Location

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.

(3)-10

Connections
Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Saving data

Saving and backing up your data
Saved data may be lost due to malfunction or incorrect operation. Save important data to a USB storage device/or other external device such as a computer. (pages 69, 76)

Maintenance

When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.

Handling caution

Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
Backing up the USB storage device

To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices or other external device such as a computer.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Even when the power switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
The illustrations and LCD screens as shown in this owners manual are for instructional purposes only, and may appear somewhat different from those on your instrument. Trademarks Windows is the registered trademarks of Microsoft Corporation. Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S and other countries. The company names and product names in this Owners Manual are the trademarks or registered trademarks of their respective companies.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
Congratulations, and thank you for your choosing the Yamaha MM6 Music Synthesizer! Please read this owners manual carefully before using the instrument in order to take full advantage of its various features. When you have nished reading the manual keep it in a safe, accessible place, and refer to it when you need to better understand an operation or function.

Accessories

The instrument package includes the following items. Please check that you have them all.
Owners Manual Supplied Disk (supplied DAW software) AC Power Adaptor (May not be included depending on the region in which you purchased the product. Please check with your Yamaha dealer.)

MM6 Main Features

High-Quality Voices for Keyboard Performance

Page 15

The MM6 contains a wide range of high-quality voices (many based on the Motif Series voices), ranging from acoustic musical instruments to unique synthesizer sounds. Use the Category Search function to quickly call up the sounds you want, based on their instrument type.

Voice Editing

Selecting the Main Voice... 15 Combining VoicesDual... 16 Split the Keyboard... 17 Selecting a Drum Voice... 19 Using the Arpeggio Function.. 20
Select and Edit an Item... 62 Edit Display List... 63

Utility Settings

Selecting and Setting Functions.. 64 Utility Display List... 65

Playing Patterns

Storing/Saving Data
Listen to the Rhythm Pattern.. 22 Play Along with a Pattern.. 23 Playing Auto-accompaniment Chords. 25

Using Songs

Selecting and Listening to a Song.. 26 Song Fast Forward, Fast Reverse, and Pause.. 27 Types of Songs... 28
Using a USB Storage Device.. 67 Formatting a USB storage device.. 68 Saving Data... 69 Convert a User Song to SMF Format and Save. 70 Loading User Files and Pattern Files.. 71 Deleting Data from a USB Storage Device.. 72 Playing Songs Saved to a USB Storage Device.. 72
Recording Your Own Performance
Recording Procedure... 30 Song ClearDeleting User Songs... 33 Track ClearDeleting a Specified Track from a User Song. 34
Backup and Initialization
The Connectors... 73 Connecting to External Audio Equipment. 74 Connecting to External MIDI Devices.. 74 Connecting a USB Storage Device.. 75 Connecting to a Personal Computer.. 77 Transferring Performance Data to and from a Computer. 78 Initial Setup.... 79
Backup... 35 Initialization.... 35

About the Supplied Disk

Basic Operation and Displays
About the Supplied DAW Software... 80 Support... 80
Basic Operation... 36 The Displays... 38 MAIN Display Items... 39

Appendix

Troubleshooting... 82 Messages... 83 Voice List... 84 Drum Kit List... 90 Performance List... 96 Pattern List.... 97 Effect Type List... 98 Arpeggio Type List... 102 Master EQ List... 104 MIDI Data Format... 105 MIDI Implementation Chart... 106 Specifications... 108 Index... 110

Reference

Using the MM6 Controllers 40
Controllers on the MM6 Panel.. 40 External Controllers... 41
Enhancing the Sound with Reverb, Chorus, and DSP Effects 42
Selecting a Reverb type.. 42 Selecting a Chorus type.. 43 Applying DSP Effects... 44
Handy Performance Features
Using the Metronome... 45 Adjusting the Tempo.. 47 Using the TAP TEMPO Button.. 47 Setting the Touch Response.. 47 Select a Master EQ Setting for the Best Sound. 48 Controlling Arpeggio Volume with Keyboard Dynamics. 48 Transpose the Keyboard... 49 Shifting Keyboard Pitch in Octaves.. 50

Split point (default: 54/F#2)
Root Notes and the Corresponding Keys

F# G# Bb

C D E F GA B C D E F

Accompaniment Range

Easy Chords

Standard Chords
This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.
Standard Chord Fingerings [Examples for C chords]
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
To play a major chord Press the root note of the chord.

C add9

To play a minor chord Press the root note together with the nearest black key to the left of it.

C sus4

C M7aug
To play a seventh chord Press the root note together with the nearest white key to the left of it.

Cm C m add9 C m6 C m7

To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

C dim7

C 7aug

C 7sus4

C sus2
Notes enclosed in parentheses are optional; the chords will be recognized without them.
Multi Fingering and Full Keyboard
These let you select the accompaniment section of the keyboard for chord playing. When changing settings refer to Specify Chords Over the Entire Keyboard Range on page 56, and Chord Fingering on page 65. Multi Fingering: As explained above, the keys to the left of the split point (default: 54, F#2) become the accompaniment range. Playing Auto-accompaniment Chords. There are two ways of playing auto-accompaniment chords: Easy Chords and Standard Chords. The default setting (factory setting) is Multi Fingering. Full Keyboard: This let you play the accompaniment chords freely from anywhere on the keyboard.
With this instrument the term song refers the data that makes up a piece of music. In this section well learn how to select and play songs.
Selecting and Listening to a Song
Select and press the SONG category button that corresponds to the type of song you want to listen to.
[PRESET] : Accesses the three internal preset songs. [USER] : Accesses songs you have recorded yourself and songs loaded from computer. [USB] : Accesses songs stored on a USB storage device connected to the DEVICE terminal. The song selection display will appear. The currently selected song number and name will be highlighted.

NOTE Press either the [INC/YES] and [DEC/NO] buttons or TRANSPOSE [+] and [-] buttons simultaneously to recall the initial default value.
Shifting Keyboard Pitch in Octaves
Sometimes you may wish to play in a lower or higher pitch range. For example, you may want to shift the pitch down to get extra bass notes, or up to get higher notes for leads and solos. The OCTAVE [UP] / [DOWN] buttons let you do this quickly and easily. Each time you press the OCTAVE [UP] button on the panel, the overall pitch of the voice goes up by one octave. Press the OCTAVE [DOWN] button to shift the keyboard pitch down one octave. The range is from -1 to +1, with 0 being standard pitch. When the octave is shifted up the OCTAVE [UP] button indicator lights, and when shifted down the OCTAVE [DOWN] button indicator lights. You can instantly restore standard pitch (0) by simultaneously pressing both the OCTAVE [UP] and [DOWN] buttons (both indicators go out).

Octave Display

OCTAVE +1

One octave up

OCTAVE -1

One octave down

NOTE When a Drum Kit is selected, the percussion voices assigned to the keyboard are shifted in location but not pitch.
Basic operation of the Pattern (auto-accompaniment) feature is described on page 22. Here are some other ways you can play the patterns, pattern volume adjustment procedure, how you can play chords using the patterns, and more.
Pattern Variations (Sections)
To provide some variation for pattern playback, each pattern includes a number of sections that can be selected and played as required.

Fill-in

Main Section
Main sections AD These are the main accompaniment patterns that repeat indenitely until another section is selected. When the [FINGER] button is engaged the pattern will play back with chords determined by what you play with the left hand. Fill Ins (AUTO FILL IN) Press the [AUTO FILL IN] button to turn the automatic ll-in function on. When this function is on ll-ins will automatically be added to the pattern rhythm part when the main sections are switched. Even when the automatic ll in function is off you can add a ll-in at any time by simply pressing a main section button while that same section is playing.

1 Press and hold the [FINGER] button for
longer than a second so that the Chord Fingering item appears.
2 Use the dial to select 2 (FullKeyboard).
Song Volume 1 Press the [UTILITY] button to go to the
2 Use the CATEGORY [DEC] / [INC] buttons to select the Song Volume item.
Song Volume Set from 000 to 127
3 Use the dial to set the Song volume as

required.

NOTE Song volume can be adjusted while a song is selected.

Change the Song Tempo

You can change the song playback tempo as required. Press the TEMPO [+] or [-] button. The tempo display will appear and you can use the dial or the TEMPO [+] / [-] buttons to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.
You can return to the original tempo by simultaneously pressing the [+] and [-] buttons. Press the [EXIT] button when you have nished making the required settings. Pressing and holding either button continuously increases or decreases the tempo.

Track Mute

Each track plays a different part of the songmelody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to.
To mute a track, press the appropriate track button (TRACK [1][8], [PATTERN]) while holding the [TRACK SELECT/MUTE] button. Press the same button a second time to disengage track muting.
No track number. No data.
Track number without frame.. Track contains data but is muted. Track number with frame.. Track contains data and is not muted.
This instrument has a PERFORMANCE MEMORY feature that lets you save up to 64 of your favorite settings for easy recall whenever theyre needed.
Up to 64 complete setups can be saved (8 x 8 banks). 8 Banks

Memory 1

Memory 2

Memory 3

Memory 4

Memory 5

Memory 6

Memory 7

Memory 8
Saving to the Performance Memory 1 Set the panel controls as required
select a voice, pattern, etc.
3 Press the PERFORMANCE MEMORY
2 Press the PERFORMANCE BANK [INC] /

Dual Reverb Level Dual Chorus Level Dual DSP Level Dual Dry Level

SPLIT VOICE

Split Volume Split Octave Split Pan
Split Reverb Level Split Chorus Level Split DSP Level Split Dry Level
* Press the [INC/YES][DEC/NO] buttons simultaneously to instantly reset to the default settings.
Detailed settings such as tuning, split point, and effects can be made via the UTILITY screen.
Selecting and Setting Functions
There are 25 function parameters in all.
1 Find the function you want to set in the 2 Press the [UTILITY] button to go to the
UTILITY display list that begins on page 65.
buttons to set the value. On/off type settings can be turned ON by pressing the [INC/YES] button, and OFF by pressing the [DEC/NO] button. In some cases the [INC/YES] button will initiate execution of the selected function, and the [DEC/NO] will cancel the selection. Press the [INC/YES][DEC/NO] buttons simultaneously to instantly reset to the default settings (except for initial MIDI setup).
3 Press the CATEGORY [DEC] and [INC]
buttons as many times as necessary until the functions display name appears in the display. Refer to the function list on page 65. The name of the previous item in the list appears to the upper left, and the name of the next item in the list appears to the upper right of the currently selected item.
Utility settings are memorized as soon as they are changed. To restore all initial factory default settings perform the Backup Clear procedure described in the Initialization section on page 35.

UTILITY group

Parameter

Utility Display List

Group EFFECT Function Item Reverb Type Chorus Type DSP On/Off Display Indication Reverb Type Chorus Type DSP On/Off Range/Settings ON/OFF Description Determines the Reverb type, 26 is off. (See the list on page 98) Determines the Chorus type. 31 is off. (See the list on page 98) Sets the equalizer applied to the instrument output (including headphones or other output) for optimum sound in different listening situations. Determines the DSP type. 190 is off. (See the list on page 99). Selects the Master EQ type. Use this feature to boost the bass, reduce the reproduction range for special effects, and more. Determines the volume of pattern playback. Determines the volume of song playback. Sets the pitch of the instruments sound in approximately 0.2 Hertz increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split pointin other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point and Accompaniment Split Point settings are automatically set to the same value. Determines the sensitivity of the feature. Sets the chord detection mode. In the Multi Finger mode both normal chords and simple chords played to the left of the split point are detected. In the Full keyboard mode normal chords played anywhere on the keyboard will be detected, and notes played normally will sound as well. Selects the arpeggio type. Refer to the arpeggio list on page 102. Sets the arpeggio volume. Optimizes the MIDI settings for connecting to a computer (page 79). Local control determines whether or not notes played on the instrument are sounded by its internal tone generator system: the internal tone generator is active when local control is on, and inactive when local control is off. (page 78) These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON). (page 78) These settings determine whether keyboard performance data is transmitted via the MIDI output (ON) or not (OFF). Determines whether pattern data will be output via the MIDI output (ON) or not (OFF) during pattern playback. Determines whether song data will be output via the MIDI output (ON) or not (OFF) during song playback. Sends the instruments panel data to a computer. Press [INC/YES] to send, or press [DEC/NO] to cancel. Determines the time signature of the metronome. Sets the length of each metronome beat. Determines the volume of the metronome. When ON, demo playback will not start even if the [SONG] and [PATTERN] buttons are pressed simultaneously.

Cursor The name of the le to be saved
8 Press the [EXECUTE] button.
9 Press the [EXECUTE] button again, or
the [INC/YES] button, and the save operation will begin. The user song will be stored to the USER FILES folder in the USB storage device.
The Source User Song Name
4 Use the dial to select the source user
song. You can press the [INC/YES] and [DEC/NO] buttons simultaneously to select the rst user song. The DESTINATION FILE will be highlighted, and a default name will appear for the converted song le.
10 A message will appear on the display
5 Press the [EXECUTE] button.
NOTE If an existing lename is specied the display prompts you for conrmation. Press [EXECUTE] or [INC/YES] if it is OK to overwrite the le, or [DEC/NO] to cancel. You can press the [DEC/NO] button at this point to cancel the operation.
Loading User Files and Pattern Files
User and pattern les residing on a USB storage device can be loaded into the instrument.
When a User le is loaded, user songs 001005, the pattern les (user patterns), and performance memory will all be overwritten. If you only load a pattern le, only the pattern le data will be overwritten. Save important data to a USB storage device before loading data that will overwrite it.
4 Use the dial to select the user le or
pattern le you want to load. All user les in the USB storage device will be displayed rst, followed by the pattern les.
NOTE Pattern les must be located in the root directory. Pattern les located within folders will not be recognized.
1 With the USB storage device containing
the le you want to load connected to the USB TO DEVICE connector, check that CONNECT is showing in the MAIN display.
2 Press the [MENU] button. 3 Use the CATEGORY [DEC] / [INC] buttons to locate the Load item.
6 Press the [EXECUTE] button again, or
the [INC/YES] button, and the load operation will begin.
Once the load-in-progress message appears in the display, the operation cannot be canceled. Never turn off the power or remove the USB storage device during this operation.
7 A message will appear on the display
Deleting Data from a USB Storage Device
This procedure deletes selected user les and SMF les from a USB storage device.
1 Make sure that the USB storage device
containing the le(s) you want to delete has been properly connected to the instruments USB TO DEVICE terminal, and that CONNECT is showing in the MAIN display.

PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (AGREEMENT) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (YAMAHA). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. THIS AGREEMENT PROVIDES YOUR USE-CONDITIONS ABOUT THE DAW SOFTWARE OF STEINBERG MEDIA TECHNOLOGIES GMBH(STEINBERG) WHICH IS BUNDLED WITH THIS PRODUCT. SINCE THE END-USER SOFTWAER LICENSE AGREEMENT (EUSLA) SHOWED ON YOUR PC-DISPLAY IN YOUR INSTALLING THE DAW SOFTWARE IS REPLACED BY THIS AGREEMENT, YOU SHOULD DISREGARD THE EUSLA. THAT IS, IN THE INSTALLING PROCESS, YOU SHOULD SELECT AGREE WITH THE EUSLA, WITHOUT YOUR JUDGMENT THERETO, SO AS TO PROCEED TO THE NEXT PAGE.
if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
5. DISCLAIMER OF WARRANTY ON SOFTWARE
You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided AS IS and without warranty of any kind. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED.
6. LIMITATION OF LIABILITY 1. GRANT OF LICENSE AND COPYRIGHT
Yamaha hereby grants you the right to use one copy of the software program(s) and data (SOFTWARE) accompanying this Agreement. The term SOFTWARE shall encompass any updates to the accompanying software and data. The SOFTWARE is owned by STEINBERG, and is protected by relevant copyright laws and all applicable treaty provisions. Yamaha has acquired the sublicense right to license you to use the SOFTWARE. While you are entitled to claim ownership of the data created with the use of SOFTWARE, the SOFTWARE will continue to be protected under relevant copyrights. You may use the SOFTWARE on a single computer. You may make one copy of the SOFTWARE in machine-readable form for backup purposes only, if the SOFTWARE is on media where such backup copy is permitted. On the backup copy, you must reproduce Yamahas copyright notice and any other proprietary legends that were on the original copy of the SOFTWARE. You may permanently transfer to a third party all your rights in the SOFTWARE, provided that you do not retain any copies and the recipient reads and agrees to the terms of this Agreement. YAMAHAS ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamahas total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE.

Voice List

Maximum Polyphony The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

Voice Order in No. category
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.
MIDI Program Voice Name MSB LSB Change (0127) (0127) (1128) PIANO 1 Power Grand 2 Aggressive 2 Bright Piano 1 Classic Piano 1 Warm Grand 1 Amb Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP GM Grand Piano 2 GM Bright Piano 3 GM Electric Grand 4 GM Honky-tonk 7 GM Harpsichord KEYBOARD/ORGAN 5 Sweetness 5 Chorus EP 5 80th Boost 6 Early 70's 5 Vintage'Vintage Case 5 Cool! Suitcase EP 5 Tremolo EP 5 Wurli Tremolo 6 Wurli Amped 5 Cool! Galaxy EP 6 DX Modern EP 6 Hyper Tines 6 Venus EP 6 New Tines 6 Ana Piano 8 Clavi 8 Super Clavi 8 Nu Phasing 8 Touch Clavi 8 Reso Clavi 8 Wah Clavi 17 Petit 17 Clean 17 Tiny

Bank Select

Voice Order in No. category 66 67
MIDI Program MSB LSB Change (0127) (0127) (1128) 0 6
Voice Name Vintage C C Vibrato Mellow Bright Organ Cool! Organ Cool! Rotor Organ Jazz Organ Click Organ 16'+2' Organ 16'+4' Organ 16'+2'2/3 Organ Progressy Rock Percussive Rock Vibrato Rock Organ 1967 Keys Sea Horse Compact Saw Combo Theater Organ Chapel Organ Church Organ Reed Organ Vibraphone Marimba Xylophone Celesta Glocken Chimes Music Box Orgel Random Bell Twinkle Tubular Bells Steel Drums Timpani Musette Accordion Trad Accordion Bandoneon Modern Harp Harmonica GM E.Piano 1 GM E.Piano 2

Pattern List

Pattern No. Pattern Name HipHop SouthernRap1 SouthernRap2 EastcoastRap WestcoastRap1 WestcoastRap2 AmbientRap HipHopPop R&B RnB Chart1 RnB Chart2 RnB Ballad1 RnB Ballad2 RnB Soul RnB Pop1 RnB Pop2 Pop and Rock ChartPop RockPop FunkPopRock ChartRock PowerRock PianoBallad BluesRock RootRock HardRock RockShuffle Dance/Ambient ElektroPop1 ElektroPop2 Techno Underground Minimal Dancefloor ElektroDisco FunkyHouse ClubDance Garage RetroDisco Ambient Chillout Experimental Analog Jazz FunkyJazz AcidJazz JazzyRnB JazzGroove JazzRemixed LatinJazz World TurkishPop TurkishDance OrientalPop AfricanDance LatinPop ClubSamba Dancehall 1 Dancehall 2 Reggae TablaBeats Garba Pattern No. Pattern Name HipHop D,B SouthernRap1D,B SouthernRap2D,B EastcoastRap D,B WestcoastRap1D,B WestcoastRap2D,B AmbientRapD,B HipHopPopD,B R&B D,B RnB Chart1D,B RnB Chart2 D,B RnB Ballad1 D,B RnB Ballad2 D,B RnB Soul D,B RnB Pop1 D,B RnB Pop2 D,B Pop and Rock D,B ChartPop D,B RockPop D,B FunkPopRock D,B ChartRock D,B PowerRock D,B PianoBallad D,B BluesRock D,B RootRock D,B HardRock D,B RockShuffle D,B Dance/Ambient D,B ElektroPop1 D,B ElektroPop2 D,B Techno D,B Underground D,B Minimal D,B Dancefloor D,B ElektroDisco D,B FunkyHouse D,B ClubDance D,B Garage D,B RetroDisco D,B Ambient D,B Chillout D,B Experimental D,B Analog D,B Jazz D,B FunkyJazz D,B AcidJazz D,B JazzyRnB D,B JazzGroove D,B JazzRemixed D,B LatinJazz D,B World D,B TurkishPop D,B TurkishDance D,B OrientalPop D,B AfricanDance D,B LatinPop D,B ClubSamba D,B Dancehall 1 D,B Dancehall 2 D,B Reggae D,B TablaBeats D,B Garba D,B Pattern No. Pattern Name HipHop D SouthernRap1D SouthernRap2 D EastcoastRap D WestcoastRap1D WestcoastRap2D AmbientRap D HipHopPop D R&B D RnB Chart1D RnB Chart2 D RnB Ballad1 D RnB Ballad2 D RnB Soul D RnB Pop1 D RnB Pop2 D Pop and Rock D ChartPop D RockPop D FunkPopRock D ChartRock D PowerRock D PianoBallad D BluesRock D RootRock D HardRock D RockShuffle D Dance/Ambient D ElektroPop1 D ElektroPop2 D Techno D Underground D Minimal D Dancefloor D ElektroDisco D FunkyHouse D ClubDance D Garage D RetroDisco D Ambient D Chillout D Experimental D Analog D Jazz D FunkyJazz D AcidJazz D JazzyRnB D JazzGroove D JazzRemixed D LatinJazz D World D TurkishPop D TurkishDance D OrientalPop D AfricanDance D LatinPop D ClubSamba D Dancehall 1 D Dancehall 2 D Reggae D TablaBeats D Garba D

Dynamically controlled anger. Produces three delayed sounds: L, R and C (center). Produces two delayed sounds: L and R. Two feedback delays are provided. Two delayed sounds (L and R), and independent feedback delays for L and R. The feedback of the two delayed sounds is crossed. Heavy distortion.

No. 129

Type ST DIST COMP+DIST1 COMP+DIST2 OVERDRIVE OVERDRIVE2 ST OD DIST HARD DIST HARD2 DIST HARD3 DIST SOFT DIST SOFT2 DIST SOFT3 ST DIST HARD ST DIST SOFT V_DIST HARD V_DIST SOFT AMP SIM1 AMP SIM2 ST AMP1 ST AMP2 ST AMP3 ST AMP4 ST AMP5 DST+DELAY1 DST+DELAY2 OD+DELAY1 OD+DELAY2 CMP+DST+DLY1 CMP+DST+DLY2 CMP+OD+DLY1 CMP+OD+DLY2 V_DST H+DLY V_DST S+DLY V_HVY+DLY_A V_HVY+DLY_AV_HVY+DLY_A+ V_HVY+DLY_B V_HVY+DLY_BV_HVY+DLY_B+ MBAND COMP COMPRESSOR NOISE GATE VCE CANCEL AMBIENCE TALKING MOD LO-FI DYN FILTER ISOLATOR PHASER1 PHASER2 EP PHASER1 EP PHASER2 EP PHASER3 DYN PHASER PITCH CHG1 PITCH CHG2 PITCH CHG3
Description Stereo distortion. Since a Compressor is included in the rst stage, steady distortion can be produced regardless of changes in input level. Adds mild distortion to the sound. Stereo Overdrive. Hard-edge distortion.
Soft, warm distortion. Hard-edge stereo distortion. Soft, warm soft distortion. Distortion which simulates vintage tube and fuzz sounds. A simulation of a guitar amp.

Stereo amp simulator.

Distortion and Delay are connected in series. Overdrive and Delay are connected in series. Compressor, Distortion and Delay are connected in series. Compressor, Overdrive and Delay are connected in series. V Distortion and Delay are connected in series. V Distortion produces the heavy distortion of a large guitar amp, in series with a long delay effect. V Distortion produces the heavy distortion of a large guitar amp, in series with a long delay effect. This effect is somewhat softer than the preceding effect. V Distortion produces the heavy distortion of a large guitar amp, in series with a long delay effect. This effect is somewhat stronger than the V-HVY+DLY_A effect. V Distortion produces the heavy distortion of a mid-size guitar amp, in series with a short delay effect. V Distortion produces the heavy distortion of a mid-size guitar amp, in series with a short delay effect. This effect is somewhat softer than the preceding effect. V Distortion produces the heavy distortion of a mid-size guitar amp, in series with a short delay effect. This effect is somewhat stronger than the V_HVY+DLY_B effect. Multi-band compressor that allows you to adjust the compression effect for individual frequency bands. Holds down the output level when a specied input level is exceeded. A sense of attack can also be added to the sound. Gates the input when the input signal falls below a specied level. Attenuates the vocal part of a CD or other source. Blurs the stereo positioning of the sound to add spatial width. Adds a vowel sound to the input signal. Degrades the audio quality of the input signal. Dynamically controlled lter. Controls the level of a specied frequency band of the input signal.

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445
Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2006 Yamaha Corporation WH59630 XXXPOXXX.X-01A0 Printed in China

This applies only to products distributed by Yamaha Music U.K. Ltd. (2 wires)

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-5D, PA-150 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

The rhythm pattern or phrase that plays depends on the actual notes or chords you play, as well as on the selected Arpeggio type.
When you have nished using with the arpeggio function, press the [ARPEGGIO ON/OFF] button to turn it off.
Changing the Arpeggio type

The most suitable arpeggio type is automatically selected when you select a voice, but you can easily select any other arpeggio type.
Press and hold the [ARPEGGIO ON/OFF] button for longer than a second.
The arpeggio type selection display will appear.
Use the dial to select the desired arpeggio type.
A list of the available arpeggio types is provided on page 104.

Arpeggio type

The sound of the arpeggio produced will change according to the number of notes you play and the area of the keyboard you play in. You can save the instruments settings at this point and then recall them at any time you want to repeat your performance (page 59). You can also record your performance (page 29).
This instrument has an auto accompaniment feature that produces accompaniment (rhythm + bass + chords) in the pattern you choose to match chords you play with your left hand. A range of patterns with different time signatures and arrangements are provided (refer to the Pattern List on page 98). In this section well learn how to use the auto accompaniment features.
Listen to the Rhythm Pattern
Most patterns include a rhythm part. You can select from a wide variety of rhythmic typesR&B, HipHop, Dance, and many, many more. Lets begin by listening to just the basic rhythm. The rhythm part is played using percussion instruments only.
Press the [PATTERN] button.
The Pattern selection display will appear. The currently selected category name, voice number and name will be highlighted.
To change the pattern category, use the CATEGORY [DEC]/ [INC] buttons.
Pattern selection display
The currently selected Pattern
Select a Pattern you want to play.
Use the dial to select the pattern you want to play. The available patterns will be selected and displayed in sequence. Refer to the Pattern list on page 98.
Press the [START/STOP] button.
The pattern rhythm will start playing. To stop playback, press the [START/STOP] button again.
Play Along with a Pattern
You learned how to select a Pattern rhythm on the preceding page. Here well see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with.
Select the pattern you want to play (page 22, steps 12).
Press the [EXIT] button to return to the MAIN display screen.

Turn FINGER on.

Press the [FINGER] button. Press the button a second time to turn the FINGER mode off.
The indicator lights when FINGER is ON.

When FINGER is on.

C add9

To play a minor chord Press the root note together with the nearest black key to the left of it.

C sus4

C M7aug
To play a seventh chord Press the root note together with the nearest white key to the left of it.

Cm C m add9 C m6 C m7

To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

C dim7

C 7aug

C 7sus4

C sus2
Notes enclosed in parentheses are optional; the chords will be recognized without them.
Multi Fingering and Full Keyboard
These let you select the accompaniment section of the keyboard for chord playing. When changing settings refer to Specify Chords Over the Entire Keyboard Range on page 56, and Chord Fingering on page 65. Multi Fingering: As explained above, the keys to the left of the split point (default: 54, F#2) become the accompaniment range. Playing Auto-accompaniment Chords. There are two ways of playing auto-accompaniment chords: Easy Chords and Standard Chords. The default setting (factory setting) is Multi Fingering. Full Keyboard: This let you play the accompaniment chords freely from anywhere on the keyboard.
With this instrument the term song refers the data that makes up a piece of music. In this section well learn how to select and play songs.
Selecting and Listening to a Song
Select and press the SONG category button that corresponds to the type of song you want to listen to.
[PRESET] : Accesses the three internal preset songs. [USER] : Accesses songs you have recorded yourself and songs loaded from computer. [USB] : Accesses songs stored on a USB storage device connected to the DEVICE terminal. The song selection display will appear. The currently selected song number and name will be highlighted.

SONG SELECT Display

Currently Selected Song
Select a song you want to play.
Use the dial to select the Song you want to listen to. The available songs will be selected and displayed in sequence.
User songs (songs youve recorded yourself) and songs on USB storage devices can also be played. The procedure for playing these types of songs is exactly the same as for playing the internal songs.

PRESET USER USB

Internal songs (three songs) User songs (songs you have recorded yourself; page 29) Songs stored on a USB storage device connected to the instrument (page 67)

Listen to the song.

Press the [START/STOP] button to begin playback of the selected song. You can stop playback at any time by pressing the [START/STOP] button again.

UTILITY/EDIT display (page 64, 62) The UTILITY/EDIT displays provide access to 46 items (25 UTILITY items and 21 EDIT items) that can be edited. The UTILITY or EDIT display appears when the [UTILITY] or [EDIT] button is pressed. Each time the CATEGORY [DEC]/[INC] buttons described on page 37 are pressed a new item is selected from the 46 items available. Press the CATEGORY [DEC]/[INC] button(s) as many times as necessary until the required function appears. You can then use the dial or [INC/YES] or [DEC/NO] buttons to adjust the value of the function as required.

UTILITY/ EDIT item

MAIN Display Items
The MAIN display shows all of the current basic song, pattern, and voice settings. It also includes a range of indicators that show the on/off status of a several functions. Since this display lets you see all of the current basic settings in one centralized area, it is a good idea to have it showing while playing.

Transpose (page 49)

Measure Number (page 31)

OCTAVE (page 50)

Tempo (pages 45, 47)
USB status CONNECT appears when it is possible to access the USB TO DEVICE terminal (page 67).

Chord Display (page 25)

Performance Memory Status (page 59)
Song Track Status Displays the user song playback track (page 58)
Main Voice (page 15) Dual Voice (page 16) Split Voice (page 17) Pattern (page 22) Song (page 26) Arpeggio (page 20)

Using the Controllers

You can control tone, volume, pitch and other parameters by using the controllers on the front panel, as well as by using external controllers connected to several controller jacks on the rear panel.
Controllers on the front panel
Pitch Bend wheel Modulation wheel

Pitch Bend wheel

Use the Pitch Bend wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you) while playing the keyboard. This wheel is self-centering and will automatically return to normal pitch when released. Try out the Pitch Bend wheel while pressing a note on the keyboard.

Raises the pitch

Lowers the pitch

Modulation wheel

This controller is used to apply vibrato to the keyboard sound. The more you move this wheel up, the greater the effect that is applied to the sound. Try out the Modulation wheel with various Preset Voices while playing the keyboard.

Maximum

Minimum

You can change the brightness and tonal characteristics of the current Main Voice and Dual Voice in real time by turning the knobs while you play. Turn a knob to the right to increase the value, and left to decrease it.

the MAIN display.

CONNECT
IMPORTANT In order to play songs copied to a USB storage device from a computer or other device, the songs must be stored either in the USB storage devices root directory or a rst-level/secondlevel folder in the root directory. Songs stored in these location can be selected and played as USB songs (page 26). Songs stored in third-level-folders created inside a second-level folder cannot be selected and played by this instrument.
You can go to the FILE CONTROL display from which you can access USB storage device operations by pressing the [MENU] button from this display. (Do not press this button now, but only when instructed to in the section below.)
Menu Format User File Save SMF Save Load Delete Page 72
USB Storage Device (Root) Song File Song Folder Can Be Selected/ Played. Song File Song Folder Cannot Be Selected/ Played.

Song File Song Folder

A message (information or conrmation dialog) will sometimes appears on the display to facilitate operation. Refer to the Messages section on page 83 for explanations of each message.
NOTE No sound will be produced if you play the keyboard while FILE CONTROL display is showing. Also, in this state only buttons related to le functions will be active. NOTE The FILE CONTROL display will not appear in any of the following cases:
During pattern or song playback While data is being loaded from a USB storage device
Formatting a USB storage device
A new USB storage device must be formatted before it can be used by this instrument.
If you format a USB storage device that already contains data, all of the data will be erased. Be careful not to erase important data when using the format function.
3 Press [EXECUTE] button and a conrmation message will appear. You can press the [DEC/NO] button at this point to cancel the operation.
1 After connecting the USB storage
4 Press the [EXECUTE] button again, or
the [INC/YES] button, and the format operation will begin.
Once the format-in-progress message appears on the display the format operation cannot be canceled. Never turn off the power or remove the USB storage device during this operation.
device to be formatted to the instruments USB TO DEVICE terminal, check that CONNECT is showing in the MAIN display.
2 Press the [MENU] button.
A message will appear asking you to conrm the format operation.
NOTE If the Load item appears in step 2, press the CATEGORY [INC] / [DEC] buttons as many times as necessary until the Format item appears.

4 Use the dial to select the user le or
pattern le you want to load. All user les in the USB storage device will be displayed rst, followed by the pattern les.
NOTE Pattern les must be located in the root directory. Pattern les located within folders will not be recognized.
1 With the USB storage device containing
the le you want to load connected to the USB TO DEVICE connector, check that CONNECT is showing in the MAIN display. Press the [MENU] button.
Use the CATEGORY [DEC] / [INC] buttons to locate the Load item.
6 Press the [EXECUTE] button again, or
the [INC/YES] button, and the load operation will begin.
Once the load-in-progress message appears in the display, the operation cannot be canceled. Never turn off the power or remove the USB storage device during this operation.
7 A message will appear on the display
NOTE The SMF saved to a USB storage device can not be loaded as a user song.
Deleting Data from a USB Storage Device
This procedure deletes selected user les and SMF les from a USB storage device.
1 Make sure that the USB storage device
containing the le(s) you want to delete has been properly connected to the instruments USB TO DEVICE terminal, and that CONNECT is showing in the MAIN display.
4 Select the le you want to delete.
You can press the [INC/YES] and [DEC/NO] buttons simultaneously to select the rst song or user le on the USB storage device.
buttons to locate the Delete item.
the [INC/YES] button, and the delete operation will begin.
Once the delete-in-progress message appears in the display, the operation cannot be canceled. Never turn off the power or remove the USB storage device during this operation.
Playing SMF Saved to a USB Storage Device 1 Make sure that the USB storage device
containing the SMF you want to play has been properly connected to the instruments USB TO DEVICE terminal, and that CONNECT is showing in the MAIN display.
3 Use the dial to select the SMF you want

to play.

4 Press the [START/STOP] button.
2 Press the [USB] button.
NOTE SMF playback will not be transmitted via MIDI.

The Connectors

q OUTPUT L/MONO and R jacks

r USB TO HOST terminal

These jacks output stereo audio signals (1/4" mono phone plugs). For monophonic output, use just the L/MONO jack.
w MIDI IN and OUT terminals
This terminal allows direct connection to a personal computer, and allows you to transfer MIDI data between the devices. Refer to Connecting to a Personal Computer on page 77 for more information.
The MIDI IN connector receives MIDI messages from external MIDI devices. This can be used to control the MM6/MM8 or play its tone-generator from an external MIDI device. The performance data and control data generated when its controllers and knobs are operated is transmitted via the MIDI OUT connector.

For more information about the handling of USB devices, refer to the owners manual of the USB device.

Compatible USB devices

USB storage devices (ash memory, oppy disk drive, hard disk drive, etc.) The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page:
http://www.yamahasynth.com/
Other USB devices such as a computer keyboard or mouse cannot be used.
Formatting USB storage media When a USB storage device is connected or media is inserted, a message may appear prompting you to format the device/media. If so, execute the Format operation (page 68).
The format operation overwrites any previously existing data. Make sure that the media you are formatting does not contain important data.

Connecting USB device

When connecting a USB device to the [USB TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.
Though the instrument supports the USB 1.1 standard, you can connect and use a USB 2.0 storage device with the instrument. However, note that the transfer speed is that of USB 1.1.
To protect your data (write-protect) To prevent important data from being inadvertently erased, apply the write-protect provided with each storage device or media. If you are saving data to the USB storage device, make sure to disable write-protect. Connecting/removing USB storage device Before removing the media from the device, make sure that the instrument is not accessing data (such as in the Save, Copy and Delete operations).
Avoid frequently turning the power on/off to the USB storage device, or connecting/disconnecting the device too often. Doing so may result in the operation of the instrument freezing or hanging up. While the instrument is accessing data (such as during Save, Copy, Delete, Load and Format operations) or is mounting the USB storage device (shortly after the connection), do NOT unplug the USB connector, do NOT remove the media from the device, and do NOT turn the power off to either device. Doing so may corrupt the data on either or both devices.

Refer to the URL below for the latest information on system requirements. http://www.yamahasynth.com/

Support

Support for the DAW software in the accessory disk is provided by Steinberg on its website at the following address. http://www.steinberg.net You can visit the Steinberg site also via the Help menu of the included DAW software. (The Help menu also includes the PDF manual and other information on the software.)
ATTENTION SOFTWARE LICENSE AGREEMENT
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (AGREEMENT) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (YAMAHA). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. THIS AGREEMENT PROVIDES YOUR USE-CONDITIONS ABOUT THE DAW SOFTWARE OF STEINBERG MEDIA TECHNOLOGIES GMBH(STEINBERG) WHICH IS BUNDLED WITH THIS PRODUCT. SINCE THE END-USER SOFTWAER LICENSE AGREEMENT (EUSLA) SHOWED ON YOUR PC-DISPLAY IN YOUR INSTALLING THE DAW SOFTWARE IS REPLACED BY THIS AGREEMENT, YOU SHOULD DISREGARD THE EUSLA. THAT IS, IN THE INSTALLING PROCESS, YOU SHOULD SELECT AGREE WITH THE EUSLA, WITHOUT YOUR JUDGMENT THERETO, SO AS TO PROCEED TO THE NEXT PAGE.
liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
5. DISCLAIMER OF WARRANTY ON SOFTWARE
You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided AS IS and without warranty of any kind. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED.

1. GRANT OF LICENSE AND COPYRIGHT
Yamaha hereby grants you the right to use one copy of the software program(s) and data (SOFTWARE) accompanying this Agreement. The term SOFTWARE shall encompass any updates to the accompanying software and data. The SOFTWARE is owned by STEINBERG, and is protected by relevant copyright laws and all applicable treaty provisions. Yamaha has acquired the sublicense right to license you to use the SOFTWARE. While you are entitled to claim ownership of the data created with the use of SOFTWARE, the SOFTWARE will continue to be protected under relevant copyrights. You may use the SOFTWARE on a single computer. You may make one copy of the SOFTWARE in machine-readable form for backup purposes only, if the SOFTWARE is on media where such backup copy is permitted. On the backup copy, you must reproduce Yamahas copyright notice and any other proprietary legends that were on the original copy of the SOFTWARE. You may permanently transfer to a third party all your rights in the SOFTWARE only when you transfer this product together, provided that you do not retain any copies and the recipient reads and agrees to the terms of this Agreement.
6. LIMITATION OF LIABILITY
YAMAHAS ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamahas total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE.

7. GENERAL

This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction nds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect.

2. RESTRICTIONS

You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever. You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE. You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers. You may not use the SOFTWARE to distribute illegal data or data that violates public policy. You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe. Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner. Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner. The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modied without permission of the copyright owner.

Voice Order in No. category 26 27
MIDI Program MSB LSB Change (0127) (0127) (1128) 128 ETHNIC 112
Voice Name GM Revrs Cymbal GM Fret Noise GM Breath Noise GM Seashore GM Bird Tweet GM Telephone Ring GM Helicopter GM Applause GM Gunshot Kanoun Kawala Oud 1 Oud 2 Mizmar Wataryat Er Hu Pi Pa Yang Qin Jing Hu Ban Hu Zheng Sheng Suo Na Banjo Asian Bell Bonang Thai Bells Detuned Sitar GM Sitar GM Banjo GM Shamisen GM Koto GM Kalimba GM Bagpipe GM Fiddle GM Shanai

Drum Kit List

indicates that the drum sound is the same as GM Standard Kit 1. Each percussion voice uses one note. The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in 128: Standard Kit 1, the Seq Click H (Note# 36/Note C1) corresponds to (Note# 24/Note C0). Key Off: Keys marked O stop sounding the instant they are released. Voices with the same Alternate Note Number (*1. 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)
C#0 D0 E0 F0 G0 G#0 A0 B0 C1 D1 E1 F1 G1 G#1 A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 D6 E6 F6 G6 D#6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1 D#1 A#0 D#0
Voice No. MSB(0-127)/LSB(0-127)/PC(1-128) Keyboard MIDI Note No. Note Note No. Note 25 C# C# -D D -D# D# -E E -F F -F# F# -G G -G# G# -A A -A# A# -B B -C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G 5
4 127/000/001 127/000/081 127/000/082 127/000/083 127/000/084 Key Alternate Key Alternate Key Alternate Key Alternate Key Alternate GM Standard Kit 1 off Group Standard Kit Analog T8 Kit Analog T9 Kit Break Kit off Group off Group off Group off Group Surdo Mute 3 Surdo Mute Surdo Open 3 Surdo Open Hi Q Hi Q Whip Slap Whip Slap Scratch H 4 Scratch H Scratch L 4 Scratch L Finger Snap Finger Snap Snare Hammer Snare D&B1 Click Noise Click Noise Kick ZapHard Kick Break2 Snare Break 8 Metronome Click Metronome Click Snare Garg L Snare Distortion Snare Break 9 Metronome Bell Metronome Bell Kick TekPower Kick TekPower Hi-Hat Closed Break1 Seq Click L Seq Click L Kick Slimy Kick Distortion RM Hi-Hat Closed Break2 Seq Click H Seq Click H Kick TKick TKick Break Deep Brush Tap Brush Tap Snare AnCR Snare AnCR Snare Hip Brush Swirl O Brush Swirl O Snare TSnare TSnare Lo-Fi Brush Slap Brush Slap Snare ClapAna Clap AnSm Snare Clappy Brush Tap Swirl O Brush Tap Swirl O Snare TSnare T9Gate Snare LdwHMono Snare Roll O Snare Roll O Tom TSnare RockRoll O Snare RockRoll O Castanet Castanet Snare TSnare TSnare Gate1 Snare Soft Snare Soft Kick TSnare TSnare Mid Sticks Sticks Snare TSnare T9Gate Snare BreakRim Kick Soft Kick Soft Kick TKick TKick Break Heavy Open Rim Shot Open Rim Shot Snare TSnare TSnare Hip Rim4 Kick Tight Kick Tight T8 Kick Bass Kick TKick Break2 Kick Kick Kick TKick TKick Break1 Side Stick Side Stick Snare T8 Rim Snare T9 Rim Snare Hip Rim1 Snare Snare Snare TSnare TSnare Break3 Hand Clap Hand Clap Clap T9 Clap T9 Snare Break1 Snare Tight Snare Tight Snare TSnare TSnare Break2 Floor Tom L Floor Tom L Tom TTom TTom Break 1 Hi-Hat Closed 1 Hi-Hat Closed 1 Hi-Hat Closed T1 Hi-Hat Closed THi-Hat Closed Rock S 1 Floor Tom H Floor Tom H Tom TTom TTom Break 2 Hi-Hat Pedal 1 Hi-Hat Pedal 1 Hi-Hat Open T1 Hi-Hat Pedal THi-Hat Pedal Rock 1 Low Tom Low Tom Tom TTom TTom Break 3 Hi-Hat Open 1 Hi-Hat Open 1 Hi-Hat Open T1 Hi-Hat Open THi-Hat Half Open Rock 1 Mid Tom L Mid Tom L Tom TTom TTom Break 4 Mid Tom H Mid Tom H Tom TTom TTom Break 5 Crash Cymbal 1 Crash Cymbal 1 Crash T8 Crash T9 Crash Cymbal 2 High Tom High Tom Tom TTom TTom Break 6 Ride Cymbal 1 Ride Cymbal 1 Ride T9 Ride T9 Ride Cymbal 3 Chinese Cymbal Chinese Cymbal Chinese Cymbal 2 Chinese Cymbal 2 Chinese Cymbal 2 Ride Cymbal Cup Ride Cymbal Cup Ride Cymbal Cup 2 Ride Cymbal Cup 2 Ride Cymbal Cup 2 Tambourine Tambourine Tambourine RX5 Tambourine RX5 Tambourine1 Hit Splash Cymbal Splash Cymbal Splash Cymbal Crash Cymbal 3 Crash Cymbal 3 Cowbell Cowbell Cowbell T8 Cowbell1 Cowbell1 Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 4 Crash Cymbal 4 Crash Cymbal 2 Vibraslap Vibraslap Vibraslap Cowbell T8 Cowbell RX11 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 3 Ride Cymbal 3 Ride Cymbal 2 Bongo H Bongo H Conga TConga TBongo H Bongo L Bongo L Conga TConga TBongo L Conga H Mute Conga H Mute Conga TConga Tip Conga H Tip Conga H Open Conga H Open Conga TConga Open Slap Conga H Open Slap Conga L Conga L Conga TConga Open Conga H Open Timbale H Timbale H Timbale H Timbale H Bongo2 H Timbale L Timbale L Timbale L Timbale L Bongo2 L Agogo H Agogo H Glass H Analog Click Conga Open Agogo L Agogo L Glass L Conga TAgogo L Cabasa Cabasa Cabasa Cabasa Cabasa Maracas Maracas MaracasT8 Maracas Slur Maracas Slur Samba Whistle H O Samba Whistle H O FxGun2 O FxGun2 O Timbale H Samba Whistle L O Samba Whistle L O FxGun1 O FxGun1 O Timbale L Guiro Short Guiro Short Analog Shaker H O Scratch H2 Scratch H2 O Guiro Long O Guiro Long O Analog Shaker L O Scratch Down Scratch Down O Claves Claves Clave T8 Hi Q3 Clave Wood Block H Wood Block H Hi Q1 Hi Q1 Wood Block H Wood Block L Wood Block L Hi Q2 Hi Q2 Wood Block L Cuica Mute Cuica Mute Scratch L Scratch L Scratch L Cuica Open Cuica Open Scratch L2 Scratch L2 Scratch L2 Triangle Mute 2 Triangle Mute 2 Triangle Mute 2 Triangle Mute 2 Triangle Mute 2 Triangle Open 2 Triangle Open 2 Triangle Open 2 Triangle Open 2 Triangle Open 2 Shaker Shaker Analog Shaker Analog Shaker Kick Break 3 Jingle Bells Jingle Bells Sleigh Bell Sleigh Bell Kick Break 4 Bell Tree Bell Tree Bell Tree Bell Tree Kick Break 5 O Snare Hip1 Snare Piccolo Kick Break 6 Snare Hip2 Snare TKick Break 7 Snare Hip Gate Snare RockRollD Hi-Hat Closed Break3 Snare Break1 Snare Brush Mute Snare Break 4 Kick Blip Kick Blip Hard Snare Break 5 Snare FX1 Snare Jungle1 Snare Break 6 Kick FxHammer Kick Sustain Snare Break 7

127/000/001 127/000/049 126/000/001 126/000/002 Key Alternate Key Alternate Key Alternate Key Alternate GM Standard Kit 1 off Group Symphony Kit SFX Kit 1 SFX Kit 2 off Group off Group off Group Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl O O Brush Slap Brush Tap Swirl O O Snare Roll O O Castanet Snare Soft Sticks Kick Soft Kick Soft 2 Open Rim Shot Kick Tight Gran Cassa Kick Gran Cassa Mute Cutting Noise Phone Call O Side Stick Cutting Noise 2 Door Squeak O Snare Band Snare Door Slam O Hand Clap String Slap Scratch Cut O Snare Tight Band Snare 2 Scratch H 3 O Floor Tom L Tom Jazz 1 Wind Chime O Hi-Hat Closed Telephone Ring O Floor Tom H Tom Jazz 2 Hi-Hat Pedal Low Tom Tom Jazz 3 Hi-Hat Open Mid Tom L Tom Jazz 4 Mid Tom H Tom Jazz 5 Crash Cymbal 1 Hand Cymbal High Tom Tom Jazz 6 Ride Cymbal 1 Hand Cymbal Short Chinese Cymbal Flute Key Click Car Engine Ignition O Ride Cymbal Cup Car Tires Squeal O Car Passing O Tambourine Splash Cymbal Car Crash O Siren O Cowbell Crash Cymbal 2 Hand Cymbal 2 Train O Vibraslap Jet Plane O Ride Cymbal 2 Hand Cymbal 2 Short Starship O Bongo H Burst O Roller Coaster O Bongo L Conga H Mute Submarine O Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Shower O Laugh O Cabasa Thunder O Scream O Maracas Wind O Punch O Samba Whistle H O O Stream O Heartbeat O Samba Whistle L O O Bubble O Footsteps O Guiro Short Feed O Guiro Long O O Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree Dog O Machine Gun O Horse O Laser Gun O Bird Tweet O Explosion O Firework O

Performance List

Bank Performance Performance Sync Start RnB Ballad1 D,B RnB Ballad1 D,B RockPop D,B ElektroPop1 SouthernRap1 On RootRock On Underground On WestcoastRap1D WestcoastRap2 On JazzyRnB D On RnB Ballad1 On PowerRock On Dancefloor On Chillout On ClubSamba On TurkishDance D SouthernRap2 On RnB Pop1 On RnB Ballad1 D,B On RockShuffle D,B On Minimal On Ambient On TurkishPop On HipHopPop EastcoastRap On RnB Ballad2 D,B On RockPop D,B On RockPop On RetroDisco On AmbientRap On Garba On Analog D HipHopPop On RnB Chart1 D,B On FunkPopRock On FunkPopRock D,B On ClubDance On Analog On LatinPop On RnB Pop2 D,B WestcoastRap1 On RnB Ballad2 D,B On RnB Pop2 D,B On HardRock D,B On Dancefloor On JazzGroove On TablaBeats D,B On ChartPop D EastcoastRap D,B On FunkyJazz On OrientalPop On PowerRock D,B On Underground D,B On AcidJazz D,B On Reggae On EastcoastRap RnB Chart2 On RnB Chart1 On AfricanDance D,B On ChartRock On FunkyHouse D On Ambient D On TurkishDance D,B On Underground D Pattern Genre HipHop R&B/Jazz Pop Rock Bank Main Voice Power Grand Sweetness Mega Steel Guitar Da Pad After 1984 Rock Percussive Dancy Hook Lo-Fi Looper Harpsichord Sweetness Cool! Galaxy EP Cool! Blues Guitar Simple Oct2 Inda Night Sweet! Flute Meow Pad Spiccato Orchestra Strings Classic Piano Cool! Blues Guitar Crying Glass Arp Kanoun Volcano Simple Oct1 GM Nylon Guitar Single Dream Vintage C Spiccato Dark Light Zheng Haunted Touch Clavi Early 70's Cool! Organ Mini Soft Dancy Hook Sky Walk Cool! Suitcase EP Footsteps Power Grand Spiccato Mega Clean Guitar Mega Overdrive Gt Snap Seq Amb Piano Clack Bell Indian Kit Inda Night Jazz Guitar Oud 1 Power Grand Over The Top Inda Night Cool! Rotor Organ Analog T8 Kit Soft RnB Prog Lead Kawala Sforzando Brass Vintage'74 Car Engine Ignition Jing Hu Meow Pad Performance Dual Voice Light Comp Knock Bass Dancy Hook LFO Pad Arab.Kit Slow Strings Trance Seq 2 Amb Pad Wataryat Booty Bass Wah Clavi Mini Soft Amb Pad Spiccato Detuned Sitar Zen Sweet! Flute Phone Call Rebirth '70 Spiccato Snap Seq Mystery Sine Tron Flute Bonang Haunted Mizmar Overdriven Guitar Bassoon Mini Soft Sforzando Brass Long Spit Thai Bells Genre Dance Ambient World SE Split Voice Over The Top Laser Beam Finger Bass U.F.O. Takeoff Big Comp Wurli Amped Rock Vibrato Live! Steel Guitar U.F.O. Takeoff Aggressive Live! Steel Guitar Wurli Tremolo CP 80 Vintage Case W Phaser Vapor Wurli Amped Wurli Tremolo Chord Seq 1 Ober Brass Chorus EP Slow LFO Pad Trance Bass Early 70's Wurli Amped Folk Guitar Aggressive Compact Classic Piano Fat Sine Resonance Live! Orchestra Split Point B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 B2 Chord Fingering Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Full Keyboard Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Full Keyboard Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Full Keyboard Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Full Keyboard Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Full Keyboard Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger Multi Finger

Stereo amp simulator.

Distortion and Delay are connected in series. Overdrive and Delay are connected in series. Compressor, Distortion and Delay are connected in series. Compressor, Overdrive and Delay are connected in series. V Distortion and Delay are connected in series. V Distortion produces the heavy distortion of a large guitar amp, in series with a long delay effect. V Distortion produces the heavy distortion of a large guitar amp, in series with a long delay effect. This effect is somewhat softer than the preceding effect. V Distortion produces the heavy distortion of a large guitar amp, in series with a long delay effect. This effect is somewhat stronger than the V-HVY+DLY_A effect. V Distortion produces the heavy distortion of a mid-size guitar amp, in series with a short delay effect. V Distortion produces the heavy distortion of a mid-size guitar amp, in series with a short delay effect. This effect is somewhat softer than the preceding effect. V Distortion produces the heavy distortion of a mid-size guitar amp, in series with a short delay effect. This effect is somewhat stronger than the V_HVY+DLY_B effect. Multi-band compressor that allows you to adjust the compression effect for individual frequency bands. Holds down the output level when a specied input level is exceeded. A sense of attack can also be added to the sound. Gates the input when the input signal falls below a specied level. Attenuates the vocal part of a CD or other source. Blurs the stereo positioning of the sound to add spatial width. Adds a vowel sound to the input signal. Degrades the audio quality of the input signal. Dynamically controlled lter. Controls the level of a specied frequency band of the input signal.

MSB 80

Changes the pitch of the input signal.

No. 190

Type ROTARY SP1 ROTARY SP2 ROTARY SP3 ROTARY SP4 ROTARY SP5 ROTARY SP6 ROTARY SP7 ROTARY SP8 ROTARY SP9 ROTARY SP10 ROTARY SP11 ROTARY SP12 ROTARY SP13 ROTARY SP14 ROTARY SP15 ROTARY SP16 2WAY ROT SP DST+ROT SP DST+2ROT SP OD+ROT SP OD+2ROT SP AMP+ROT SP AMP+2ROT SP AMP+2ROT SP2 AMP+2ROT SP3 DUAL ROT SP1 DUAL ROT SP2 AUTO PAN1 AUTO PAN2 EP AUTOPAN EP AUTOPAN2 AUTO PAN3 TREMOLO1 TREMOLO2 TREMOLO3 EP TREMOLO GT TREMOLO1 GT TREMOLO2 VIBE VIBRATE AUTO WAH1 AUTO WAH2 AT WAH+DST1 AT WAH+DST2 AT WAH+OD1 AT WAH+OD2 TOUCH WAH1 TOUCH WAH2 TOUCH WAH3 TC WAH+DST1 TC WAH+DST2 TC WAH+OD1 TC WAH+OD2 CLAVI TC WAH CLAVI TC WAH2 EP TC WAH EP TC WAH2 WH+DST+DLY1 WH+DST+DLY2 WH+OD+DLY1 WH+OD+DLY2 NO EFFECT

Description

Simulates a rotary speaker.
Distortion and rotary speaker connected in series. Distortion and 2-way rotary speaker connected in series. Overdrive and rotary speaker connected in series. Overdrive and 2-way rotary speaker connected in series. Amp simulator and rotary speaker connected in series. Amp simulator and 2-way rotary speaker connected in series. Rotary speaker simulation.

[USB] button..12, 26 USB Song..28 USB Storage Device..66, 75 USB TO DEVICE terminal.13, 73 USB TO HOST terminal.13, 73 USB-MIDI Driver..77 [USER] button..12, 26, 30 User Pattern..71 User Song..28, 29 [UTILITY] button.12, 64 UTILITY display..38

Voice..15 Voice List..84

Tap.. 47 [TAP TEMPO] button. 12, 47 Tempo.. 47, 57 TEMPO [+], [-] buttons.. 12, 57

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:
MUSIC SYNTHESIZER MM6/MM8
If during the rst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specic legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the rst 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.