Roland SI-24 MIDI Implementation
SI-24 Version 1.00 Mar. 10, 2003
This is the MIDI Implementation in case MIDI control Mode of SI-24 is turned on. User mode 1 and 2 is not stated on this MIDI Implementation. In case MIDI control Mode is turned off, the control should be done through R-BUS.
1. TRANSMITTED DATA AND RECOGNIZED RECEIVE DATA

Channel Voice message

Note On/Off
This unit sends or receives Note On when it is operated under H mode. Status 9nH Second mmH Third llH
n = MIDI Channel No. mm = Note No. ll = Velocity
: 0H (0) : 00H (0) : 00H, 7FH (0, 127)

Polyphonic Key Pressure

This unit sends or receives Polyphonic Key Pressure when it is operated under S.C mode. Status AnH Second mmH Third llH
n = MIDI Channel No.: mm = Note No.: ll = Level Meter Value:
0H (0) 00H - 1BH, 20H - 29H, 30H - 39H, 40H - 49H (0 - 27, 32 - 41, 48 - 57, 64 - 73) 00H - 3FH, 41H - 7FH (0 - 63, 65 - 127)
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Operations corresponding to Polyphonic Key Pressure
S.C Mode Transmitting message
This unit sends message when value of fader or switch status changes. Knobs or Dials Note No. Level Meter Value --------------------------------------------------------------------------------------------------------------------------------------------PAN 1 00H, 10H ( 0, 16) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 2 01H, 11H ( 1, 17) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 3 02H, 12H ( 2, 18) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 4 03H, 13H ( 3, 19) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 5 04H, 14H ( 4, 20) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 6 05H, 15H ( 5, 21) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 7 06H, 16H ( 6, 22) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 8 07H, 17H ( 7, 23) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 9 08H, 18H ( 8, 24) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 10 09H, 19H ( 9, 25) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 11 0AH, 1AH (10, 26) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 12 0BH, 1BH (11, 27) (*1) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) EQ 1 0CH (12) 00H, 7FH (0:released,127:pressed) EQ 2 0DH (13) 00H, 7FH (0:released,127:pressed) EQ 3 0EH (14) 00H, 7FH (0:released,127:pressed) EQ 4 0FH (15) 00H, 7FH (0:released,127:pressed) 1 20H, 30H, 40H (32, 48, 64) (*2) 00H, 7FH (0:released,127:pressed) 2 21H, 31H, 41H (33, 49, 65) (*2) 00H, 7FH (0:released,127:pressed) 3 22H, 32H, 42H (34, 50, 66) (*2) 00H, 7FH (0:released,127:pressed) 4 23H, 33H, 43H (35, 51, 67) (*2) 00H, 7FH (0:released,127:pressed) 5 24H, 34H, 44H (36, 52, 68) (*2) 00H, 7FH (0:released,127:pressed) 6 25H, 35H, 45H (37, 53, 69) (*2) 00H, 7FH (0:released,127:pressed) 7 26H, 36H, 46H (38, 54, 70) (*2) 00H, 7FH (0:released,127:pressed) 8 27H, 37H, 47H (39, 55, 71) (*2) 00H, 7FH (0:released,127:pressed) 9 28H, 38H, 48H (40, 56, 72) (*2) 00H, 7FH (0:released,127:pressed) 0 29H, 39H, 49H (41, 57, 73) (*2) 00H, 7FH (0:released,127:pressed) (*1) Transmits message in order subject that [EQ/SEND] is On and [PLUG-IN] is On. (*2) Transmits message in order subject that [MARKER] is On, [SHORTCUT] is On and [SCREEN SET] is On.

Receiving message

Controls fader movement and On/Off of LED. Knobs or Dials Note No. Level Meter Value --------------------------------------------------------------------------------------------------------------------------------------------EQ 1 0CH (52) 00H, 02H (0:off, 2:red) EQ 2 0DH (53) 00H, 02H (0:off, 2:red) EQ 3 0EH (54) 00H, 02H (0:off, 2:red) EQ 4 0FH (55) 00H, 02H (0:off, 2:red) 1 20H, 30H, 40H (32, 48, 64) (*3) 00H, 02H (0:off, 2:red) 2 21H, 31H, 41H (33, 49, 65) (*3) 00H, 02H (0:off, 2:red) 3 22H, 32H, 42H (34, 50, 66) (*3) 00H, 02H (0:off, 2:red) 4 23H, 33H, 43H (35, 51, 67) (*3) 00H, 02H (0:off, 2:red) 5 24H, 34H, 44H (36, 52, 68) (*3) 00H, 02H (0:off, 2:red) 6 25H, 35H, 45H (37, 53, 69) (*3) 00H, 02H (0:off, 2:red) 7 26H, 36H, 46H (38, 54, 70) (*3) 00H, 02H (0:off, 2:red) 8 27H, 37H, 47H (39, 55, 71) (*3) 00H, 02H (0:off, 2:red) 9 28H, 38H, 48H (40, 56, 72) (*3) 00H, 02H (0:off, 2:red) 0 29H, 39H, 49H (41, 57, 73) (*3) 00H, 02H (0:off, 2:red) (*3) Receives message in order subject that [MARKER] is On, [SHORTCUT] is On and [SCREEN SET] is On.

Control Change

Status BnH Second mmH Third llH
n = MIDI Channel No.: mm = Controller No.: ll = Controller Value:

00H (ch.1) 00H - 7FH (0 - 119) 00H - 7FH (0 - 127)
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Operations corresponding to Control Change
L5 Mode Transmitting message
This unit transmits message when value of fader, switch status or encoder position changes. Knobs or Dials Controller No. Controller Value --------------------------------------------------------------------------------------------------------------------------------------------FADER 1 00H ( 0) 00H - 7FH (0:bottom-127:top) FADER 2 01H ( 1) 00H - 7FH (0:bottom-127:top) FADER 3 02H ( 2) 00H - 7FH (0:bottom-127:top) FADER 4 03H ( 3) 00H - 7FH (0:bottom-127:top) FADER 5 04H ( 4) 00H - 7FH (0:bottom-127:top) FADER 6 05H ( 5) 00H - 7FH (0:bottom-127:top) FADER 7 06H ( 6) 00H - 7FH (0:bottom-127:top) FADER 8 07H ( 7) 00H - 7FH (0:bottom-127:top) FADER 9 08H ( 8) 00H - 7FH (0:bottom-127:top) FADER 10 09H ( 9) 00H - 7FH (0:bottom-127:top) FADER 11 0AH (10) 00H - 7FH (0:bottom-127:top) FADER 12 0BH (11) 00H - 7FH (0:bottom-127:top) FADER MASTER 0CH (12) 00H - 7FH (0:bottom-127:top) Joy Stick X 0DH (13) 00H - 7FH (0:left-127:right) Joy Stick Y 0EH (14) 00H - 7FH (0:bottom-127:top) Jog wheel 0FH (15) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) STATUS 1 10H (16) 00H, 7FH (0:released, 127:pressed) STATUS 2 11H (17) 00H, 7FH (0:released, 127:pressed) STATUS 3 12H (18) 00H, 7FH (0:released, 127:pressed) STATUS 4 13H (19) 00H, 7FH (0:released, 127:pressed) STATUS 5 14H (20) 00H, 7FH (0:released, 127:pressed) STATUS 6 15H (21) 00H, 7FH (0:released, 127:pressed) STATUS 7 16H (22) 00H, 7FH (0:released, 127:pressed) STATUS 8 17H (23) 00H, 7FH (0:released, 127:pressed) STATUS 9 18H (24) 00H, 7FH (0:released, 127:pressed) STATUS 10 19H (25) 00H, 7FH (0:released, 127:pressed) STATUS 11 1AH (26) 00H, 7FH (0:released, 127:pressed) STATUS 12 1BH (27) 00H, 7FH (0:released, 127:pressed) CH SELECT 1 1CH (28) 00H, 7FH (0:released, 127:pressed) CH SELECT 2 1DH (29) 00H, 7FH (0:released, 127:pressed) CH SELECT 3 1EH (30) 00H, 7FH (0:released, 127:pressed) CH SELECT 4 1FH (31) 00H, 7FH (0:released, 127:pressed) CH SELECT 5 20H (32) 00H, 7FH (0:released, 127:pressed) CH SELECT 6 21H (33) 00H, 7FH (0:released, 127:pressed) CH SELECT 7 22H (34) 00H, 7FH (0:released, 127:pressed) CH SELECT 8 23H (35) 00H, 7FH (0:released, 127:pressed) CH SELECT 9 24H (36) 00H, 7FH (0:released, 127:pressed) CH SELECT 10 25H (37) 00H, 7FH (0:released, 127:pressed) CH SELECT 11 26H (38) 00H, 7FH (0:released, 127:pressed) CH SELECT 12 27H (39) 00H, 7FH (0:released, 127:pressed) PAN 1 28H (40) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 2 29H (41) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 3 2AH (42) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 4 2BH (43) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 5 2CH (44) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 6 2DH (45) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 7 2EH (46) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 8 2FH (47) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 9 30H (48) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 10 31H (49) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 11 32H (50) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 12 33H (51) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) EQ 1 34H (52) 00H, 7FH (0:released,127:pressed) EQ 2 35H (53) 00H, 7FH (0:released,127:pressed) EQ 3 36H (54) 00H, 7FH (0:released,127:pressed) EQ 4 37H (55) 00H, 7FH (0:released,127:pressed) PLUG IN 38H (56) 00H, 7FH (0:released,127:pressed) EQ/SEND 39H (57) 00H, 7FH (0:released,127:pressed) SHIFT 3AH (58) 00H, 7FH (0:released,127:pressed) AUTOMIX 3BH (59) 00H, 7FH (0:released,127:pressed) REC/PLAY 3CH (60) 00H, 7FH (0:released,127:pressed) SOLO 3DH (61) 00H, 7FH (0:released,127:pressed) MUTE 3EH (62) 00H, 7FH (0:released,127:pressed) INPUT 3FH (63) 00H, 7FH (0:released,127:pressed) OUTPUT 40H (64) 00H, 7FH (0:released,127:pressed) BUS 41H (65) 00H, 7FH (0:released,127:pressed) Tr1-12 42H (66) 00H, 7FH (0:released,127:pressed) Tr13-24 43H (67) 00H, 7FH (0:released,127:pressed) DIGITAL IN 44H (68) (*4) 00H, 7FH (0:released,127:pressed) SURROUND ON 45H (69) 00H, 7FH (0:released,127:pressed) SYSTEM 46H (70) 00H, 7FH (0:released,127:pressed) MARKER 47H (71) 00H, 7FH (0:released,127:pressed) SHORTCUT 48H (72) 00H, 7FH (0:released,127:pressed) SCREEN SET 49H (73) 00H, 7FH (0:released,127:pressed) 0 4AH (74) (*5) 00H, 7FH (0:released,127:pressed) 1 4BH (75) (*5) 00H, 7FH (0:released,127:pressed) 2 4CH (76) (*5) 00H, 7FH (0:released,127:pressed) 3 4DH (77) (*5) 00H, 7FH (0:released,127:pressed) 4 4EH (78) (*5) 00H, 7FH (0:released,127:pressed) 5 4FH (79) (*5) 00H, 7FH (0:released,127:pressed) 6 50H (80) (*5) 00H, 7FH (0:released,127:pressed) 7 51H (81) (*5) 00H, 7FH (0:released,127:pressed) 8 52H (82) (*5) 00H, 7FH (0:released,127:pressed) 9 53H (83) (*5) 00H, 7FH (0:released,127:pressed) PAUSE 54H (84) 00H, 7FH (0:released,127:pressed) REW 55H (85) 00H, 7FH (0:released,127:pressed) FF 56H (86) 00H, 7FH (0:released,127:pressed) STOP 57H (87) 00H, 7FH (0:released,127:pressed) PLAY 58H (88) 00H, 7FH (0:released,127:pressed) REC 59H (89) 00H, 7FH (0:released,127:pressed)

FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER
1 Touch 2 Touch 3 Touch 4 Touch 5 Touch 6 Touch 7 Touch 8 Touch 9 Touch 10 Touch 11 Touch 12 Touch MASTER Touch
5AH 5BH 5CH 5DH 5EH 5FH 60H 61H 62H 63H 64H 65H 66H
(90) (91) (92) (93) (94) (95) (96) (97) (98) (99) (100) (101) (102)
00H, 00H, 00H, 00H, 00H, 00H, 00H, 00H, 00H, 00H, 00H, 00H, 00H,
7FH 7FH 7FH 7FH 7FH 7FH 7FH 7FH 7FH 7FH 7FH 7FH 7FH
(0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed)
(*4) Transmits this only in case the DIGITAL IN is correctly input. (*5) Unit does not transmit this when [SYSTEM] is lit.
Controls fader movement and On/Off of LED. Knobs or Dials Controller No. Controller Value --------------------------------------------------------------------------------------------------------------------------------------------FADER 1 00H ( 0) 00H - 7FH (0:bottom-127:top) FADER 2 01H ( 1) 00H - 7FH (0:bottom-127:top) FADER 3 02H ( 2) 00H - 7FH (0:bottom-127:top) FADER 4 03H ( 3) 00H - 7FH (0:bottom-127:top) FADER 5 04H ( 4) 00H - 7FH (0:bottom-127:top) FADER 6 05H ( 5) 00H - 7FH (0:bottom-127:top) FADER 7 06H ( 6) 00H - 7FH (0:bottom-127:top) FADER 8 07H ( 7) 00H - 7FH (0:bottom-127:top) FADER 9 08H ( 8) 00H - 7FH (0:bottom-127:top) FADER 10 09H ( 9) 00H - 7FH (0:bottom-127:top) FADER 11 0AH (10) 00H - 7FH (0:bottom-127:top) FADER 12 0BH (11) 00H - 7FH (0:bottom-127:top) FADER MASTER 0CH (12) 00H - 7FH (0:bottom-127:top) STATUS 1 10H (16) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 2 11H (17) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 3 12H (18) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 4 13H (19) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 5 14H (20) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 6 15H (21) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 7 16H (22) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 8 17H (23) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 9 18H (24) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 10 19H (25) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 11 1AH (26) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 12 1BH (27) 00H - 03H (0:off, 1:green, 2:red, 3:orange) CH SELECT 1 1CH (28) 00H, 02H (0:off, 2:red) CH SELECT 2 1DH (29) 00H, 02H (0:off, 2:red) CH SELECT 3 1EH (30) 00H, 02H (0:off, 2:red) CH SELECT 4 1FH (31) 00H, 02H (0:off, 2:red) CH SELECT 5 20H (32) 00H, 02H (0:off, 2:red) CH SELECT 6 21H (33) 00H, 02H (0:off, 2:red) CH SELECT 7 22H (34) 00H, 02H (0:off, 2:red) CH SELECT 8 23H (35) 00H, 02H (0:off, 2:red) CH SELECT 9 24H (36) 00H, 02H (0:off, 2:red) CH SELECT 10 25H (37) 00H, 02H (0:off, 2:red) CH SELECT 11 26H (38) 00H, 02H (0:off, 2:red) CH SELECT 12 27H (39) 00H, 02H (0:off, 2:red) EQ 1 34H (52) 00H, 02H (0:off, 2:red) EQ 2 35H (53) 00H, 02H (0:off, 2:red) EQ 3 36H (54) 00H, 02H (0:off, 2:red) EQ 4 37H (55) 00H, 02H (0:off, 2:red) PLUG-IN 38H (56) 00H, 02H (0:off, 2:red) EQ/SEND 39H (57) 00H, 02H (0:off, 2:red) SHIFT 3AH (58) 00H, 02H (0:off, 2:red) AUTOMIX 3BH (59) 00H - 03H (0:off, 1:green, 2:red, 3:orange) REC/PLAY 3CH (60) 00H, 02H (0:off, 2:red) SOLO 3DH (61) 00H, 02H (0:off, 2:red) MUTE 3EH (62) 00H, 02H (0:off, 2:red) INPUT 3FH (63) 00H, 02H (0:off, 2:red) OUTPUT 40H (64) 00H, 02H (0:off, 2:red) BUS 41H (65) 00H, 02H (0:off, 2:red) Tr1-12 42H (66) 00H, 02H (0:off, 2:red) Tr13-24 43H (67) 00H, 02H (0:off, 2:red) SURROUND ON 45H (69) 00H, 02H (0:off, 2:red) MARKER 47H (71) 00H, 02H (0:off, 2:red) SHORTCUT 48H (72) 00H, 02H (0:off, 2:red) SCREEN SET 49H (73) 00H, 02H (0:off, 2:red) 0 4AH (74) (*6) 00H, 02H (0:off, 2:red) 1 4BH (75) (*6) 00H, 02H (0:off, 2:red) 2 4CH (76) (*6) 00H, 02H (0:off, 2:red) 3 4DH (77) (*6) 00H, 02H (0:off, 2:red) 4 4EH (78) (*6) 00H, 02H (0:off, 2:red) 5 4FH (79) (*6) 00H, 02H (0:off, 2:red) 6 50H (80) (*6) 00H, 02H (0:off, 2:red) 7 51H (81) (*6) 00H, 02H (0:off, 2:red) 8 52H (82) (*6) 00H, 02H (0:off, 2:red) 9 53H (83) (*6) 00H, 02H (0:off, 2:red) PLAY 58H (88) 00H, 02H (0:off, 2:green) REC 59H (89) 00H, 02H (0:off, 2:red) (*6) Unit does not receive this when [SYSTEM] is lit.

H Mode (*7) Transmitting message
This unit transmits message when value of fader, switch status or encoder position changes. Knobs or Dials Controller No. Controller Value --------------------------------------------------------------------------------------------------------------------------------------------FADER 1 00H ( 0) 00H - 7FH (0:bottom-127:top) 20H (32) 00H (0) FADER 2 01H ( 1) 00H - 7FH (0:bottom-127:top) 21H (32) 00H (0) FADER 3 02H ( 2) 00H - 7FH (0:bottom-127:top) 22H (32) 00H (0) FADER 4 03H ( 3) 00H - 7FH (0:bottom-127:top) 23H (32) 00H (0) FADER 5 04H ( 4) 00H - 7FH (0:bottom-127:top) 24H (32) 00H (0) FADER 6 05H ( 5) 00H - 7FH (0:bottom-127:top) 25H (32) 00H (0) FADER 7 06H ( 6) 00H - 7FH (0:bottom-127:top) 26H (32) 00H (0) FADER 8 07H ( 7) 00H - 7FH (0:bottom-127:top) 27H (32) 00H (0) Jog wheel 0FH (15) 0EH 2FH (47) 41H, 42H (65:Counter Clock Wise, 66:Clock wise) 2FH (47) 01H, 02H (01:Counter Clock Wise,02:Clock wise) STATUS 1 0FH (16) 00H, 18H (0,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 2 0FH (16) 01H, 18H (1,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 3 0FH (16) 02H, 18H (2,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 4 0FH (16) 03H, 18H (3,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 5 0FH (16) 04H, 18H (4,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 6 0FH (16) 05H, 18H (5,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 7 0FH (16) 06H, 18H (6,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 8 0FH (16) 07H, 18H (7,24) 2FH (47) 00H - 05H, 07H, 40H - 45H, 47H (0-5,7:released, 64-69,71:pressed) STATUS 11 4CH (26) 0FH (0) STATUS 12 4CH (27) 4FH (79) CH SELECT 1 0FH (15) 00H (0) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 2 0FH (15) 01H (1) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 3 0FH (15) 02H (2) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 4 0FH (15) 03H (3) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 5 0FH (15) 04H (4) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 6 0FH (15) 05H (5) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 7 0FH (15) 06H (6) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 8 0FH (15) 07H (7) 2FH (47) 01H, 06H, 41H, 46H (1,6:released, 49,54:pressed) CH SELECT 9 0FH (15) 1CH (28) 2FH (47) 00H, 02H, 40H, 42H (0,2:released, 64,66:pressed) CH SELECT 10 0FH (15) 1CH (28) 2FH (47) 00H, 03H, 40H, 43H (0,3:released, 64,67:pressed) CH SELECT 11 0FH (15) 1CH (28) 2FH (47) 00H, 04H, 40H, 44H (0,4:released, 64,68:pressed) CH SELECT 12 0FH (15) 1CH (28) 2FH (47) 00H, 05H, 40H, 45H (0,5:released, 64,69:pressed) PAN 1 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 40H (64) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 2 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 41H (65) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 3 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 42H (66) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 4 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 43H (67) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 5 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 44H (68) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 6 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 45H (69) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 7 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 46H (70) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 8 0FH (15) 0BH (11) 2FH (47) 02H, 42H (2, 66) 47H (71) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) PAN 9 0FH (15) 1CH (28) 2FH (47) 00H, 40H (0,64) 40H - 4BH (64-75) 01H, 41H (1:1:Counter Clock Wise, 65:Clock wise) PAN 10 0FH (15) 1CH (28) 2FH (47) 00H, 40H (0,64) 40H - 4BH (64-75) 01H, 41H (1:1:Counter Clock Wise, 65:Clock wise) PAN 11 0FH (15) 1CH (28) 2FH (47) 00H, 40H (0,64) 40H - 4BH (64-75) 01H, 41H (1:1:Counter Clock Wise, 65:Clock wise) PAN 12 0FH (15) 1CH (28) 2FH (47) 00H, 40H (0,64) 40H - 4BH (64-75) 01H, 41H (1:Counter Clock Wise, 65:Clock wise) EQ 1 0FH (16) 1CH (28) 2FH (47) 00H, 02H, 40H, 42H (0,2:released, 64,66:pressed) EQ 2 0FH (16) 1CH (28) 2FH (47) 00H, 03H, 40H, 43H (0,3:released, 64,67:pressed) EQ 3 0FH (16) 1CH (28) 2FH (47) 00H, 04H, 40H, 44H (0,4:released, 64,68:pressed) EQ 4 0FH (16) 1CH (28) 2FH (47) 00H, 05H, 40H, 45H (0,5:released, 64,69:pressed) PLUG-IN 0FH (56) 00H, 09H (0,9) 2FH (47) 05H, 06H, 45H, 46H (5,6:released, 69,70:pressed) SHIFT 0FH (15) 08H (8) 2FH (33) 01H, 41H (1:released, 65:pressed)

OUTPUT BUS Tr1-12 Tr13-24 MARKER (*8) 2 (*8) 3 (*8) 4 (*8) 5 (*8) 6 (*8) 7 (*8) 8 (*8) 9 (*8) PAUSE REW FF STOP PLAY REC FADER 1 Touch FADER 2 Touch FADER 3 Touch FADER 4 Touch FADER 5 Touch FADER 6 Touch FADER 7 Touch FADER 8 Touch
0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH 0FH 2FH
(15) (33) (15) (33) (15) (33) (15) (33) (15) (33) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47) (15) (47)
0AH (10) 02H, 42H (2:released, 66:pressed) 0AH (10) 00H, 40H (0:released, 64:pressed) 0AH (10) 03H, 43H (3:released, 51:pressed) 0AH (10) 01H, 41H (1:released, 65:pressed) 09H (9) 03H, 43H (3:released, 67:pressed) 14H (20) 00H, 40H (0:released, 64:pressed) 08H, 09H, 13H (8,9,19) 00H, 01H, 05H, 07H, 40H, 41H, 45H, 47H (0,1,5,7,64,65,71) 08H, 09H, 13H (8,9,19) 01H, 03H, 05H, 41H, 43H, 45H (1,3,5,65,67,69) 09H, 13H, 1AH (9,19,26) 02H, 04H - 06H, 42H, 44H - 46H (2,4-6,66,68-70) 09H, 13H, 1AH (9,19,26) 00H, 02H, 03H, 05H, 40H, 42H, 43H, 45H (0,2,3,5,64,66,67,69) 09H, 13H, 1AH (9,19,26) 03H - 05H, 43H - 45H (0-5,67-69) 09H, 13H, 19H (9,19,25) 03H, 05H, 07H, 43H, 45H, 47H (3,5,7,67,69,71) 13H, 15H, 19H (19,21,25) 00H, 04H, 05H, 40H, 44H,45H (0,4,5,64,68,69) 08H, 13H, 15H (8,19,21) 01H, 04H, 05H, 41H, 44H, 45H (1,4,5,65,68,69) 13H, 15H, 1BH (19,21,27) 02H, 05H, 07H, 42H, 45H, 47H (2,5,7,66,69,71) 0FH (15) 00H, 40H (0:released,64:pressed) 0EH (14) 01H, 41H (1:released,65:pressed) 0EH (14) 02H, 42H (2:released,66:pressed) 0EH (14) 03H, 43H (3:released,67:pressed) 0EH (14) 04H, 44H (4:released,68:pressed) 0EH (14) 05H, 45H (5:released,69:pressed) 00H (0) 00H, 40H (0:released,64:pressed) 01H (1) 00H, 40H (0:released,64:pressed) 02H (2) 00H, 40H (0:released,64:pressed) 03H (3) 00H, 40H (0:released,64:pressed) 04H (4) 00H, 40H (0:released,64:pressed) 05H (5) 00H, 40H (0:released,64:pressed) 06H (6) 00H, 40H (0:released,64:pressed) 07H (7) 00H, 40H (0:released,64:pressed)
Controls fader movement and On/Off of LED. Knobs or Dials Controller No. Controller Value --------------------------------------------------------------------------------------------------------------------------------------------FADER 1 00H ( 0) 00H - 7FH (0:bottom-127:top) 20H (32) 00H (0) FADER 2 01H ( 1) 00H - 7FH (0:bottom-127:top) 21H (32) 00H (0) FADER 3 02H ( 2) 00H - 7FH (0:bottom-127:top) 22H (32) 00H (0) FADER 4 03H ( 3) 00H - 7FH (0:bottom-127:top) 23H (32) 00H (0) FADER 5 04H ( 4) 00H - 7FH (0:bottom-127:top) 24H (32) 00H (0) FADER 6 05H ( 5) 00H - 7FH (0:bottom-127:top) 25H (32) 00H (0) FADER 7 06H ( 6) 00H - 7FH (0:bottom-127:top) 26H (32) 00H (0) FADER 8 07H ( 7) 00H - 7FH (0:bottom-127:top) 27H (32) 00H (0) STATUS 1 0CH (12) 00H (0) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 2 0CH (12) 01H (1) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 3 0CH (12) 02H (2) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 4 0CH (12) 03H (3) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 5 0CH (12) 04H (4) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 6 0CH (12) 05H (5) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 7 0CH (12) 06H (6) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) STATUS 8 0CH (12) 07H (7) 2CH (44) 02H - 04H, 07H, 24H, 42H - 44H, 47H (2-4:Off, 7,36:green, 66-68,71:red) CH SELECT 1 0CH (28) 00H (0) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 2 0CH (28) 01H (1) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 3 0CH (28) 02H (2) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 4 0CH (28) 03H (3) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 5 0CH (28) 04H (4) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 6 0CH (28) 05H (5) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 7 0CH (28) 06H (6) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 8 0CH (28) 07H (7) 2CH (44) 01H, 41H (0:off, 65:red) CH SELECT 9 0CH (28) 1CH (28) 2CH (44) 02H, 42H (2:off, 66:red)

CH SELECT 10 CH SELECT 11 CH SELECT 12 SHIFT 1 (*8) 2 (*8) 3 (*8) 4 (*8) 5 (*8) 6 (*8) 7 (*8) 8 (*8) PLAY REC
0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH 0CH 2CH
(28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44) (28) (44)
1CH (28) 03H, 43H (2:off, 67:red) 1CH (28) 04H, 44H (4:off, 68:red) 1CH (28) 05H, 45H (5:off, 69:red) 08H (8) 01H, 41H (1:off, 65:orange) 08H, 09H (8,9) 00H, 07H, 40H, 47H (0,7:off, 08H, 09H (8,9) 01H, 03H, 41H, 43H (1,3:off, 09H, 1AH (9,26) 02H, 04H, 42H, 44H (2,4:off, 09H, 1AH (9,26) 00H, 03H, 40H, 43H (0,3:off, 09H, 1AH (9,26) 03H, 04H, 43H, 44H (3,4:off, 09H, 19H (9,25) 03H, 05H, 43H, 45H (3,5:off, 19H (25) 04H, 44H (4:off, 68:red) 08H (8) 04H, 44H (4:off, 68:red) 0EH (14) 04H, 44H (4:off, 68:green) 0EH (14) 05H, 45H (5:off, 69:red)
64,71:red) 65,67:red) 66,68:red) 64,67:red) 67,68:red) 67,69:red)
(*7) Unit transmits and receives multiple messages corresponding to singe operation. (*8) Unit does not send or receive this when [SYSTEM] is lit.
This unit transmits message when value of fader, switch status or encoder position changes. Knobs or Dials Controller No. Controller Value --------------------------------------------------------------------------------------------------------------------------------------------FADER 1 00H ( 0) 00H - 7FH (0:bottom-127:top) FADER 2 01H ( 1) 00H - 7FH (0:bottom-127:top) FADER 3 02H ( 2) 00H - 7FH (0:bottom-127:top) FADER 4 03H ( 3) 00H - 7FH (0:bottom-127:top) FADER 5 04H ( 4) 00H - 7FH (0:bottom-127:top) FADER 6 05H ( 5) 00H - 7FH (0:bottom-127:top) FADER 7 06H ( 6) 00H - 7FH (0:bottom-127:top) FADER 8 07H ( 7) 00H - 7FH (0:bottom-127:top) FADER 9 08H ( 8) 00H - 7FH (0:bottom-127:top) FADER 10 09H ( 9) 00H - 7FH (0:bottom-127:top) FADER 11 0AH (10) 00H - 7FH (0:bottom-127:top) FADER 12 0BH (11) 00H - 7FH (0:bottom-127:top) FADER MASTER 0CH (12) 00H - 7FH (0:bottom-127:top) Joy Stick X 0DH (13) 00H - 7FH (0:left-127:right) Joy Stick Y 1DH (29) 00H - 7FH (0:bottom-127:top) Jog wheel 0FH (15) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) STATUS 1 20H, 30H, 40H, 50H (32, 48, 64, 80) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 2 21H, 31H, 41H, 51H (33, 49, 65, 81) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 3 22H, 32H, 42H, 52H (34, 50, 66, 82) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 4 23H, 33H, 43H, 53H (35, 51, 67, 83) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 5 24H, 34H, 44H, 54H (36, 52, 68, 84) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 6 25H, 35H, 45H, 55H (37, 53, 69, 85) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 7 26H, 36H, 46H, 56H (38, 54, 70, 86) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 8 27H, 37H, 47H, 57H (39, 55, 71, 87) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 9 28H, 38H, 48H, 58H (40, 56, 72, 88) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 10 29H, 39H, 49H, 59H (41, 57, 73, 89) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 11 2AH, 3AH, 4AH, 5AH (42, 58, 74, 90) (*9) 00H, 7FH (0:released, 127:pressed) STATUS 12 2BH, 3BH, 4BH, 5BH (43, 59, 75, 81) (*9) 00H, 7FH (0:released, 127:pressed) CH SELECT 1 60H (96) 00H, 7FH (0:released, 127:pressed) CH SELECT 2 61H (97) 00H, 7FH (0:released, 127:pressed) CH SELECT 3 62H (98) 00H, 7FH (0:released, 127:pressed) CH SELECT 4 63H (99) 00H, 7FH (0:released, 127:pressed) CH SELECT 5 64H (100) 00H, 7FH (0:released, 127:pressed) CH SELECT 6 65H (101) 00H, 7FH (0:released, 127:pressed) CH SELECT 7 66H (102) 00H, 7FH (0:released, 127:pressed) CH SELECT 8 67H (103) 00H, 7FH (0:released, 127:pressed) CH SELECT 9 68H (104) 00H, 7FH (0:released, 127:pressed) CH SELECT 10 69H (105) 00H, 7FH (0:released, 127:pressed) CH SELECT 11 6AH (106) 00H, 7FH (0:released, 127:pressed) CH SELECT 12 6BH (107) 00H, 7FH (0:released, 127:pressed) PAN 1 70H (102) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 2 71H (103) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 3 72H (104) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 4 73H (105) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 5 74H (106) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 6 75H (107) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 7 76H (108) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 8 77H (109) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 9 78H (110) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 10 79H (111) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 11 7AH (112) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) PAN 12 7BH (113) 01H - 3FH, 7FH - 41H (1-63:Clock wise, 127-65:Counter Clock Wise) SHIFT 3DH (61) 00H, 7FH (0:released,127:pressed) INPUT 2CH (44) 00H, 7FH (0:released,127:pressed) OUTPUT 3CH (60) 00H, 7FH (0:released,127:pressed) BUS 4CH (76) 00H, 7FH (0:released,127:pressed) Tr1-12 5CH (92) 00H, 7FH (0:released,127:pressed) Tr13-24 6CH (108) 00H, 7FH (0:released,127:pressed) DIGITALIN 7CH (114) (*10) 00H, 7FH (0:released,127:pressed) SURROUND ON 2DH (45) 00H, 7FH (0:released,127:pressed) PAUSE 0EH (14) 00H, 7FH (0:released,127:pressed) REW 1EH (30) 00H, 7FH (0:released,127:pressed) FF 2EH (46) 00H, 7FH (0:released,127:pressed) STOP 3EH (62) 00H, 7FH (0:released,127:pressed) PLAY 4EH (78) 00H, 7FH (0:released,127:pressed) REC 5EH (94) 00H, 7FH (0:released,127:pressed) FADER 1 Touch 10H (16) 00H, 7FH (0:released,127:pressed) FADER 2 Touch 11H (17) 00H, 7FH (0:released,127:pressed) FADER 3 Touch 12H (18) 00H, 7FH (0:released,127:pressed) FADER 4 Touch 13H (19) 00H, 7FH (0:released,127:pressed) FADER 5 Touch 14H (20) 00H, 7FH (0:released,127:pressed) FADER 6 Touch 15H (21) 00H, 7FH (0:released,127:pressed) FADER 7 Touch 16H (22) 00H, 7FH (0:released,127:pressed) FADER 8 Touch 17H (23) 00H, 7FH (0:released,127:pressed) FADER 9 Touch 18H (24) 00H, 7FH (0:released,127:pressed)

FADER FADER FADER FADER

10 Touch 11 Touch 12 Touch MASTER Touch

19H 1AH 1BH 1CH

(25) (26) (27) (28)

00H, 00H, 00H, 00H,

7FH 7FH 7FH 7FH
(0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed) (0:released,127:pressed)
(*9) Transmits message in order subject that [MUTE] is On, [SOLO] is On, [REC/PLAY] is On and [AUTOMIX] is On. (*10) Transmits this only in case the DIGITAL IN is correctly input.
Controls fader movement and On/Off of LED. Knobs or Dials Controller No. Controller Value --------------------------------------------------------------------------------------------------------------------------------------------FADER 1 00H ( 0) 00H - 7FH (0:bottom-127:top) FADER 2 01H ( 1) 00H - 7FH (0:bottom-127:top) FADER 3 02H ( 2) 00H - 7FH (0:bottom-127:top) FADER 4 03H ( 3) 00H - 7FH (0:bottom-127:top) FADER 5 04H ( 4) 00H - 7FH (0:bottom-127:top) FADER 6 05H ( 5) 00H - 7FH (0:bottom-127:top) FADER 7 06H ( 6) 00H - 7FH (0:bottom-127:top) FADER 8 07H ( 7) 00H - 7FH (0:bottom-127:top) FADER 9 08H ( 8) 00H - 7FH (0:bottom-127:top) FADER 10 09H ( 9) 00H - 7FH (0:bottom-127:top) FADER 11 0AH (10) 00H - 7FH (0:bottom-127:top) FADER 12 0BH (11) 00H - 7FH (0:bottom-127:top) FADER MASTER 0CH (12) 00H - 7FH (0:bottom-127:top) STATUS 1 20H, 30H, 40H, 50H (32,48,64,80) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 2 21H, 31H, 41H, 51H (33,49,65,81) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 3 22H, 32H, 42H, 52H (34,50,66,82) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 4 23H, 33H, 43H, 53H (35,51,67,83) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 5 24H, 34H, 44H, 54H (36,52,68,84) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 6 25H, 35H, 45H, 55H (37,53,69,85) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 7 26H, 36H, 46H, 56H (38,54,70,86) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 8 27H, 37H, 47H, 57H (39,55,71,87) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 9 28H, 38H, 48H, 58H (40,56,72,88) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 10 29H, 39H, 49H, 59H (41,57,73,89) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 11 2AH, 3AH, 4AH, 5AH (42,58,74,90) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) STATUS 12 2BH, 3BH, 4BH, 5BH (43,59,75,91) (*11) 00H - 03H (0:off, 1:green, 2:red, 3:orange) CH SELECT 1 60H (96) 00H, 02H (0:off, 2:red) CH SELECT 2 61H (97) 00H, 02H (0:off, 2:red) CH SELECT 3 62H (98) 00H, 02H (0:off, 2:red) CH SELECT 4 63H (99) 00H, 02H (0:off, 2:red) CH SELECT 5 64H (100) 00H, 02H (0:off, 2:red) CH SELECT 6 65H (101) 00H, 02H (0:off, 2:red) CH SELECT 7 66H (102) 00H, 02H (0:off, 2:red) CH SELECT 8 67H (103) 00H, 02H (0:off, 2:red) CH SELECT 9 68H (104) 00H, 02H (0:off, 2:red) CH SELECT 10 69H (105) 00H, 02H (0:off, 2:red) CH SELECT 11 6AH (106) 00H, 02H (0:off, 2:red) CH SELECT 12 6BH (107) 00H, 02H (0:off, 2:red) SHIFT 3DH (61) 00H, 02H (0:off, 2:red) INPUT 2CH (63) 00H, 02H (0:off, 2:red) OUTPUT 3CH (64) 00H, 02H (0:off, 2:red) BUS 4CH (65) 00H, 02H (0:off, 2:red) Tr1-12 5CH (66) 00H, 02H (0:off, 2:red) Tr13-24 6CH (67) 00H, 02H (0:off, 2:red) SURROUND ON 2DH (69) 00H, 02H (0:off, 2:red) PLAY 4EH (78) 00H, 02H (0:off, 2:green) REC 5EH (94) 00H, 02H (0:off, 2:red) (*11) Receives message in order subject that [MUTE] is On, [SOLO] is On, [REC/PLAY] is On and [AUTOMIX] is On.

System Exclusive Message

Universal System Exclusive message
INQUIRY MESSAGE Identity Request
Status F0H Byte F0H 7EH Dev 06H 01H F7H Data Byte 7EH, Dev, 06H, 01H Status F7H

2. Appendices

Decimal and Hexadecimal table (Hexadecimal number is shown with H.)
In MIDI documentation, data values and addresses/sizes of system exclusive messages etc. are expressed as hexadecimal values for each 7 bits. the following table shows how these correspond to decimal numbers. ++++++++++++ | dec | hex || dec | hex || dec | hex || dec | hex | ++++++++++++ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | ++++++++++++ (*) Decimal values such as MIDI channel, bank select, and program change are listed as one(1) greater than the values given in the above table. (*) A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expression two 7-bit bytes would indicate a value of aa x 128 + bb. (*) In the case of values which have a +/- sign, 40H=-64, 00H=0, 3FH=+63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 40 00H = -8192, 00 00H = 0, 3F 7FH = +8191. (*) Data marked nibbled is expressed in hexadecimal in 4-bit units. A value expressed as a 20byte nibble 0a 0bH has the value of a x 16 + b. <Ex.1> What 5AH in decimal system? 5AH = 90 according to the above table. <Ex.2> What in decimal system is 12034H in hexadecimal of every 7 bit? 12H = 18, 34H = 52 according to the above table. So 18 x 128 + 52 = 2356. <Ex.3> What in decimal system is 0A 0D in nibble system? 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 according to the above table. So ((10 x 16 + 3) x 16 + 9) x 16 + 3 = 41885. <Ex.4> What in nibble system is 1258 in decimal system? ____ 16)1258 16) 78. 10 16) 4. 14 0. = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH according to the above table. So it is 0E 0AH.

Description Status of System Exclusive Message Universal System Exclusive message Non Real-time header Device ID (= 00H) (or 7FH) General Information (sub-ID #1) Identify Request (sub-ID #2) EOX (End of System Exclusive Message)
The message is used to request the particular information of the SI-24. The SI-24 does not transmit the message. If the SI-24 received the message and the device ID of the message is same as its device. ID(= 1) or 7FH, the SI-24 transmits the following Identify Reply message.

Identity Reply (*12)

Status F0H Data Byte 7EH, Dev, 06H, 02H, 41H, mmH, mmH, 00H, 00H, 00H, 00H, ssH, ssH Description Status of System Exclusive Message Universal System Exclusive Non Real-time Header Device ID (= 00H) General Information (sub-ID #1) Identify Request (sub-ID #2) Manufacturer ID (Roland) Device Family Code (57H 01H) (SI-24) Device Family No. Status F7H
Byte F0H 7EH Dev 06H 02H 41H mmH mmH 00H 00H 00H 00H ssH ssH F7H
Software Revision Level EOX (End of Exclusive Message)
(*12) Unit transmits this when mode is L5.
Digital Studio Workstation Model SI-24

Function.

Date : Mar. 10, 2003
MIDI Implementation Chart

Transmitted 1 X Mode 3 X

**************

Version : 1.00

Remarks

Recognized 1

Basic Channel
Default Changed Default Messages Altered
Mode 3 X X X O X X O X X O *2 *1
Note Number : True Voice Velocity After Touch Pitch Bend Control Change Program Change 0113 Note On Note Off Key's Channel's

X X O X X O

X : True Number O X X X X X X X X X X X X * 1 H Mode Only * 2 S.C Mode Only * 3 L5 Mode Only
Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO
System Exclusive : Quarter Frame System : Song Position Common : Song Select : Tune Request : Clock System Real Time : Commands
: All Sound Off : Reset All Controllers Aux : Local On/Off Messages : All Notes Off : Active Sensing : System Reset
O X X X X X X X X X X X X
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

O : Yes X : No

Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces....
Protect the unit from strong impact. (Do not drop it!)....
The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the bottom of unit....
Use only the attached power-supply cord....
Do not force the units power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cordsthe total power used by all devices you have connected to the extension cords outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through....
Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page....
The unit should be located so that its location or position does not interfere with its proper ventilation....
Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit....
Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children....
Never climb on top of, nor place heavy objects on the unit....
Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit....
Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices....
Before cleaning the unit, turn off the power and unplug the power cord from the outlet (Refer to "Turning the power off" p. 16)....
Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet....
Should you remove a ground screw, make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.... Avoid using the unit immediately after it has been moved to a location with a level of temperature and humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the unit, which will adversely affect the operation of the unit and/or damage it. When the unit has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it....

IMPORTANT NOTES

In addition to the items listed under IMPORTANT SAFETY INSTRUCTIONS and USING THE UNIT SAFELY on pages 2 and 34, please read and observe the following:

Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

Copyright

Maintenance
For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
When exchanging audio signals through a digital connection with an external instrument, this unit can perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

Additional Precautions

Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of losing important data, we recommend that you periodically save a backup copy of important data you have stored in the units memory on a storage device (e.g., hard disk or MO disk).
Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.
* Microsoft and Windows are registered trademarks of Microsoft Corporation.
* Windows 98 is known officially as: Microsoft Windows 98 operating system.
* Windows 2000 is known officially as: Microsoft Windows 2000 operating system.
* Windows Me is known officially as: Microsoft Windows Millennium Edition operating system.
* Windows XP is known officially as: Microsoft Windows XP operating system.
* Apple and Macintosh are registered trademark of Apple Computer, Inc.
* MacOS is a trademark of Apple Computer, Inc.
* OMS is a registered trademark of Opcode Systems, Inc.
* Logic RPC Pro, Logic 5, and EASI are trademark of Emagic Soft-und Hardware GmbH.
* Pro Tools is a registered trademark of Digidesign, Inc.
* HUI is a trademark of Mackie Designs, Inc.

233+added

* Cubase, Cubase VST, and ASIO are trademark of Steinberg Media Technologies AG.
* All product names mentioned in this document are trademarks or registered trademarks of their respective owners.

Contents

USING THE UNIT SAFELY..... 3 IMPORTANT NOTES..... 5

Before you begin.... 8

Check the contents of the package.... 8 Main features of the SI-24.... 8

Panel Description.... 9

Top panel...... 9 Input/output section..... 9 Control section.... 10 Rear panel..... 13
Preparing to use the SI-24.... 14
Connecting peripheral equipment.... 14 Turning the power on/off.... 16 Using phantom power..... 16 Adjusting the input sensitivity.... 17 Using the digital input..... 18
Overall signal flow.... 19 Monitoring the SI-24s inputs.... 20
Using the RPC-1s mixer to return the input sound... 21 Using the RPC-1s direct monitoring function to return the input sound.. 23 Returning the input sound from your application software.. 24
Making system settings... 25
Making settings appropriate for your application... 25 Selecting the protocol.... 25 Setting/registering user mode settings... 26 Saving user mode settings on your computerDump... 28 Loading user mode settings that you saved on your computerLoad. 28 Using the MIDI connectors to transmit/receive control dataMIDI Control Mode.. 29 Outputting the RPC-1s R-Bus Out 7/8 from the SI-24... 30
Controlling Logic RPC Pro... 31
Making the SI-24 settings.... 31 Making Logic RPC Pro settings.... 31 Selecting channels..... 32 Switching the status of a channel.... 33 Controlling the equalizer.... 34 Controlling the bus send levels.... 35 Controlling plug-ins.... 35 Registering a song locationMarker Create... 36 Recalling screens assigned to the numeric keysScreen Sets... 37 SHORTCUT button Operations.... 37 Transport Operations.... 37
Controlling Pro Tools (version 4.1 or later)... 38
Notes concerning the control of Pro Tools.... 38 Making the SI-24 settings.... 38 Making Pro Tools settings.... 39 How the SI-24s controls will function... 40
Controlling Cubase VST (version 5.0 or later).. 42
Cautions when controlling Cubase.... 42 Making the SI-24 settings.... 42 Making Cubase settings..... 43 How the SI-24 controls will function.... 44
Glossary..... 46 Block Diagram..... 47 Specifications.... 48

Before you begin

Check the contents of the package
SI-24 Owners manual (this document) Power supply cable Pro Tools mode labels (*)
* If the protocol (p. 25) is set to Pro Tools mode, the button and knob functions will differ in some ways from the panel. If you are using Pro Tools mode, you will find it convenient to use the SI-24 with the Pro Tools mode labels affixed. For details, refer to Putting Pro Tools mode labels (p. 38).

Main features of the SI-24
The SI-24 supports R-BUS. When R-BUS is used to connect the SI-24 to a computer in which an RPC-1 is installed, you can transfer eight channels (IN/OUT) of digital audio, and control applications via MIDI. Dedicated channel editing functionality The SI-24 provides twelve knobs and four buttons for editing the equalizer, send level, and pan of each channel. This allows rapid and direct operation. Moving faders The SI-24 has thirteen moving faders (including the MASTER fader) for optimal operability. Joystick controller A dedicated joystick is provided for surround control. A full array of connectors The eight analog inputs support a wide range of input sensitivities, ranging from line level (+4 dB) to mic level (-50 dB). The eight XLR connectors can provide phantom power, allowing condenser mics that require external power to be directly connected. A high impedance phone jack (GUITAR) is also provided for directly connecting a guitar. Six phone jack analog outputs are provided. In addition to MASTER jacks (stereo) and AUX1 jacks (stereo), the SI-24 provides RCA phono type AUX2 jacks (stereo). Coaxial type digital I/O connectors (IN and OUT) are provided, allowing consumer digital audio devices (such as electronic musical instruments, DAT recorders, or the Roland VS series) to be digitally connected. All inputs and outputs support up to 24-bit/96 kHz sampling for high audio quality. MIDI connectors (IN, OUT) are provided. When the SI-24 is connected to your computer via R-BUS, the SI-24s MIDI connectors can be used as a MIDI interface for your computer (channel 216 only). If MIDI control (p. 29) is turned on, you can control your computer or MIDI devices via the MIDI connectors.
In order to use the SI-24 to handle audio, or to transfer audio to and from your computer, you must connect it to a computer in which an R-BUS interface card (RPC-1) is installed.
SI-24 cannot be used as MIDI interface on some applications.

Panel Description

Top panel

Input/output section

fig.**

INPUT jacks 18/XLR type

Devices with XLR type plugs can be connected to these jacks. The audio that is input to INPUT 18 of the SI-24 will be sent to R-Bus In 18 of the RPC-1. Phantom power can be supplied to each jack. For details, refer to Using phantom power (p. 16).

DIGITAL IN connector

Digital audio devices such as electronic musical instruments, DAT recorders, or the Roland VS series can be connected to this coaxial type connector.

fig.02-**

Stereo Headphones Keyboard etc.
Electric Guitar Electric Bass
MIDI Sound Module etc. Mic

To Power Outlet

Mic PC

Effect etc.

DAT Recorder, VS series, etc.

Power amp

Audio Set etc.
Do not connect plugs to both the XLR type and phone type INPUT jack of the same number.
You cannot use the GUITAR jack and the INPUT 8 jack (phone type/XLR type) simultaneously. If devices are connected to both jacks, the GUITAR jack input will take priority. If you want to use the input from the INPUT 8 jack (phone type/XLR type), do not connect anything to the GUITAR jack. If using the phone type INPUT jack, you must switch phantom power off. For details, refer to Using phantom power (p. 16). In order to handle audio with the SI-24 and to transfer audio between the SI-24 and your computer, you must connect it to a computer in which an R-BUS interface card (RPC-1) has been installed. You must use a special R-BUS cable to make this connection. The SI-24 cannot use a five meter R-BUS cable (RBC-5). The R-BUS connector of SI-24 can not be used by connecting with
the equipment requires power supply via R-BUS such as DIF-AT, VE-7000 and so on.
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. This instrument is equipped with balanced (XLR/TRS) type input jacks. Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.
Howling could be produced depending on the location of microphones relative to speakers. This can be remedied by:
1. Changing the orientation of the microphone(s). 2. Relocating microphone(s) at a greater distance from speakers. 3. Lowering volume levels.
Be careful of loop connections

fig.3-2e

Example of an Analog Loop Connection
Example of a Digital Loop Connection
SI-24 MD Recorder/ VS series etc.

OUTPUT

LINE IN

LINE OUT

DIGITAL OUT DIGITAL IN

DIGITAL IN DIGITAL OUT

When the SI-24 is connected as shown in the above diagram to a device that passes the input sound through to its output (a DAT recorder/the Roland VS series that is recording), the SI-24 and that device will form a loop that can cause oscillation, producing an unexpectedly loud sound. This type of connection can cause malfunction and damage to speakers and other equipment; take care to avoid these conditions. In addition to the above figure, take a moment now to check your connections for the following conditions. Could there be a looped connection between the analog and digital realms? Has any looped connection resulted from insertion of a mixer or other piece of equipment between the devices?

Q: The volume level of the instrument connected to INPUT jacks are too low.
A: Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor.

Using the digital input

The output of a digital audio device (e.g., electronic musical instrument, DAT recorder, or the Roland VS series) connected to the SI-24 can be input to RPC-1 while still in digital form. If you want to use the DIGITAL IN input, use the following procedure to change the settings.
The SI-24s digital interface complies with IEC60958 (consumer format). If you want to use the digital input, use a digital audio device that

IEC (p. 46)

1. Connect the SI-24s DIGITAL IN connector to the digital out connector of your digital audio device. 2. Press [DIGITAL IN] to turn it on (lit).
* In case [DIGITAL IN] blinks after pressing, no digital signal is coming to DIGITAL IN jack. (The blinking of [DIGITAL IN] stops after a while and turns off.) Please check the connection or signal from digital audio devices in such case.
3. Change the RPC-1 settings. 3-1. Access the RPC-1 Control Panel. For details on operation, refer to the column How to open the RPC-1 control panel (p. 20). 3-2. Select the Hardware Settings tab.

fig.digital-**

How word clock is handled on the SI-24 When [DIGITAL IN] is off (dark), the SI-24 will synchronize to the word clock of the RPC-1. However, when [DIGITAL IN] is on (lit), the SI-24 will synchronize to the word clock of the digital audio device. In this case, the RPC-1 will also need to synchronize to the word clock of the digital audio device. In order for this to happen, you must change the settings of the RPC-1 (step 3).
3-3. Change the Master Clock setting from Int. Clock (Internal Clock) to Ext. Clock (External Clock).
3-4. Change the Ext. Clock Sample Rate setting the same frequency as the output of the digital audio device.

3-5. Click

to close the RPC-1 Control Panel.
When you have finished making RPC-1 settings, the input from DIGITAL IN will be sent to the RPC-1, instead of the analog input from INPUT 78. 4. If you want to use the input from INPUT 78, turn [DIGITAL IN] off (dark). Then change the RPC-1s Master Clock setting to Int. Clock.
Logic RPC Pro INPUT MIXER RECORDER OUTPUT
OUTPUT 1 OUTPUT 2 TR 1 TR 2

INPUT 1

INPUT 2
TR 23 OUTPUT 7 OUTPUT 8 TR 24

Overall signal flow

Monitoring the SI-24s inputs
The SI-24 does not provide mixing functionality. For this reason, if you want to use the master output or headphones to monitor the sounds that are being sent to the SI-24s inputs, the sounds that are being input to the SI-24 must be sent back from the computer to the SI-24. Broadly speaking, there are three ways to return the input sounds from the computer. Using the RPC-1s internal mixer to return the input sound (p. 21) This allows latency-free monitoring (i.e., monitoring with no delay). Also, you will be able to monitor the input sound at any time, unless you change the settings. Using the RPC-1s direct monitoring function to return the input sound (p. 23) This allows latency-free monitoring only for the input sounds in your application software. Returning the input sound from your application software (p. 24) This allows monitoring only for the input sounds that are set to record mode in your application software. The sound will be delayed by the latency specified in the RPC-1 control panel, but you will be able to monitor the sound processed by the software effects.

* Whether you input the MIDI event from R-BUS or from MIDI IN will depend on the MIDI control mode setting. For details, refer to Using the MIDI connectors to transmit/receive control dataMIDI Control Mode (p. 29).
SI-24 supports the MIDI message as follows. <Buttons> Note On/Off Polyphonic Key Pressure Pitch Bend Control Change Channel Pressure Program Change <Faders> Note On/Off Polyphonic Key Pressure Pitch Bend Control Change Specify fader parameter by number of third byte. 0 (bottom)127 (top) <PAN knobs/Jog dial> Note On/Off Polyphonic Key Pressure Pitch Bend Control Change The following number will be inserted at third byte. Rotated counter clock wise: 127 Rotated clock wise: 1 User mode settings can also be saved on your computer or another device. For details, refer to Saving user mode settings on your computer Dump (p. 28). To load the user mode settings you saved, refer to Loading user mode settings from your computer Load (p. 28).
5. Input the MIDI event that you want to send when you leave your fingers from buttons via R-BUS or MIDI IN.
* In case you do not want to send MIDI event when you leave your fingers from buttons, this step is not necessary.
6. Press [9](KEY) again. [9] (KEY) turns off and returns to user mode 1. Press the key specified on above step 3 to check the assignment. If you want to correct, return to above step 2. 7. Repeat steps 26 as necessary to make assignments for other keys. 8. To finalize the user settings, press [4] (USR 1). [4] (USR 1) will change from blinking to lit, indicating that the settings have been finalized. At the same time, [9] (KEY) will turn off (go dark). If you press [MARKER], [SHORTCUT], or [SCREEN SET] instead of [4] (USR 1), the settings will not be registered. [9] (KEY) will turn off (go dark), and you will return to the state the SI-24 was in before you made the settings.
Assigning MIDI events to LEDs and faders (Return) As an example, heres how to make user mode settings for [4] (USR 1). 1. Hold down [SYSTEM] and press [4] (USR 1) to select the button for which you want to register settings. [SYSTEM] and [4] (USR 1) will light, and user mode 1 will be selected. 2. Press [0] (LED). [0] (LED) will turn on (lit), and you will enter the LED setting mode. 3. Operate the button to which you want to assign a MIDI event. If you operate more than one button, the button/fader you operated last will be the button your MIDI parameter will be assigned to. 4. Input the desired MIDI event from R-BUS or from MIDI IN. [4] (USR 1) will change from lit to blinking, indicating that the setting has been changed.

* You cannot assign single MIDI event to multiple faders or buttons. In case fader moves or button blinks on input of MIDI event, it means the MIDI event is already assigned. If you want to cancel the LED setting mode, press [0] (LED). The LED of [0] (LED) turns off. Then return to step 1. If you want to cancel the prior assignment and want to assign MIDI event on step 3, you need to input MIDI event once again. If you want the prior assignment unchanged, input different MIDI event. * Whether you input the MIDI event from R-BUS or from MIDI IN will depend on the MIDI control mode setting. For details, refer to Using the MIDI connectors to transmit/receive control dataMIDI Control Mode (p. 29).
SI-24 supports the MIDI message as follows. <buttons/Faders> Note On/Off Polyphonic Key Pressure Pitch Bend Control Change Specify fader parameter or color of LEDs by number of third byte. Faders 0 (bottom)127 (top) LEDs 0: Off 1: Lit Green 2: Lit red 3: Lit orange others: Lit red
5. Press [0](LED) again. [0] (LED) turns off and returns to user mode 1. Press button or move fader specified on above step 3 to check the assignment. If you want to correct, return to above step 2. 6. Repeat steps 35 as necessary to make assignments for other buttons/faders. 7. To finalize the user settings, press [4] (USR 1). [4] (USR 1) will change from blinking to lit, indicating that the settings have been finalized. At the same time, [0] (LED) will turn off (go dark). If you press [MARKER], [SHORTCUT], or [SCREEN SET] instead of [4] (USR 1), the settings will not be registered. [0] (LED) will turn off (go dark), and you will return to the state you were in before you made the setting.
Saving user mode settings on your computerDump
You can save user mode settings on your computer or sequencer. This provides a convenient way to back up the settings you register to [4] (USR 1) or [5] (USR 2), or allows you to prepare several sets of user mode settings. As an example, heres how to save [4] (USR 1) settings. 1. Hold down [SYSTEM] and press [4] (USR 1). [SYSTEM] and [4] (USR 1) will light, and user mode 1 will be selected. 2. Press [8] (DUMP/LD). [8] (DUMP/LD) will light, and the SI-24 will be ready to transmit data. 3. Operate your computer or external device so that it is ready to receive data. 4. Press [8] (DUMP/LD) once again. [8] (DUMP/LD) will blink and the PLAY indicator will light, while the SI-24 is transmitting MIDI messages. When transmission is completed, [8] (DUMP/LD) and PLAY indicator will go dark.

Whether the SI-24 transmits the MIDI message from R-BUS or from MIDI OUT will depend on the MIDI control mode setting. For details, refer to Using the MIDI connectors to transmit/ receive control dataMIDI Control Mode (p. 29).
Loading user mode settings that you saved on your computerLoad
Heres how user mode settings you saved on your computer or sequencer can be loaded back into the SI-24. As an example, we will describe the procedure for loading the saved settings into [4] (USR 1). 1. Hold down [SYSTEM], and press [4] (USR 1). [SYSTEM] and [4] (USR 1) will light, and you will switch to User Mode 1. 2. Press [8] (DUMP/LD). [8] (DUMP/LD) will light, and the SI-24 will be ready to receive data. 3. Operate your computer or other external device to make it transmit previouslysaved User mode MIDI messages. The PLAY indicator and REC indicator will light while the SI-24 is receiving the MIDI message. When reception is completed, [8] (DUMP/LD), the PLAY indicator, and REC indicator will go dark.
Whether the SI-24 receives the MIDI message from R-BUS or from MIDI IN will depend on the MIDI control mode setting. For details, refer to Using the MIDI connectors to transmit/ receive control dataMIDI Control Mode (p. 29).
Using the MIDI connectors to transmit/receive control dataMIDI Control Mode
With the factory settings, the SI-24 will transmit and receive control data via R-BUS. If you are controlling a MIDI device or a computer that does not have R-BUS, set the SI-24 to MIDI Control Mode so it will use the MIDI connectors to transmit and receive control data. 1. Hold down [SYSTEM] and press [6] (MIDI Ctrl) to turn it on (lit). If [6] (MIDI Ctrl) is on (lit): MIDI Control Mode is selected. SI-24 control data will be transmitted from MIDI OUT. If a device is connected to MIDI IN, control data from the connected device will be received at MIDI IN. If [6] (MIDI Ctrl) is off (dark): SI-24 control data and control data from the connected device will be transmitted and received via R-BUS. 2. To change the setting back, hold down [SYSTEM] once again and press [6] (MIDI Ctrl). [6] (MIDI Ctrl) will turn off (go dark). The signal flow is as follows.

PAN knobs 111 will control the parameters of the plug-in. Knobs 110 Knob 11 The parameters of the plug-in will automatically be assigned to each knob. Bypass function
A maximum of ten plug-in parameters can be controlled from the SI-24.
1. As described in Selecting channels (p. 32), select the channel that you want to control. [CH SELECT] of the selected channel will light. 2. Press [PLUG-IN] to turn it on (lit). 3. Use [INS 1] [INS 2] to select which plug-in you want to edit. The PLUG-IN screen for the selected plug-in will appear. 4. Use knobs 111 to edit the parameters of the plug-in.
If no plug-in has been inserted into the channel you selected in step 2, [PLUG-IN] will not turn on (light).
Registering a song locationMarker Create
Logic RPC Pro has a Marker Create function that lets you assign a marker at the desired location in a song. Heres how to control Logic RPC Pros Marker Create function from the SI-24. Assigning a marker 1. Press [MARKER] to turn it on (lit). 2. Move to the location that you want to register, and press the marker request button [0]. You may do this while the song is recording, playing, or stopped. Markers will be registered to [1][9] in playback order. Registered buttons will be lit.
About marker registration
The markers are registered to the nine buttons [1][9] in the order of playback. This means that if you assign a new marker at a location that is earlier than a previously assigned marker, subsequent markers will be renumbered upward.

fig.4-1

Marker1

Marker2

Marker3

Marker4

Marker5
Moving to a marker location 1. Press [MARKER] to turn it on (lit). 2. Press a lit [1][9] button to move to the registered location. Erasing a marker 1. Press [MARKER] to turn it on (lit). 2. Of the lit [1][9] buttons, press the button for the marker that you want to erase. 3. Hold down [SHIFT] and press [0]. The registration will be erased, and the button will go dark.
Recalling screens assigned to the numeric keys Screen Sets
Logic RPC Pro lets you register various configurations of windows (screen sets) to numeric keys 19 of the keyboard, and recall these screen sets by pressing a numeric key. Heres how screen sets assigned to the numeric keys of the keyboard can be recalled from the SI-24. 1. Press [SCREEN SET] to turn it on (lit). 2. Press one of the [1][9] buttons, and the screen set assigned to the corresponding numeric key will be recalled just as if you had pressed a numeric key of the keyboard.

When you are writing automix data on Latch mode or Touch mode, it is convenient to press [SHIFT] to stop the movement of faders.
If all [CH SELECT] buttons are dark, a track outside the range being controlled by the SI-24 has been selected.
EQ/SEND (Equalizer/Send) buttons You can press [EQ/SEND] to turn it on (lit), and use SEND 14 (PAN 912) to control the send levels of the channel you selected in [CH SELECT]. PLUG-IN button When you press [PLUG-IN] to turn it on (lit), you will be able to control plug-in effects. Use the following procedure to control plug-in effects. 1. Press [PLUG-IN] to turn it on (lit). The plug-in window will appear. 2. Use [CH SELECT] to select the track into which the plug-in you want to control has been inserted. 3. Use [INS 1] (ON 1)[INS 4] (ON 4) to select the slot into which the plug-in you want to control has been inserted. 4. Use PARAM 14 (PAN 912) and [ON 14] (CH SELECT 912) to control the parameters of the plug-in. 5. Use [< SCROLL] (STATUS 11) or [SCROLL >] (STATUS 12) to change the range of parameters being controlled. Knobs or buttons within the region of parameters being controlled will be displayed in blue. MARKER button When you press [MARKER] to turn it on (lit), [0] will function as the marker request button. Markers will be registered to [1][9], and you can press one of these buttons to move to the registered location. SHORTCUT button When you press [SHORTCUT] to turn it on (lit), [0][9] will execute the following Pro Tools commands. [1]: Save [2]: Undo [3]: Copy [4]: Paste [5]: Clear [8]: Fine [9]: Escape [0]: Enter [6]: Group [7]: Create Group SCREEN SET button When you press [SCREEN SET] to turn it on (lit), [1][6] will open the Pro Tools window assigned to each button. [1]: Mix [4]: Memory Locations Transport You can use [STOP], [PLAY], [REC], [ZERO RETURN] (PAUSE), [REW], and [FF] to operate the Pro Tools transport. You can use the jog dial to move the song position line. [2]: Edit [5]: Status [3]: Transport [6]: Plug-in
[7] (Create Group) groups the tracks that you selected by simultaneously pressing two or more [CH SELECT] buttons. [6] (Group) turns the group function on/off. While you hold down [8] (Fine), you will be able to adjust the pan or send level more precisely. If you want to view the send levels in the screen, choose the Display menu in Pro Tools, and in Sends View Shows, select Send AD as desired.
Controlling Cubase VST (version 5.0 or later)
The SI-24 can remotely control Steinberg Corporations Cubase series programs.
A remote control file is required for Cubase settings.
You can download a remote control file for Cubase from the Roland web site. http://www.roland.co.jp/
The SI-24 supports Cubase version 5.0 and later.

Cautions when controlling Cubase
When the selected protocol (p. 25) is Cubase mode, the following buttons and knobs cannot be used. STATUS MODE [REC/PLAY] and [AUTOMIX] Joystick SURROUND PAN [ON] When used with Cubase, the SI-24s MIDI is used only for VST remote. In this case, the SI-24 cannot be used as a MIDI interface.
Use the following procedure to make settings on the SI-24. 1. Hold down [SYSTEM] and press [2] (S.C.). [2] (S.C.) will light, and the SI-24 will switch to Cubase mode. 2. If you want to use the MIDI connectors (and not R-BUS) to exchange data between the SI-24 and your computer, hold down [SYSTEM] and press [6] (MIDI ctrl) to turn it on (lit). For details, refer to Using the MIDI connectors to transmit/receive control data MIDI Control Mode (p. 29).

Controlling Cubase VST

Making Cubase settings
Use the following procedure to make Cubase settings. 1. Start up Cubase. 2. From Remote Setup on the Option menu, choose Setup. The VST Remote window will appear.

fig.C1

3. Make Remote, Input, and Output settings as follows. Remote: Generic Remote Input: Output: MIDI In Roland RPC-1 (on the Macintosh, the device corresponding to the SI-24 in OMS setup) MIDI Out Roland RPC-1 (on the Macintosh, the device corresponding to the SI-24 in OMS setup).
4. When you have finished making settings, click

fig.C2

The Generic Remote window will appear. 5. In the Generic Remote window, click

fig.C3

The Generic Remote Setup window will appear.
5-1. Click the Import button, and specify the Roland SI-24.xml file. 5-2. Close the Generic Remote Setup window.
How the SI-24 controls will function
Faders 112 These will control the Cubase faders. The CH ASSIGN (Channel Assign) settings correspond as follows to the faders that will be controlled. [INPUT]: [BUS]: [Tr 1-12]: [Tr 13-24]: STATUS buttons These buttons will switch the status of the channel according to the selected STATUS MODE. The current status is shown by the color of the buttons. STATUS MODE [MUTE] [STATUS] function Switches muting on/off for each channel. Lit orange: Mute on Dark: [SOLO] Mute off Switches solo on/off for each channel. Lit red: Solo on Dark: Solo off VST instrument mixer VST channel mixer 2 (group mixer 18) VST channel mixer channels 112 VST channel mixer channels 1324 [OUTPUT]: VST master mixer

Phantom Power

This is a method of providing electrical power to condenser mics via the mic cables. Generally, a mixers internal phantom power source supplies 648 volts (DC). Supplying phantom power to dynamic mics, audio playback devices, or other such equipment may result in damage to the equipment. Turn the phantom power switch on only when connecting condenser mics which need phantom power; otherwise, leave it switched off.
The signals that are transferred via the digital input/ output of this device comply with the IEC60958 and IEC958 (consumer) formats.

Impedance

The total resistance of an electrical circuit to an alternating voltage such as audio, expressed in units of an Ohm (). When transmitting a signal, the output impedance of the transmitting device must match the input impedance of the receiving device. If not, problems such as distortion, noise, and lowered signal level can occur. On the SI-24, a high-impedance input jack is used for directly connecting a guitar or bass.
MIDI stands for Musical Instrument Digital Interface. It is a worldwide standard that allows electronic musical instruments and personal computers to exchange musical performance data and messages such as sound selections. Any MIDI-compatible device can transmit musical data (as appropriate for the type of device) to any other MIDI-compatible device, regardless of its manufacturer or model type.
Rolands digital communication specification developed to allow audio and control data to be exchanged between devices. Multi-channel audio signals, word clock, and MIDI-compatible operation data and synchronization signals can be exchanged. A single R-BUS connector allows simultaneous bi-directional transfer of eight channels of up to 96 kHz 24-bit digital audio data. The connector is a DB-25 type, and uses a special cable for connections. It should NOT be connected to other types of ports that use similar connectors! Also, you can not use a computer SCSI cable for R-BUS connections.

Block Diagram

MIDI OUT OUT 1/2 OUT 3/4 OUT 5/6 OUT 7/8 MIDI IN IN 7/8 IN 5/6 IN 3/4 IN 1/2

PHONES

INPUT 2 INPUT 3