - FH (ch.1 - 16) 00H - 7FH (0 - 127) These messages are transmitted when Attack Time is set in External Layer.
Status 2nd byte BnH 4AH n = MIDI channel number: vv = Cutoff value (relative change): * 3rd byte vvH 0H - FH (ch.1 - 16) 00H - 7FH (-64 - 0 - +63)
These messages are transmitted when Layer Level Slider is operated. These messages are transmitted when Volume value is set in External Layer.
These messages are transmitted when Cutoff value is set in External Layer.
Status 2nd byte BnH 4BH n = MIDI channel number: vv = Decay Time value (relative change): * 3rd byte vvH 0H - FH (ch.1 - 16) 00H - 40H - 7FH (-64 - 0 - +63)
These messages are transmitted when Decay Time value is set in External Layer.
Status 2nd byte BnH 5BH n = MIDI channel number: vv = Reverb Send Level: * 3rd byte vvH 0H - FH (ch.1 - 16) 00H - 7FH (0 - 127)
Status 2nd byte BnH 7EH n = MIDI channel number: * 3rd byte 01H 0H - FH (ch.1 - 16)
These messages are transmitted when Reverb value is set in External Layer. These messages are transmitted when Mono/Poly value is set to MONO in External Layer.
Status 2nd byte BnH 5DH n = MIDI channel number: vv = Chorus Send Level: * 3rd byte vvH 0H - FH (ch.1 - 16) 00H - 7FH (0 - 127)
These messages are transmitted when Chorus value is set in External Layer. These messages are transmitted when Mono/Poly value is set to POLY in External Layer.
Status 2nd byte 3rd byte BnH 65H mmH BnH 64H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm = upper byte (MSB) of parameter number specified by RPN ll = lower byte (LSB) of parameter number specified by RPN <<< RPN >>> Control Changes include RPN (Registered Parameter Numbers), which are extended. When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any order) should be sent in order to select the parameter, then Data Entry (Controller numbers 6 and 38) should be sent to set the value. Once RPN messages are received, Data Entry messages that is received at the same MIDI channel after that are recognized as changing toward the value of the RPN messages. In order not to make any mistakes, transmitting RPN Null is recommended after setting parameters you need. This device transmits the following RPNs. RPN MSB, LSB 00H, 00H Data entry MSB, LSB mmH, llH

| | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, RHY PLY/STP, SONG PLY/STP, SONG RESET, | | | | MFX1 SW, MFX2 SW, MFX1 CONTROL, MFX2 CONTROL, | | | | ROTARY SPEED, SOUND FOCUS VALUE, LIVESET-UP, | | | | LIVESET-DOWN | |-------------+-----------+----------------------------------------------------| | | 000a aaaa | System S1 Assign (0 - 20) | | | | OFF, COUPLE+1OCT, COUPLE-1OCT, | | | | COUPLE+2OCT, COUPLE-2OCT, | | | | COUPLE+5TH, COUPLE-4TH, | | | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, SONG PLY/STP, SONG RESET, | | | | SONG BWD, SONG FWD, MFX1 SW, MFX2 SW, | | | | ROTARY SPEED, | | | | LIVESET-UP, LIVESET-DOWN, PANEL LOCK | | | 000a aaaa | System S2 Assign (0 - 20) | | | | OFF, COUPLE+1OCT, COUPLE-1OCT, | | | | COUPLE+2OCT, COUPLE-2OCT, | | | | COUPLE+5TH, COUPLE-4TH, | | | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, SONG PLY/STP, SONG RESET, | | | | SONG BWD, SONG FWD, MFX1 SW, MFX2 SW, | | | | ROTARY SPEED, | | | | LIVESET-UP, LIVESET-DOWN, PANEL LOCK | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Tone Remain (0 - 1) | | | | OFF, ON | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * System Compressor +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 000a | Compressor Switch (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Low band Attack time (0 - 100) | | | 0aaa aaaa | Low band Release time (0 - 100) | | | 00aa aaaa | Low band Threshold (0 - 36) | | | | -36, -35, -34, -33, -32, -31, -30, -29, -28, | | | | -27, -26, -25, -24, -23, -22, -21, -20, -19, | | | | -18, -17, -16, -15, -14, -13, -12, -11, -10, | | | | -9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB] | | | 0000 aaaa | Low band Ratio (0 - 13) | | | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, | | | | 1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, | | | | 1:5.6, 1:8.0, 1:16, 1:INF | | | 000a aaaa | Low band Level (0 - 24) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, | | | | 10,11,12,13,14,15,16,17,18,19, | | | | 20,21,22,23,24 [dB] | | | 0aaa aaaa | Mid band Attack time (0 - 100) | | | 0aaa aaaa | Mid band Release time (0 - 100) | | | 00aa aaaa | Mid band Threshold (0 - 36) | | | | -36, -35, -34, -33, -32, -31, -30, -29, -28, | | | | -27, -26, -25, -24, -23, -22, -21, -20, -19, | | | | -18, -17, -16, -15, -14, -13, -12, -11, -10, | | | | -9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB] | | | 0000 aaaa | Mid band Ratio (0 - 13) | | | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, | | | | 1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, | | | | 1:5.6, 1:8.0, 1:16, 1:INF | | 00 0A | 000a aaaa | Mid band Level (0 - 24) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, | | | | 10,11,12,13,14,15,16,17,18,19, | | | | 20,21,22,23,24 [dB] | | 00 0B | 0aaa aaaa | High band Attack time (0 - 100) | | 00 0C | 0aaa aaaa | High band Release time (0 - 100) | | 00 0D | 00aa aaaa | High band Threshold (0 - 36) | | | | -36, -35, -34, -33, -32, -31, -30, -29, -28, | | | | -27, -26, -25, -24, -23, -22, -21, -20, -19, | | | | -18, -17, -16, -15, -14, -13, -12, -11, -10, | | | | -9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB] | | 00 0E | 0000 aaaa | High band Ratio (0 - 13) | | | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, | | | | 1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, | | | | 1:5.6, 1:8.0, 1:16, 1:INF | | 00 0F | 000a aaaa | High band Level (0 - 24) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, | | | | 10,11,12,13,14,15,16,17,18,19, | | | | 20,21,22,23,24 [dB] | | | 0000 aaaa | Split Freq Low (0 - 13) | | | | 40, 50, 63, 80, 100, 125, | | | | 160, 200, 250, 315, 400, | | | | 500, 630, 800 [Hz] | | | 0000 aaaa | Split Freq High (0 - 13) | | | | 400, 500, 630, 800, 1000, | | | | 1250, 1600, 2000, 2500, 3150, | | | | 4000, 5000, 6300, 8000 [Hz] | | | 0aaa aaaa | Knob Value (0 - 127) | | | | Original, 1 - 127 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * System Favorite Live Set +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0aaa aaaa | One Touch Piano1 Current Number (0 - 127) | | | 0aaa aaaa | One Touch Piano2 Current Number (0 - 127) | | | 0aaa aaaa | One Touch Piano3 Current Number (0 - 127) | | | 0aaa aaaa | One Touch E.Piano1 Current Number (0 - 127) | | | 0aaa aaaa | One Touch E.Piano2 Current Number (0 - 127) | | | 0aaa aaaa | One Touch E.Piano3 Current Number (0 - 127) | |-------------+-----------+----------------------------------------------------| | | 0000 00aa | Favorite1 - 40 Live Set Category (0 - 3) | | | | One Touch Piano, One Touch E.Piano, Preset, User | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | Favorite1 - 40 Live Set Number (0 - 299) | | : | | | |# | | | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * System V-Link +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 000a | Mode (0 - 1) | | | | BANK/PC,NOTE | | | 0aaa aaaa | Lowest No (0 - 127) | | | 0000 aaaa | Transmit Channel (0 - 15) | | | 0000 0aaa | Output Port (0 - 4) | | | | ALL, OUT1, OUT2, OUT3, USB | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Key Range Lower (0 - 87) | | | 0aaa aaaa | Key Range Upper (0 - 87) | | | 0000 000a | Local Control (0 - 1) | | | | OFF, ON | |-------------+----------------------------------------------------------------|

| | Total Size | +------------------------------------------------------------------------------+ * System Switch Assign +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 000a aaaa | One Touch Piano Variation Number (0 - 31) | | | 000a aaaa | One Touch Piano Variation Number (0 - 31) | | | 000a aaaa | One Touch Piano Variation Number (0 - 31) | |-------------+----------------------------------------------------------------| | | 000a aaaa | One Touch E.Piano Variation Number (0 - 31) | | | 000a aaaa | One Touch E.Piano Variation Number (0 - 31) | | | 000a aaaa | One Touch E.Piano Variation Number (0 - 31) | |-------------+-----------+----------------------------------------------------| | | 00aa aaaa | Live Set Switch 1 Preset Variation Number (0 - 63) | | | 00aa aaaa | Live Set Switch 2 Preset Variation Number (0 - 63) | | : | | | | 00 0F | 00aa aaaa | Live Set Switch 10 Preset Variation Number(0 - 63) | |-------------+-----------+----------------------------------------------------| | | 00aa aaaa | Live Set Switch 1 User Variation Number (0 - 63) | | | 00aa aaaa | Live Set Switch 2 User Variation Number (0 - 63) | | : | | | | | 00aa aaaa | Live Set Switch 10 User Variation Number (0 - 63) | |-------------+----------------------------------------------------------------| | 00 1A | Total Size | +------------------------------------------------------------------------------+ * Live Set Common +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0aaa aaaa | Live Set Name 1 (32 - 127) | | | | 32 - 127 [ASCII] | | | 0aaa aaaa | Live Set Name 2 (32 - 127) | | | | 32 - 127 [ASCII] | | : | | | | 00 0F | 0aaa aaaa | Live Set Name 16 (32 - 127) | | | | 32 - 127 [ASCII] | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Voice Reserve 1 (0 - 64) | | | | 0 - 63, FULL | | | 0aaa aaaa | Voice Reserve 2 (0 - 64) | | | | 0 - 63, FULL | | : | | | | 00 1F | 0aaa aaaa | Voice Reserve 16 (0 - 64) | | | | 0 - 63, FULL | |-------------+-----------+----------------------------------------------------| |# | 0000 000a | | | | 0000 bbbb | | | | 0000 cccc | Live Set Tempo (10 - 500) | |-------------+-----------+----------------------------------------------------| |# | 0000 aaaa | | | | 0000 bbbb | FC 1 Assign (0 - 144) | | | | OFF, CC00 - CC127, | | | | BEND-UP, BEND-DOWN, AFTERTOUCH, | | | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, RHY PLY/STP, SONG PLY/STP, SONG RESET, | | | | MFX1 SW, MFX2 SW, MFX1 CONTROL, MFX2 CONTROL, | | | | ROTARY SPEED, SOUND FOCUS VALUE | |# | 0000 aaaa | | | | 0000 bbbb | FC 2 Assign (0 - 144) | | | | OFF, CC00 - CC127, | | | | BEND-UP, BEND-DOWN, AFTERTOUCH, | | | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, RHY PLY/STP, SONG PLY/STP, SONG RESET, | | | | MFX1 SW, MFX2 SW, MFX1 CONTROL, MFX2 CONTROL, | | | | ROTARY SPEED, SOUND FOCUS VALUE | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Sound Focus Switch (0 - 1) | | | | OFF, ON | | | 000a aaaa | Sound Focus Type (0 - 31) | | | | OFF, PIANO TYPE1, PIANO TYPE2,| | | | E.PIANO TYPE, SOUND LIFT, ENHANCER,| | | | MID BOOST | | | 0aaa aaaa | Sound Focus Value (0 - 127) | |-------------+-----------+----------------------------------------------------| | 00 2A | 000a aaaa | S1 Assign (0 - 17) | | | | OFF, COUPLE+1OCT, COUPLE-1OCT, | | | | COUPLE+2OCT, COUPLE-2OCT, | | | | COUPLE+5TH, COUPLE-4TH, | | | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, SONG PLY/STP, SONG RESET, | | | | SONG BWD, SONG FWD, MFX1 SW, MFX2 SW, | | | | ROTARY SPEED | | 00 2B | 000a aaaa | S2 Assign (0 - 17) | | | | OFF, COUPLE+1OCT, COUPLE-1OCT, | | | | COUPLE+2OCT, COUPLE-2OCT, | | | | COUPLE+5TH, COUPLE-4TH, | | | | OCT-UP, OCT-DOWN, START/STOP, | | | | TAP-TEMPO, SONG PLY/STP, SONG RESET, | | | | SONG BWD, SONG FWD, MFX1 SW, MFX2 SW, | | | | ROTARY SPEED | |-------------+-----------+----------------------------------------------------| | 00 2C | 0000 000a | S1 State (0 - 1) | | | | OFF, ON | | 00 2D | 0000 000a | S2 State (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | 00 2E | 0000 000a | EQ Switch (0 - 1) | | | | OFF, ON | | 00 2F | 000a aaaa | EQ Input Gain (0 - 30) | | | | -15 - +15[dB] | | | 0000 000a | EQ Low Type (0 - 1) | | | | Shelving, Peaking | | | 000a aaaa | EQ Low Frequency (0 - 30) | | | | 16,20,25,31,40,50,63,80,100,125,160, | | | | 200.250,315,400,500,630,800,1000, | | | | 1250,1600,2000,2500,3150,4000,5000, | | | | 6300,8000,10000,12500,16000,[Hz] | | | 0aaa aaaa | EQ Low Gain (4 - 124) | | | | -12.0 - +12.0[dB] (1step = 0.2dB) | | | 0000 0aaa | EQ Low Q (0 - 4) | | | | 0.5, 1.0, 2.0, 4.0, 8.0 | | | 000a aaaa | EQ Mid Frequency (0 - 30) | | | | 16,20,25,31,40,50,63,80,100,125,160, | | | | 200.250,315,400,500,630,800,1000, | | | | 1250,1600,2000,2500,3150,4000,5000, | | | | 6300,8000,10000,12500,16000,[Hz] | | | 0aaa aaaa | EQ Mid Gain (4 - 124) | | | | -12.0 - +12.0[dB] (1step = 0.2dB) | | | 0000 0aaa | EQ Mid Q (0 - 4) | | | | 0.5, 1.0, 2.0, 4.0, 8.0 | | | 000a aaaa | EQ Mid Frequency (0 - 30) | | | | 16,20,25,31,40,50,63,80,100,125,160, | | | | 200.250,315,400,500,630,800,1000, | | | | 1250,1600,2000,2500,3150,4000,5000, | | | | 6300,8000,10000,12500,16000,[Hz] | | | 0aaa aaaa | EQ Mid Gain (4 - 124) | | | | -12.0 - +12.0[dB] (1step = 0.2dB) | | | 0000 0aaa | EQ Mid Q (0 - 4) | | | | 0.5, 1.0, 2.0, 4.0, 8.0 | | 00 3A | 0000 000a | EQ High Type (0 - 1) | | | | Shelving, Peaking | | 00 3B | 000a aaaa | EQ High Frequency (0 - 30) | | | | 16,20,25,31,40,50,63,80,100,125,160, |

| | | 200.250,315,400,500,630,800,1000, | | | | 1250,1600,2000,2500,3150,4000,5000, | | | | 6300,8000,10000,12500,16000,[Hz] | | 00 3C | 0aaa aaaa | EQ High Gain (4 - 124) | | | | -12.0 - +12.0[dB] (1step = 0.2dB) | | 00 3D | 0000 0aaa | EQ High Q (0 - 4) | | | | 0.5, 1.0, 2.0, 4.0, 8.0 | |-------------+-----------+----------------------------------------------------| | 00 3E | 0aaa aaaa | Key Touch Velocity (0 - 127) | | | | REAL, 1 - 127 | | 00 3F | 0000 0aaa | Key Touch Curve Type (1 - 5) | | | | SUPER LIGHT, LIGHT, | | | | MEDIUM, HEAVY, SUPER HEAVY | | | 000a aaaa | Key Touch Curve offset (54 - 73) | | | | -10 - +9 | | | 0aaa aaaa | Key Touch Velocity Delay Sens (1 - 127) | | | | -63 - +63 | | | 0aaa aaaa | Key Touch Velocity Key Follow (1 - 127) | | | | -63 - +63 | | | 0000 000a | Key Off Position (0 - 1) | | | | STANDARD, DEEP | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Slider Select (0 - 1) | | | | LAYER LEVEL, CONTROL | |# | 0000 aaaa | | | | 0000 bbbb | Slider Assign (UPPER1) (0 - 133) | | | | OFF, CC00 - CC127, | | | | BEND-UP, BEND-DOWN, AFTERTOUCH, | | | | MFX1 CONTROL, MFX2 CONTROL | |# | 0000 aaaa | | | | 0000 bbbb | Slider Assign (UPPER2) (0 - 133) | | | | 0 - 134 | |# | 0000 aaaa | | | | 0000 bbbb | Slider Assign (LOWER1) (0 - 133) | | | | 0 - 134 | |# 00 4B | 0000 aaaa | | | | 0000 bbbb | Slider Assign (LOWER2) (0 - 133) | | | | 0 - 134 | |-------------+-----------+----------------------------------------------------| | 00 4D | 0000 000a | Split Switch (Internal) (0 - 1) | | | | OFF, ON | | 00 4E | 0000 000a | Split Switch (External) (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | 00 4F | 0000 aaaa | Harmonic Bar Assign (LOWER2:ON) (1 - 9) | | | | 16',5-1/3',8',4',2-2/3',1-3/5',2',1-1/3',1' | | | 0000 aaaa | Harmonic Bar Assign (LOWER2:OFF) (1 - 9) | | | 0000 aaaa | Harmonic Bar Assign (LOWER1:ON) (1 - 9) | | | 0000 aaaa | Harmonic Bar Assign (LOWER1:OFF) (1 - 9) | | | 0000 aaaa | Harmonic Bar Assign (UPPER2:ON) (1 - 9) | | | 0000 aaaa | Harmonic Bar Assign (UPPER2:OFF) (1 - 9) | | | 0000 aaaa | Harmonic Bar Assign (UPPER1:ON) (1 - 9) | | | 0000 aaaa | Harmonic Bar Assign (UPPER1:OFF) (1 - 9) | |-------------+-----------+----------------------------------------------------| | | 0000 00aa | MFX Control Destination (0 - 3) | | | | UPPER1, UPPER2, LOWER1, LOWRE2 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set Song/Rhythm +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 000a | (reserved) | | | 0aaa aaaa | Audio Level (0 - 127) | | | 0aaa aaaa | Song Level (0 - 127) | |-------------+-----------+----------------------------------------------------| | | 0000 0aaa | Song Output Port (0 - 5) | | | | ALL, INT, OUT1, OUT2, OUT3, USB | |-------------+-----------+----------------------------------------------------| | | 0000 aaaa | Rhythm Set for Rhythm Pattern (0 - 13) | | | 0aaa aaaa | Rhythm Level (0 - 127) | |# | 0000 aaaa | | | | 0000 bbbb | Rhythm Pattern (0 - 200) | | | 000a aaaa | Rhythm MIDI Out Channel (0 - 16) | | | | OFF,1-16 | | 00 0A | 0000 0aaa | Rhythm Output Port (0 - 5) | | | | ALL, INT, OUT1, OUT2, OUT3, USB | |-------------+-----------+----------------------------------------------------| |-------------+----------------------------------------------------------------| | 00 0B | Total Size | +------------------------------------------------------------------------------+ * Live Set Chorus +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 aaaa | Chorus Type (0 - 3) | | | | OFF, CHORUS, DELAY, GM2 CHORUS | | | 0aaa aaaa | Chorus Level (0 - 127) | | | 0000 00aa | (reserved) | | | 0000 00aa | Chorus Output Select (0 - 2) | | | | MAIN, REV, MAIN+REV | |-------------+-----------+----------------------------------------------------| |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 1 (12768 - 52768) | | | | -20000 - +20000 | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 2 (12768 - 52768) | | | | -20000 - +20000 | | : | | | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 20 (12768 - 52768) | | | | -20000 - +20000 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set Reverb +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 aaaa | Reverb Type (0 - 6) | | | | OFF, REVERB, ROOM, HALL, PLATE, | | | | GM2 REVERB, CATHEDRAL | | | 0aaa aaaa | Reverb Level (0 - 127) | |-------------+-----------+----------------------------------------------------| |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Parameter 1 (12768 - 52768) | | | | -20000 - +20000 | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Parameter 2 (12768 - 52768) | | | | -20000 - +20000 | | : | | |

|# 00 4F | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Parameter 20 (12768 - 52768) | | | | -20000 - +20000 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set MFX +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 000a | MFX Switch (0 - 1) | |-------------+-----------+----------------------------------------------------| |# | 0000 aaaa | | | | 0000 bbbb | MFX Type (0 - 255) | |-------------+-----------+----------------------------------------------------| |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 1 (12768 - 52768) | | | | -20000 - +20000 | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 2 (12768 - 52768) | | | | -20000 - +20000 | | : | | | |# 01 0D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 32 (12768 - 52768) | | | | -20000 - +20000 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set Resonance +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 000a | Resonance Switch (0 - 1) | |-------------+-----------+----------------------------------------------------| |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Resonance Parameter 1 (12768 - 52768) | | | | -20000 - +20000 | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Resonance Parameter 2 (12768 - 52768) | | | | -20000 - +20000 | | : | | | |# 01 0D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Resonance Parameter 32 (12768 - 52768) | | | | -20000 - +20000 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set Internal Layer +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0aaa aaaa | Layer Level (CC# 7) (0 - 127) | | | 0aaa aaaa | Layer Pan (CC# 10) (0 - 127) | | | | L64 - 63R | | | 0aaa aaaa | Chorus Amount (0 - 127) | | | 0aaa aaaa | Reverb Amount (0 - 127) | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Keyboard Range Lower (0 - 87) | | | | A0 - UPPER | | | 0aaa aaaa | Keyboard Range Upper (0 - 87) | | | | LOWER - C8 | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Velocity Range Lower (1 - 127) | | | 0aaa aaaa | Velocity Range Upper (1 - 127) | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Velocity Sensitivity (1 - 127) | | | | -63 - +63 | | | 0aaa aaaa | Velocity Max (1 - 127) | |-------------+-----------+----------------------------------------------------| | 00 0A | 0aaa aaaa | keyboard Transpose (16 - 112) | | | | -48 - +48 | |-------------+-----------+----------------------------------------------------| | 00 0B | 0000 000a | Layer Switch (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | 00 0C | 0000 000a | Receive Damper Switch (0 - 1) | | | | OFF, ON | | 00 0D | 0000 000a | Receive FC1 Switch (0 - 1) | | | | OFF, ON | | 00 0E | 0000 000a | Receive FC2 Switch (0 - 1) | | | | OFF, ON | | 00 0F | 0000 000a | Receive Modulation Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Bender Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Control Slider Switch (UPPER1) (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Control Slider Switch (UPPER2) (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Control Slider Switch (LOWER1) (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Control Slider Switch (LOWER2) (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive S1 Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive S2 Switch (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Receive Bank Select Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Program Change Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | Receive Bender Switch (0 - 1) | | | | OFF, ON | | 00 1A | 0000 000a | Receive Modulation Switch (0 - 1) | | | | OFF, ON | | 00 1B | 0000 000a | Receive Volume Switch (0 - 1) | | | | OFF, ON | | 00 1C | 0000 000a | Receive Pan Switch (0 - 1) | | | | OFF, ON | | 00 1D | 0000 000a | Receive Hold-1 Switch (0 - 1) | | | | OFF, ON | | 00 1E | 0000 000a | Receive Expression (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | 00 1F | Total Size | +------------------------------------------------------------------------------+

* Live Set External Layer +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0aaa aaaa | Keyboard Range Lower (0 - 87) | | | | A0 - UPPER | | | 0aaa aaaa | Keyboard Range Upper (0 - 87) | | | | LOWER - C8 | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Velocity Range Lower (1 - 127) | | | | | | | 0aaa aaaa | Velocity Range Upper (1 - 127) | | | | | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Velocity Sensitivity (1 - 127) | | | | -63 - +63 | | | 0aaa aaaa | Velocity Max (1 - 127) | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | keyboard Transpose (16 - 112) | | | | -48 - +48 | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Layer Switch (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Damper Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | FC1 Switch (0 - 1) | | | | OFF, ON | | 00 0A | 0000 000a | FC2 Switch (0 - 1) | | | | OFF, ON | | 00 0B | 0000 000a | Modulation Switch (0 - 1) | | | | OFF, ON | | 00 0C | 0000 000a | Bender Switch (0 - 1) | | | | OFF, ON | | 00 0D | 0000 000a | Control Switch (MFX) (0 - 1) | | | | OFF, ON | | 00 0E | 0000 000a | Control Slider Switch (UPPER1) (0 - 1) | | | | OFF, ON | | 00 0F | 0000 000a | Control Slider Switch (UPPER2) (0 - 1) | | | | OFF, ON | | | 0000 000a | Control Slider Switch (LOWER1) (0 - 1) | | | | OFF, ON | | | 0000 000a | Control Slider Switch (LOWER2) (0 - 1) | | | | OFF, ON | | | 0000 0aaa | Transmit Port (0 - 4) | | | | ALL, OUT1, OUT2, OUT3, USB | |-------------+-----------+----------------------------------------------------| | | 0000 aaaa | Transmit Channel (0 - 15) | | | | 1 - 16 | | | 0000 000a | Transmit Bank Select MSB Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Bank Select MSB (CC# 0) (0 - 127) | | | 0000 000a | Transmit Bank Select LSB Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Bank Select LSB (CC# 32) (0 - 127) | | | 0000 000a | Transmit Program Change Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Program Change# (0 - 127) | |-------------+-----------+----------------------------------------------------| | 00 1A | 0000 000a | Transmit Level Switch (0 - 1) | | | | OFF, ON | | 00 1B | 0aaa aaaa | Transmit Level (CC# 7) (0 - 127) | |-------------+-----------+----------------------------------------------------| | 00 1C | 0000 000a | Transmit Pan Switch (0 - 1) | | | | OFF, ON | | 00 1D | 0aaa aaaa | Transmit Pan(CC# 10) (0 - 127) | | | | L64 - R63 | |-------------+-----------+----------------------------------------------------| | 00 1E | 0000 000a | Transmit Coarse Tune Switch (0 - 1) | | | | OFF, ON | | 00 1F | 0aaa aaaa | Transmit Coarse Tune (16 - 112) | | | | -48 - +48 | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Fine Tune Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Fine Tune (14 - 114) | | | | -50 - +50 | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Mono/Poly Switch (0 - 1) | | | | OFF, ON | | | 0000 00aa | Transmit Mono/Poly (0 - 1) | | | | MONO, POLY | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Portamento Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | Transmit Portamento Switch Value (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Portamento Time Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Portamento Time (0 - 127) | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Cutoff Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Cutoff (0 - 127) | | | | -64 - +63 | |-------------+-----------+----------------------------------------------------| | 00 2A | 0000 000a | Transmit Resonance Switch (0 - 1) | | | | OFF, ON | | 00 2B | 0aaa aaaa | Transmit Resonance (0 - 127) | | | | -64 - +63 | |-------------+-----------+----------------------------------------------------| | 00 2C | 0000 000a | Transmit Attack Time Switch (0 - 1) | | | | OFF, ON | | 00 2D | 0aaa aaaa | Transmit Attack Time (0 - 127) | | | | -64 - +63 | |-------------+-----------+----------------------------------------------------| | 00 2E | 0000 000a | Transmit Decay Time Switch (0 - 1) | | | | OFF, ON | | 00 2F | 0aaa aaaa | Transmit Decay Time (0 - 127) | | | | -64 - +63 | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Release Time Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Release Time (0 - 127) | | | | -64 - +63 | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Pitch Bend Range Switch (0 - 1) | | | | OFF, ON | | | 00aa aaaa | Transmit Pitch Bend Range (0 - 48) | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Modulation Depth Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Modulation Depth (0 - 127) | | | | 0 - 100 Cent | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Chorus Level Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Chorus Level (0 - 127) | |-------------+-----------+----------------------------------------------------| | | 0000 000a | Transmit Reverb Level Switch (0 - 1) | | | | OFF, ON | | | 0aaa aaaa | Transmit Reverb Level (0 - 127) | |-------------+-----------+----------------------------------------------------| | 00 3A | 0000 000a | Transmit Control Change 1 Switch (0 - 1) | | | | OFF, ON | | 00 3B | 0aaa aaaa | Transmit Control Change 1 Number (0 - 127) |

| 00 3C | 0aaa aaaa | Transmit Control Change 1 Value (0 - 127) | | 00 3D | 0000 000a | Transmit Control Change 2 Switch (0 - 1) | | | | OFF, ON | | 00 3E | 0aaa aaaa | Transmit Control Change 2 Number (0 - 127) | | 00 3F | 0aaa aaaa | Transmit Control Change 2 Value (0 - 127) | | | 0000 000a | S1 Switch (0 - 1) | | | | OFF, ON | | | 0000 000a | S2 Switch (0 - 1) | | | | OFF, ON | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set Tone +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Tone Bank Select MSB (CC# 0) (0 - 127) | | | 0aaa aaaa | Tone Bank Select LSB (CC# 32) (0 - 127) | | | 0aaa aaaa | Tone Program Change# (0 - 127) | |-------------+-----------+----------------------------------------------------| | | 0aaa aaaa | Coarse Tune (16 - 112) | | | | -48 - +48 | | | 0aaa aaaa | Fine Tune (14 - 114) | | | | -50 - +50 | | | 0000 00aa | Mono/Poly (0 - 2) | | | | MONO, POLY, MONO/LEGATO | | | 000a aaaa | Pitch Bend Range (0 - 24) | | | 0000 000a | Portamento Switch (0 - 1) | | | | OFF, ON | |# | 0000 aaaa | | | | 0000 bbbb | Portamento Time (0 - 127) | | 00 0A | 0aaa aaaa | Cutoff (0 - 127) | | | | -63 - +63 | | 00 0B | 0aaa aaaa | Resonance (0 - 127) | | | | -63 - +63 | | 00 0C | 0aaa aaaa | Attack Time (0 - 127) | | | | -63 - +63 | | 00 0D | 0aaa aaaa | Decay Time (0 - 127) | | | | -63 - +63 | | 00 0E | 0aaa aaaa | Release Time (0 - 127) | | | | -63 - +63 | |-------------+-----------+----------------------------------------------------| | 00 0F | Total Size | +------------------------------------------------------------------------------+ * Live Set Piano +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0aaa aaaa | Tone Number (0 - 8) | | | 00aa aaaa | Stereo Width (0 - 63) | | | 0000 00aa | Nuance (0 - 2) | | | | TYPE1, TYPE2, TYPE3 | | | 0aaa aaaa | Duplex Scale Level (0 - 127) | | | 0000 0aaa | Hammer Noise Level (62 - 66) | | | | -2 - 2 | | | 0aaa aaaa | Damper Noise Level (0 - 127) | | | 0aaa aaaa | String Resonance Level (0 - 127) | | | 0aaa aaaa | Key Off Resonance Level (0 - 127) | | | 0aaa aaaa | Sound Lift (0 - 127) | | | 0000 aaaa | Tone Character (59 - 69) | | | | -5 - 5 | | 00 0A | 0000 00aa | Stretch Tune Type (0 - 2) | | | | OFF, PRST, USER | |# 00 0B | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MicroTune 1 (12 - 1012) | | | | -50.0 - +50.0 | |# 00 0F | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MicroTune 2 (12 - 1012) | | | | -50.0 - +50.0 | | : | | | |# | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MicroTune 128 (12 - 1012) | | | | -50.0 - +50.0 | |-------------+----------------------------------------------------------------| | 04 0B | Total Size | +------------------------------------------------------------------------------+ * Live Set E.Piano +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 aaaa | Model Type (0 - 11) | | | | | | | 0000 000a | Tuning Type (0 - 1) | | | | Type1, Type2 | | | 000a aaaa | ToneBar Fork Angle (54 - 74) | | | | -10 - +10 | | | 000a aaaa | ToneBar Bell Level (54 - 74) | | | | -10 - +10 | | | 000a aaaa | Bell Character (54 - 74) | | | | -10 - +10 | | | 000a aaaa | Key Off Mute Sound Level (54 - 74) | | | | -10 - +10 | | | 000a aaaa | HUM Noise Level (54 - 74) | | | | -10 - +10 | | | 000a aaaa | Damper Sound Level (54 - 74) | | | | -10 - +10 | | | 0000 0aaa | Pickup Distance (62 - 66) | | | | -2 - +2 | |-------------+----------------------------------------------------------------| | | Total Size | +------------------------------------------------------------------------------+ * Live Set ToneWheel +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | | 0000 00aa | Percussion Harmonic (0 - 2) | | | | OFF, 2ND, 3RD | | | 0000 000a | Percussion Decay (0 - 1) | | | | SLOW, FAST | | | 0000 aaaa | Harmonic Bar 16' (0 - 8) | | | 0000 aaaa | Harmonic Bar 5-1/3' (0 - 8) | | | 0000 aaaa | Harmonic Bar 8' (0 - 8) | | | 0000 aaaa | Harmonic Bar 4' (0 - 8) | | | 0000 aaaa | Harmonic Bar 2-2/3' (0 - 8) | | | 0000 aaaa | Harmonic Bar 2' (0 - 8) | | | 0000 aaaa | Harmonic Bar 1-3/5' (0 - 8) | | | 0000 aaaa | Harmonic Bar 1-1/3' (0 - 8) | | 00 0A | 0000 aaaa | Harmonic Bar 1' (0 - 8) | |-------------+----------------------------------------------------------------| | 00 0B | Total Size | +------------------------------------------------------------------------------+

Decimal and Hexadecimal Table
(An H is appended to the end of numbers in hexadecimal notation.) In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.
++++++++++++ | D | H || D | H || D | H || D | H | ++++++++++++ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | ++++++++++++
D: decimal H: hexadecimal * * Decimal values such as MIDI channel and program change are listed as one greater than the values given in the above table. A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb. In the case of values which have a sign, 00H = -64, 40H = 0, and 7FH = +63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = 0, and 7F 7FH = +8191. For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb - 64 x 128. Data marked Use nibbled data is expressed in hexadecimal in 4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.

<Example1> What is the decimal expression of 5AH?
From the preceding table, 5AH = 90
<Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits?
From the preceding table, since 12H = 18 and 34H = x 128 + 52 = 2356
<Example3> What is the decimal expression of the nibbled value 0A 0D?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16+3) x 16+9) x 16 + 13 = 41885
<Example4> What is the nibbled expression of the decimal value 1258?
16 ) ) 78.) 4.14 0. 4 Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 0E 0AH.
Examples of Actual MIDI Messages
<Example1> 92 3E 5F
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.
Example of an Exclusive Message and Calculating a Checksum
Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.
How to calculate the checksum
(hexadecimal numbers are indicated by H) The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits. Heres an example of how the check sum is calculated. We will assume that in the Exclusive message we are transmitting, the address is aa bb cc ddH and the data or size is ee ffH. aa + bb + cc + dd + ee + ff = sum sum 128 = quotient. remainder 128 - remainder = checksum

<Example2> CE 49

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute in GS).
<Example3> EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072 If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072) (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.

<Example1> Setting CHORUS TYPE to DELAY (DT1)
According to the Parameter Address Map (p. 9), the start address of Temporary Live Set is 00 00H, the offset address of CHORUS at Live Set is 04 00H, and the address of CHORUS TYPE is 00 00H. Therefore the address of CHORUS TYPE of Setup is; +) 00H 00H 00H 00H
<Example4> B0C 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called running status which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning. B3 (B3) (B3) (B3) (B3) (B3) 06 0C 64 7F 65 7F MIDI ch.4, lower byte of RPN parameter number: (MIDI ch.4) upper byte of RPN parameter number: (MIDI ch.4) upper byte of parameter value: (MIDI ch.4) lower byte of parameter value: (MIDI ch.4) lower byte of RPN parameter number: (MIDI ch.4) upper byte of RPN parameter number: 00H 00H 0CH 00H 7FH 7FH
DELAY has the value of 02H. So the system exclusive message should be sent is; F00 (1) (2) (3) (4) (5) address (1) Exclusive Status (2) ID (Roland) (4) Model ID (RD-700NX) (5) Command ID (DT1) Then calculate the checksum. 10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 2 = 22 (sum) 22 (sum) 128 = 0 (quotient). 22 (remainder) checksum = 128 - 22 (remainder) = 106 = 6AH This means that F02 6A F7 is the message should be sent.

02 data

?? checksum

F7 (6)

(3) Device ID (17) (6) End of Exclusive
In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH. RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to 12 semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.) Once the parameter number has been specified for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end. It is not desirable for Performance data (such as Standard MIDI File data) to contain many events with running status as given in <Example 4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status. It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480). * TPQN: Ticks Per Quarter Note