Settings

Making detailed settings for the entire CP33. "Detailed Settings[FUNCTION]" on page 31 Making settings for Master function. "Master SettingsMaster Edit" on page 27
Connecting the CP33 to other devices
What is MIDI?. "About MIDI" on page 42 Connecting to multiple MIDI devices. "Connecting to External MIDI Equipment" on page 42 Raising the volume. "Connecting to External Audio Equipment" on page 42 Connecting to a computer. "Connecting to a Computer" on page 44

Quick solutions

Resetting the default settings. "Factory Setting List" on page 48 About the display messages. "Message List" on page 50 Troubleshooting. "Troubleshooting" on page 46

Application Index

Before Using the CP33

Power Supply Connections

Make sure that the instruments [STANDBY/ON] switch on the rear panel is at the STANDBY position.

HONES STANDBY ON

FOOT PEDAL

SUSTAIN

OUTPUT

PHONES

STANDBY ON
L/MONO MIDI USB FOOT PEDAL
Connect the supplied PA-3C power adaptor's DC cable to the DC IN jack (page 14) on the instruments rear panel.
Connect the other end of the power cord to an AC outlet. Make sure your CP33 meets the voltage requirement for the country or region in which it is being used.
Use ONLY a Yamaha PA-3C AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the CP33.
Unplug the AC Power Adaptor when not using the CP33, or during electrical storms.
Since the CP33 has no built-in speakers, you will need to monitor the sound of the instrument by using external equipment. Connect a set of headphones, powered speakers, or other playback equipment as required.
Powered speakers (left) Headphones Powered speakers (right)

OUTPUT L/MONO

OUTPUT R

ZONE 1

ZONE 2 ON/OFF GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE VARIATION BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT

MASTER

TEMPO FUNCTION

NO YES

1 CHURCH ORGAN

2 JAZZ ORGAN

3 HARPSICHORD

4 STRINGS/ CHOIR

5 GUITAR

6 WOOD BASS

7 E. BASS

MEMORY SPLIT

MASTER EDIT MIN MAX
TEMPO/OTHER VALUE DEMO TEMPO/FUNCTION

MASTER VOLUME

ZONE CONTROL

TRANSPOSE

VOICE/MASTER

BRILLIANCE

n The depth of the effect produced by the Sustain Samples can be adjusted via the Pedal Functions (page 38) in Function.
AUX Pedal (AUX Pedal jack)
This jack is for connecting an optional FC4/FC5 foot switch or an optional FC7 foot controller. A wide range of functions, including the Soft Pedal function can be assigned to this jack. For instructions on assigning the pedal, refer to page 38.
n The FC7 Foot Controller can be used to control Expression (page 38).

Using the Pedals

Control Names and Functions

Reference

Front Panel

Reference 1 2

FOOT PEDAL AUX SUSTAIN STANDBY ON

USB OUT PHONES

MIDI IN R OUTPUT L/MONO

ZONE 1 ZONE 2

MASTER EDIT

ON/OFF TEMPO FUNCTION

TEMPO/FUNCTION

1 Pitch bend wheel

Controls the pitch bend effect.

(page 22)

7 [MASTER EDIT] button 8 [DEMO] button
For playing the Demo Songs.

(page 27)

Enables selection of the settings for the Master mode.

2 Modulation wheel

Controls the modulation effect.

(page 15)

3 [MASTER VOLUME] dial
Adjusts the overall volume.

(page 10)

9 TEMPO/FUNCTION [][+] button

(page 32)

4 [ZONE CONTROL] sliders
For changing the Click tempo (speed) and selecting the Function settings.

(page 25)

These two sliders adjust the output level for each Layer parts (up to two). Turning on the [MASTER] button switches the function assigned to the [ZONE CONTROL] sliders.

) [CLICK] button

Switches the Click function on or off.

(page 23)

5 [TRANSPOSE] button

! [NO/], [YES/+] button

The Transpose function makes it possible to shift the pitch of the entire keyboard up or down, letting you easily match the pitch of the keyboard to the range of a singer or other instruments.
For setting values or performing le operations. Pressing both buttons simultaneously for certain value settings (Transpose, Tempo, etc.) restores the default value.

@ Voice group buttons

(page 16)

6 [MASTER] button

(page 26)
Turning on the [MASTER] button switches the CP33 to function as a master keyboard.
These let you select voices from 28 internal sounds, including grand piano. You can also save the Master settings to each button if the [MASTER] button is turned on.

Adding Variations to the Sound [VARIATION]/[BRILLIANCE]/[REVERB]/[EFFECT]

[VARIATION] button

ZONE 1 ZONE 2 ON/OFF GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE VARIATION BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT
[BRILLIANCE] button [REVERB] button [EFFECT] button

[VARIATION]

This button lets you select an alternate Voice or alternate Voice settings. Refer to "Preset Voice List" on page 47 for more information on the characteristics of each variation. Pressing the [VARIATION] button or selected Voice button toggles the variation on and off. The indicator lights (ON) each time the [VARIATION] button is pressed. Default setting: Off

[BRILLIANCE]

This button enables you to change the brightness of the selected Voice for your keyboard performance. The following three types are available.
BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT
To change the setting, press the [BRILLIANCE] button repeatedly until the indicator corresponding to the desired type lights (the indicator lights in sequence each time you press the [BRILLIANCE] button). Brilliance can be selected among three types. Default setting: Normal

[REVERB]

This control enables you to select various digital reverb effects for adding extra depth and expression to the sound and creating a realistic acoustic ambience.
OFF.When no reverb effect is selected, no REVERB indicator is lit. ROOM.This setting adds a continuous reverb effect to the soundsimilar to the acoustic reverberation you would hear in a room. HALL 1.For a "bigger" reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. HALL 2.For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. STAGE.Simulates the reverb of a stage environment. Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. When all indicators are off, no effect is produced. Default settings: The default reverb type (including OFF) and depth settings are different for each voice.

*.05 Slider Settings For assigning specic functions to each [ZONE CONTROL] slider. Settings: - Transmitted to Internal and External: - Transmitted to only External: Default setting: C2 (Volume)
C1 (Modulation), C2 (Volume), C3 (Pan), C4 (Reverb Send) C5 (Chorus Send), C6 (After Touch), (Control Change 0 to 119)

(Modulation)

(Volume)

(Control Change 0)

*.06 Volume Settings for Internal Tone Generator *.07 Volume Settings for External Tone Generator Adjust the volume for each Zone. Setting range: Default settings: 100 *.08 Pan (Stereo position) Settings for Internal Tone Generator *.09 Pan (Stereo position) Settings for External Tone Generator Specify the position in the stereo image from which you hear the sound. Setting range: Default settings: 64

L64 (hard left)

C (center)

R63 (hard right)

*.10 Reverb depth for Internal Tone Generator Set the depth of reverb for Internal Tone Generator. Setting range: Default settings: 10
n You can select the reverb type by pressing the [REVERB] button (page 17). Reverb type setting also can be saved.
*.11 Effect depth for Internal Tone Generator Set the depth of effect for Internal Tone Generator. Setting range: Default settings: 10
n You can select the effect type by pressing the [EFFECT] button (page 18). Effect type setting also can be saved.
*.12 Octave Setting The pitch of a note can be shifted upward or downward in steps of an octave in each zone. You can adjust the offset up or down over a maximum range of three octaves. Setting range: -Default settings: 0

three octaves lower

no pitch shift

three octaves higher

*.13 Voice Setting for Internal Tone Generator You can select the Voice from any of the available 28 Voices. Refer to the "Preset Voice List" (page 47). Setting range: Default settings: 1
n Voice numbers 9 and 23 contain the same Jazz Organ voice.
n While the F7.5 Control Change in the Function menu is turned OFF, control data is not transmitted to External (page 40).

*.14 Program Change Number Settings for MIDI Transmission to an External Tone Generator You can select specic Voices or programs on a connected MIDI device by specifying a Program Change number, in combination with the Bank Select MSB and Bank Select LSB parameters below. Setting range: Default settings: 0
n While the F7.4 Program Change in the Function menu is turned OFF, Program Change number cannot be transmitted to External (page 40).
*.15 Bank Select MSB Settings for MIDI Transmission to an External Tone Generator You can select specic Voices or programs on a connected MIDI device by specifying a Bank Select MSB value, in combination with the Bank Select LSB (below) and Program Change parameters (above). Setting range: Default settings: 0
n While the F7.5 Control Change in the Function menu is turned OFF, Bank Select MSB/Bank Select LSB cannot be transmitted to External (page 40).
*.16 Bank Select LSB Settings for MIDI Transmission to an External Tone Generator You can select specic Voices or programs on a connected MIDI device by specifying a Bank Select LSB value, in combination with the Bank Select MSB parameter and the Program Change parameter above. Setting range: Default settings: 122
Saving the Master Mode settings
This allows you to store virtually all Master mode settings you have edited on the panel to VOICE/MASTER [1] to [14]. You can also call up the saved setting easily.
ZONE 1 ZONE 2 ON/OFF GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE
VARIATION BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT
Create your original settings. Refer to "Master SettingsMaster Edit" on page 27.
While holding down the [MEMORY] button, press the numbered button to which you wish to save your settings.
Never attempt to turn off the power while the "---" indication appears on the display.
The saved Master mode settings can be stored to computer by using sequencer software.
Recalling the Master Mode
Simply press the numbered button that corresponds to the saved Master mode settings you wish to select.

Detailed Settings

Detailed Settings[FUNCTION]
You can set various parameters to make the best use of CP33 functions, such as ne-tuning the pitch or selecting a scale, etc. The following parameters are available. The CP33 has eight main functions. Some of these main functions consist of a set of sub-functions. Reference

Function Settings List

Fine tuning of the pitch Selecting a scale Scale Base Note Dual functions Dual Detune Voice 1 Octave Shift Voice 2 Octave Shift Voice 1 Effect Depth Voice 2 Effect Depth Reset Split functions Split Point Right Voice Octave Shift Left Voice Octave Shift Right Voice Effect Depth Left Voice Effect Depth Sustain Pedal Range Reset Other Functions AUX Pedal Soft Pedal Effect Depth Sustain Sample Depth Key-off Sample Volume Sustain Pedal Type AUX Pedal Type Click volume MIDI Functions MIDI Transmit Channel Selection MIDI Receive Channel Selection Local Control ON/OFF Program Change ON/OFF Control Change ON/OFF Initial Setup Send Backup Functions Voice MIDI Tuning Others

SHORTCUT: You can jump directly to the Dual functions by pressing the [TEMPO/FUNCTION] button while holding the two Dual Voice buttons.
Voice 1 Effect Depth Voice 2 Effect Depth Setting range: Default setting: Different for each voice combination. These functions make it possible to individually set the depth of the effect for Voices 1 and 2 for Dual. (The effect depth settings cannot be changed unless the [EFFECT] is ON. Function must be exited before the [EFFECT] can be turned ON.) "Voice 1" and "Voice 2" are explained on page 20.
Reset This function resets all Dual functions to their default values. Press the [YES/+] button to reset the values.
Dual Detune Setting range: -10 (With positive values, the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered. With negative values, the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised.)
n The available setting range is wider in the lower range (60 cents for A-1), and narrower in the higher range (5 cents for C7). (100 cents equal one semitone.)
Default setting: Different for each Voice combination. Detune Voice 1 and Voice 2 for Dual to create a thicker sound.
Voice 1 Octave Shift Voice 2 Octave Shift Setting range: -1, 0, 1 Default setting: Different for each voice combination. You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual, the combination may sound better if one of the voices is shifted up or down an octave.

F4. Split Functions

This menu enables you to make various detailed settings for Split. By changing the split point or other setting, you can optimize the settings for the songs you play. Be sure to select the Split by pressing the [SPLIT] button before engaging Function. If Split is not engaged, will appear instead of and you will be unable to select the Split functions. Also note that you must exit Function before you can engage Split.
SHORTCUT: You can jump directly to the Split functions by pressing the [TEMPO/FUNCTION] button while holding the [SPLIT] button.
Right Voice Effect Depth Left Voice Effect Depth Setting range: Default setting: Different for each Voice combination These functions make it possible to individually set the depth of the effect for the left and right Split Voices. The effect depth settings cannot be changed unless the [EFFECT] is ON. You must exit Function before you can turn on an [EFFECT]. You can make this setting for each combination of Voices individually.
Sustain Pedal Range Setting range: ALL (for both voices) 1 (for the right Voice) 2 (for the left Voice) Default setting: ALL The Sustain Pedal Range function determines whether the Sustain pedal affects the right Voice, the left Voice, or both the left and right Voices in Split.
Split Point Setting range: The entire keyboard Default setting: F 2 Set the point on the keyboard that separates the right and left-hand sections (split point). The pressed key is included in the left-hand range. Instead of pressing the [NO/] [YES/+] buttons, you can engage the split point by pressing the appropriate key on the keyboard. Example key name indications for Split

MIDI Transmit Channel and Receive Channel Make sure to match the MIDI Transmit Channel of the external MIDI instrument with the MIDI Receive Channel of the CP33. For details on setting the MIDI Transmit Channel of the external MIDI instrument, refer to the Owners Manual of the MIDI instrument. When setting the MIDI Receive Channel of the CP33, conrm the MIDI Receive Channel for each part and change the settings of the desired parts, if necessary, to match the MIDI Transmit Channel settings on the external MIDI instrument. (Refer to page 39.)
MIDI operates on the same basic principle. The transmitting instrument sends MIDI data on a specic MIDI channel (MIDI Transmit Channel) via a single MIDI cable to the receiving instrument. If the receiving instruments MIDI channel (MIDI Receive Channel) matches the Transmit Channel, the receiving instrument will sound according to the data sent by the transmitting instrument. For detailed information on how to set the MIDI transmit channel and the MIDI receive channel, refer to page 39.
Controlling an External MIDI Keyboard
This connection lets you play the sounds of an external MIDI tone generator (synthesizer, tone generator module, etc.) from the keyboard of the CP33. Use this connection to play the sounds of the connected instrument in a layer with the CP33, or use the sophisticated Zone functions (page 25) to set up splits in the sounds.

MIDI OUT MIDI IN

n Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the "MIDI Implementation Chart" to nd out what MIDI data and commands your devices can transmit or receive. The CP33s MIDI Implementation Chart appears on pages 55, 56.
Splitting the Sound between the CP33 and an External Tone Generator by MIDI Channel Using the connection example shown above, you can play both instruments and have them separately sound different parts. To use this feature, you must set the CP33s output channel and the external tone generators receive channel to the same channel number. Set the MIDI Transmit Channel via the "F7.1 MIDI Transmit Channel Selection" parameter in the function menu after turning on the power. While the Master mode is turned on, set the MIDI Transmit Channel via the "MIDI Transmit Channel" parameter in the Master Edit menu.

Connecting to a Computer

Connecting this instrument to a computer via MIDI opens up a whole world of musical possibilitiessuch as using sequencer software to record and play back compositions with the CP33 sounds. In order to use the instrument with a computer via a USB connection, you will need to install an appropriate USB-MIDI driver. You can download the proper driver from our website: http://www.yamaha.co.jp/download/usb_midi/ Compatible versions are available for: Windows XP Professional/Home Edition/Me/2000/98, and Mac OS X 10.2 10.4.0 *This information applies to version 2.1.6 (Windows) and version 1.0.4 (Mac OS X). For the latest information, check the web site above.

Using a USB Cable

MIDI messages can be transferred between the sequencer software and CP33 using the USB cable. However, audio data cannot be transmitted or received via USB on the CP33.

USB cable USB

USB Computer
When the USB connector is connected, the MIDI connectors cannot be used.
Precautions when using the USB connector When connecting the computer to the USB connector, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or even losing the data. If the computer or the instrument freezes, turn the power to the instrument off or restart the computer.
Before connecting the computer to the USB connector, exit from any power-saving mode (such as suspended, sleep, standby) of the computer. Before turning on the power to the instrument, connect the computer to the USB connector. Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the USB connector. Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer software). Make sure that data is not being transmitted from the instrument. (Data is transmitted only by playing notes on the keyboard or playing back a song.) While a USB device is connected to the instrument, you should wait for six seconds or more between these operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/ disconnecting the USB cable.

Appendix

Troubleshooting

Problem

The CP33 does not turn on. A click or pop is heard when the power is turned on or off. Noise is heard from the speakers or headphones. The overall volume is low, or no sound is heard.
Possible Cause and Solution
The CP33 has not been plugged in properly. Securely insert the female plug into the socket on the CP33, and the male plug into a proper AC outlet (page 8). This is normal when electrical current is being applied to the instrument. The noise may be due to interference caused by the use of a mobile phone in close proximity to the CP33. Turn off the mobile phone, or use it further away from the CP33. The Master Volume or Zone Control are set too low; set it to an appropriate level using the [MASTER VOLUME] dial or [ZONE CONTROL] slider. Make sure a pair of headphones is not connected to the headphones jack (page 9). An external audio system or a set of stereo headphones may not be properly connected. Make sure to connect the powered speakers to the OUTPUT L/MONO and R jacks on the rear panel. "Volume" may have been assigned to the [ZONE CONTROL] slider while the Master mode is turned on, and the [ZONE CONTROL] may be set too low; set it to an appropriate level using the [ZONE CONTROL] slider. Make sure that Local Control (page 9) is ON.

(9) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H.7FH Adjusts the reverb send level.
(10)Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H.7FH (11)RPN 65H RPN MSB 64H RPN LSB 06H Data Entry MSB 26H Data Entry LSB 60H Data Increment 61H Data Decrement * Parameters that are controllable with RPN Coarse Tune Fine Tune Pitch Bend Range
(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on)

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number
VoiceName GRAND PIANO 1 Variation GRAND PIANO 2 Variation MONO PIANO Variation E.PIANO 1 Variation E.PIANO 2 Variation E.CLAVICHORD Variation VIBRAPHONE Variation CHURCH ORGAN Variation JAZZ ORGAN Variation HARPSICHORD Variation STRINGS/CHOIR Variation GUITAR Variation WOOD BASS Variation E.BASS Variation MSB LSB P.C.# 34 36
F0H, 43H, 0nH, 7CH (n: channel number) 00H, LLH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 35H (CLP05) 3xH, 3yH (version x.y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+.+Data end) F7H (End of Exclusive)

Panel Data Contents

(1) 1st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Sustain Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth 1 (22) Reverb Depth 2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) (27) Touch Sensitivity (28) Fixed Data (29) AUX Pedal (30) Soft Pedal Depth (31) Absolute tempo low byte (32) Absolute tempo high byte (33) Key-Off Sampling Depth (34) (35) (36) Variation
Panel data send requests cannot be received.
9. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume
Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = irrelevant 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On)

Some devices use a 0 to 127 numbering system for program change messages. Since the CP33 uses a 1 to 128 numbering system, you will need to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select P.C.#1 in the list above, transmit program change number 0.

5. PITCH BEND CHANGE

[EnH] -> [ccH] -> [ddH] ccH = LSB ddH = MSB

6. CHANNEL AFTER TOUCH

[Dnh]->[vvH]
7. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FEH: Active sensing

Data F8H

Transmission Transmitted every 96 clocks
Transmitted every 200 milliseconds
Reception Received as 96-clock tempo timing when MIDI clock is set to External. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.
General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = 7EH = 7FH = 09H = 01H = F7H = or F0H = 7EH = XnH = Exclusive status Universal Non-Realtime ID of target device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive
Caution: If an error occurs during MIDI reception, the Sustain, Sostenuto, and Soft effects for all channels are turned off and an All Note Off message occurs.
8. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format)
Panel Data Transmit Data format: [F0H] -> [43H] -> [0nH] -> [7CH] ->. -> [F7H]
Exclusive status Universal Non-Realtime When received, n=0~F. X = irrelevant 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive
When a General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.
10. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] ->.-> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When an XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only)

14. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = irrelevant (under 7FH) F7H = End of Exclusive
12. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = Exclusive status 43H = Yamaha ID
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->.-> [ccH] -> [F7H]
Data format: [F0H] -> [43H] -> [2nH] -> [7FH] -> [05H] -> [33H] -> [00H] -> [00H] -> [F7H]

<Table 1>

MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 020C - 05F4* 7E 7F TOTAL SIZE - 7F Parameter MASTER TUNE Description -50 - +50[cent] 1st bit 3 - 0 bit 15 - 12 2nd bit 3 - 0 bit 11 - 8 3rd bit 3 - 0 bit 7 - 4 4th bit 3 - 0 bit 3 - - 127 00=XG system ON 00=ON (receive only) Default value (H) 400
MASTER VOLUME XG SYSTEM ON RESET ALL PARAMETERS
*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

<Table 2>

MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 00 Size (H) 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) 00 00(=Effect off) 00
00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB VARIATION refers to the EFFECT on the panel.

<Table 3>

MIDI Parameter Change table (MULTI PART)
Address (H) Size (H) 08 nn nn = Part Number

Data (H) 00 - 7F

Parameter DRY LEVEL

Description 0 - 127

Default value (H) 7F

Effect MIDI Map

REVERB ROOM HALL 1 HALL 2 STAGE OFF EFFECT CHORUS PHASER TREMOLO ROTARY SP OFF MSB 42H 48H 46H 47H 00H LSB 10H 10H 10H 10H 00H MSB 02H 01H 01H 03H 00H LSB 10H 10H 11H 10H 00H

YAMAHA

[ Stage Piano ]
MIDI Implementation Chart (Voice)
Function. Basic Channel Mode Default Changed Default Messages Altered

Transmitted - 16 3

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Address : Telephone : Type of Equipment : Model Name : Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620 714-522-9011 Stage Piano CP33
This device complies with Part 15 of the FCC Rules. Operation is subject to the following conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
*This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(FCC DoC)

OBSERVERA! Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av. ADVARSEL: Netspendingen til dette apparat er IKKE afbrudt, slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty kyttkytkin ei irroita koko laitetta verkosta.

(standby)

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
THE NETHERLANDS/ BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

FRANCE

Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600

SPAIN/PORTUGAL

Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660

BRAZIL

Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

ARGENTINA

Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES