Arpeggiator with 30 patterns and various play options, plus MIDI data output The Arpeggiator lets you play perfect arpeggiated chords at the simple press of a key. You can have the Arpeggiator play only one or both Scenes, or play one Scene to the left of the Split Point while you play the other Scene normally to the right. You can choose from various types of arpeggio patterns, including Up, Down, and Up&Down across one or more octaves, plus various special patterns including Techno, House, Random, and more. The arpeggio pattern data can be output via MIDI on its own MIDI channel. Easy-play/edit Step Sequencer with 128 Voice Patterns and 128 User Patterns The Step Sequencer permits quick, easy creation of highly sophisticated looped patterns which can be triggered from the keyboard in a variety of ways. Each individual step event (Note, Velocity, Gate Time, and Control Change) can be accessed and edited by a specific CONTROL knob, over a maximum of 16 steps. There are a variety of handy Step Sequencer edit and play options, including Play Effects which give you detailed control over the feel of your sequence. Pattern event data can be output via MIDI on its own MIDI channel. 4-track Free EG records and plays real-time changes of knob positions for up to four different parameters The 4-track Free EG lets you record real-time CONTROL knob movements, in order to hand draw filter, resonance, LFO and many other available parameters over timeand have them play back automatically by simply playing a voice. You can control up to four different parameters independently, each recorded into its own Free EG track. Ideal for those times when you wish you had an extra couple of pairs of hands, the Free EG lets you build up an incredibly complex, completely unique voice. Programmable multi-effects and 3-band EQ for each voice The AN1x has three types of programmable multi-effects plus EQ built into the voice architecture, which lets you customize the effects configuration for each voice. There are 8 Reverb effects, 5 Delay effects, 14 Variation effects (which includes Chorus, Auto Pan, Pitch Change, Compressor, Distortion effects and more), and a stereo 3-band Equalizer. An Effect Bypass function lets you bypass all effects or specific ones at the press of a switch.

current tempo setting. The 8 Reverb effects include various Hall, Room and Stage types and more. Delay and Reverb effects can be configured in a serial or parallel connection, and specified effects or all effects (excluding the EQ) can be bypassed at will. Controllers can be designated to control specific effect parameters.
For more information, see as follows: Vari EF/EQ page 77 Dly/Rev EF page 79 EF Bypass page 80
The VCA module is where the overall output level of the signal gets determined, as well as the Feedback level which gets fed back to the mixer in the MIX/VCF module. The Amplitude Envelope Generator (AEG) lets you determine how the volume of the signal changes over time, and the LFO1 can be used to modulate the VCA to create tremolo.
For more information, see as follows: VCA page 68 VOLUME page 69 FEEDBACK page 69 AEG page 32 PEG/LFO page 54

5 CONTROL

Specific parameters of the VCO, MIX/VCF, VCF, VCA and EFFECT modules, as well as the PEG, LFO1 and LFO2 can be controlled by many different types of realtime controllers, including [MODULATION] wheel, [RIBBON] controller X- or Z-axis, the eight assignable CONTROL knobs, a connected [FOOT CONTROLLER], keyboard After Touch, and more, including MIDI Control Change messages received at the MIDI [IN] terminal. The AN1xs Control Matrix and UTILITY SETUP Control Assign function work together flexibly to give you complete authority over which on-board or external controller controls which individual internal or external parameter.
For more information, see as follows: Control Features page 49 Control Matrix pages 51, 73 Utility Control Assign pages 50, 95

4 EFFECT

The EFFECT module is where three different types of programmable effects, as well as programmable 3-band EQ, can be applied. The 14 Variation Effects include Chorus, Flanger, Phaser, Auto Pan, Rotary Speaker, Pitch Change, Aural Exciter, Compressor, Distortion, Overdrive, Amp Simulator and more. The 5 Delay effects include Delay LCR, Delay LR, Echo, and Tempo Delay, which automatically matches the delay time to the

System Examples

There are many ways to incorporate the AN1x into a simple or expanded music system. Following are a few of the most common examples.

Speaker

Amp L Headphones L R INPUT R OUTPUT

The AN1x By Itself

Layer Modes And Portamento
One of six Layer modes can be assigned to each voice by pressing the [LAYER] switch, and Portamento on/off status can be set by pressing the [PORTAMENTO] switch.
For more information about Layer modes, see page 22. For more information about portamento, see page 24.

AN1x Quick Tour

This section provides a hands on journey through the key features youll access regularly as you select voices, tweak sounds and adjust settings for the various parameters.
Exploring The Factory-set Voices
Taking the time to systematically explore various aspects of the 128 factory-set voices is an excellent way to get a thorough understanding of the AN1xs sonic range and power. Its also a natural way to quickly familiarize yourself with some of the fundamental operations youll use during performance as well as in voice, Arpeggiator, Step Sequencer and Free EG creation and editing sessions. Try the simple operations which follow as you select and play each preset voice, and take note of what happens to the sound as you change the various settings. If, along the way, you stumble upon a sound you want to keep, simply perform a Voice Store operation (see page 98). If, however, you mess up a sound too much, theres no need to worry: Just reselect the same voice to retrieve the original sound data and start over again! Unless you perform a Voice Store operation, no changes you make will be permanent. Even if you do decide to store a voice, you need not worry about losing any of the factory-set voices permanently, because the entire bank can be recalled (see page 100).
Ctrl Matrix Param Set No Vari EF Dry:Wet Track Track No SceneSw No Rx Ch

Layer Pan EF Bypass

Unison Detune Char Undo
VOICE SCENE SETUP VOICE COMMON VOICE FREE EG VOICE

Port Time Tempo

Vari EF/ EQ Param Data Length KbdMode Step Hold Kbd Vel Key Track Hold Pattern Bank MIDI Tx Ch
Dly/ Rev EF Param Data Param MIDI Ptn Tx Ch Base Unit DeviceNo Scene Sw Arpeggio Subdivide Length Local
GateTime ARPEGGIO /SEQ SEQ Store Ctrl No

ARPEGGIO /SEQ

1 Select a voice. q Use the PROGRAM CHANGE keypad to select a voice (1 - 128).
For information about selecting voices, see Basic Operation, page 14.

External sequencer

MUSIC SEQUENCER
In this mode, Scene 1 is assigned to the keys to the left of the variable Split Point (see page 77), and Scene 2 is assigned to the keys to the right.

MIDI OUT MIDI IN AN1x

Two incoming MIDI signals play each Scene independently across the entire keyboard according to Rx Ch settings.
Plays Scene 1 sound Scene 1 range = MIDI ch. 1 Scene 2 range = MIDI ch. 2

Plays Scene 2 sound

SPLIT POINT
To select a Scene for MIDI channel assignment, simply press a [SCENE] switch.
In SPLIT mode the AN1x is capable of multitimbral play (max. 2 sounds).
External sequencer Two incoming MIDI signals play each scene independently over a range determined by the Split Point, according to Rx Ch settings.

DUAL UNISON

In this mode, each Dual layer plays in Unison (one Note On message uses five notes of polyphony) when the Poly mode is set to mono or legato. If both Scenes are set to poly, the result is the same as DUAL mode. Multitimbral play from an external MIDI source (max. 2 sounds) is also possible, as set by the UTILITY SETUP Rx Ch (Receive Channel) parameter (see page 93).

MIDI OUT AN1x MIDI IN

Scene 1 range = MIDI ch. 1
Scene 2 range = MIDI ch. 1

SPLIT UNISON

In this mode, each Scene on each side of the variable Split Point plays in Unison (One Note On message uses five notes of polyphony) when Poly mode is set to mono or legato. If both Scenes are set to poly, the result is the same as SPLIT mode.
Multitimbral play from an external MIDI source (max. 2 sounds) is also possible, determined by the UTILITY SETUP Rx Ch (Receive Channel) settings.
The AN1x features Layer parameters in the VOICE SCENE SETUP menu which let you detune the Unison or Dual layers when UNISON mode or DUAL mode is selected, or separate the panning between the two layers when UNISON mode, DUAL mode or SPLIT mode is selected. For more information, see page 76.

Portamento Play

Portamento is an effect commonly used in singing or when playing a bowed instrument (glissando), where the sound is carried in a continuous glide from one note to the next, through all the intermediate pitches.

VCO1 SYNC MASTER FM VCO2 SLAVE

2. VCF Edit

Pressing the [VCF] KNOB PARAMETER GROUP switch gives you access to the voltage controlled filter parameters, which let you determine the characteristics of the tone, or timbre of the voice, and configure the Filter Envelope Generator (FEG).

VCF Cutoff And Resonance

By turning CONTROL knob 5 you can set the cutoff frequency of the VCF Type (as designated in the MIX/VCF group), which determines the point at which specified frequencies are passed or cut offi.e., filtered out. CONTROL knob 6 lets you boost the harmonics near the cutoff frequency to apply resonance. These two parameters are critical in determining the timbre of the voice.
Range passed Cutoff range
Cutoff frequency VCF Type = Low Pass Filter

Frequency

For details about the [SYNC/FM] parameters, see page 58.
Pressing the [PEG/LFO] KNOB PARAMETER GROUP switch let you use the CONTROL knobs to access parameters which control the Pitch Envelope Generator (PEG), which determines how the pitch of a voice changes over timefrom when a key is pressed, held, then release, and how long it takes for the sound to terminate. CONTROL knob 2 lets you set the PEG Depth, or pitch in semitones. CONTROL knob 1 lets you adjust the PEG Decay, or time required for the sound to reach its basic pitch from the PEG Depth setting. CONTROL knob 3 lets you set the PEG Switch to determine which VCO the PEG is applied to.
For more information about PEG Depth, PEG Decay, and PEG Switch parameters, see page 55.
CONTROL knobs 1-4 let you determine the Attack, Decay, Sustain and Release values, respectively, to give you precision control over how the timbre of the voice changes over timefrom when a key is pressed, held, then released, and subsequently how long it takes for the sound to terminate. CONTROL knob 7 lets you set the FEG Depth, or range of movement of the cutoff frequency.

Cutoff frequency

Sustain Attack Key on Decay Release Key off
For more information about [VCF] parameters, see page 64.

Knob Event Parameters

To designate which type of event to edit by the CONTROL knobs, set the [EDIT ROTARY] switch to the SEQ EDIT/SETUP menu and press Event [UP/DOWN]. There are four types of events to choose from.
Note (C-2 ~ G8): Lets you select the note for the step.

Step 1 or 9

Step 2 or 10

Step 3 or 11

Step 4 or 12
Simply pressing a CONTROL knob will display the currently selected step and Knob Event parameter name, as well as the current parameter value setting, in the LCD. Turning a knob will edit the value.
Event parameter name: Select with (Knob) Event parameter Step number: Depends on selected knob and (Knob) 1-8/9-16 setting Event parameter value: Turn the knob to edit

Step 5 or 13

Step 6 or 14

Step 7 or 15

Step 8 or 16
You can choose a note to assign to each step by turning the knobs during Step Sequencer playback.
Velocity (0 ~ 127): Lets you set the velocity level for the step.
Gate Time (1 ~ 200%): Lets you determine the note duration for the step.
While Step Hold is active, you can press Event [UP/DOWN] to select the type of event you want to edit, then turn the CONTROL knob accordingly. To turn the Step Hold function off, simply press Step Hold [UP/DOWN] again and switch it to off.
For more information, see page 89.
Control Change (0 ~ 127): Lets you set the value of the MIDI Control Change message to be output by the step.

1-8/9-16

Press 1-8/9-16 [UP/DOWN] to choose the step series within which the step you want to edit is, then press a CONTROL knobs push-switch to select a specific step. Current information about the step will display in the LCD.
Control Change setting (off, CC1~95, After Touch) is determined by the Control No (Number) parameter in the SEQ EDIT/SETUP menu. For more information, see page 91. For more information about Event parameters, see page 89.
The Step Hold function is used during step event editing. When you press Step Hold [UP/DOWN] and set it to on, a single step will play repeatedly, based on the Tempo and Pattern Base Unit settings, in order to fine-tune the events for the specific step. This lets you adjust the various event settings in context with the speed and resolution of the sequence.

4. Edit other parameters. To confirm and edit other parameters in the same group, simply repeat steps 2 and 3. To edit parameters in other groups, repeat steps 1 through 3.
All the changes made here take place in the selected Scene.
5. Store the edited voice. When youve completed the editing procedure and wish to store the edited knob parameters, you can store it as a new voice in any desired voice location (1 ~ 128). For details, see Voice Store, page 98.
If you turn off the AN1x, or if the adaptor gets disconnected by accident, your edited data will still remain in memory when you turn the power back on. Always be sure to store important voice data. Always be sure to store your edited voice before selecting a different voice, or you will lose your edited data (see Voice Store, page 98). If you should inadvertently forget to store your edited data before selecting a different voice, you can use the Voice Recall function to retrieve the edited data. For details, see page 96. While youre editing, you can confirm the current voice number and name at any time by pressing [+] or [-] once to display it in the LCD. Subsequently, you can continue editing by pressing or turning a knob.

Edit Mark

When a voice parameter is changed, the Edit mark will display in reverse type in the LCD. The Edit mark indicates that voice data has been changed from the original but has not yet been stored.
Indicates a voice has been edited but not stored
If you select a different voice before storing important voice data, you can use the Voice Recall function to retrieve the edited voice data. For details, see page 96.

Knob Parameters

This section provides a description of each parameter available for control or edit in each KNOB PARAMETER GROUP.
PEG/LFO SYNC/FM VCO1 VCO2 VCF MIX/VCF VCA ASSIGN PEG Decay Algorithm Wave Wave Attack VCO1 Level Attack ASSIGN 1 PEG Depth Sync Pitch Pitch Pitch Decay VCO2 Level Decay ASSIGN 2 PEG Sw Sync Pitch Depth Fine Fine Sustain Ring Mod Sustain ASSIGN 3 Port Time Sync Pitch Src Edge Edge Release Noise Level Release ASSIGN 4 LFO1 Wave Sync Pmod Sw PW PW VCF Cutoff HPF Feedback ASSIGN 5 LFO1 Spd FM Depth PWM Depth PWM Depth Resonance VCF Type Volume ASSIGN 6 LFO1 Dly FM Src 1 PWM Src PWM Src FEG Depth Fmod Depth Amod Depth ASSIGN 7 LFO2 Spd FM Src 2 PmodDepth PmodDepth Vel Sens Key Track Vel Sens ASSIGN 8

Lower Keyboard

Settings: -32 ~ +63 Settings: 0 ~ 127
The Sustain setting determines the level of sustain of the AEG, which is the level at which the volume will be maintained for as long as a key is held. Turning the knob to the right increases the Sustain level.

Feedback

The Feedback setting determines the level of feedback output from the VCA and fed back into the input of the mixer, causing the signal to build up in amplitude according to the level you set. Turning the knob to the right increases the Feedback level, resulting in a fatter sound.
The Release setting determines the release time of the AEG, which is the time it takes for the signal to reach a level of 0 after a key is released (key off). Turning the knob to the right increases the Release time.
Settings: 0 ~ 127 Feedback should be applied slowly and with caution. Too much feedback can create extremely high frequencies, potentially resulting in damage to your speakers. Too much feedback may drastically change the VCF characteristics. Settings: 0 ~ 127

Volume

The Volume setting determines the overall output level from the VCA before the signal passes to the Effect block. Turning the knob to the right increases Volume level.

Amod Depth

Depth)

(Amplitude Modulation

When KNOB PARAMETER GROUP switch [ASSIGN] is selected, each of the eight CONTROL knobs can be used as an individual controller for specified Control Change parameters which can be freely assigned.
The Amplitude Modulation Depth setting determines the depth of the amplitude modulation of the VCA by the LFO1. Amplitude Modulation adds a cyclical change to the volume level to create a tremolo effect. Turning the knob to the right widens the range of the volume change. Negative value settings reverse the phase of the LFO1 by 180 degrees.

Assign 1-8

As MIDI controllers, knob movements output control data from the MIDI [OUT] terminal. Turning each knob to the right increases the value setting for the assigned parameter. Turning it to the left decreases the value setting.
Settings: 0 ~ 127 A Control Change parameter can be assigned to each CONTROL knob using the Control Device and Control Number parameters located in the UTILITY SETUP menu. For details, see page 95. You can assign Tempo and Data Entry to be controlled directly by the CONTROL knobs. You can confirm the parameter name by pressing the knobs push-switch.
The Velocity Sensitivity setting determines the amplitude range of the VCA according to playing strength, or how fast you strike the keys. Turning the knob to the right (positive values) results in a higher sensitivity, requiring greater playing strength to increase amplitude. Turning it to the left (negative values) requires a lighter touch to increase amplitude. A value setting of 0 maintains the same amplitude regardless of playing strength.

The Depth setting determines the control range of the Source controller.

Direct Control Function

When Depth "Dirct" is selected (0 setting), the Direct Control function is activated, and you can directly edit the parameter assigned to the controller within its original range.
Relationship Between Control Matrix And Utility Control Assign Function
There are two types of Control Change assignment functionsthe Control Matrix and the Utility Control Assign function. Between the Control Matrix and Utility Control Assign function (see page 95), you can configure a sophisticated controller setup to control specific parameters of the internal tone generator and an external tone generator at the same time by the eight CONTROL knobs and other controllers. Control Change assignments made in the Utility Control Assign function are sent to both MIDI [OUT] as well as the Control Matrix, where it can be rerouted at will before reaching the internal tone generator. External Control Change signals received at MIDI [IN] can be routed through the Control Matrix to control the AN1x tone generator parameter of your choice.
Control Signal Flow AN1x Tone Generator
MIDI IN MIDI OUT Utility Control Assign
Layer parameter settings apply to the selected Layer mode, and affect both Scenes. These settings are stored as voice data. There are three parameters, including Pan, Separate, and Unison Detune.
If Pan setting = alt or rnd: The Separate setting adjusts the Pan separation range. Higher values result in a wider separation. When the value is set to maximum setting (32), then left, center and right are completely separated. The Separate function does not apply to the Vari EF Wet signals, so if the Wet setting is too high, the Separate effect will be weakened.
The Pan parameter sets the type of stereo panning, or the way the sound moves between the left and right speakers.

q Unison Detune

When UNISON mode is selected (see Layer mode, page 22), multiple sounds are played, with the pitch of each sound slightly detuned. Unison Detune adjusts the detuning of the VCO1 pitch in fine increments, letting you create an even thicker UNISON sound by applying higher settings, but be careful not to apply too much or youll change the basic pitch of the voice. (This function only works when Layer mode is set to UNISON, DUAL UNISON or SPLIT UNISON.)
Settings: off: When Layer mode is set to SINGLE (see page 22), Pan control does not function. When set to DUAL, DUAL UNISON, SPLIT or SPLIT UNISON, you can change the pan width for Scene 1 and Scene 2 using the Separate function (see below). alt (Alternate): Causes the sound to alternate between left, right and center each time a key is played. Use the Separate function to determine pan width. rnd (Random): Causes the sound to move at random. Use the Separate function to determine pan width. Settings: 1 ~ 32

ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnop qrstuvwxyz0123456789*_!#$%&()+,-= (space)

Effect Bypass Mark

The Effect Bypass mark will appear in the LCD when the Effect Bypass is active.

Naming A Voice

1. Press the lower area of the Cursor [UP/DOWN] switch to position the cursor at the voice Category field (the current cursor position will be flashing). 2. Press Char [UP/DOWN] to select the two-letter voice category code.
This menu includes Track Recording and other parameters relating to the Free EG function. The Free EG is a special 4-track recorder that lets you record up to four tracks (one parameter per track) of real-time changes of CONTROL knob position data (all knobs) over a specified length of time, either in measures or seconds. The parameter changes associated with the recorded knob movements will automatically play back as recorded when you subsequently play the voice from the keyboard. You can select time length in bars (up to 8 measures) or absolute time (up to 16.0 seconds), as well as designate a loop type, or copy track data within the same voice or from another voice. Free EG parameters and data are stored as voice data.
LCD -Pf Cp Or Gt Ba St En Br Rd Pi Ld Pd Fx Et Pc Se Dr Sc Vo Co Wv Sq
Category No category Piano Chromatic Percussion Organ Guiter Bass Strings/Orchestral Ensamble Brass Reed Pipe Synth Lead Synth Pad Synth Effect Ethnic Percussive Sound effect Drums Synth Comp Vocal Combination Material Wave Sequence
For information about how to record the Free EG, see page 84.

Track Common

Track Common parameters include settings which affect all four tracks of data for recording or play. There are four parameters, including Trigger, Loop Type, Length and Key Track.
3. Press Cursor [UP/DOWN] again as many times as necessary to position the cursor at a voice name character field, then press Char to select an alphabet, numeric or symbol character. You can also use the PROGRAM CHANGE keypad to enter alphabet and numeric characters, by pressing each 0-9 key once or more, as indicated above each key. For example, pressing the 0 key toggles repeatedly between the following characters: 0-A-B-C-a-b-c-0, etc.

q Device

The Device parameter lets you select the controller to which you want to assign a Control Number.
The Control Number parameter lets you designate the Control Change number (type of parameter) which the Device (controller) will control.
For information about MIDI and MIDI Control Change messages, see page 109. Settings: 0 (off), CC 1 ~ 95, After Touch

Procedure

1. Press Device [UP/DOWN] to select the name of the controller to which you want to assign a controller number.
Controllers: MW: Modulation Wheel FV: Foot Volume FC: Foot Controller FS: Footswitch RbnX: Ribbon Controller X-axis RbnZ: Ribbon Controller Z-axis Knob1~8: Assign group knobs 1 ~ 8 SCENE: Scene Control controller
2. Press Ctrl No [UP/DOWN] to select the control
function. The control function name appears beside the available control numbers.
If you edit a voice and then inadvertently select another voice before storing the edited voice, you can retrieve the edited data using the Voice Recall function. 1. Enter [129] in the PROGRAM CHANGE keypad. The number 129 begins flashing in the LCD.
When set to a Knob (1 ~ 8), Tempo and Data Entry can also be selected for control. For a list of available controllers, see the separate Data List book.
3. Repeat steps 1 and 2, above, to assign all

controllers as desired.

Scene Control Assign (1) Press Device [UP/DOWN] and select "Scene". (2) Press Ctrl No [UP/DOWN] to select a Control Change number to control Scene Control. (3 Press Device [UP/DOWN] again to select the controller you want to use.
2. Press [YES/ENTER]. Recall?[Y/N] appears in the LCD.
(4) Press Ctrl No [UP/DOWN] again to select the same Control Change number as selected in step 2, above.

Control Change Modes

The AN1x has two Control Change modes. Mode 1 is the official MIDI standard, which is set at the factory. Mode 2 is a special list of Control Change parameter settings unique to the AN1x. To change between modes, first turn off the power. Then, press and hold [ASSIGN] and press the [POWER] switch. Either mode1 or mode2 will appear in the LCD at the start-up procedure to indicate which mode is activated. When using Mode 2, take care when making Control Change assignments since the behavior will be different from the MIDI standard. For a list of Control Change types for each mode, see the separate Data List book.

2 Scene1

Scene Setup Parameters
Voice Store Layer Mode Portamento On/Off Arpeggiator/Step Sequencer On/Off Voice Common Parameters Voice Pattern Parameters Free EG Parameters
Step 2 can be omitted if you want to store the voice to the same location number. In such a case, go straight to step 3.
3. Press the store switch again. SURE?[Y/N] appears in the LCD.

Voice Store

The Voice Store operation lets you store edited voice data (including Scene 1 and 2 settings) to any memory location (1 ~ 128).
When you perform a Voice Store operation, the original voice data in the memory location will be overwritten, so be sure to save all important voices beforehand to an external MIDI data storage device such as the Yamaha MDF2 MIDI Data Filer. You can recall all factory voices at any time (see page 100). To change the name of an edited voice, see the Name function in the VOICE COMMON menu, page 80. If a User Pattern has been edited, All Ptns?[Y/N] appears in the LCD. To overwrite all User Patterns, press [YES/ENTER]. To cancel the operation, press [NO].
4. Press [YES/ENTER] to execute the Voice Store operation. The LCD then returns to the normal voice name and number display. After steps 1-3, pressing [NO] will cancel the Voice Store operation, and the LCD will display the previously selected voice name and number.
When you execute a Voice Store operation, Scene 1 and Scene 2 on/off status, Layer mode setting, ARPEGGIO/SEQ on/off status, Portamento on/off status, and all other voice parameters are stored to the designated voice number.
1. After editing a voice (the EDIT mark will be displayed in the LCD), press the [STORE] switch. The STORE mark will display in the LCD.
If you already know which location you want to store the voice in, simply enter the number in the PROGRAM CHANGE keypad and press the [STORE] switch.

Scene Store

Scene Store is handy for storing the knob position settings created during Scene Control to one of the [SCENE] switches.
Scene Store loads the data into the Scene edit buffer, so you will need to perform a Voice Store operation to store the Scene parameters as voice data.

Scene Select

After selecting a voice, press [SCENE 1] or [SCENE 2] to select the desired scene. The LED appears beside the selected switch to indicate the active Scene. (At least one Scene is active at all times.)
Press both [SCENE] switches to activate the Scene Control function, which can be controlled with the MW or FC, or any other assignable continuous controller, in order to morph, or crossfade between Scene 1 and 2 sounds. (For more information, see page 20.)

Turn CONTROL knob 2 to set the Sync Pitch parameter to a value of about +33. The sound will become very tinny. 3. Set up the VCO2 to fill out the sound. Press KNOB PARAMETER GROUP switch [VCO2], then press CONTROL knob 4 once to display the Edge parameter in the LCD. Turn the knob to set a value of about 50. Press KNOB PARAMETER GROUP switch [MIX/VCF], then press CONTROL knob 2 to display the VCO2 Level parameter in the LCD. Turn the knob to set a value of about 127 in order to hear the VCO2. 4. Fine-tune the AEG and VCA velocity sensitivity. Press KNOB PARAMETER GROUP switch [VCA]. Turn CONTROL knob 3 to set the Sustain parameter to a value of 0. Turn CONTROL knob 2 to set the Decay parameter to a value of about 83. Turn CONTROL knob 8 to set the Vel Sens (Velocity Sensitivity) parameter to about +30, to increase the sensitivity level. 5. Fine-tune the FEG Sustain and Decay parameters. Press KNOB PARAMETER GROUP switch [VCF]. Turn CONTROL knob 3 to set the Sustain parameter to a value of about 40. Turn CONTROL knob 2 to set the Decay parameter to a value of about 85.
Next lets tweak a few parameters to add extra control and subtle dimension to the sound
10. Set up the Control Matrix to control the AEG Decay by key tracking. With key tracking you can make the AEG Decay quicker in the upper range and slower in the lower range, for a more natural electronic piano sound. Set the [EDIT ROTARY] switch to the VOICE SCENE SETUP menu. Press Set No [UP/DOWN] to display Set 1 in the LCD. Press Param [UP/DOWN] to display AEG Decay in the LCD. Press Source [UP/DOWN] to display KyTrk (Key Track) in the LCD. Press Depth [UP/DOWN] to set a value of Dp+ 9. 11. Use the Control Matrix to control the FEG Decay by key tracking. With key tracking you can also make the FEG Decay quicker in the upper range and slower in the lower range, for a more natural electronic piano sound. In the VOICE SCENE SETUP menu, perform the following operations: Press Set No [UP/DOWN] to display Set 2 in the LCD. Press Param [UP/DOWN] to display FEG Decay in the LCD. Press Source [UP/DOWN] to display KyTrk (Key Track) in the LCD. Press Depth [UP/DOWN] to set a value of Dp+ 5.
12. Use the Control Matrix to control the Sync Pitch by key tracking. With key tracking you can mellow out the Sync Pitch in the upper range and bring out the grit in the lower range. In the VOICE SCENE SETUP menu, perform the following operations: Press Set No [UP/DOWN] to display Set 3 in the LCD. Press Param [UP/DOWN] to display Sync Pitch in the LCD. Press Source [UP/DOWN] to display KyTrk (Key Track) in the LCD. Press Depth [UP/DOWN] to set a value of Dp-18. Finally, let's adjust the PEG to add a harder attack to the electronic piano sound. Press KNOB PARAMETER GROUP switch [PEG/LFO]. Turn CONTROL knob 1 and set the PEG Decay parameter to about +3. Turn CONTROL knob 2 and set the PEG Depth parameter to about 10. There are many other parameters you may want to adjust to get just the right sound you want. When youre finished with the editing process, perform a Voice Store operation to store your creation. For information, see page 98.

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I/O IN IN IN OUT OUT OUT IN IN OUT OUT IN IN IN OUT OUT OUT IN IN IN IN IN OUT OUT OUT IN IN IN IN OUT OUT OUT IN IN IN IN IN IN IN IN IN IN OUT OUT OUT OUT IN IN OUT OUT IN IN IN IN IN OUT OUT OUT IN IN IN IN IN OUT IN IN IN IN IN OUT IN IN OUT OUT IN IN IN OUT IN IN IN OUT IN IN IN
Input L R L R 1 L R 7 In L R 7 ? ? 7 In ? ? Thru Analog 1 Analog 2 Analog 3 Analog 2 Analog 7 Analog 8 Analog 7 Analog 18 2
NR. [73] [74] [65] [66] [81] [79] [80] 15 [15] [79] [80] 15
Status on on on on on on shared shared shared shared on on on on on on on shared shared shared on shared shared on off off shared on off off on on on on on shared shared on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on off on on on on on on on on on on on on

15 [15]

[15] [75] [75] [76] 42 42
Printed: 30.05.2011 - 14:16h

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Hersteller GEM GEM GEM GEM GEM Genie Hohner Hohner Hohner Hohner IQ IQ JVC JVC JVC JVC Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg KRK KRK MAM MAM MAM MAM MAM MotU -> MotU -> MotU -> MotU -> MotU -> MotU -> MotU -> MotU -> NAD -> NAD -> Novation Novation Novation Novation Novation Novation Oberheim Oberheim Oberheim Oberheim Philips Philips Philips
Name S3 Turbo WS2 Workstation WS2 Workstation WS2 Workstation WS2 Workstation VT-12L HS-2/E HS-2/E HS-2/E HS-2/E Lady 303 Lady 303 HR-S6700EU HR-S6700EU HR-S6700EU HR-S6700EU K11 K11 K11 K11 K1r K1r K1R K1R K3 K3 K3 K3 K5000S K5000S K5000S K5000S 01/W 01/W 01/W 01/W DS-8 DS-8 DS-8 DS-8 DW-8000 DW-8000 DW-8000 DW-8000 M1R M1R M1R M1R Wavestation SR Wavestation SR Wavestation SR Wavestation SR Wavestation SR Wavestation SR VXT8 VXT8 Warp 9 Warp 9 Warp 9 Warp 9 Warp 9 8pre 8pre 8pre 8pre 8pre 8pre 8pre 8pre PP2 PP2 Nova Desktop Nova Desktop Nova Desktop Nova Desktop Nova Desktop Nova Desktop Matrix-6R Matrix-6R Matrix-6R Matrix-6R DCC900 DCC900 DCC900

I/O OUT IN IN IN OUT IN IN IN IN OUT OUT OUT IN IN OUT OUT IN IN IN OUT IN IN IN OUT IN IN IN OUT IN IN IN OUT IN IN IN OUT IN IN IN OUT IN IN IN OUT IN IN IN OUT IN IN IN IN IN OUT OUT OUT IN IN IN OUT OUT IN IN IN IN IN IN IN IN IN IN IN IN IN OUT OUT OUT IN IN IN OUT IN IN OUT
Input 5 L Speaker A L Speaker A R Out 1 L Out 1 R L 7 In L Thru ADATADATADATADATADATADATADATADAT3
NR. 42 [75] [76] [73] [3] [4] [73] [74] [75] [76] [75] [76] [75] [76] [1] [2] [79] 15 [15] [79] [15] [73] [74] [73] [74] 51
Status on off off off off shared on on on on on on off off off off on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on on shared shared on shared on on on on on on on on on on on on on on on on on on on on on on on on
Emagic Behringer -> Behringer -> Emagic Emagic Portable -> MotU MotU Emagic Emagic Yamaha -> Yamaha -> Behringer -> Behringer -> MotU MotU MotU MotU Emagic Emagic MotU MotU Emagic Emagic Behringer -> Behringer -> Emagic Emagic MotU MotU Emagic Emagic Behringer -> Behringer -> Emagic Emagic Behringer -> Behringer -> Emagic Emagic MotU MotU Emagic Emagic MotU MotU Emagic Emagic MotU MotU MotU MotU Emagic Emagic SM Pro Audio -> SM Pro Audio -> Effekte -> Emagic Yamaha Effekte -> Behringer MotU MotU MotU MotU MotU MotU MotU MotU Behringer -> Behringer -> MotU MotU Emagic MotU MotU Emagic MotU MotU Emagic Emagic Behringer -> Behringer -> MotU

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Name DCC900 Diverse Diverse Diverse Diverse Diverse Temporr Diverse Temporr Sirius Sirius Sirius Sirius Sirius Sirius D-50 Musitronics D-50 Musitronics D-50 Musitronics D-50 Musitronics Juno-106 Juno-106 Juno-106 Juno-106 SH-201 SH-201 SH-201 SH-201 SH-201 SH-201 TRC-520M M-Patch 2 M-Patch 2 M-Patch 2 M-Patch 2 DTC-ZE700 DTC-ZE700 DTC-ZE700 DTC-ZE700 ICF-SW7600GR ICF-SW7600GR MZ-NH1 MZ-NH1 MZ-NH1 MZ-NH1 X10minipro X10minipro RS-B755 RS-B755 RS-B755 RS-B755 SL-1210mk2 SL-1210mk2 SX-WSA1R SX-WSA1R SX-WSA1R SX-WSA1R Mini LP Grabster AV350 Grabster AV350 Action Filter II+ Action Filter II+ Action Filter II+ Action Filter II+ Microwave XT Microwave XT Microwave XT Microwave XT Microwave XT Microwave XT Microwave XT Microwave XT AN1x AN1x AN1x AN1x AX-396 AX-396 DSR-2000 DSR-2000 DSR-2000 DSR-2000 EX5R EX5R EX5R EX5R EX5R
I/O IN OUT OUT IN IN OUT OUT OUT OUT OUT IN IN IN OUT OUT OUT IN OUT OUT OUT IN OUT OUT OUT IN IN IN OUT OUT OUT IN IN OUT OUT IN IN OUT OUT OUT OUT IN IN OUT OUT OUT OUT IN IN OUT OUT OUT OUT OUT IN OUT IN IN OUT OUT IN IN OUT OUT OUT OUT OUT IN IN IN OUT OUT OUT IN OUT OUT OUT OUT OUT IN OUT OUT OUT IN IN
Output Line R L R L R L R Audio-Left Audio-Right Out Analyse-In Carrier-In In L/Mono U Out In Mono Stereo Out In L/Mono R Out Filter In L Filter In R In Mono Out 1 L Out 1 R In L In R Analog L Analog R Analog L Analog R L R Line Phones L Line Phones R Line Opt In L Line Opt In R L R Out L Out R In L In R L R Main L/Mono Main R Out 1 In 1 Mono L R Outpur Left Output Right Input Left Input Right Main L/Stereo Main R/Mono Sub L/Stereo Sub R/Mono Out Analog In L Analog In R In L/Mono R Out In Speaker A L Speaker A R Out L Out R Out In L/Mono R/Mono Out In L/Mono In R