C.324 // QU I C K R E F E R E N C E G UI DE

>>> Fast Seek:

Holding down either Seek (<< >>) button while turning the wheel will engage Fast Search regardless of play mode (Vinyl/CD). This helps speed up the time of searching through the song to create a CUE/LOOP/SAMPLE.
>>> Cue Points and Presets:
Setting Cue Points: There are several ways to set and recall cue points, either in real-time to enhance a performance, or offline for fine adjustments. Here are a few simple ways of setting cues in any mode (vinyl/CD): During playback, press any empty memory pad to set a cue point on the fly. The pads indicator will flash red while saving the cue point, and then turn to green to show it is ready for playback. Press it again to return to the cue point in real-time. During playback you can change the active cue point by pressing IN and if you want to save it to a pad, simply press SAVE and the pad button where you want the cue to be stored. TIP: Anytime the CUE button is flashing, it is ready/able to save a new cue point. Please read the operation manual for additional info.
Saving User Presets and Cue Points:
This unit will retain the most recently used settings of various functions even if you unplug it. These functions include Pitch Range, Pitch Lock, Key Lock, effects, Vinyl and Touch Rewind, Single/Continuous, Auto BPM, and Repeat. In addition, the unit will save and recall cue points and loops saved to all four pads for up to 500 CDs: To save cue points, loops, and settings, press and hold the SAVE button until the display reads SAVING. To recall cue points, before inserting the CD, press the SAVE button to activate the Recall function. Then insert the CD and the LCD will display RECALL. The pads will flash one after another and then change to green. When the last pad has changed to green, you can press a pad to recall a cue point. For example, if every time you turn on the unit you want it to load up in vinyl mode, with the pitch range set to 16%, single mode, and auto cue on, turn on all these functions and save. WARNING: Do not power off the unit immediately after saving. You must wait at least 3 seconds in order for the new presets/cue points to be stored in memory.
>>> Loops/Samples:
The C.324 has the ability to create Loops/Samples on the fly by using the IN/OUT buttons in conjunction with saving them to a trigger pad (buttons 1-4). Similar to saving a CUE point you can use the IN button and simply save it to a trigger pad. WARNING: When creating Manual Loops make sure you DO NOT have a time division indicator (beat parameter i.e. , , etc.) selected unless an effect is active (for a visual, see #10 in the manual). If a time division indicator is lit without an effect, your loop will be automatically set at the measure indicated.
Creating Manual Loops/Samples:
Engage playback by pressing the PLAY/PAUSE button, causing it to illuminate solid green (not flashing). Set the start point of the seamless loop by pressing the IN button at the desired point in time. This will cause the OUT button to flash green. Set the end point of the loop by pressing the OUT button at the desired point in time. Playback will immediately return to the previously set IN point and play to the OUT point, creating a seamless loop without interruption. The RELOOP button will now be flashing green, and the LOOP indicator on the LCD screen will flash. * To exit the loop, press the OUT button again. When the music reaches the OUT point, it will play through it instead of looping back to the IN point. To replay or reenter the loop, press the RELOOP button. The loop can be re-triggered by pressing the RELOOP button (until a new loop is created). Press the OUT button to exit the loop again. TIP: A beat synchronized loop can be converted to a cue point, with the in-point of the loop as the cue location. Turn off the time division selection by using + or - buttons. Press the CTN/SGL button to enter Single mode. Press an empty pad and it now stores a cue point.
See other side for more info & please read the operation manual or visit us on the web.

>>> Loops/Samples (cont.):
Creating Beat Synchronized Loops/Samples: Note: Make sure your auto BPM on the screen has been detected and is accurate. If it is not correct, a manual BPM should be tapped in. Auto loop enables BPM determined sections (Loops and Samples) to be recorded by only defining the in-point of the loop. The BPM engine determines the out-point based on the selected Time Division. For example, if the tempo is 120 BPM and the time division is 4/1, a loop will be created that is 2 seconds in length. To set a beat synchronized loop: Make sure an effect is not engaged, then press the desired beat division (#10 in manual) by using the + and buttons (#8 and #13). Press a pad. The in-point of the loop is set to the current playback position. The end of the loop length is automatically determined by the beat division (see #10). The loop then begins. Press OUT to exit the loop. Using/Playing Samples: The on-board sampler simply uses cue points or loops and plays them back from the internal memory, independently of the audio from the disc (you can even eject the CD and still play the sample if previously stored). Once cue points or loops are stored to one or more of the memory pads, pressing the SAMPLER button (#24) will engage sample mode. The SAMPLER button will illuminate in blue. Use any memory pad to trigger/playback a previously stored sample. Clearing the Pads: Press the CLEAR button (#27). While it is flashing, press the pad(s) you wish to clear and those will flash red. Press CLEAR once more to complete the process, and the pad lights will now turn off, letting you know that there is no information stored in them. Press and hold the CLEAR button, then press the pad. It should now light red to indicate that it has been selected. TIP: Once you have mastered the art of creating Cues/Loops/Samples you can then begin real time sequencing. Real-time sequencing allows you to record a sequence of cues or samples, memorizing the time & length each pad was activated. This allows you to create rhythmic sequences, similar to a drum machine. Some of the Sequencing features are next, but we recommend reading the operation manual to fully utilize these features.
>>> Real-Time Sequencing (Sample Mode):
The sample mode of the real-time sequencer is very similar to the cue point mode (minus pressing the SAMPLER button before recording). However, playback of the sequence is quite different. When playing back in sample mode, the sequence of samples is played simultaneous to any audio if played from the CD (transport). If you wish to create a sequence and want it independent of the CD inserted, the following steps should be performed. NOTE: In sample mode, when pressing and holding the pad, the sample will play regardless of the status of the CD (play/pause), you can even eject the CD and still use the samples over other audio that is playing. Hint: The (Play) & (Record) buttons mentioned below are found in the Sampler Sequencer section. Manual real-time sequencing (sample mode): Program several sample cues in advance. Press the (SAMPLER) button. Make sure the mode of the sampler is set to SAMPLE. Hit the button and make sure the beat-division indicators are not illuminated. The real-time sequence recording is now armed and the button blinks. Begin to drum out the sequence you wish to record. Upon hitting the first pad, recording begins and the button no longer blinks (it will remain solid). When finished programming your sequence press the button to end the recording. The recording automatically starts playing (and will loop) depending if AUTOSTART has been engaged. The button illuminates and the pads illuminate based upon the sequence in which they were recorded. BPM synchronized real-time sequence (sample mode): Program several sample cues in advance. Press the (SAMPLER) button. Make sure the mode of the sampler is set to SAMPLE. Hit the button and make sure the beat-division indicators are not illuminated. The real-time sequence recording is now armed and the button blinks. Select the beat division indicator (,, etc.) to set the desired sequence recording length. Begin to drum out the sequence you wish to record. Upon hitting the first pad, recording begins and the button no longer blinks (it will remain solid). At the end of the BPM determined length, the recording automatically starts playing and will loop (if AUTOSTART has been engaged). The button illuminates and the pads illuminate based upon the sequence in which they were recorded. To exit a sample mode real-time sequence: Press the PLAY button to stop the sequence (the PLAY button will blink) or press the SAMPLER button.

Try some of these functions & features independently or in combination with others for even more fun!

THE STANTON ARTIST & GEAR MAGAZINE > VOLUME 1, 2008

Introducing DaScratch,

the revolutionary new touch sensitive controller that will blow your mind. DaScratch features the intuitive StanTouch interface, a sizable scratching/control area that combines touch, gestures, and visual feedback, allowing you to easily Control your music. LEDs react in real time to buttons and triggers, and virtual faders glow to indicate their position so you can Control your mix. Rock solid construction and compact size ensure that DaScratch travels well from gig to gig, and the included DaRouter software ensures control over most DJ, DAW and audio applications. Control your world with DaScratch. You can trigger samples, set loops, change pitch, scratch, jog, scroll, set volume levels, adjust effects, modify EQs, control plug-ins. Whether you are a DJ, VJ, musician, multimedia artist or producer, you can stimulate your creativity and fuel your performance using DaScratch. Available now for $299 (MSRP). Get your hands on DaScratch, and learn what it means to Control yourself. Get the full story at stantondj.com.

Control Yourself

Richard
> THE HARDEST WORKING DJ IN THE GAME.

www.stantondj.com

Devine

Welcome to

Seattle
A DJS GUIDE TO THE EMERALD CITY

DaScratch

STANTONS TOUCH-FRIENDLY DJ CONTROLLER

From the Editor

Features

> welcome to seattle

a DJs Guide to the emerald city by Sean Horton
Seattle isnt technically a major market. Its no LA, NY, or Miami. But what it lacks in size, this little city makes up for in cultural impact. Heres your own travel guide to one of our favorite cities, from a DJs perspective.

Contents

Volume 1 > 2008
WELCOME TO FOR LIFE. This is the premiere issue of something we at Stanton DJ have been meaning to create for a long while. Namely, a hybrid magazine-catalog to bring you the latest in DJ news, artist profiles, useful tips and techniques, and of course all the freshest new gear. In this issue, we spent some time with one of the busiest DJ / producer / sound designers in the game, Richard Devine. He gave us a rundown on all the projects hes got on deck from video games to car commercials as well as an insight into his massive gear collection and innovative production techniques. Because we want to bring you something useful in each issue of For Life, weve also got a rundown on one of our favorite cities, Seattle, Washington. Forget the hype about rain, coffee, and Microsoft theres lots more to this amazing city, especially from a DJs perspective. This all coincides with one of the best new gear lineups in Stanton history, spearheaded by the amazing new Stanton Control System 1 and brand-new DaScratch a compact and affordable DJ control surface that goes anywhere and controls just about any DJ or music production software youre likely to own. So sit back, relax, and enjoy the mag. Well see you in another six months or so. Sarah Lombard

> Editor in Chief

Currents pg.
Read the latest news on LAs Scratch DJ Academy; check in on Roc Raidas infamous Gong Battle series; and get the lowdown on the the C.324 Professional CD Player.
ARTIST PROFILE: RICHARD DEVINE pg.
Hes easily one of the hardest working DJs / producer / sound designers in the game. We interrupted Richard Devine for an hour long interview. And he probably tap tempod the whole thing.

Sections

> Currents > profile: richard devine > welcome to seattle > SC System > DaScratch > Headphones > Cartridges > Turntables > Mobile DJ FOCUS > CD Players > Mixers > DJ Packs > IN Studio Focus > THE backSPIN 33 37
> PUBLISHER TIMOTHY DORWART > ASSOCIATE PUBLISHER TONY RODRIGUES > EDITOR IN CHIEF SARAH LOMBARD > CREATIVE DIRECTOR ERIK HANSON > CONTRIBUTING WRITERS JIM MOORE ROBERTO ARAMBURU > COPY EDITOR ROBERTO ARAMBURU > ART DIRECTORS THANH LE JUSTIN MARX

Gong Battle

> ROC RAIDAS DJ CHALLENGE
Roc Raida has been inspiring millions since he won his first DJ battle years ago. These days, in addition being one of the busiest DJs in the world and recently earning theGrandmaster distinction to join the ranks of Flash, Kool Herc and others Roc has beenworking tirelessly to give back to the scene that made him famous. Specifically, hes been expanding the tradition of the DJ battle with his unique Gong Battle series, of which Stanton is proud to be the title sponsor. Put simply, if a DJ contestant in the Gong Battle is not cutting it, the crowd boos, and he or she gets gonged. Insert a healthy dose of comedy from the hosts, and fun is guaranteed. We spent a few minutes with the legend himself toget some of his thoughts on the project. What inspired youtostart the Gong Battle? I had the idea for a long time, and I just wanted to add some humor to the DJ battle scene, so I made the time to do it a few years ago.I just had to do it. How do you expect it to grow over the coming years? Ihope to take it to another level. As crazy as it sounds.I want to pitch it as a reality TV show so people can see, from start to finish, the work that goes into it from, both ends [as performers and event producers]. It really couldbe a funny hip hop DJ show. Do you have a favorite Gong Battle moment? I would have to say when we did the X-ecutioners/ Xmen show. Any other new projects on the horizon for you? Ihave an album calledCuttingComes toHarlem.Irecently shot a music video with Diamond and Sadat X calledAlottaPain, soIm just getting my album in motion now. Were also doing some X-ecutioners shows after the showcase at the battle, so im looking foward to that too! More info aboutRoc Raidas Gong Battleis available at www.myspace.com/thegongdjbattle.com

Scratch DJ Academy

> PARTNERING TO SPREAD THE ARTFORM OF DJING FOUNDED IN 2002 by the legendary Jam Master
Jay of RUN DMC, Scratch DJ Academy is the worlds first and leading DJ and urban music production school. Combining copyrighted curriculum, hands on training, and celebrity instructors, Scratch DJ Academy offers an incredible opportunity for amateur and aspiring music enthusiasts to learn how to DJ, from mixing and blending, to scratching and beat juggling. Scratchs current faculty features some of the most respected DJs in the world including Grandwizzard Theodore, Rob Swift, DJ Irie, Craze, Mr. Choc, Shortee and more. Since 2005, Stanton has supported the Academy by providing its locations with a range of DJ gear.This lineup includes Stanton T.120 turntables, STR8-150 turntables, and SA.3 mixers at the Miami and Los Angeles locations, where students have access to over 40 turntables and the leading equipment in the industry.Stanton equipment is featured on Scratchs programs with Royal Caribbean Cruise Lines and Beaches Resorts, where guests can learn how to DJ during their family vacations.Scratch DJ Academy currently teaches over 100,000 students annually through these programs. To help these graduates on their way, The Stanton Group also now offers a graduation gift to students upon completion of the program. Interested in polishing up your skills? Scratch offers 6 and 10-week courses for every skill level from beginner to advanced. Classes are half lecture and half lab, to provide students with the highest levels in DJ and music production education. Since its inception, Scratch DJ Academy has taught students of all ages and backgrounds, with students attending from all over the world.Visit www.scratch.com for more information.

> ARTIST PROFILE

> AGE: 31 LOCATION: ATLANTA, GA OCCUPATION: DJ, PRODUCER, SOUND DESIGNER RESUME: WARP RECORDS, HALO 3, NIKE, DaSCRATCH

ARTIST PROFILE:

You have made an amazing career for yourself. What do you think has most impacted your growth and success as a DJ, and what makes you unique? I think I have taken a lot of risks in that I didnt go down the typical path of a DJ/Producer. I chose to make music that wasnt the top of the pops, and created what was true to my heart, and that allowed me to never compromise my artistic vision. I have always pushed myself to work with the latest tools and technology, which has helped my sound evolve and change. I even try to do this when I DJ, and always try to push the boundaries of what is possible. You have a vast collection of analog synths, yet you also utilize the computer as a tool in creating instruments. How do you strike the balance between new and old technology? I work primarily as a professional sound designer day to day on many projects, and developing new sounds is a quest that never ends. So, I look to all sources, new and old, for generating new content. Sometimes I even mix the two to get new sounds. I love looking to analog synths from the past to see what things work, and also to get an understanding of the structure of how sounds are created. How did you find yourself involved in creating sounds for video games? Was this something you set out to do? Well, I started out working mostly with commercial TV spots, and then eventually started working on other projects like film, and in the last four years, video game design. Specifically, I design lots of interface sounds that are triggered by the user. Lots of really techy buttons, clicks, servos, and mechanical sounds. Thats kinda my deal (laughs). What is the craziest sound you have ever created? How did you come about making it? Wow, there are so many sounds I have created over the years that have been just so odd and unusual. I remember recording the sounds of pigs breathing, and bowing piano strings, and broken cymbals. I also love some of the sounds I have made with this strange instrument called the Water Phone, which
was originally created for playing music to the humpback whales. It creates very strange and resonating sounds, that come across as haunted and creepy. Which software applications do you use, both in the studio and on stage? I use quite a few running two computers, one Macintosh and one PC. I love Native Instruments Reaktor and Cycling 74 MAX/MSP. I also use Ableton Live 7 and Traktor DJ studio. I love working in Logic Audio for creating music and sound design. And I literally use hundreds of plug-ins pluggo, GRM, sound toys, and Camelaudio are some of my favorites. What attracted you to the SCS.3d DaScratch controller? I was amazed at how small it is. I love that its lightweight and extremely portable, and draw very little power from the computer. I love the design and the tactile interface with StanTouch technologyits just so futuristic. Using DaScratch, I found that I was controlling the sounds in Traktor with much more accuracy and detail. It was much more intuitive to work with the sensors, and my fingertips, than turning knobs and faders. How do you see DJing progressing over the next few years? I actually hope that it will progress to new interesting formats like touch screens and alternate controllers like the SCS.3d. It will completely change what we know DJing to be, and create whole new forms and styles. You have inspired many up-and-coming DJs with your career.who has influenced you? Is there anyone in particular that inspires you as an artist? I admire so many DJs that the list would be endless, but some favorites of mine are Aphex Twin, Richie Hawtin, and Jeff Mills. I would say Aphex Twin and Autechre have been a huge influence on me as an artist. They always constantly push the boundaries of musical composition. Any exciting new projects youd like to share with us? Well, I just finished up my first official sound library with Sony Media called The Electronic Manuscript (www. sonycreativesoftware.com/devinemanuscript). Its a sample library with lots of twists and turns, aimed at the composers working for TV/Film and video games. I have also been working with my friend Josh Kay in starting up a new sound design boutique company called Devinesound, which will launch later next year. Ive also done lots of studio work, finishing up remixes for Maynard James Keenan (Tool/Puscifer) and working with Japanese electronic producer Kiyo on Phaseworks Records. Any advice for DJs looking to make the move to remixing and sound design?

> BY SEAN HORTON

THE EMERALD CITY. Surrounded by water, trees and mountains, Seattle is a beautifully lush Northwestern city with an equally vibrant music scene. Known for its wet winters and gorgeous summers, this city lends itself to active summers and creatively productive winters there are probably more bedroom producers here per capita than any other city in the US. With a population of roughly 3.7 million, Sea-town is one of the most densely populated areas on the West Coast. And with companies like Starbucks, Microsoft, Nintendo, Amazon and Real Networks, the area is booming with young music, gaming and tech heads.From audio engineers and graphic designers, to computer programmers and chemists, people come from all over the world to Seattle, including DJs.
Known by most outsiders as a rock city, Seattles electronic music / DJ culture has remained in the post grunge shadow for well over a decade. Since the early 90s, Seattle has had a fairly large underground electronic music community, that over the years has evolved to become more club based. With over a dozen solid local promoters actively producing quality events, Seattles nightlife offers something for everyoneseven days a week. Many of these crews (including Fourthcity, SunTzu Sound, Uniting Souls, Innerflight, Decibel) have branched out to form music labels and download sites furthering Seattles presence across the globe as a vital hub for world class DJs, producers, promoters, clubs and festivals.

Welcome to Seattle

Trickwood Skate

> 114 LAKE STREET

Born in an unassuming location in the sleepy Seattle suburb of Kirkland, Trickwood Skate has fast become a hot spot with skaters, hipsters, sneaker heads, and those who just like the freshest shoes and streetwear on the planet. The store carries a wide range of limited-edition shoes and exclusive clothing lines that youre unlikely to find anywhere else. With a second location opening in Ballard, Trickwood is the easiest way to update your look before hitting the town.

Platinum Records

> 915 EAST PIKE
A fixture on the Seattle DJ scene for years, Platinum Records features a wide selection of vinyl, including Top 40, House, Breaks, Hip-Hop, Electro, Jungle, IDM, Chicago and rarities including old-school hip-hop, disco, and funk. In addition to carrying wide range of audio and DJ gear, Platinum also offers daily, weekly, and monthly rentals on turntables, CD players, mixers, sound systems, lighting and more. But probably the best part is that Platinum Records is completely staffed by experienced DJs who know what theyre doing whether youre in search of music, audio gear, or advice on the city.

1121 E. Pike St. Seattle, WA 98122

www.boomnoodle.com

Boom Noodle

(206) 701-9130

915 E. Pike St. Seattle, WA 98122 (206) 324-8032

www.platinum-records.com

The War Room

> 722 EAST PIKE

Previously a nondescript dance club, the War Room has been a major draw on Seattles Capitol Hill scene since it opened in 2005. Mixing elements of class (like original Shephard Fairey art) and comfort (like low-slung leather couches), this club has lots to offer, including a sizable dance floor in the main room and a very strong sound system. A six-night a week lineup ranging from hip-hop to dub to 80s to drum n bass keeps this club packed, almost without fail. Summer happy hours are also a big attraction, thanks to the War Rooms large rooftop deck.
and jeans so tight you might not be able to bend over. Trickwood, with locations in Kirkland and Ballard, is a premier skate shop and apparel store that offers brands like Vans, Rogue Status and 3Sixteen. With locations in the University District and Capitol Hill, Red Light offers and massive selection of both new and vintage clothing. Good, Cheap Eats For good eats that wont break the bank, Capitol Hill has some of the best restaurants in town. Than Brothers Pho is a favorite spot for those on the go with little money to spare. The Honey Hole has the best sandwiches in the city and you can grab a beer at their bar while you wait. The incredibly hip Boom Noodle on the Hill offers a unique blend of Asian infused noodle dishes at a very reasonable price. And if youre looking for a slice of Pizza, Mamas is the spot. Good, Not so Cheap Eats For those on the Hill with a little cheddar to spend, Osteria la Spiga is probably the best Italian restaurant in the entire city. Just down the street, Quinns Pub has some of the most elaborate pub fare youll find. Lastly, Caf Presse is one of Capitol Hills most popular restaurants, offering unique Parisian cuisine for those with a rich palate. Hip Hotels Like many cosmopolitan cities, Seattle is sprouting up new boutique hotels that offer reasonable rates and a hip environment. The Ace Hotel in Belltown was one of the first boutique hotels in the city and is still one of the most popular, mainly due to their incredibly reasonable rates ($100-$150 a night). Just down the street, the Hotel Max offers a bit more comfort and size. If you prefer the luxury and notoriety of The W Hotel, theyre located just down the street towards Pioneer Square.

Flagship DJ Control System.
> DIGITAL CONTROL FOR THE TRUE PROFESSIONAL
The SC System 1 is Stantons most advanced digital control system for the professional DJ. The System is comprised of the SCS.1m mix controller and the SCS.1d deck, both advanced control surfaces that give the digital DJ an entirely new level of performance ability and functionality while preserving the familiar feel and layout of traditional equipment. Due to increased portability of laptops, processing power, massive song storage, and rapid advances in DJ software, digital DJs are becoming more prevalent than ever, and require dedicated, practical control surfaces that give them total control over their music and performance. Therefore, each component of the high-end SC System (mixer and deck) can be used standalone or together, allowing for multiple configurations, with clean lines drawn between the functions of each unit. The SC System boasts a premium feature set including built-in FireWire connections, a high-torque motorized platter with vinyl control disc, motorized faders, rotary encoders, massive flexibility, and integration into DJ software with advanced two-way feedback. Additionally, the SC System was developed with an open software strategy in mind, and is compliant with all popular MIDI-speaking software applications, so you can easily use the system or any of its components with your favorite program.
> TRAKTOR > ABLETON LIVE > MIXVIBES > DECKADANCE > SERATO SCRATCH LIVE
Model Line-Up: > DaScratch
The SCS.3d controller allows me to control my audio and DJ software with gestures and motions like never before. This opens a whole new chapter for digital DJs wanting to take it to the next level!

www.richard-devine.com

We wanted to create something unique using emerging touch technology. So by developing StanTouch technology, weve given DJs something useful and truly different.

- Richard Devine

Compact, Affordable DJ Control. To go.
> INTRODUCING STANTONS AMAZING NEW SCS.3D DASCRATCH
The new SCS.3d DaScratch is the newest addition to the SC System line. This advanced USB-MIDI controller combines fast touch-surface response, easy customization, and a compact form factor for any digital DJ looking for convenient control over their software. Small and portable, DaScratch is a complete standalone control solution, or a great addition to any existing DJ gear setup. And a single USB cable is all it takes to plug right into your laptop. The SCS.3d is based on our new StanTouch technology, which allows DJs to use traditional performance gestures on a sleek touch-pad style surface. Another notable feature of the SCS.3d is the implementation of DaRouter software which provides customized control over most DJ, DAW, and audio applications. DaRouter also enablesthe SCS.3dto provide two-way user feedback by illuminating LEDs to indicate the status of buttons, triggers, virtual faders, and transport controls. A preset library supports popular applications such as Traktor, Traktor Scratch, Ableton Live, and Serato Scratch Live. (Download the library and see the complete list of supported applications at www. enterthesystem.com). DaScratch is class compliant with Windows XP, Vista and Mac OS X to ensure that drivers are never needed, and is USB bus-powered eliminating the need for external power or batteries. Thanks to its small size and complete feature set, DaScratch, a laptop, and your favorite software are all you need to mix, scratch, perform, and play. System Requirements Mac: Power PC G5 or multicore Intel processor Mac OS X (v10.4 or later) Windows: PC running Windows XP or Vista

Product Development Director

- Jim Mazur

SCS.3D - DaScratch
> COMPACT, EXPANDABLE CONTROL SURFACE
FEATURES: Revolutionary compact DJ control suface with innovative StanTouch technology Works as a standalone software controller or in conjunction with larger DJ setup StanTouch technology allows traditional DJ gestures (scratching, scrubbing, etc.) on a touch surface DaRouter provides control of most DJ, DAW, and audio software including Traktor, Traktor Scratch, Ableton Live, and Serato Scratch Live LEDs react in real time to buttons and triggers, virtual fader positions, transport controls, scratch/scrub position, and more Magnect system allows multiple units to be connected simultaneously Cable storage / management system allows USB cable to be stored in bottom of the unit
Model Line-Up: > DJ Pro 3000 > DJ Pro 2000S > DJ Pro 1000 > DJ Pro 60 > DJ Pro 50S

Headphones

Features: Spring-mounted rotating and folding construction for optimal wearing comfort Removable cable (3 m) simplifies changeout ide frequency range (16 Hz 22 kHz) W xcellent sound reproduction due to E 50 mmNeodymium drivers assive high-pass and low-pass filters P igh-cut: 16 Hz - 5 kHz H ow-cut: 200 Hz - 22 kHz L lue LEDs flash with beat of the music B ini-jack adapter and carrying bag M included

DJ Pro 2000S

> PROFESSIONAL STEREO HEADPHONE
The DJ Pro 2000S is a professional DJ headphone. The adjustable ear cups make the headphones flexible to wear. Whether lying on the shoulder or the single-ear variant: Everything is possible. The wide frequency response enables very good sound reproduction. The cable is easy to remove and can therefore by stored separately and is easy to change out. Product components include a mini-jack adapter and a carrying bag. FEATURES: requency response: 20 Hz - 30 kHz F ound pressure: 107 dB S mpedance: 64 ohm I ower: 500 mW P eight: 250 g W

DJ Pro 1000 MKIIS

The DJ PRO 1000 MKIIS offers the combined benefits of light weight comfort and accurate wide-frequency sound reproduction. For full deep bass, the DJ PRO 1000 MKIIS features high efficiency, heavy duty drivers. The removable cord aids in field replacement and is available in straight or coiled versions. FEATURES: requency response: 20 Hz - 20 kHz F ound pressure: 107 dB S mpedance: 64 ohm I P ower: 500 mW eight: 250 g W

DJ Pro 3000

The high-end DJ Pro 3000 is the latest creation in Stantons line of headphones. The popular properties of previous models are found here too, and some excellent features have been added putting the DJ Pro 3000 in a class by itself. Besides its highly appreciated folding and rotating construction and easy to-remove cable, it offers high-pass and low-pass filters. DJs can decide individually whether they would rather tune into the kick drum or the high hats in the mix.

500.V3

> STANDARD
The 500.V3 is the latest generation of standard headshell cartridges. In this price range there are certainly no more reliable or better sounding cartridges. Now with a new design and even better tracking. FEATURES: requency range: 20 Hz - 17 kHz F utput voltage: 4.6 mV O tylus cut: Spherical S

DSM 10

> SLIPMATS

400.V3

> LOUDNESS
The 400.V3, the smaller sibling to the 500.V3, also has its features of ruggedness and high-quality processing, and in particular it shines as one of the loudest needles in the world. The 400.V3 is only available as a separate product. FEATURES: requency range: 20 Hz - 15 kHz F utput voltage: 10 mV O tylus cut: Spherical S
FEATURES: An original Focus design. Low Friction Slipmats are a brand new concept from Professional slipmats ideal the mind of Focus. The circular cut outs for slip- and back-cueing are designed and laid out for less surface DSM-10 is ideal for most contact. DJ slipmats are manufactured club/mix DJs from a resin treated, glazed urethane material with anti-static properties. Rugged construction makes them an excellent choice for use in clubs or broadcast applications.
Simply put, the Stanton STR8-150s are the best turntables money can buy. Ever since I picked up a pair (or two!) I havent looked back. Compatible with: - Johnny Juice www.myspace.com/johnnyjuice

Turntables

Model Line-Up: > STR8.150 > T.120 > T.90 USB > T.62 > T.55 USB > T.52
Features: Pyro 5 (Cakewalk) resources: ntel or AMD processor, 1.5 GHz or I better indows 2000/XP W D-R or CD-RW burner C VD-R, DVD-RW, DVD+R, DVDD RW burner ac users can use the freeware M recording software Audacity available at www.audacity.de.

T.90 USB

> TURNTABLE + RECORDING SOFTWARE
The T.90 USB is the first direct-drive professional turntable from Stanton with built-in USB connectivity. The USB port and supplied software make it easier than ever to digitalize vinyl recordings. With features such as key lock and a pitch range of 12%, the T.90 USB effortlessly fits in with a regular DJ setup.

STR8.150 & ST.150

> DIGITAL SUPER HIGH TORQUE TURNTABLE

Both of these models are distinguished by heavy-duty construction, ultra-stable tonearm, and platter trimmed in rubber. Annoying electrical feedback cannot even get started. Furthermore, besides offering the highest torque available in the market, the turntables also have key correction, reverse play, up to 50% pitch control, digital S/PDIF outputs, and a Stanton 680.V3 system is included too. FEATURES: trongest drive in the world (4.5 kg/cm) S eavy-duty steel construction, 36 lbs. H Ultra-stable platter and tonearm ncludes Stanton 680.V3 Club Cartridge I tart and stop times adjustable S igital S/PDIF output D ey correction K electable phono or line output S ual start/stop keys D eight-adjustable tonearm H itch range of 8%, 25% or 50% P uartz lock / reverse play / speeds 33, 45 and 78 RPM Q emovable cartridge lighting R eight-adjustable feet H ncludes slip mat and angled RCA cable I imensions (WxHxD): 52 cm x 44.5 cm x 20 cm D

T.120 & T.120C

> SUPER HIGH TORQUE TURNTABLE
With its top models the T.120 (straight tonearm) and T.120C (S tonearm) Stanton is setting standards for turntable design. The 120 series products all come with the same motor, platter, and tonearm as the STR8.150, which received a number of awards as best turntable. Besides its super-high torque direct drive (4.5 kg/cm), the T.120 offers everything a DJs heart could desire: up to 50% pitch range, dual start/stop keys, adjustable starting and braking speeds, and even a line output. Last but not least, the solidly constructed, futuristic aluminum design is beautiful to look at and reduces annoying resonances. FEATURES: uper-high torque direct drive (4.5 kg/cm) S ual start/stop keys D traight or S tonearm S itch range of 8%, 25% or 50% P uartz lock Q 3, 45 and 78 RPM 3 ubber damped platter and ultra-stable tonearm R itch-bend keys P djustable start/stop time, reverse play A electable phono or line output S emovable turntable cartridge lighting R ncludes slip mat, cable, protective cover and 520 series I cartridge imensions (WxHxD): 53 cm x 44 cm x 20 cm D
irect drive motorized platter D SB and S/PDIF outputs for conversion to computer U tonearm S start and stop keys 2 speeds (33, 45 and 78 RPM) 3 uartz lock Q itch ranges of 8% and 12% P ncludes 500 series cartridge, dust cover, and slipmat I ecording and conversion software are included R imensions (WxHxD): 53 cm x 44 cm x 20 cm D
I have been using the Stanton T.120C turntablesfor a while now and I love them. The decks have a lot more torque than 1200s, which means much better mixing and scratching. I travel extensively with them, and the durability and precision cant be beat. - Stacey Stylez

www.djstaceystylez.com

Features:

T.55 USB

The T.55 USB is a great all-around belt drive turntable that also features USB and S/PDIF outputs so you can easily use the deck to transfer the music on your vinyl records onto your PC or Mac to create music files for use with CDs or MP3 players such as iPod. To make things even simpler, weve included the software you can use to transfer and edit the music files, so you can remove any pops and clicks that are common when playing vinyls. The T.55 USB also comes with the professional Stanton 500.v3 cartridge for ideal sound quality and perfect compatibility. Not just a tool for vinyl transfer, this deck is also a perfect fit for the novice or intermediate level DJ.
> TURNTABLE WITH DIRECT DRIVE
The T.62 is the most economical direct-drive turntable from Stanton in a stylish, new design. Anyone looking for an affordable turntable with a straight, skip-resistant tonearm, will not find anything comparable in this price class. The optimal tool for beginners! FEATURES: ual start/stop keys D itch range 10% P 3 and 45 RPM 3 luminum platter A luminum tonearm A tanton 500 series turntable cartridge premounted on S headshell ncludes slip mat, cable and protective cloth cover I imensions (WxHxD): 53 cm x 44 cm x 20 cm D
> TURNTABLE WITH BELT DRIVE
The Stanton T.52 raises the bar for entry-level turntables. Aside from its striking new looks, this belt drive model boasts professional features like a skip-resistant straight tonearm, two Start/Stop switches, a pitch control slider and removable target light. FEATURES: Affordable belt drive turntable with eye-catching design traight tonearm for superior tracking when scratching S Start/Stop switches for mix or battle setup 2 itch control slider with + / - 10% adjustment P playback speeds: 33 or 45 RPM 2 luminum platter A luminum tonearm A RCA outputs (cable included) and ground connector 2 Includes Stanton 500B cartridge*, slip mat and cloth dust cover
Easy to operate belt-drive turntable with professional features USB Output for easily transferring music from vinyl records to your Mac or PC or for use with DVS systems. Includes software for transferring and editing music files Includes audiophile-quality Stanton 500.v3 cartridge Straight tonearm improves tracking for scratching 2 Playback speeds (33 or 45 RPM) 2 Start/Stop switches for Mix or Battle setup RCA stereo outputs Manual Pitch Control Fader (+/- 10% Adjustment) Accessories include RCA cables, slip mat, and dust cover
Cerwin-Vega! Active Series

by Jim Moore

Being a mobile DJ is like being the MacGyver of the DJ world. Youre responsible for bringing everything you need to the gig (sometimes including power), you arent always told the exact situation or layout that you are walking into, and you are expected to perform at the highest level. Ive performed in settings ranging from backyards to prestigious venues, on boats and buses all across the East Coast, and have had just about every type of curveball thrown at me (I dont say every because I know another new one will be coming). Due to these extreme circumstances I find myself in, I chose the Cerwin-Vega! Active Series of powered speakers and subwoofers as my sound reinforcement for all of my events. When it comes to versatility, ease of use, overall appearance and sound quality, I find nothing better on the market than the Cerwin-Vega! Actives. VERSATILITY Each and every event requires a different configuration of gear. The CVA series helps you to be ready for anything that your client might send your way. From the basic 2 tops to a full blown mini array of 3 tops over a 21 sub on each side, you can build the system just as easy as it is to build Legos. Recently I had a wedding on a 180 foot yacht in which the client had me set up on the lower aft deck, but wanted sound on all three decks plus the parlors. The CVA series afforded me a powerful, quality sound in a compact foot print, exactly what was needed for this situation. I was able to place speakers in compact areas such as under up ladders where no normal 12 or 15 speaker would have fit. Since the speakers have such a small footprint, it is easy to transport more of them in your vehicle, allowing you to have more gear on site if needed. Where you may have been able to carry 2 normal 15 speakers for a wedding before, you can now take 4 CVA-28s and have enough speakers to cover the ceremony, cocktail, and reception without having to move anything. EASE OF USE Powered speakers have helped mobile DJs since their inception and the CVA Series takes it a step further. The CVA Series is just as easy as other powered speakers when you are using two top boxes, but becomes an even more powerful system when you add subwoofers and other top boxes. Have a party with an extra 100 people? Add a pair of top boxes via the dual bracket. The two speakers fit perfectly together on the bracket and the signal and power jumper cables included make the setup easy. Need an extra pair from here? Just use the triple bracket and daisy chain both signal and power with the cables included. Put each mini triple array on top of a 21 active sub and you have a system that you will feel just as much as you can hear. The best part is that you dont have to have a sound engineer to hook it up and run it. Simply set it on by-pass for great out the box sound, or use the powerful equalizers to tailor the sound based on the specific venue of the day. No other system allows this type of expandability with the simplicity of plug and go. APPEARANCE As a mobile DJ, appearances count, because you never know where the next gig will come from. The CVAs sleek appearance and clean lines help to make the speakers unobtrusive, but at the same time, the signature front grill makes them stand out for their quality and beauty. Much like a Mercedes overshadows a Honda; your CVA system will contrast any generic plastic or carpet style speakers that your competition may be using. With no glaring LED on the front, there is nothing to distract the people at the party from the beauty of the room that youre in, or the music that youre playing. SOUND QUALITY Today, just about anyone can go out and get a cheap pair of speakers, a mixer, an MP3 player and call themselves a professional. The fact is that these bottom feeder DJs may steal a gig here or there, but chances are, its for clients that you really didnt want anyway. When Im pitching my prospective clients, one of the key things I point out is the quality of my sound system. Would you want something at your special event that sounds worse than your home or car stereo? is what I ask.The answer is obvious. The Cerwin-Vega! Active series is not your standard plastic powered speaker like the others on the market. It is a wood speaker with high-quality components and fantastic voicing that delivers a powerful, clear sound at all levels. Whether youre playing light jazz for the cocktail hour, or pumping hip hop or rock for the dance portion of the night, youll have crystal clear sound. And finally, a quick note about subwoofers. You may not think you need them at first, but the chances are good that someone like me whos using subs will be taking jobs from you by explaining the value of a full range system to my clients then making more money on each gig. Compact and efficient, CVA subs deliver a fuller sound that simply makes you a better DJ, creating hundreds of satisfied customers as you go.

C.500 > DUAL CD PLAYER
The C.500 model is the most economical model of the Dual CD Player series. Because of its simplicity, it is perfectly suited to DJs who are looking for an easy-to-use 19 solution for their rack, but also for mobile and club DJs. The dual jog wheels enable trouble-free cueing and mixing. The Fader Start function lets you start tracks by simply moving the crossfader, for convenience in musical performance. Features: Affordable 19 dual CD player (4 height units) Simple and intuitive operation Ideal for bar and restaurant installations Auto cue Fader start Jog wheel for pitch bend or frame search Pitch bend keys 3 pitch ranges ( 4%, 8%, 16%) Single, continuous, repeat playback modes Digital output (S/PDIF)
> PROFESSIONAL CD/MP3 PLAYER
Packing all of the benefits of our best-selling C.314 plus an abundance of upgraded features, the new C.324 is a must-have for any true CD DJ. This tabletop, slotloading CD player is designed for MP3 DJs who want to scratch CDs like vinyl, and has everything needed for ultimate performance. With specialties such as MP3 playback with onboard file and folder browsing, onboard pattern and real-time sequencer for drum machine style performances, 7 onboard digital effects, and a sleek slot drive, weve taken everything about the C.324 to the next level. except the price tag.
S.300 > SINGLE CD/MP3 TOPLOADER
The S.300 is the ideal entry-level model for DJs who want that MP3 capability. Just like the S.250, all controls are laid out clearly and give the user an intuitive and quick entry into CD mixing. This stylish player is available in dark blue. FEATURES: MP3-capable Instant start Digital output Fader start Pitch bend ranging: 8%, 12% and 16% Dimensions 21.6 cm x 27.5 cm x 8.8 cm The Stanton C.402 professional CD player with MP3 is ideal for use in restaurants, bars, gyms, theme parks, radio stations, or anywhere a professional MP3 CD player is needed. A single rackmount CD/MP3 player that delivers solid DJ-style performance, the C.402 is designed with ease-of-use in mind and offers versatile player options such as Auto Cue and seamless looping. A pitch bend slider makes it possible to speed up or slow down the music while +10 Track/Folder skip search makes finding CD and MP3 songs quick and easy. Features: Professional single 2U rackmount CD/MP3 player LCD screen with ID3 tags displays Anti-shock Buffer Memory prevents CD skips Seamless Loop and remote instant start +10/Folder track key makes finding CD and MP3 tracks easy Single and Continuous play modes Easy jog wheel control for cueing or pitch bending Versatile pitch adjustment with +/- 4, 8, or 16% control Auto Cue function automatically cues track to start of music S/PDIF, XLR, and RCA outputs

C.402 > SINGLE RACKMOUNTED CD PLAYER
S.252 > SINGLE CD TOPLOADER
The first tabletop CD player from Stanton comes in a sleek retro design. No other CD player in this price class offers the user such a sensible combination of features and quality. The bright LCD display and all control knobs are located in front where they belong. FEATURES: Instant start Digital output Fader start Pitch bend ranging: 8%, 12% and 16% Dimensions 21.6 cm x 27.5 cm x 8.8 cm
Ive switched to using Stantons new line of ultra-quiet mixers in my home studio. I especially like the RM.406. Its a smart looking, great sounding mixer. It has a ton of inputs and outputs, and the whole unit just feels solid and well-built. - Liquid Todd

www.liquidtodd.com

Mixers
Model Line-Up: > RM.406 > M.212 > SA.3 > SMX.202 > CM.205
RM.406 > 4 CHANNEL 19 MIXER
The RM.406 is professional 4-channel rack mixers for club and mobile DJs. A highlight of this mixer is the Illumiknobs. You can mix in absolute darkness at a club. Users can connect up to 4 turntables, 10 line inputs, and up to 3 microphones. The RM.406 has 3-band Kill-EQ sound control for each channel and a separate effects loop. It is possible to output the subwoofer with dedicated frequency control via its crossover functionality. FEATURES: nputs: 4 phono, 10 line, 3 mic I ffects loop with SST E channels, 3 bands per channel 4 llumiknobs I ader start and crossover function F rossfader allocation C outputs (XLR, monitor, zone) 3

> 2 CHANNEL MIXER

The M.212 is a compact 2-channel mixer designed with the aspiring DJ in mind. It features a high-performance crossfader with 2-way curve adjust, two selectable Phono/Line inputs, a microphone input and the quality look and feel of Stantons new industrial design. Fader Start outputs let you control the playback of fader start-compatible CD players, making the M.212 the perfect match for Stantons new C-Series CD players.
SA.3 > 2 CHANNEL BATTLE MIXER W/ TRIBAND EQ
Stanton presents the SA.3. This impressive Battle Mixer is part of the Scratch Artist Series and comes with performance characteristics that are hard to find in this price class. The SA.3 offers two sets of Phono and Line inputs and one Mic input with volume control and mute switch. The two channels are equipped with 3-band EQ, gain and pan controls. The cue section has Select, Pan, and 2 headphone jacks. All 3 faders offer reverse switch and curve setting. FEATURES:
Gain, 3-band EQ, and pan controls Extensive pre-monitor section with Cue Pan & Cue Select Reverse & curve control for all 3 faders 2 headphone outputs Super-smooth crossfader Symmetrical master out (jack) Dimensions (WxHxD): 31.5 cm x 23.5 cm x 11 cm
FEATURES: 2-channel mixer with new Stanton design -way crossfader curve control 2 for mixing or scratching -band EQ per channel with +9/-dB boost/cut icrophone input with separate M gain and 2-band EQ ue Pan and Cue Volume controls C ader Start outputs for use with F CD players

DIGIPAK PRO.V2

> ADVANCED MIXER & TABLETOP CD PACKAGE WITH MP3
The DIGIPAK PRO.V2 is the perfect choice for CONTENTS: mixing CDs. It comes with two tabletop CD 2 C.313 Tabletop CD Players players and a mixer in a custom road case, 1 M.202 2-channel mixer making it easy to take the party anywhere. Custom Built Road Case 1 ll necessary cables A

DIGIPAK MP3

> ADVANCED MIXER & CD PACKAGE WITH MP3
An advanced solution for DJs who are Using MP3 discs in their mix. Includes 2 Stanton S.300 CD players and an SMX.211 mixer. Custom road case with all cabling. CONTENTS: S.300 CD Players 2 SMX.211 2-channel mixer 1 ustom Built Road Case C A ll necessary cables

DJLab.2.1

> ADVANCED TURNTABLE & MIXER PACKAGE
The DJLab.2.1 is an economical entry-level package for DJs who want to benefit from the precision of direct-drive turntables and who prefer a complete solution. CONTENTS: 2 T.62 turntables including premounted 500B systems, as well as slip mats and cloth dust protection covers 1 M.212 2-channel mixer set of DJPro80 headphones 1 ll necessary cables A

DJLab.1.1

> TURNTABLE & MIXER PACKAGE
The DJLab.1.1 comes with everything aspiring DJs need to mix their favorite vinyl tracks without breaking the bank. CONTENTS: T.52 w/ slip mats and dust covers 500B carts mounted on headshells 1 M.212 2-channel mixer set of DJPro9v0 headphones 1 ll necessary cables A

In Studio Focus

- ROKIT 6CB POWERED STUDIO MONITORS

Rokit 6CB

A Tasty Custom Look for a New Classic.

By Tony Rodrigues

KRK studio monitors have long been revered for their uncompromising quality and performance. The Rokit family of monitors brings this professional studio performance into the realm of desktop and personal recording spaces environments that often have mutiple uses including mixing stations, recording rooms, dens, home offices, bedrooms, basements and the list goes on. KRK recognizes the need for these monitors to fit nicely into traditional studio dcor, but also as a way for music-oriented people to express themselves with something that plain looks cool. Enter the Rokit 6CB, a 6 Rokit monitor with a custom sports car yellow finish. This Chiquita banana, as it is affectionately called within the hallowed halls of KRK, has the same features and sonic credibility of the renowned Rokit 6 but with a shiny painted finish that screams, My other car is a Ferrari. In the words of KRKs National Sales Manager Dave Hetrick, the drive to make the Rokit 6CB was pretty simple.In the past, weve done custom paint jobs for high-profile KRK users like Stevie Wonder and many others. In talking with these users, the two most requested custom colors were red and yellow. We selected a tone of yellow from an exotic sports car, and when we saw it on an actual speaker, it was so stunning that we just knew we had to bring it to market as a limited production run. This limited production run received national attention when the Rokit 6CB was recently included in MTVs Video Music Award goody bag. Presenters and winners at the VMAs were also eligible to receive a pair of the Rokit 6CBs for their home studios. The Rokit 6CB is available exclusively from Guitar Center locations throughout the US, while supplies last. Get em while theyre yellow.