1 - TM-D1000 Operations Manual
Congratulations on your purchase of the TM-D1000. This high-quality digital mixing console allows you to produce crystal-clear multitrack recordings and to mix them to a digital stereo mastering machine. We do not expect you to read the Reference Manual from cover to cover, but if you take the time to read through this Operations Manual, this will be repaid in terms of future familiarity with the unit. Since the TM-D1000 is a complex unit, with many software features that are not immediately visible from the front panel, we suggest, however, that you make yourself familiar with at least the contents of the main reference manual, so that you can nd the answers you need when you have questions. 7 - Channel operations. 18
7.1 - Equalization. 7.2 - Routing channels to busses. 7.3 - Using the DIRECT OUTs. 7.4 - Assigning channel dynamics. 7.5 - External insert points. 7.6 - Linking channels for simultaneous parameter adjustment. 20 20

8 - Monitoring, etc. 21

8.1 - Choosing the monitoring source. 21 8.2 - Soloing. 21

9 - Effects. 23

9.1 - Selecting effect patterns. 9.2 - External effects. 9.3 - Setting aux send levels. 9.4 - Selecting the effect to use. 9.5 - Editing the parameters of the effect. 9.6 - Storing an effect with your own parameters. 10.1 - Storing a snapshot. 10.2 - Recalling snapshots. 10.3 - Renaming snapshots. 10.4 - Nulling the faders and panpots. 10.5 - DIRECT RECALL. 11.1 - Connections. 11.2 - Arming tracks. 11.3 - Locations. 11.4 - Selecting the MTC type. 11.5 - Capturing a location on the fly. 11.6 - Locating to a memory position. 11.7 - Editing a memory location. 31 31

1.1 Table of Contents

1 - TM-D1000 Operations Manual. 1
1.1 - Table of Contents. 1 1.2 - TM-D1000 features. 2 1.3 - Setting up your TM-D1000. 2

10 - Snapshots. 26

2 - The TM-D1000 menu system. 5
2.1 - PARAM SEL OPTION. 5 2.2 - DIRECT RECALL ESCAPE/RECALL STORE. 5 2.3 - ENTER FDR/PAN NULL. 5 2.4 - MEMO OPTION MONITOR. 5 2.5 - The display screen. 6 2.6 - Data editing knobs. 6 2.7 - DATA ENTRY. 6 2.8 - Viewing parameters without changing them. 7
11 - MIDI Machine control. 29
3 - A quick guide to common functions. - Buss functions. 10
4.1 - Default REC mode. 10 4.2 - Default MIX mode. 10 4.3 - Choosing REC or MIX mode. 11 4.4 - Buss configurations. 11 4.5 - Where do the busses go?. 12
12 - MIDI control of the TM-D1000. 32
12.1 - Setting Program Change receive channels. 32 12.2 - Enabling and disabling parameter changes. 32 12.3 - Recording parameter changes. 32 12.4 - System Exclusive parameters and data dumps. 33
5 - Using the digital inputs and outputs. 13
5.1 - Connecting a TDIF-1 multitrack recorder 13 5.2 - TDIF-1 word length. 13 5.3 - Connecting a 2-track recorder. 14 5.4 - Connecting a digital audio source. 14 5.5 - Using digital effect returns. 15

13 - Options. 34

13.1 - RM-D1000 rack mounting kit. 34 13.2 - IF-TD1000 Digital Input Kit. 34 13.3 - FX-D1000 Effect Board. 35
6 - Word synchronization. 16
6.1 - Setting up the TM-D1000 as a word clock master. 16 6.2 - Setting up the TM-D1000 as a word clock slave. 16
14 - Miscellaneous functions. 36
14.1 - Footswitch (REMOTE CONT). 14.2 - Meter settings. 14.3 - LCD contrast. 14.4 - Battery levels. 36 36
1 TASCAM TM-D1000 Operations Manual
NOTE When referring to named parts of the TMD1000, we will use the following typeface: CH SEL (or CH SEL in notes, etc.). When referring to words, etc. shown on the display, we will use the following typeface: Option.
WARNING The TM-D1000 uses an external AC adapter. Make sure that the voltage marked on the TASCAM PS-D1000 adapter is the same as your local power supply. Consult your dealer if it is not. Never attempt to use the TM-D1000 with any AC adapter other than the TASCAM PSD1000 adapter specically provided for use with the TM-D1000. As with all audio equipment, connections should always be made with the power turned off.

1.2 TM-D1000 features

Among other features, the TM-D1000 includes: Eight analog inputs, capable of accepting input from a variety of sources, from professional line level to standard dynamic microphones. Four of these inputs are tted with TRS insert points for connecting external processors, etc. Eight digital inputs and outputs in TDIF-1 format, which use the same connector as the eight-channel I/O of a TDIF-1 recorder. One stereo digital input and two stereo digital outputs with both AES/EBU and SPDIF connectors, allowing digital mastering. The input and output word length can be selected as 16, 20 or 24 bits. Each channel, whether input or tape return, is equipped with 3-band equalization and effect sends as well as routing capabilities. Four group busses, which can also be used as auxiliary busses. Instant repatching of the console into various modes, depending on the needs of the project at the time. Internal digital effect units, which may be used as stereo effect processors mono dynamic processors. Full input and output facilities, often in both analog and digital formats, from busses, groups, as well as full monitoring facilities through either headphones or a amplier/speaker combination and channel insert facilities. These features mean that while the TM-D1000 is primarily intended for multitrack recording purposes, it can also be used effectively for sound reinforcement, as a digital sub-mixer, or in broadcast applications.

1.3.7 MONITOR OUTPUT 1.3.2 PHANTOM (+48V)
The PHANTOM power switch by the XLR jack of channel 4 provides phantom power at +48 V to the XLR jacks of channels 1 through 4 when switched on. Remember to turn down the monitor output volume when turning this switch on or off. The balanced -inch jacks output a signal to the monitoring amplier at +4 dBu. Although these are balanced outputs, unbalanced jacks can be used to connect an amplier with unbalanced inputs. See Monitoring, etc. on page 21 for details of monitoring operations.

1.3.3 INSERTs

Use standard Y cables such as TASCAM PW-4Y or PW-2Y cables to connect unbalanced equipment at the insert point for channels 1 through 4 (see also External insert points on page 20).
NOTE If you connect a hi- amplier to these jacks, turn down the monitor level control. The level of the TM-D1000s MONITOR OUTPUT jacks is higher than that expected by a hi- amplier, and too high an output level may result in distorted sound.

1.3.4 EXT INPUTs

The balanced -inch jacks accept signals at professional +4 dBu levels, and the RCA connectors accept signals at the lower 10 dBV levels.
1.3.8 FOOT SW (REMOTE CONT)
A standard footswitch such as the TASCAM RC-30P may be connected and set up to serve a variety of functions.

1.3.5 STEREO OUTPUTS

The analog stereo outputs are at +4 dBu (balanced inch jacks) and 10 dBV (RCA connectors). Please read and take careful note of the following, to avoid possible damage to the internal circuits of the TM-D1000.

1.3.9 WORD SYNC

These RCA connectors are used to take the word clock from and to other digital audio equipment. You should use these connectors if the TM-D1000 should receive a word clock signal from an external source, or if it should act as the word clock master in a digital audio setup.
WARNING These jacks provide balanced output signals. Do not use mono jack plugs with these output jacks. If you do, a short will occur to the cold () terminal of the TM-D1000 internal amplier, and damage may occur. If you have no choice but to use unbalanced equipment, always use a TRS-type (stereo) jack plug, and wire the ground to the sleeve, and the signal to the tip, leaving the ring unconnected. This will prevent any short circuits to the internal ampliers.
WARNING There should never be more than one word clock signal in a digital audio system. If there are not, at worst, damage may occur to speakers, ampliers, etc. as a result of highfrequency noise generated by word clock incompatibilities. See Word synchronization on page 16 for a brief explanation of word clocks as they apply to the TM-D1000.

TASCAM TM-D1000 Operations Manual

1.3.10MIDI IN & OUT

These MIDI connectors are used for control by an external sequencer, etc., as well as for receiving MIDI timecode and transmitting MIDI Machine Control commands to external equipment. See MIDI Machine control on page 29, Locations on page 30 and MIDI control of the TMD1000 on page 32 for further details of MIDI functions and the TM-D1000.

1.3.13TDIF-1 A

This 25-pin D-sub connector is used to connect eight input and eight output digital audio channels from and to a DTRS recorder, or other suitably-equipped digital audio multitrack device.

1.3.11DIGITAL OUTPUTS

There are two pairs of digital outputs provided: A and B. Each pair outputs the digital audio through both an XLR and an RCA coaxial connector.
NOTE When making TDIF-1 connections between units, you must always use genuine TASCAM cables, or TASCAM-approved cables. Although these cables appear similar to certain types of computer cables and use similar connectors, the cables themselves are very different, and the different electrical characteristics of the cables can cause damage to the equipment connected with the wrong cables. If the use of cables other than TASCAM cables causes or results in damage, the warranty is voided.

1.3.12DIGITAL INPUTS

Digital audio may be received through either the XLR or RCA coaxial input of this digital audio input.
TASCAM TM-D1000 Operations Manual 4
2 - The TM-D1000 menu system
The operational heart of the TM-D1000 is the menu system. Using this system, you can set up common channel parameters, such as equalization, etc. and also the more general global settings, such as console conguration. The menu system may be described in the following way: At the top level are the main menus, such as the Option menu, channel AUX and EQ menus. Below these menus there may be sub-menus, for instance, in the Option menu, there are Setup, Effect and MIDI sub-menus. Within a sub-menu, there may be further submenus, or parameters. If there is only one parameter shown on the screen whose value is to be edited, the DATA ENTRY knob is used to change the value, and the ENTER key is used to conrm this change. If there are two or more parameters shown on the screen whose values may be edited, the data editing knobs are used to change the values (see Data editing knobs on page 6). The controls which are used to navigate and change the values within the menu system are described below:

5 TASCAM TM-D1000 Operations Manual

2.5 The display screen

The display screen is typically used in the following way: The top line of the display screen is used to show the sub-menu or the parameter to be edited which is currently selected. The right side of the top line shows you if there are other sub-menus or parameters available (see DATA ENTRY on page 6 for details). The bottom line of the display is used to show the sub-menu or value of the parameter or parameters which may be edited. If the sub-menu is one of a number of sub-menus to be selected, or if there is only one parameter whose value must be set, the bottom line of the display will blink. If the value displayed on the screen is the currentlyloaded value, the value alone will be shown. If the value is not currently loaded, the line will end with a question mark (?). When the value is selected with the ENTER key, the ? will disappear, to show that the displayed value is the current value. To set the value, press the ENTER key. To escape from the menu without setting the value, press the ESCAPE/RECALL key. controls. However, when you come to the maximum or minimum value permissible for a parameter, turning the knob clockwise or counterclockwise respectively will have no further effect.
Operating Tip When you are changing values using the data editing knobs or the DATA ENTRY knob (see below), you can speed up the rate at which the value is changed by pressing and holding down the SHIFT key while turning the knob.

2.7 DATA ENTRY

When you turn this knob, the different sub-menu options available from each main menu are displayed. The availability of different menus is shown in the top right of the display:
LOW-G +12.0 MID-f 10k MID-G + 0.5 + HI-G 1.0
The in the top right of the display indicates that if you turn the DATA ENTRY knob clockwise, another sub-menu is displayed:
LOW-f 100Hz MID-f 10k MID-G + 0.5 HI-f 16k
Operating Tip To change the contrast of the display screen:
Press and hold down the SHIFT key and press the ENTER FDR/PAN NULL key (you will enter the fader/panpot adjustment screen). Turn the DATA ENTRY knob to adjust the display screen contrast.
Here, the in the top right shows that another menu is available if you turn the DATA ENTRY knob counterclockwise. Occasionally, a menu will appear which has both the and symbols displayed in the top right corner. This means that additional menus are available by turning the DATA ENTRY knob either clockwise or counterclockwise. Sometimes identical menus are available for similar parameters. In the example below, the format of the signals output from the DIGITAL OUT jacks (A and B) can be changed between SPDIF and AES/EBU.

Selecting the way in which internal effect

units are used

Option Effect Effect Pattern choose an effect pattern which to

Setting the word clock

Option System Master Clock Select (See Word synchroniza-

tion on page 16.).

match your requirements (See Selecting effect patterns on page 24.).
Selecting record or mixdown mode

Option MODE MODE select

Selecting and assigning the AUX and

EFFECT RETURN controls

Option Setup Aux Rtn Input/Assignchoose the source and the
(See Choosing REC or MIX mode on page 11.).
Selecting Buss Function (group/aux

allocations)

Option MODE BUSS Function

select

routing of the aux and effect returns.
Assigning the channels which use

dynamic processors

Option Effect Ch Dynamics Insertpush the DATA ENTRY knob to toggle the dynamics on and off, and
(See Buss congurations on

page 11.).

Assigning channels to busses
Press the channelss CH SEL key, and then the appropriate CH ASSIGN key(s) (See Routing channels to busses on page 18.).
turn it to move the cursor (See Assigning channel dynamics on page 19.).
Setting the dynamic processor parameters
Press the PARAM SEL key until the EFFECT/ DYNAMICS indicator lights green, press the CH SEL key of one of the channels using dynamic processors, and use the data editing knobs to set the processor parameters. See Assigning channel dynamics on page 19.
Bypassing the group buss system
Press the channels CH SEL key, and then the DIRECT OUT key, making sure the channel is not assigned to a group buss (See Using the DIRECT OUTs on page 19.).
Monitoring input channels and tape tracks
Assign the input channels and tape tracks to the stereo L-R buss (See Monitoring, etc. on page 21.).

Setting AUX send levels

Press the PARAM SEL key until the AUX indicator lights green, and use the data editing knobs to set the levels (See Setting aux send levels on page 24.).
Panning channels between output busses
Use the PAN controls above each channel fader.
Selecting the effect to use
Press the PARAM SEL key until the EFFECT/ DYNAMICS key lights green, and use the DATA ENTRY knob to select the effect type (See Selecting the effect to use on page 24.).

Making EQ settings

Press the PARAM SEL key until the EQ indicator lights green, and then the channels CH SEL key. Make sure the EQ key by the CH ASSIGN keys is lit, and make the appropriate settings using the data editing knobs (See Equalization on page 18.).

NOTE It is possible for you to assign the digital input to more than one input channel (including the Effect and Aux return busses). All controls assigned to the digital input will be enabled.
Remember to assign the input to the appropriate busses. Push the DATA ENTRY knob to enter the assignment screen, and assign the return to the L-R, 1-2 or 3-4 busses.
2. If the optional IF-TD1000 Digital I/O Board has been installed, you will also have the option of selecting the input from the second (B) digital input. Again, if channels 7 and 8 are being used, Digital input (C) can also be used.

6 - Word synchronization

When you have a digital audio setup, it is most important that all equipment in the setup shares the same word clock. This is not at all related to timecode synchronization, but refers to a digital signal at the sampling frequency which marks the beginning and the end of digital data words. If this clock is not present, or is distorted, the resulting signals passed between different pieces of equipment will not be synchronized, with audible noise which may even be high-frequency noise which will damage ampliers, speakers, etc. The proper setup of a word clock in a digital audio system is therefore essential. We refer to devices as word clock masters or slaves, depending on whether the word clock is originated by them, or received from another device.
If the TM-D1000 is congured as a word clock master, you cannot use any varispeed facilities on any digitally connected devices (multitrack systems, CD players or DAT recorders).
Press and hold down the SHIFT key and press the OPTION key. Turn the DATA ENTRY knob until the bottom line of the display shows System and press ENTER. Turn the DATA ENTRY knob until the bottom line of the display shows Master Clock Select, and press ENTER:

Clock Select

Master

Internal[44. 1 k ]

NOTE There must be one, and only one, word clock master in a system.
Furthermore, each device in a digital audio setup must be set up to work at the same sampling frequency. You cannot have a system in which a CD player (with a xed sampling frequency of 44.1 kHz) can be used to provide digital audio signals to a recorder or mixer whose sampling frequency has been set to 48 kHz. The standard stereo digital signals (AES/EBU and SPDIF) that are marked as DIGITAL from DAT recorders, CD players, etc. carry their own clocks as part of the signal. Most domestic CD players and DAT recorders will expect to be the word clock master when playing back, and (in the case of a DAT recorder) when recording, will become a word clock slave. Professional equipment (DAT recorders, CD players, digital multitrack and hard disk recorders, and digital mixers such as the TM-D1000) can usually be congured to act as either a word clock master or slave.

Use the data entry knob to choose either 48 kHz or 44.1 kHz as the internal clock. Make sure that any other devices which can accept external word clocks are set to do so.
NOTE The TDIF-1 standard allows any DTRS or other TDIF-1-equipped device to take its clock through the TDIF-1 connector. However, we recommend that if you are using the TMD1000 as a word clock master, that you connect the TM-D1000s WORD SYNC OUT to the WORD SYNC IN of the DTRS recorder (not DA-38 models), and use the CLOCK key of the DTRS recorder to select WORD as the clock source.
6.2 Setting up the TM-D1000 as a word clock slave
The TM-D1000 can accept a word clock from any of the digital audio inputs (including the TDIF-1 input, or inputs, if the optional expansion board is tted) or the WORD SYNC IN connector.
6.1 Setting up the TM-D1000 as a word clock master
The TM-D1000 can be congured as a word clock master at either 44.1 kHz or 48 kHz.
Press and hold down the SHIFT key and press the OPTION key. Turn the DATA ENTRY knob until the bottom line of the display shows System and press ENTER.
TASCAM TM-D1000 Operations Manual 16
Turn the DATA ENTRY knob until the bottom line of the display shows Master Clock Select, and press ENTER:

Clock Select Sync In

NOTE When using the TM-D1000 with a DTRS or other recorder in varispeed mode, the TMD1000 must be congured as a word clock slave. We suggest that you use the Word Sync In as the clock source when using the TM-D1000 as a word clock slave with DTRS recorders, except with DA-38 recorders. When using a DA-38 recorder in varispeed mode, the only available word clock source for the TM-D1000 is the TDIF-1 A source. This is because the DA-38 must act as a word clock master in varispeed mode, and has no word clock output jack.
A complete discussion of digital audio is outside the scope of this guide. You should consult one of the many excellent books on the subject if you are in any doubt.
Use the DATA ENTRY knob to choose the word clock source for the TM-D1000.
The external word clock source may be the TDIF-1 A source, the Digital In A, or the Word Sync In connection. If the optional expansion board is tted, the additional digital inputs, except for digital input C, which contains a sampling frequency convertor, may also be selected as word clock sources. Remember that all other digital audio devices in the system must also be set as slaves (except for the word clock master) and must be connected so that the word clock is transmitted to them.

This does not toggle the processor on or offjust the assignment of the processor to the channel.
Press and hold down the SHIFT key, and press the OPTION key. Turn the DATA ENTRY knob until the bottom line of the display shows Setup, and press ENTER. Turn the DATA ENTRY knob until the bottom line of the display shows Direct out mode, and press ENTER:
out Post mode Input Fa d e r ?
To set the dynamic processor parameters, press the CH SEL key for the channel whose processor you want to edit. Press the PARAM SEL key until the EFFECT/ DYNAMICS indicator lights green.
3-05 Light Eff: Gate On[Out: 0]

Direct

Use the DATA ENTRY knob to choose between Post Input Fader (post-fader output) and Pre EQ (pre-fader and preEQ), and use ENTER to conrm your selection.
Use the DATA ENTRY knob to switch the display of the dynamic processor parameters, and use the data editing knobs to adjust the following parameters:
Input level On or off. When on, the overall output level can be cut by 40 dB or boosted by 22 dB. The threshold level at which the processor will start to operate. The attack time of the processor The release time of the processor Adjustable from 1:64 (full compression) to 64:1 (gating)
7.4 Assigning channel dynamics
The default effect pattern when recording is to assign four mono dynamic processors to input channels. To use these processors:
In Eff Thshd Att-T Rls-T Ratio
Press and hold down the SHIFT key, and press the OPTION key.
7.5 External insert points
The TM-D1000 is capable of using external inserts on channels 1 through 4, as well as using its internal dynamic processors. Use standard Y cables such as TASCAM PW-4Y or PW-2Y cables to connect an external processor. The tip of the -inch TRS jack plug is the send of the TM-D1000 to the external processor, and the ring is the return. The sleeve is used as a common ground. Channels may be linked if either of them is assigned to use an in-line dynamic effects processor (see Assigning channel dynamics on page 19). In this instance, they will share a linked two-channel dynamic effect processor (changes made to one channels processor will affect the other channelss processor).
Press and hold down the CH SEL key of one of the channels to be linked. Press the CH SEL key of the other channel.

To un-link the channels, repeat the process. When you link channels, the following parameters will be applied to both channels simultaneously: Fader levels (moving one fader will have the effect of moving both faders simultaneously, even though the second fader does not physically move). Channel assignment (see Routing channels to busses on page 18). Equalization parameters and the EQ switch (see Channel operations on page 18) Channel muting Aux send levels (see Setting aux send levels on page 24)
7.6 Linking channels for simultaneous parameter adjustment
You may nd it useful to link adjacent channels so that changes made to the parameters on one channel also affect the adjacent channel. Odd-numbered channels may be linked in this way with the even-numbered channel immediately following (e.g. channel 3 may be linked with channel 4, but not with channel 2 or with channel 5).
TASCAM TM-D1000 Operations Manual 20

8 - Monitoring, etc.

The TM-D1000 allows you to connect an amplier/ speaker monitoring system to the MONITOR OUT connectors. The level of the signal transmitted from there is controlled by the LEVEL control. There is also a PHONES jack, into which you can plug standard headphones. The level here is independently controllable with the PHONES LEVEL control. The MONO switch allows you to check the mono mix of any of these stereo pairs. However, you should note that the meters will still continue to meter the two stereo signals individually, rather than the summed stereo pair.
WARNING Do not connect a pair of monaural headphones to the stereo PHONES jack with a monaural jack plug. This can damage the TMD1000 headphone amplier.
WARNING As mentioned earlier, you should not assign the return from any recorded tracks to a pair of groups feeding those tracks, otherwise you will create a feedback loop.

8.1.1 EXT IN

The EXT IN switch is a little different from the other switches provided to select the monitor source. The L-R, 1-2, and 3-4 show the digital signal levels on the meter, the EXT IN switch shows the analog levels received at the EXT INPUT jacks. The options which affect the meter ballistics (see 14.2, "Meter settings") only apply to the digital monitor selections, not to the analog EXT IN metering.
8.1 Choosing the monitoring source
Use the MONITOR SELECT switches to select the monitor source (the bottom MONO switch is not a source selection switch, but switches the stereo monitored busses to a mono mix). As explained earlier, when recording, you will probably want to listen to the L-R mix, as this is the mix to which all tracks can be assigned safely. However, you can also use the 1-2 and 3-4 SELECT switches to check the group and aux outputs, as well as the EXT switch to check the input at the EXT IN jacks (see 8.1.1, "EXT IN"below).

Y Y Y Y

N Y Y Y

N Y N Y

Press the PARAM SEL key until the AUX indicator above it lights in green.

1 CH 2 SEL ! 3 4

9.1 Selecting effect patterns
Select the channel to be edited by pressing the CH SEL key (in the example below, the effect pattern with four separate aux sends has been chosen).
Press and hold down the SHIFT key and press the OPTION key to enter the Option screen. Turn the DATA ENTRY knob until the bottom line shows Effect, and then press ENTER. Turn the DATA ENTRY knob until the bottom line shows Effect Pattern, and press ENTER:

Pattern Aux1-2:Ef f c t

Use the four data editing knobs under the display to change the value of the aux sends for the selected channel. View and change the assignments of the aux sends as pre- and post-fader sends by turning the DATA ENTRY knob clockwise:
1 Pre 2 Pre 3 Post 4 Post

Effect

L-R:Dynmcs
Select the appropriate effect pattern by turning the DATA ENTRY knob, and press ENTER.
Remember that not all options may be available, depending on the buss function that is currently selected.
Use the data editing knobs under the display to change these values. Continue selecting channels with the CH SEL keys until you have set all the aux levels.

Operating Tip

9.2 External effects
As well as being routed to the internal effects, the aux busses can also be routed to external devices. For analog devices, the GROUP OUTPUTS/AUX SENDS should be used. If the external effects returns are routed through input channels 18, equalization, etc. may be used on these signals. For digital devices, follow the procedure described in Connecting a 2-track recorder on page 14 to assign the aux busses to the digital outputs. The digital returns are assigned as described in Using digital effect returns on page 15.
To change all the aux sends from pre-fader to post-fader, go into the Option Setup sub-menu and select the All Ch Aux Pre/Post sub-menu, and then select pre-fader or post-fader for the aux sends of all channels.
9.4 Selecting the effect to use
When you have set up the routing for the effects, you can select the effect units to use.
TASCAM TM-D1000 Operations Manual 24
In some effect patterns, the effect type is xed as a dynamic processor and cannot be changed.
To select the second effect, press the DATA ENTRY knob when the top right of the screen shows (the down arrow symbol).
Pressing the DATA ENTRY knob once more will take you back to the rst effect unit.
Press the PARAM SEL key until the EFFECT/ DYNAMICS indicator lights green. Push the DATA ENTRY knob so that you select the correct effect screen (1 or 2). The effect screen number is shown at the top left of the display:

2-01 Concert Hall

9.6 Storing an effect with your own parameters
Press and hold down the SHIFT key and press the ESCAPE (STORE) key.

REN A M E ?

Turn the DATA ENTRY knob until the snapshot that you want to rename is shown on the top line of the display. Conrm this with the ENTER key. Rename the snapshot, following the procedures described above, and press ENTER when you are nished.
10.4Nulling the faders and panpots
The symbols indicate the direction in which the fader should be moved ( up or down) or the rotary control should be turned ( clockwise or counterclockwise). When the physical control matches the electronic virtual control, the symbol will change to a symbol. If you want to see numerical values for the channel whose controls you are adjusting, press the CH SEL key for that channel:

3 Pan Fader L[L50] [ 31]

The term nulling the faders and panpots refers to the way in which the faders and panpots are adjusted so that their physical positions correspond to the positions which have been saved in a snapshot memory or adjusted through external MIDI control. When a snapshot memory is recalled, it is almost certain that the physical control settings will differ, and to make adjustments using the snapshot as a starting point, it may be necessary to adjust the faders and panpots accordingly.
The physical control values are given in square brackets. The pan controls can be set from L50 to R50. The center position is indicated by CTR. Fader values may be set from 0to 100.
Operating Tip When the physical controls are used to change the settings from those memorized in the recalled snapshot, an asterisk appears by the number of the snapshot on the display:
SNAPSHOT*012 Brandenburg 5
To exit the nulling mode, enter any of the snapshot or effect recall or store screens, the location memory screens, or any of the option menus.

10.5DIRECT RECALL

Direct recall allows you to recall the rst 16 user snapshots, using the ESCAPE/RECALL key with the CH SEL keys. The CH SEL key of channel 1 with the ESCAPE/RECALL key recalls snapshot 001, etc. The rst (initial setting) snapshot 000 cannot be recalled in this way.
To return the controls to the snapshot values:
Press and hold down the ESCAPE/RECALL key and press the CH SEL key whose channel number corresponds to the snapshot number that you want to recall.
Only the rst 16 user snapshots can be recalled in this way.
Press and hold down the SHIFT key and press the OPTION key to enter the Option screen. Turn the DATA ENTRY knob until the bottom line shows System, and then press ENTER. Turn the DATA ENTRY knob until the bottom line shows Direct Recall Defeat, and press ENTER:

Recall Defeat Yes

NOTE If the Direct Recall Defeat feature is set to On (see below), this feature is not available.

Use the DATA ENTRY knob to set the MMC Device ID to a value between 1 and 127, and use ENTER to conrm your selection.

11.1.2Transport control

Once the TMD-1000 and the other unit are set up, pressing and holding the SHIFT key will enable the shifted (blue) functions of the keys immediately below the TRIM controls (CH ASSIGN, EQ and DIRECT OUT). These keys work in much the same way as the standard transport control keys on TASCAM equipment. If you are in any doubt as to how these work, consult the TM-D1000 Reference manual.
Press and hold down the SHIFT key and press the OPTION key. Turn the DATA ENTRY knob until the bottom line of the display shows MIDI, and then press ENTER: Turn the DATA ENTRY knob until the bottom line shows MMC Communication, and press ENTER:
Communication Closed-l o o p
Operating Tip You can lock the SHIFT key into transport control mode (similar to a SHIFT LOCK or CAPS LOCK key on a keyboard) by pressing it twice in quick succession (similar to a mouse double-click). The LOCK indicator by the SHIFT key lights to remind you of the current status.
29 TASCAM TM-D1000 Operations Manual
When the indicator is lit, the transport keys (the CH ASSIGN 1-2, 3-4 and L-R keys, the EQ key and the DIRECT OUT key) take on the assignments printed in blue below these keys, and there is no need to press the SHIFT key to use them as transport keys. However, the CH SEL (MMC LOC) and MUTE (REC FUNCTION) keys do not use the shift lock mode. Regardless of the status of the MMC LOCK indicator, you must always hold down the SHIFT key when you need to use these keys in their shifted MMC function. Double-click the SHIFT key once more to turn off the shift lock made earlier.
Turn the DATA ENTRY knob until the bottom line of the display shows MTC Type, and press ENTER:

Type 29. F

Use the DATA ENTRY knob to select a timecode type: 30DF (equivalent to SMPTE, non drop-frame), 30NDF (equivalent to 30fps drop-frame, used with color NTSC video), 25F (used with EBU video) and 24F (lm). Conrm your choice with the ENTER key.
11.5Capturing a location on the y 11.2Arming tracks
The MUTE keys serve another shifted functionas track arming keys for the remote devices connected via MIDI. This function works with the SHIFT key the double-click mode is not effective here. When the appropriate tracks are armed, and the
SHIFT key is held down, these indicators will ash.
The TM-D1000 can store up to 16 memory locations for recall. These 16 locations are controlled by the CH SEL keys of the 16 input channels.
When the appropriate tracks are actually recording and the SHIFT key is held down, these keys will light steadily.
While the unit is playing or recording, press the MEMO key. The timecode received from the device will be shown on the bottom line of the display. If the timecode is being received, the display will act as a timecode monitor, showing the incoming timecode.

11.3Locations

Up to 16 location memories can be stored in the TMD1000. The values for these location memories are obtained from the MIDI Timecode (MTC) received at the MIDI IN connector. These locations may then be used for location of a device controlled by the TM-D1000 using MMC (as described in the previous section).
Remember that some units are capable of transmitting MTC while fast winding, or even in stop or pause mode.
Press the CH SEL key of the channel (location memory) in which you want to store the timecode value:

Entry 30DF 00h21m12s f

11.4Selecting the MTC type
MTC can be received in a variety of types. Select the type used by the TM-D1000 in the following way:
The timecode value will freeze and the display will blink for about a second to show that the memory is being stored.
Press and hold down the SHIFT key, and press the OPTION key. Turn the DATA ENTRY knob until the bottom line of the display shows MIDI, and press ENTER.
NOTE If you require location to sample accuracy, you will have to rely on the devicess own location facilities, if it provides them.
TASCAM TM-D1000 Operations Manual 30
11.6Locating to a memory position
Locating to a memory position is done by holding down the SHIFT key and pressing the CH SEL key of the channel (location memory) to which you will be locating.
Press the CH SEL key of the memory location you want to edit.
A memory location which has not been used (no value has been captured for it) will show 00h00m00s00f as the location value.
Push and turn the DATA ENTRY knob to move the cursor. Turn the DATA ENTRY knob to set the values of the eld highlighted by the cursor.
11.7Editing a memory location
Press the MEMO key so that the display shows MEMO Edit on the top line.
NOTE If MIDI Timecode is currently being received at the MIDI IN jack, you must press the MEMO key twice to obtain the MEMO Edit message. If MIDI Timecode is not being received, you only need to press the MEMO key once.
Operating Tip You can also use the CH SEL keys here as number keys. The CH SEL keys of channels 1 through 9 enter their respective numerals, and the CH SEL key of channel 10 acts as a 0 key.
After checking that the new values are correct, press the ENTER key to conrm your setting.
12 - MIDI control of the TM-D1000
Snapshot changes may be carried out from a MIDI controller as Program Change messages. In addition, the two effect units and the four channel dynamic processor components of the TM-D1000 may also be set up to respond to Program Change messages, each on their own channel, if desired.
Turn the DATA ENTRY knob until the bottom line of the display shows MIDI, and press ENTER. Turn the DATA ENTRY knob until the bottom line of the display shows Control Change Defeat, and press ENTER:
Change REC Defea t Mode: Y e s ?