For the customers in Canada: This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numrique de la classe B est conforme la norme NMB-003 du Canada.

TABLE OF CONTENTS

INTRODUCTION Important Safety Instructions Table of contents. Introduction. Front Panel. Rear Panel. Signal flow diagram & Soldering Instructions. APPENDIX MIDI Implementation Chart Technical Specifications. Troubleshooting. Preset List.38.39.41.42

.3.5.6.8

BASIC OPERATION The MONE Display.10 I/O Setup.11 Clock Mismatch.11 Utility & MIDI.12 Routings.13 Recall.16 Edit.16 Store.17 Tap.17 ALGORITHMS Reverb Hall. Room. Small Room Plate 1. Plate 2. Spring. Live. Ambience.
.18.19.21.22.23.24.25.26.27.28.29.30.31.32.33.34.35.36.37
Other Algorithms Delay - One Tap & two Tap Delay - PingPong. Chorus - Classic & 4-Voice Flange - Classic & 4-Voice Pitch - Detune & Pitch Shift Parametric Equalizer. Compressor & Limiter. Gate/Expander. De-esser. Tremolo - Hard & Soft. Phaser - Vintage & Smooth
TC Electronic, Sindalsvej 34, DK-8240 Risskov - tcdk@tcelectronic.com
English version Prod. No: E60500152
Rev 4 - SW - V 1.43 - ST Rev 4 - SW - V 2.07 - XL

INTRODUCTION

Congratulations on the purchase of your new TC Electronic MONE or MONE XL unit. The MONE is a Dual Engine Multi-effects Processor, focusing mainly on high quality Reverbs. The MONE can be used for a number of purposes due to flexible routing of the two Engines and more than 20 TC algorithms. Do you want two independent Reverbs, controlled from separate Auxiliary sends? Select the Dual Input Routing plus two Reverbs, and you are up and running. Do you want a compressor in front of a Delay? Select the Serial Routing, a Compressor and a Delay. You can even tap the Delay time on the TAP key. Or maybe you just want stick with that one Routing, no matter the preset? Simply use the Routing Lock function to avoid routing changes at preset change. It is really as easy as that, go ahead and tweak some keys and knobs. We hope you have as much pleasure using the MONE as we had making it. Please note that this manual covers both the MOne and the MOne XL. Both products will in general be referred to as MOne. When a feature relevant only for the XL version is covered, this will be marked with XL only.
Though the MONE is focusing on high quality Reverb you will discover that the MONE also covers a wide variety of other algorithms. Experience and enjoy !
Hall Room Small Room (XL only) Plates 1&2 Spring Live Ambience

ROUTING key Press the ROUTING key to set the Engine Routing. The options are: Dual Send/ Ret, Parallel, Parallel/Serial, Serial, Stereo, Dual Mono. I/O SETUP Basic parameters are set here. Input source - Analog/Digital. Sample Rate 44.1/48kHz/DI Bypass Mode - See Bypass keys 1 and 2. Global Output level. Dither 16, 20 or 24(off). TAP key Tap this key to enter the global Tap tempo and to enter the Tap menu. Subdivision of the tapped tempo is setup in this menu. The tapped tempo can be used for Delay time, Chorus rate etc. UTILITY MIDI, Sys-Ex ID, Routing-lock, Bypass mode, Pedal function and Display View angle.
ALGO/EDIT 1+2 Press this key to enter the Edit display and the Algorithm Change display of the currently selected Engine. BYPASS keys 1 and 2 The Bypass mode is set up in Utility. There are three different Bypass modes: 1 0% Mix: The Input signal is passed directly to the Output. 2 FX Input: Cuts only the Engine Input in order to let the effect "ring out", but will still leave the same amount of dry signal coming through. 3 FX Output: Cuts only the Engine Output in order to kill the FX instantaneously, but leaves the same amount of dry signal coming through. RECALL key Selects the Recall menu. Select a desired preset using the CONTROL wheel and press the ENTER key to enter/load the selected preset.
STORE key Selects the Store menu. Presets can be stored in the User bank only. Location is selected using the CONTROL wheel. Operation is confirmed using ENTER. CURSOR UP/DOWN Use the cursors to move around in the display. ENTER key Confirms operations. The ENTER key LED will indicate when this key can be used. EXIT key Is used to exit a menu or to disapprove an action. CONTROL wheel Is used to change values.

REAR PANEL

MOne Standard
BALANCED INPUTS LEFT RIGHT BALANCED OUTPUTS LEFT RIGHT DIGITAL I/O IN

DI S/PDIF DO

MIDI THRU

PEDAL IN

CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.

WARNING

TYPE: MAN001

SERIAL NO.

MADE IN THAILAND

TC ELECTRONIC

UL6500 EN/IEC 60065
PROFESSIONAL AUDIO EQUIPMENT

THIS CLASS B DIGITAL DEVICE MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCECAUSING EQUIPMENT REGULATIONS AND COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION SUBJECT TO CONDITIONS STATED IN THE MANUAL.

100-240VAC 50-60Hz, 15W

Balanced Jack Analog Inputs Use Left Input for mono only
Balanced Jack Analog Outputs
Digital S/PDIF Input/ Output
MIDI Pedal Input In, Out, Thru for Bypass

Power Input

Serial no.

MOne XL

Balanced XLR Analog Inputs
Balanced XLR Analog Outputs
Use Left Input for mono only. Input select MUST be set to ANLGLEFT in the I/O menu.
SIGNAL FLOW & SOLDERING INSTRUCTIONS
INPUT PPM Left Input Selector ANALOG IN LEVEL Left Engine 1 ANALOG INPUTS [balanced] A/D Right Bypass Fx In Engine 2 44.1kHz 48kHz Digital Input [S/PDIF] S-Rate Bypass Fx Out Bypass Dither Digital Output [S/PDIF] D/A MIX Right Right OUT LEVEL ANALOG OUT RANGE Left ANALOG OUTPUTS [balanced] Bypass

Digi DIGITAL IN

MIDI Cable
DIN CONNECTOR 5POLE - MALE 45 degrees max. 10m
DIN CONNECTOR 5POLE - MALE 45 degrees
SHIELDED CABLE (3 or 5 wires + screen)
Jack (unbalanced) - XLR Sleeve - Pin 1 (Ground) Tip - Pin 2 (Hot) Sleeve - Pin 3 (Cold)

TIP GND

Jack (balanced) - XLR Sleeve - Pin 1 (Ground) Tip - Pin 2 (Hot) Ring - Pin 3 (Cold)

TIP RING GND

XLR - XLR Pin 1 - Pin 1 (Ground) Pin 2 - Pin 2 (Hot) Pin 3 - Pin 3 (Cold)

THE MONE DISPLAY

Overload LEDs Analog/Digital Routing Algo Indicator Preset Number
ANALOG DIGITAL DUALSEND/RET

7IAH2HAIAJ

Text Line Dynamic Meters

EDITED

FACTORYUSER

MIDIIN

Input Meters

Preset Bank Indicator

MIDI Activity LED
Analog/Digital Analog/Digital indicator states the chosen Input. This choice is done in the "I/O Setup" menu. The Input choice is global Icons: Analog, Digital Sample Rate The Sample Rate indicator shows the clock source and the incoming master clock. These can be: Digi In, 44.1kHz, 48kHz. Example When locked to an external digital signal, the indicator will display: Digi In and 44.1. While using analog Inputs and the internal clock will display: 44.1. In case of no clock or unacceptable clock, the Digital In icon will be blinking indicating the error situation. The Sample Rate choice is global. Routing Fig and text Shows the current Routing. Options are: Dual Send/Return, Parallel/Serial, True Stereo and Dual Mono. Algo Indicator Shows the running algorithm in each of the two Engines. Push any of the EDIT keys to scroll through the available effect algorithms. Select between: Rev, Dly, Cho, Fla, Pit, EQ, Dyn, Trm and Pha.

ROUTINGS

The Routing Menu sets the Routing of the two Engines. When the Routing menu is entered, the arrow in the Routing display icon is lit. Routings are stored with presets, but it is also possible to keep a locked global routing meaning that preset routings do not take effect. This is set in the Utility menu. Basic operation Press the ROUTING key to enter the Routing display. Use the CONTROL wheel to select routing. The ENTER key is now blinking. Press ENTER to activate the selected routing.

Parallel

DUAL EFFECTS PROCESSOR

STEREO SEND R L RETURNS

FX BAL MIX
The Parallel routing sums left/right Inputs, and both Engines are fed with the exact same signal. As illustrated the unprocessed dry signal is mixed with the processed signal into two channels via the Mix parameter. EFFECT BAL Controls the balance between the two Engines FX Outputs. MIX Controls the amount of dry signal passed around the two Engines. Dry signal is passed in stereo. The Parallel routing is perfect when you want to add two different effects to the same source. Example: You need a Chorus and a Reverb on the same guitar track. Select the Chorus in Engine 1, the Reverb in Engine 2 and the Parallel Routing. Now you have your two effects side by side, not influencing each other.
Dual S/R - Dual Send/Return

SENDS R L RETURNS

This is the routing to use if you wish to use the MONE as two independent effects processors. Left Input is sent to Engine 1 and right Input is sent to Engine 2. The four FX Outputs are summed to two channels. EFFECT BAL Controls the balance between the two Engines FX Outputs. MIX Controls the amount of dry signal passed around the two Engines. Dry signal is passed in mono. Set MIX fully clockwise when using the MONE in a send/return setup. Example: Feed the two MONE Engines with signal from e.g. two separate Aux.s from your mixer. Connect the MONE L/R Output to a stereo L/R return on your mixer. You are now using the two Engines in the MONE as separate stereo effects with a common 2 channel Output.

Parallel/Serial

Serial

ENG 2 FEED L L

1 SENDS R L RETURNS

FX BAL

Parallel-Serial The Parallel-Serial routing is similar to the Dual Input routing except for one thing: The Output of Engine 1 can be fed back to Engine 2's Input. This enables you to e.g. add reverb to the repeats of a delay. The amount of signal that is fed to Engine 2 is controlled by the Eng 2 Crossfeed parameter. The Eng 2 Crossfeed parameter is found in the Routing menu and is part of the preset. EFFECT BAL Controls the balance between the two Engines FX Outputs. MIX Controls the amount of dry signal passed around the two Engines. Dry signal is passed in mono. Eng2 Feed Controls the amount of signal passed from the Output of Eng 1 to the Input of Eng 2. This parameter is only active in the Parallel-Serial routing. The Parallel-Serial can be used when you want separate Inputs on the two Engines, but still want the two effects to be partially combined. Example: You have a long Delay running in Engine 1, and a large Hall Reverb on Engine 2. Both effects are used for the lead vocal. The level of the two effects are determined by two independent auxiliary sends from your mixing console. The repeats from the Delay seams kind of dry when compared the reverberated vocal, so now you bleed a bit of the Delay repeats from Engine 1 into the Reverb in Engine 2 by turning up the Eng 2 Feed parameter. Now both the Vocal and the Delay repeats are reverberated.

Serial In Serial mode the signal always passes Engine 1 before Engine 2. On the front panel the EFFECT BAL knob and the MIX knob works as follows: MIX In Serial routing, the MIX knob work as the Mix control of Engine 1. EFFECT BAL Controls the level of dry signal passed around Engine 2. Please note that the "Dry" signal that passes Eng 2 is picked up after Engine 1. This makes it possible to emulate two stand alone effects in a serial setup. Dry signal is passed in stereo. Use the Serial mode when you want to combine the Engines to one effect. Example: Select the De-esser in Engine 1, and a bright Reverb in Engine 2. The De-esser will now suppress the Sss sounds of a vocal, enabling you to use bright and open Reverbs without getting too much sibilance.

Stereo Linked

Dual Mono

STEREO LINKED L ENG1 L

DUAL MONO L ENG1 L

INSERTS

R FX BAL MIX
In the Stereo Linked Routing the Engines perform the exact same effect with synchronized parameter settings. Left I/O are used for Engine 1, Right I/O are used for Engine 2. When switching to Stereo Linked Routing the Engine 1 settings are forced into Engine 2. EFFECT BAL. Controls the balance between the two Engines FX Outputs. MIX Controls the amount of dry signal passed around the two Engines. Dry signal is passed in stereo. The Stereo Linked routing can be used for a true stereo application. Example: Select the Compressor and insert the MONE on a sub- group on your mixing console. Now you have a true stereo compressor with identical settings, and you only have to edit one Engine to change the settings of both channels.
In the Dual Mono routing, the two Engines are totally independent, meaning mono in/mono out of each Engine. Left I/O are used for Engine 1, Right I/O are used for Engine 2. EFFECT BAL. Controls the balance between the two Engines FX Outputs. MIX Controls the amount of dry signal passed around the two Engines. Dry signal is passed independently for the two channels. Dual Mono is a great routing for independent Mono use. This enables you to use the two Engines for two totally different purposes. Example: You need a Tremolo and an EQ for inserting on two different channels. Connect the first channel to Left In/Out of the MONE, and the second channel to right In/Out, select the Tremolo and the EQ, and you are up and running.

The TAP function allows you to tap a global tempo into the MONE. This tempo can be used for Delay time, Chorus Rate etc. Basic operation Press the TAP key once to enter the Tap menu. Use the ARROW keys to select parameters. Use the CONTROL wheel to select values. Changes are instantly effective. Tap Shows the currently entered Tap tempo. The tempo is shown in either ms (milliseconds) or BPM (Beats Per Minute). Tap Subdivision The subdivision determines how the MONE should respond to the tapped tempo. Options are: Ignored, 1, 1/2D, 1/2, 1/2T, 1/4D, 1/4, 1/4T, 1/8D, 1/8, 1/8T, 1/16D, 1/16, 1/16T, 1/32D, 1/32, 1/32T, Tap Func Sets what Engine the Tap control is working on. Range: Eng 1, Eng 2 or Eng 1&2. You must select Ignored in Tap Subdivision to switch off the Tap function. MIDI Sync When MIDI Sync is enabled the MONE will lock to any incoming MIDI clock. Eg. when hooked up to a sequencer. When MIDI Sync is enabled the Tap display will default to Subdivision indication.

REVERB The Reverbs

Most of the Reverbs in the MONE contain two different parts; the Reflections and the Tail. The Reflections, or Early Reflections, simulate the first reflections that are heard. In real life, this is the part of a Reverb that defines the size and character of the room. The other part of the Reverb is known as the Reverb Tail or the diffused field. These reflections are so complex and disordered that you can no longer determine the actual direction of the original source. In conjunction the two parts create the natural sound of an environment, however in real life the balance between these two parts of a Reverb may vary quite a bit. Therefore we provided controls that allow you to change the level, color and duration or size of the two. Please try to experiment with the two parts of the Reverbs, and we guarantee that you will hear some astonishing effects.
Decay Range: 0.02s - 20sec The Decay parameter determines the length of the Reverb Tail. The length is defined as the time it takes for the Reverb Tail to decay approximately 60dB. Predelay Range: 0 - 100ms A short delay placed between the Early Reflections and the Tail of the reverb. By using predelay the source material is kept clear and undisturbed by the more diffuse reverb tail. Try to turn down the Reflect Level in order to achieve the traditional slapback effect on the Reverb Tail. Size Range: Small - Medium - Large - XL (XL-Only) This parameter determines the size of the Early Reflection pattern. Try experimenting with the different sizes to hear what suits your source material best. High Cut Range: 501.2Hz - 20kHz Rolls off high frequencies with a slope of 6dB/octave. Use this to remove sibilance in the Reverb. Try experimenting with the difference in removing high frequencies using the High Cut and the High Color parameters. High Color Range: -50 - +50 This parameter adjusts the Decay time in the upper frequency spectra. By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb.

REVERB Low Color Range: -50 - +50 This parameter adjusts the Decay time in the lower frequency spectra. Remove rumble while preserving the warmth of the Reverb Tail by decreasing the lower frequency Decay time. Reflect Level Range: 0dB to -100dB This parameter adjusts the level of the Early Reflection. Many older Reverbs did not utilize Early Reflection patterns. Try lowering the Reflect Level in order to achieve this character. Reverb Level Range: 0dB to -100dB This parameter adjusts the Reverb Tail level. Lowering the Reverb Level will give you a more ambient sound, since the Early Reflection patterns will become more obvious. Mod Type Range: Off - Smooth - Vintage Sets the Type of Modulation used on the Reverb Tail. Smooth: The Smooth modulation uses a complicated modulation pattern, that allows the Reverb Tail to be modulated without detuning the original source signal. Vintage: Many older reverbs used a very simple modulation pattern that tended to detune the original source slightly. The Vintage modulation is an emulation of this old modulation style, giving you the traditional detuning effect in the ringout of the reverb. Mod Speed Range: -25 - +25 Sets the speed of the modulation. The speed has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting.
Mod Depth Range: -25 - +25 Sets the depth of the Modulation. The Depth has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. FX Level Range: 0 - 100% The level of the entire effect.

REVERB - ROOM

Decay Range: 0.02s - 2,5s The Decay parameter determines the length of the Reverb Tail. The length is defined as the time it takes for the Reverb Tail to decay approx 60dB. Predelay Range: 0 - 100ms A short delay placed between the Early Reflections and the Tail of the reverb. By using predelay the source material is kept clear and undisturbed by the more diffuse reverb tail. Try to turn down the Reflect Level in order to achieve the traditional slapback effect on the Reverb Tail. Size Range: Small - Medium - Large - XL (XL-Only) This parameter determines the size of the Early Reflection pattern. Try experimenting with the different sizes to hear what suits your source material best. High Cut Range: 501.2Hz - 20kHz Rolls off high frequencies with a slope of 6dB/octave. Use this to remove sibilance in the Reverb. Try experimenting with the difference in removing high frequencies using the High Cut and the High Color parameters. High Color Range: -50 - +50 This parameter adjusts the Decay time in the upper frequency spectra. By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb. Low Color Range: -50 - +50 This parameter adjusts the Decay time in the lower frequency spectra. Remove rumble while preserving the warmth of the Reverb Tail by decreasing the lower frequency Decay time. 20 Reflect Level Range: 0dB to -100dB This parameter adjusts the level of the Early Reflections. Many older Reverbs did not utilize Early Reflection patterns. Try lowering the Reflect Level in order to achieve this character. Reverb Level Range: 0dB to -100dB This parameter adjusts the Reverb Tail level. Lowering the Reverb Level will give you a more ambient sound, since the Early Reflection patterns will become more obvious. Mod Range: Off - On Modulating the Reverb tail will create a more chaotic Reverb Tail, very similar to a natural room. Mod Speed Range: -25 - +25 Sets the speed of the modulation. The speed has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. Mod Depth Range: -25 - +25 Sets the depth of the Modulation. The Depth has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. FX Level Range: 0 - 100% The level of the entire effect.

REVERB Small Room

SMALL ROOM (MONE XL ONLY)
Reflect Level Range: 0dB to -100dB This parameter adjusts the level of the Early Reflections. Many older Reverbs did not utilize Early Reflection patterns. Try lowering the Reflect Level in order to achieve this character. Reverb Level Range: 0dB to -100dB This parameter adjusts the Reverb Tail level. Lowering the Reverb Level will give you a more ambient sound, since the Early Reflection patterns will become more obvious. Mod Range: Off - On Modulating the Reverb tail will create a more chaotic Reverb Tail, very similar to a natural room. Mod Speed Range: -25 - +25 Sets the speed of the modulation. The speed has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. Mod Depth Range: -25 - +25 Sets the depth of the Modulation. The Depth has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. FX Level Range: 0 - 100% The level of the entire effect.
Decay Range: 0.02s - 2.5s The Decay parameter determines the length of the Reverb Tail. The length is defined as the time it takes for the Reverb Tail to decay approx 60dB. Predelay Range: 0 - 100ms A short delay placed between the Early Reflections and the Tail of the reverb. By using predelay the source material is kept clear and undisturbed by the more diffuse reverb tail. Try to turn down the Reflect Level in order to achieve the traditional slapback effect on the Reverb Tail. Size Range: Small - Medium - Large - XL This parameter determines the size of the Early Reflection pattern. Try experimenting with the different sizes to hear what suits your source material best. High Cut Range: 501.2Hz - 20kHz Rolls off high frequencies with a slope of 6dB/octave. Use this to remove sibilance in the Reverb. Try experimenting with the difference in removing high frequencies using the High Cut and the High Color parameters. High Color Range: -50 - +50 This parameter adjusts the Decay time in the upper frequency spectra. By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb. Low Color Range: -50 - +50 This parameter adjusts the Decay time in the lower frequency spectra. Remove rumble while preserving the warmth of the Reverb Tail by decreasing the lower frequency Decay time.

REVERB Plate 1

Decay Range: 0.02s - 20s The Decay parameter determines the length of the Reverb Tail. The length is defined as the time it takes for the Reverb Tail to decay approx 60dB. Predelay Range: 0 - 100ms A short delay placed between the Early Reflections and the Tail of the reverb. By using predelay the source material is kept clear and undisturbed by the more diffuse reverb tail. Try to turn down the Reflect Level in order to achieve the traditional slapback effect on the Reverb Tail. Size Range: Small - Medium - Large - XL (XL-Only) This parameter determines the size of the Early Reflection pattern. Try experimenting with the different sizes to hear what suits your source material best. High Cut Range: 501.2Hz - 20kHz Rolls off high frequencies with a slope of 6dB/octave. Use this to remove sibilance in the Reverb. Try experimenting with the difference in removing high frequencies using the High Cut and the High Color parameters. High Color Range: -50 - +50 This parameter adjusts the Decay time in the upper frequency spectra. By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb.

Low Color Range: -50 - +50 This parameter adjusts the Decay time in the lower frequency spectra. Remove rumble while preserving the warmth of the Reverb Tail by decreasing the lower frequency Decay time. Reflect Level Range: 0dB to -100dB This parameter adjusts the level of the Early Reflections. Many older Reverbs did not utilize Early Reflection patterns. Try lowering the Reflect Level in order to achieve this character. Reverb Level Range: 0dB to -100dB This parameter adjusts the Reverb Tail level. Lowering the Reverb Level will give you a more ambient sound, since the Early Reflection patterns will become more obvious Mod Speed Range: -25 - +25 Sets the speed of the modulation. The Speed has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. Mod Depth Range: -25 - +25 Sets the depth of the Modulation. The Depth has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. FX Level Range: 0 - 100% The level of the entire effect.

REVERB Plate 2

Decay Range: 0.02s - 20s The Decay parameter determines the length of the Reverb Tail. The length is defined as the time it takes for the Reverb Tail to decay approximately 60dB. Predelay Range: 0 - 100ms A short delay placed between the Early Reflections and the Tail of the reverb. By using predelay the source material is kept clear and undisturbed by the more diffuse reverb tail. Try to turn down the Reflect Level in order to achieve the traditional slapback effect on the Reverb Tail. Size Range: Small - Medium - Large - XL (XL-Only) This parameter determines the size of the Early Reflection pattern. Try experimenting with the different sizes to hear what suits your source material best. High Cut Range: 501.2Hz - 20kHz Rolls off high frequencies with a slope of 6dB/octave. Use this to remove sibilance in the Reverb. Try experimenting with the difference in removing high frequencies using the High Cut and the High Color parameters. High Color Range: -50 - +50 This parameter adjusts the Decay time in the upper frequency spectra. By decreasing the upper frequency Decay time you remove sibilance while preserving the openness of the Reverb. Low Color Range: -50 - +50 This parameter adjusts the Decay time in the lower frequency spectra. Remove rumble while preserving the warmth of the Reverb Tail by decreasing the lower frequency Decay time.
Reflect Level Range: 0dB to -100dB This parameter adjusts the level of the Early Reflections. Many older Reverbs did not utilize Early Reflection patterns. Try lowering the Reflect Level in order to achieve this character. Reverb Level Range: 0dB to -100dB This parameter adjusts the Reverb Tail level. Lowering the Reverb Level will give you a more ambient sound, since the Early Reflection patterns will become more obvious Mod Range: Off - On Modulating the Reverb tail will create a more chaotic Reverb Tail, very similar to a natural room. Mod Speed Range: -25 - +25 Sets the speed of the modulation. The Speed has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. Mod Depth Range: -25 - +25 Sets the depth of the Modulation. The Depth has been optimized for each Reverb type. The +/-25 range is calculated as the variation from this optimal setting. FX Level Range: 0 - 100% The level of the entire effect.

DE-ESSER

TREMOLO Tremolo
A tremolo is basically an identical level change in left and right channels. This effect is typically heard on guitar tracks or tracks where old Wurlitzer E-Pianos are used.

HARD & SOFT

The Soft Tremolo mode is softer sounding than the Hard mode as the signal is only at its peaks for a short while.
The Hard Tremolo mode produces the most aggressive type of tremolo. Speed Range: 0.05 - 19.2Hz The Speed of the Tremolo. Depth Range: 0 - 100% The Depth of the Tremolo. FX Lev Range: 0 - 100% The level of the Tremolo effect.
Speed Range: 0.05 - 19.2Hz The Speed of the Tremolo. Depth Range: 0 - 100% The Depth of the Tremolo. FX Lev Range: 0 - 100% The level of the Tremolo effect.

PHASER Vintage

VINTAGE & SMOOTH

Smooth

The Smooth Phaser utilizes twelve Allpass filters. These filters creates a comb looking characteristic. When the filtered sound is mixed with the direct sound, the phasing sound occurs. Due to the higher number of filters this version of the Phaser sounds smoother than Vintage. Speed Range: 0.05 - 19.2Hz The Speed of the Phaser. Depth Range: 0 - 100% The Depth of the Phaser. Range Range: Low or High The Range parameter determines the frequency area in which the Phaser is operating. Feedback Range: -100 - 100% The amount of processed signal that is fed back to the Input of the effect block. Try experimenting with the reversed phase Feedback. FX Lev Range: 0 - 100% The level of the Phaser effect.
The Vintage Phaser utilizes four All-pass filters. These filters creates a comb looking characteristic. When the filtered sound is mixed with the direct sound the phasing sound occurs. Speed Range: 0.05 - 19.2Hz The Speed of the Phaser. Depth Range: 0 - 100% The Depth of the Phaser. Range Range: Low or Mid The Range parameter determines the frequency area in which the Phaser is operating. Feedback Range: -100 - 100% The amount of processed signal that is fed back to the Input of the effect block. When the Feedback value is negative, the Feedback signal is phase reversed. Try experimenting with the reversed phase Feedback. FX Lev Range: 0 - 100% The level of the Phaser effect.
APPENDIX Function Basic Channel Mode Note Number Velocity After Touch Pitch Bend Control Change True Voice Note ON Note OFF Keys Chs

APPENDIX Problems sending and receiving MIDI information You will need to reset the System Parameters! This is easily done by performing a System Parameter reset as described below. The "System Parameter reset", restores the factory defaults in the I/O and Utility menus. The "System Parameter reset" does NOT erase any presets. Press and hold the ENTER key during power up. Dial the CONTROL wheel until the display reads "Reset Sys Param". Press the ENTER key to confirm. After 2 seconds, the display reads "Clear/Reset done" Power Off - On. The display reads "Kernel cleared" during the first power up. The MONE System parameters are now reset and the MIDI port is fully functional.

TROUBLESHOOTING

APPENDIX Presets in the standard MONE M-One halls Vintage Hall & Room Natural Hall + Ambient vocal/Choir halls Vocal ambient & Hall Vocal Delay & Spring Vocal Hall/Ahort SN VOC Large/Med plate VOC Amb &Liveverb Large VOC Hall/Room Vocal Amb+ small Room Drum &Perc Room Share/Tom Live/Plate Big Snare/ Real Room Toms & a Big Share Toms & a Short snare Drum Amb+Short Snare Perc Plate +S Room Short Plate + L Room Ambience & Liveverb Tap Delay/Small Hall Small/Large Halls Gold Plate/Warm Hall Plate & Spring Bright Hall & Room Wide/ Narrow Room Medium/Small Room Large /Medium Room Large/Small Chamber Slap Dly + Med Room Detune and Med Room Genericl Hall/Spring Generic2 Amb/Live Live Hall +Slapbak Saxophone Room Horns Hit Me Horns Med/Large Room Synth Hall+Ambience Repeats & Slapback The Pack 1SN 2VOX Delay bleed-Hall Detune bleed- Ambient M-one Magic Tape Delay - Spring Phaser - Plate Delay bleed-Room Hall bleed - Chorus Hall bleed -Hall Room bleed -Hall Small Hall - Hall

PRESET LIST - MONE

99 100
De-Essed Hall De-Essed Plate Chorused Hall Compresed Live verb Compresed Room verb Wet Chorus-Phaser Party Next Door Sund Check Aalog Style Delay Detuned Tape Delay Filtered Octaver 70s Style Room- Large Hall Delay Phased Chorused Ambience Predelayed Hall Chorused Warm Hall Compresed Share Verb Chorused Spring Verb Gated Live Reverb Delays and Hall Five seconds Later Wurlitzer Verb+Delay Spread out Verb Acoustic GTR BGs Spread GTR Spring & Delay GTR Spring & Chorus GTR Spread Rhodes Verb & Chorus Dual Compressor Dual Gate/ Expander Phaser + Termolo Dual EQ Dual Delays Delay and Chorus Flanger & Chorus Tremolo & Compressor Slap Dly+Spring Verb Phaser & Spring Verb Stereo Compressor Stereo Limiter Stereo Gate / Expander Stereo EQ-Loudness Stereo EQ -Low Boost Stereo EQ HighBoost Stereo Phaser Stereo Real Hall Stereo Real Room Stereo Hall

De-Essed Hall De-Essed Plate Chorused Hall Compresed Live verb Compresed Room verb Wet Chorus-Phaser Party Next Door Sound Check Analog Style Delay Detuned Tape Delay Filtered Octaver 70s Style Room- Large Hall Delay Phased Chorused Ambience Predelayed Hall Chorused Warm Hall Compresed Share Verb Chorused Spring Verb Gated Live Reverb Delays and Hall Five seconds Later Wurlitzer Verb+Delay Spread out Verb Acoustic GTR BGs Spread GTR Spring & Delay GTR Spring & Chorus GTR Spread Rhodes Verb & Chorus Dual Compressor Dual Gate/ Expander Phaser + Termolo Dual EQ Dual Delays Delay and Chorus Flanger & Chorus Tremolo & Compressor Slap Dly+Spring Verb Phaser & Spring Verb Stereo Compressor Stereo Limiter Stereo Gate / Expander Stereo EQ-Loudness Stereo EQ-Low Boost Stereo EQ-HighBoost Stereo Phaser Stereo Real Hall Stereo Real Room Stereo Hall

FEHLERBEHEBUNG

M-One halls Vintage Hall & Room Natural Hall + Ambient vocal/Choir halls Vocal ambient & Hall Vocal Delay & Spring Vocal Hall/Ahort SN VOC Large/Med plate VOC Amb &Liveverb Large VOC Hall/Room Vocal Amb+ small Room Drum &Perc Room Share/Tom Live/Plate Big Snare/ Real Room Toms & a Big Share Toms & a Short snare Drum Amb+Short Snare Perc Plate +S Room Short Plate + L Room Ambience & Liveverb Tap Delay/Small Hall Small/Large Halls Gold Plate/Warm Hall Plate & Spring Bright Hall & Room Wide/ Narrow Room Medium/Small Room Large /Medium Room Large/Small Chamber Slap Dly + Med Room Detune and Med Room Genericl Hall/Spring Generic2 Amb/Live Live Hall +Slapbak Saxophone Room Horns Hit Me Horns Med/Large Room Synth Hall+Ambience Repeats & Slapback The Pack 1SN 2VOX Delay bleed-Hall Detune bleed- Ambient M-one Magic Tape Delay - Spring Phaser - Plate Delay bleed-Room Hall bleed - Chorus Hall bleed -Hall Room bleed -Hall Small Hall - Hall

PRESETLISTE - MONE

De-Essed Hall De-Essed Plate Chorused Hall Compresed Live verb Compresed Room verb Wet Chorus-Phaser Party Next Door Sund Check Aalog Style Delay Detuned Tape Delay Filtered Octaver 70s Style Room- Large Hall Delay Phased Chorused Ambience Predelayed Hall Chorused Warm Hall Compresed Share Verb Chorused Spring Verb Gated Live Reverb Delays and Hall Five seconds Later Wurlitzer Verb+Delay Spread out Verb Acoustic GTR BGs Spread GTR Spring & Delay GTR Spring & Chorus GTR Spread Rhodes Verb & Chorus Dual Compressor Dual Gate/ Expander Phaser + Termolo Dual EQ Dual Delays Delay and Chorus Flanger & Chorus Tremolo & Compressor Slap Dly+Spring Verb Phaser & Spring Verb Stereo Compressor Stereo Limiter Stereo Gate / Expander Stereo EQ-Loudness Stereo EQ -Low Boost Stereo EQ HighBoost Stereo Phaser Stereo Real Hall Stereo Real Room Stereo Hall
M-One XL Halls Pop Vocals Small'n'Big Concert Halls Dance Vocals Fat Vocal Two Small Rooms Big Vocal Lead Medium Room/Big Hall CountryRoom Big/Smal Crispy Room & Delay M-One Hall & Delay Vox Plate/Warm Hall Warm Club & Sn Plate Warm Plates Vocal Ensemble Small Arena/Lrg Hall Dry FAT/Double Dry Feel 1&2 Dry Feel /Background Empty Room & Delay Rock'n Room'n Hall Rock'a Billy Rev/Del Wood Room Large/Big Wood Room Small/Mid Female Air Big Hall Vox Bleed+Slap Room Big Choir Bright Hall & Delay Vocal Ambience Big Vocal & Gtr. Cho Air/Small Guitar Rev. Super Bright Acc. Gtr. Cho&Detune Acc. Gtr Ambi & Cho Guitar Hero Guitar Reverb Mid/Large For Guitar Jumping-Cat Guitar Steel Strings Jazzy Saxes Drums & Perc Drum Ambience Large Snare/Tom Long Snare/Tom Hall Sn Gate Reverb Sn Plate/Ballad Sn Snare FAT/Hard Snare + Lead Vocal Snare Natural/Crisp

PRESETLISTE - MONE XL

Snare Tight/InYrFace Small Plate/Sn Hall Horn Rev - Perc Rev El Piano Verb&Chorus Clavinet Pha & Rev Wurly Trem & Chorus Roomsssssss 1/2 Careless Whisper Big Viking Hall Ambience & Hall Ambience & Room NonLin PingPong & Hall Play Them Noseflutes Pop Dr./Vocal Small Room & Delay Smooth Plate L/XL Tight or BigBright Tiles & Delay Vintage Lead Vocals Vintage Plate+Spring Flutter Room & Delay Hold Me Now Drm/Voc 80s Hall and Chorus Vocal-Dynamic VocComps Hard/Soft Short Reverb Voc/Sn Vox Plate/Drum Room Eggbox & Dark Hall Complex Ambience Concrete Basement Closet + Locker Room Gothic Cave Bathroom Small With Open Door Empty Train Station Wide Chorus&Flanger Windy Reverb Far Away / Volcano XL Bright Hall/Pitch XL-Plate Voc/Spring Reverb & Gate TweedSpring & Phaser Double-Boomerang Classic Devils Voice BassBoomer SFX:Phaser&Tremolo Space Invaders Spookey Voice Stone Chorus
M-One halls Vintage Hall & Room Natural Hall + Ambient Vocal/Choir Halls Vocal ambient & Hall Vocal Delay & Spring Vocal Hall/Ahort SN VOC Large/Med plate VOC Amb &Liveverb Large VOC Hall/Room Vocal Amb + small Room Drum &Perc Room Share/Tom Live/Plate Big Snare/ Real Room Toms & a Big Share Toms & a Short snare Drum Amb+Short Snare Perc Plate +S Room Short Plate + L Room Ambience & Liveverb Tap Delay/Small Hall Small/Large Halls Gold Plate/Warm Hall Plate & Spring Bright Hall & Room Wide/ Narrow Room Medium/Small Room Large /Medium Room Large/Small Chamber Slap Dly + Med Room Detune and Med Room Genericl Hall/Spring Generic2 Amb/Live Live Hall +Slapbak Saxophone Room Horns Hit Me Horns Med/Large Room Synth Hall+Ambience Repeats & Slapback The Pack 1SN 2VOX Delay bleed-Hall Detune bleed- Ambient M-one Magic Tape Delay - Spring Phaser - Plate Delay bleed-Room Hall bleed - Chorus Hall bleed -Hall Room bleed -Hall Small Hall - Hall
De-Essed Hall De-Essed Plate Chorused Hall Compresed Live verb Compresed Room verb Wet Chorus-Phaser Party Next Door Sound Check Analog Style Delay Detuned Tape Delay Filtered Octaver 70s Style Room- Large Hall Delay Phased Chorused Ambience Predelayed Hall Chorused Warm Hall Compresed Share Verb Chorused Spring Verb Gated Live Reverb Delays and Hall Five seconds Later Wurlitzer Verb+Delay Spread out Verb Acoustic GTR BGs Spread GTR Spring & Delay GTR Spring & Chorus GTR Spread Rhodes Verb & Chorus Dual Compressor Dual Gate/ Expander Phaser + Termolo Dual EQ Dual Delays Delay and Chorus Flanger & Chorus Tremolo & Compressor Slap Dly+Spring Verb Phaser & Spring Verb Stereo Compressor Stereo Limiter Stereo Gate / Expander Stereo EQ-Loudness Stereo EQ-Low Boost Stereo EQ-HighBoost Stereo Phaser Stereo Real Hall Stereo Real Room Stereo Hall