& [REVERB] button

This button lets you select either a Room, Stage or Hall reverb effect, or no reverb effect, to apply to the currently selected voice. Each voice has a default reverb setting preprogrammed at the factory which you can change.

' [MODULATION] button

This button lets you select either a Chorus, Symphonic or Tremolo modulation effect, or no modulation effect, to apply to the currently selected voice. Each voice has a default modulation setting preprogrammed at the factory which you can change.

$ [VOICE] button

This button lets you enter Voice Play mode by pressing [VOICE] and then pressing a [VOICE SELECT] button %. A lit LED above the [VOICE] button indicates youre in Voice Play mode.

( [EQUALIZER] sliders

These sliders let you graphically adjust the level of the sound output of the P-200 in three bands: High, Middle and Low. In Dual and Split modes, the changes you make will affect both voices.

REAR PANEL

INPUT SPEAKER ON OFF R L/MONO R
OUTPUT L/MONO SUSTAIN SOSTENUTO SOFT FOOT CONTROLLER

MIDI OUT

! [SPEAKER] switch
This switch lets you turn off the P-200s internal speakers. It does not affect the output from the [OUTPUT] jacks or the [PHONES] jack.

% [FOOT CONTROLLER] jack

This jack lets you connect a foot controller (Yamaha FC7, available separately) for use as an auxiliary controller. The [FC] foot controller can be assigned to control a variety of functions, including reverb depth or modulation speed, which lets you change these parameters by foot as you play.

" [INPUT] jacks

These jacks let you input line-level signals from another electronic instrument, such as a rhythm programmer, external tone generator, or synthesizer, and monitor it through the P-200s internal speakers. Use the [L/MONO] jack when connecting only a single line.

& [MIDI] terminals

These terminals allow the P-200 to communicate with other MIDI devices, using standard MIDI cables. To control the P-200 using a sequencer or another keyboard, connect the MIDI out jack of the external device to the [MIDI IN] jack of the P-200. To control another device (such as a synthesizer or tone generator) using the P-200, connect the [MIDI OUT] jack of the P-200 to the MIDI in jack of the external device. The [MIDI THRU] jack simply passes the data received at the P-200s [MIDI IN] jack through unaffected, and is used when connecting three or more MIDI devices in a series.

# [OUTPUT] jacks

These jacks output line-level signals which can be input directly to an external amplifier, mixer or other audio device. Use the [L/MONO] jack if your audio equipment has only one input.

Voice Play mode consists of Single, Dual and Split modes. Within Voice Play mode you can select and play any one of the 12 voices (Single mode), or play a blend of two voices simultaneously (Dual mode), or play one voice on the left side of the keyboard and another on the right side of the keyboard (Split mode). A brand new P-200 fresh out of the box will power on automatically in Voice Play Single mode, with the PIANO 1 voice selected. If the P-200 is in Performance Play mode (indicated by a lit LED above the [PERF.A] or [PERF.B] button), you will first need to press the [VOICE] button to enter Voice Play mode. If the P-200 is in Edit mode (indicated by a blinking LED above the [EDIT] button), you will first need to exit Edit mode by pressing the [EDIT] button.
ENTERING AND EXITING VOICE PLAY MODE
Press the [VOICE] button. When you press the [VOICE] button while the P-200 is in Performance Play mode, the LED above the [VOICE] button starts blinking, indicating that Voice Play mode is standing by waiting to be activated.
Press a [VOICE SELECT] button. As soon as a [VOICE SELECT] button is pressed, Voice Play Single mode is activated. The LED above the [VOICE] button and the selected [VOICE SELECT] button will light.

1 VOICE PIANO 1

8 VIBES OR

9 VOICE 9 Piano 3

From within Single mode you can easily activate Dual mode (see page 30) or Split mode (see page 32). To exit Voice Play mode, simply enter Performance Play mode. For details, see page 45.

s Single Mode

When the P-200 is in Single mode, you can select and play any one of the 12 voices over the full range of the keyboard. You can also apply and adjust reverb and modulation effects, and adjust the graphic equalizer settings. In Single mode, the LED above the currently selected [VOICE SELECT] button lights, and the name of the currently selected Single voice appears in the LCD screen.

SELECTING A SINGLE VOICE

Press a [VOICE SELECT] button. To select a voice you need only press any of the 12 [VOICE SELECT] buttons.

Voices and Polyphony

Piano1 32/64 $ mono

As you play the keyboard, the output of the PIANO 1 voice will be in mono, and polyphony will be 64 notes. To return the PIANO 1 voice to its stereo setting, simply press and hold [PIANO 1] for a few moments again. The STEREO screen briefly appears.

Piano1 32/64 $ stereo

s Upright/Electric Bass
Pressing and holding the [BASS] button for a few moments alternately selects the Upright and Electric settings. The initial default setting for the BASS voice is Upright Bass.
CHANGING THE BASS VOICE SETTING
Press and hold [BASS] for a few moments. After a moment, the ELECTRIC BASS screen briefly appears.
Upright/Elec. $ Elec.Bass
As you play the keyboard, you will hear the Electric Bass voice. To change back to the UPRIGHT BASS voice, simply press and hold [BASS] for a few moments again. The UPRIGHT BASS screen briefly appears.
Upright/Elec. $ Upright Bass

s Reverb Effects

The P-200s internal DSP digital signal processor generates three types of realistic reverb effects, or simulated ambient environments, which you can apply to the voices. These include ROOM, which simulates the natural reverberations of sound in a normal-sized room, STAGE, which simulates the natural reverberations of sound in a night club, and HALL, which simulates the natural reverberations of sound in a relatively large concert hall. As you select each voice you will notice that a specific reverb effect is already assigned to it, indicated by a lit LED to the left of the name of the selected reverb type. These are the initial default assignments set at the factory, but you can select any reverb effect you wish for each voice, or even turn the reverb effect off. You can also change reverb depth on the spot.

SELECTING A REVERB TYPE

Press the [REVERB] button once or more. When you press the [REVERB] button repeatedly, the reverb types will be selected in order as follows: ROOM, STAGE, HALL, then OFF. (No lit LED represents Off status.)
You can also select the reverb type and depth settings in Edit mode (see page 59).
Note that each time you select a reverb type, a message will briefly display in the LCD screen, as follows.

REVERB DEPTH

This temporary message displays the current depth level for the reverb type that you just selected, between 0 and 7. You can easily change the depth level for the currently selected reverb type.

CHANGING REVERB DEPTH

Hold the [REVERB] button and move the [DATA ENTRY] slider (or press [1/NO] or [+1/YES]). As soon as you move the [DATA ENTRY] slider (or press [1/NO] or [+1/YES]) the REVERB DEPTH screen appears.

s Transpose

The P-200 has a multi-faceted transpose feature that lets you transpose the pitch at the touch of a button while you play. The P-200 has four independent transpose paths, which let you set transpose values for the internal main voice as well as the sub voice, and which also let you set transpose values for the MIDI main and sub voices which will affect external devices. Transpose is particularly useful in the Dual and Split modes. In the Dual mode, for example, you can play two different voices at the same time, each having a different pitch. The P-200s default main voice transpose setting is 12, which means the pitch will transpose up one octave when you press the [TRANSPOSE] button. The default sub voice transpose amounts are set to 0 for Dual and Split modes.
USING THE TRANSPOSE FEATURE
Press the [TRANSPOSE] button to transpose the pitch of the keyboard. The LED above the [TRANSPOSE] button lights and the TRANSPOSE screen with current transpose value appears.
Depending on the current status and mode, the TRANSPOSE screen will be different. For example, if the P-200 is in Split mode and the MIDI transmit switch is enabled, the screen will display internal and MIDI main and sub voice transposition values.
Main voice internal transposition Main voice MIDI transposition
Sub voice MIDI transposition Sub voice internal transposition
As you play in Split mode, the pitch of both voices will transpose according to main and sub voice settings when you press the [TRANSPOSE] button. You can play two-handed duets with different instruments by transposing the sub voice up or down two octaves to match the pitch range of the main voice. If the P-200 is in Dual mode and the MIDI transmit switch is enabled, the TRANSPOSE screen will display internal and MIDI main voice and internal sub voice transposition values. As you play in Dual mode, the pitch of both voices will transpose according to independent main and sub voice settings when you press the [TRANSPOSE] button. Thus, you can create two-note harmonies by lowering the sub voice so that it plays a fifth or an octave below the main voice. If the P-200 is in Single mode and the MIDI transmit switch is enabled, the TRANSPOSE screen will display internal and MIDI main voice transposition values. As you play in Single mode, the pitch of the entire keyboard will transpose according to the main voice setting when you press the [TRANSPOSE] button. (The sub voice is not active in Single mode.) If the MIDI transmit switch is disabled, only the main voice (and sub voice, depending on mode) transposition value will be displayed.

TRANSPOSE SPLIT SUB

INTERNAL DUAL SUB VOICE: To set the transpose value for the internal dual sub voice, in Dual mode, press and hold [TRANSPOSE], then hold [SPLIT], then press a key on the keyboard (or press the [1/NO] or [+1/YES] buttons).

TRANSPOSE DUAL SUB

MIDI MAIN VOICE: To set the transpose value for the MIDI main voice, press and hold [TRANSPOSE], then hold [MIDI], then press a key on the keyboard (or press the [ 1/NO] or [+1/YES] buttons).

TRANSPOSE MIDI MAIN

When changing the internal main or sub voices transpose value, the MIDI main or sub voice will change accordingly.
MIDI SUB VOICE: To set the transpose value for the MIDI sub voice, press and hold [TRANSPOSE], followed by [SPLIT], then [MIDI], then press a key on the keyboard (or press the [1/NO] or [+1/YES] buttons).

TRANSPOSE MIDI SUB

s MIDI Transmit Enable
You can enable or disable MIDI transmission by pressing the [MIDI] button. The LED above the [MIDI] button remains lit while this function is enabled.
It will not block the reception of data from the [MIDI IN] jack. Note that you cannot enable transmission if the [MIDI] button has been turned off. Also note that setting (in Edit mode) the MIDI transmit channel to Off and setting all the MIDI Filters to On will have the same effect as disabling the MIDI transmit switch. The significance in this case is that turning the [MIDI] button off affects all of the Performances, whereas the aforementioned Edit mode settings can be assigned to individual Performances. For details about the P-200s MIDI capabilities, see page 64.

s MIDI Panic

Although MIDI is very reliable, it is in fact so sophisticated that it is not without its occasional faults. For example, sometimes a connected tone generator or synthesizer responds to a Note On message, but not a Note Off message, thus causing a note to get stuck, which can be quite frustrating, especially in a live performance setting. Unexpected sustained notes, sudden losses of volume, and hanging pitch bends are also common MIDI problems that can happen when using a sequencer with the P-200 and other MIDI instruments. The P-200s MIDI Panic feature lets you instantly send note off and other messages to all connected MIDI devices.

ACTIVATING MIDI PANIC

Hold the [MIDI] button, then press the [REVERB] and [MODULATION] buttons at the same time.

REVERB

The MIDI PANIC SEND screen appears briefly when MIDI Panic is activated.

MIDI PANIC SEND

When MIDI Panic is activated, the following messages are sent in sequence over all MIDI channels: All Notes Off; All Sounds Off; Channel Pressure off; Sustain Pedal Off; Modulation Off; Pitch Bend (Center); Reset All Controllers. MIDI Panic has no effect during sending/receiving bulk data or while MIDI Merge is on.

SPLIT + Voice A

Hold down SPLIT and double-click Voice A.

Voice A/Voice B

Normal operation (Voice B)
Hold down SPLIT and press Voice A.
Voice A/Voice B (Split mode)

Voice A/Voice C

SPLIT + Voice D
Hold down SPLIT and double-click Voice D.

Voice D/Voice B

q There are two ways to select the Split mode and lock the panel: A) Direct operation 1) Select the main voice. 2) Hold down [SPLIT] and double-click the desired [VOICE SELECT] button. B) Selecting Split mode and locking panel separately 1) Select the main voice. 2) Hold down [SPLIT] and select the sub voice to enter the Split mode. 3) Double-click the desired [VOICE SELECT] button to lock the panel. This simultaneously puts the panel in the locked condition and selects a new main voice. To select a different sub voice and lock the panel (while the Split mode is active), hold down [SPLIT] and double-click the desired [VOICE SELECT] button.

Voice A/Voice A

Double-clicking a different voice maintains the panel lock and selects a new main voice.
q To unlock the panel, simply double-click the main or sub voices [VOICE SELECT] button. q Double-clicking a different [VOICE SELECT] button when the panel is locked in the Split mode maintains the locked condition while selecting a new main voice.
Within Performance Play mode you can select and play any one of the 24 Performances, make changes in a Performance, or store the settings of one Performance into another Performance bank and number. Following is an overview of how to enter and exit Performance Play mode, how to select the Performances and change voices within a Performance, and the way Single, Dual and Split modes function in Performance Play mode.
ENTERING AND EXITING PERFORMANCE PLAY MODE
Press the [PERF. A] or [PERF. B] button. If you press the [PERF. A] button, the LED above it will start blinking to indicate that the P-200 is standing by to enter the PERFORMANCE-A bank. Likewise, if you press the [PERF. B] button, the LED above it will start blinking to indicate that the P-200 is standing by to enter the PERFORMANCE-B bank.
Press a [PERFORMANCE SELECT] button. Pressing a [PERFORMANCE SELECT] button activates Performance mode. The LEDs above the [PERFORMANCE SELECT] and [PERF.] buttons light, and the name of the Performance appears in the LCD screen.

1 PERF. B VOICE PIANO 1

PERFORMANCE<A01> Piano 1
To exit Performance Play mode, simply press the [VOICE] button, followed by a [VOICE SELECT] button, which will return you to Voice Play mode.

SELECTING A PERFORMANCE

Press a [PERFORMANCE SELECT] button. Pressing any of the 12 [PERFORMANCE SELECT] buttons will access a Performance in the currently selected Performance bank. The name of the Performance appears in the LCD screen. The P-200 comes with 24 Preset Performances designed for various musical purposes. Take a moment and try out each one in both A and B banks. For a list of the Preset Performances, see page 74. Just as in Voice Play mode, Performance Play mode lets you select Single voices as well as activate Dual mode and Split mode.

PANEL SWITCH LOCK MODE

This control determines whether the Panel Switch Lock function (page 41) can be used or not. When set to Enable, the Panel Switch Lock is available; the Disable setting disables the function. The setting made here is automatically stored.

q PC (OFF, 1 ~ 5)

You can either turn the Program Change popup screen off or have it display between one and five seconds. (The default setting is Off.)

LOCK MODE Disable

q DISABLE
When set to Disable (default), the Panel Switch Lock function cannot be used; in other words, double clicking a [VOICE SELECT] button will not lock the panel controls.

q ENABLE

When set to Enable, the Panel Switch Lock function can be used; in other words, double clicking a [VOICE SELECT] button will lock the panel controls (according to the instructions on page 41).
s Program Change (PC) Table
The Program Change Table function lets you assign program change numbers to incoming and outgoing program change messages.

PROGRAM CHANGE TRANSMIT

s MIDI Filter
The MIDI Filter function lets you select the various types of MIDI data which will be transmitted or received. (Note: The abbreviation TX stands for Transmit and the abbreviation RX stands for Receive.) Position the cursor over the Message type or on/off status using the [1] and [q] buttons.
The Program Change Transmit function lets you assign program change transmit numbers to each voice or Performance. You can also assign bank numbers (MSB/LSB) as bank select messages. Your P-200 can transmit a program change message each time you press a [SELECT] button in Voice or Performance mode. (You can have the number of the program change message display briefly when you select a voice or Performance. For details, see page 52.) At the factory your P-200 was preset so that each [SELECT] button will send the program change number corresponding to the number above the button in Voice mode (1 ~ 12), followed by subsequent numbers in Performance mode, for A and B banks (13 ~ 36). Therefore, when the P-200 is in Voice mode, an external tone generator connected to the P-200 will receive messages selecting program 1 when you press the [PIANO 1] button, program 2 when you press the [PIANO 2] button, and so on. When the P-200 is in Performance mode and bank A is selected, an external tone generator will receive messages selecting program 13 when you press [PIANO 1]. Likewise, when bank B is selected, program 25 will be selected when you press [PIANO 1]. The settings for which program change number is assigned to which [SELECT] button are grouped in a table known as the program change transmit table, which you can access to assign a program change number (between 1 and 128, or Off) to each of the [SELECT] buttons according to Play mode. You can also select a bank number combining the MSB (Most Significant Byte) and LSB (Least Significant Byte). This makes it possible to select any program on a MIDI device that has more than 128 programs.

TRANSMIT FILTER

The Transmit Filter settings let you determine which types of MIDI messages are transmitted from the P-200.

Message type

TX FILTER % note on/off=off

q MESSAGE TYPES

Message types include Note On/Off, Control Change, Program Change, Aftertouch, Pitch Bend, Channel Mode Message, Parameter Change and Bulk and FA/FB/FC. (Select the message types with the [-1/NO] and [+1/YES] buttons.)

q ON, OFF

Setting the message type to On status will filter this particular data, and therefore it will not be transmitted via the [MIDI OUT] terminal. Setting the message type to Off status will allow the particular data to be transmitted.
The default setting for Parameter Change is set to On; all others are set to Off. When controlling external devices such as a tone generator, Exclusive and Bulk should be set to On. When you record your P-200 Performance to an external sequencer and play it back, Exclusive and Bulk should be set to Off.

RECEIVE FILTER

The MIDI Receive Filter settings let you determine which types of incoming MIDI messages are received. When set to On, the specific data can be protected.

Select assign

PC TX % V01=(OFF/OFF) 1
q SELECT ASSIGN (V01~V12, A01~A12, B01~B12)
RX FILTER % note on/off=off
Message types include Note On/Off, Control Change, Program Change, Pitch Bend, Channel Mode Message, Parameter Change and Bulk. (Select the message types with [-1/NO] and [+1/YES] buttons.)
These parameters let you access each [SELECT] button, with V01 ~ V12 representing the Voice Play mode [VOICE SELECT] buttons, and A01 ~ A12 representing the Performance Play mode A bank [PERFORMANCE SELECT] buttons, and B01 ~ B12 representing the Performance Play mode B bank [PERFORMANCE SELECT] buttons. As you step through each one, the name will appear in the first line of the screen, and the current assignments will appear in the second line.
You can choose a specific Voice button number by holding [VOICE] and pressing the desired [VOICE SELECT] button. You can choose a specific Performance A bank button number by holding [PERF. A] and pressing the desired [PERFORMANCE SELECT] button. You can choose a specific Performance B bank button number by holding [PERF. B] and pressing the desired [PERFORMANCE SELECT] button.
Setting the message type to On status will filter this particular data, and therefore it will not be received at the [MIDI IN] terminal. Setting the message type to Off status will allow the particular data to be received.

CHANNEL RECV & Main= 1 Sub= 2
When you set the transmit channel to Off, the MIDI transmit button will be disabled for the currently selected Performance.
s Continuous Slider (CS) / Foot Controller (FC)
This function lets you assign a function and range to the [CS] and [FC] assignable continuous controllers, for realtime control during performance of the P-200 and/or an external MIDI device.
If you select Sys for MIDI CHANNEL in the Performance Enable function (System menu), the MIDI transmit/receive channel you have previously set for the currently selected Performance may actually be different, since the current setting (System setting) in the Voice Play mode will be active. You can change the System setting, and you can easily find which setting (Sys or Perf) is selected in the Performance Enable function, as the letter P will display to the left of the page number if Perf is selected.
CS ASSIGN % main volume:007
Once you assign a function to the [CS], the function will be controlled by the [CS] slider on the panel. Once you assign a function to the [FC], the function will be controlled by the Foot Controller, if it is properly connected to the [FOOT CONTROLLER] jack on the rear panel. The Yamaha FC-7 Foot Controller (continuous type) and FC4/FC5 Footswitch (on/off; discrete type) are optionally available. For example, you can have the [CS] (or [FC]) control the total volume, main or sub voice volume, or control the reverb depth or modulation speed, or transmit aftertouch messages to tone generators capable of receiving them, or send a particular type of control change message to external MIDI devices. The types of functions which can be assigned, and a brief explanation of each, are shown in the following chart.
CHANNEL TRNS %p Main= 1 Sub= 2

s Local

The Local control function lets you disconnect the P-200s keyboard from its internal tone generator. It is usually turned on so the internal voices will sound when you play the keyboard. When turned off, the internal tone generator will not respond to the notes you play, but the keyboard will still transmit messages via the [MIDI OUT] terminal, and the internal tone generator will respond to messages received at the [MIDI IN] terminal if the transmit channels or receive channels are appropriately set. This is essential when using the P-200 as a master keyboard controller in an expanded MIDI system.

INTERNAL CONTROL

Off Reverb Depth Mod. Speed Total Volume Main Volume Sub Volume No function assigned Controls the reverb depth level Controls the modulation speed level Controls the P-200s overall volume Controls the main voice volume Controls the sub voice volume

Channel Messages

All Note Off

REALTIME

Start*/Stop*/Continue*, Active Sensing

System Messages

COMMON

End of Exclusive (F7)

EXCLUSIVE *Transmit only.

System Exclusive (F0)

MIDI Messages
Data which is transmitted between MIDI devices takes the form of MIDI messages. There are various types of messages. Messages most closely associated with the actual performance of music are called CHANNEL VOICE messages; these include NOTE ON and NOTE OFF messages, which tell a tone generator which notes to play, and when to start and stop playing them. CONTROL CHANGE, PITCH BEND, and AFTERTOUCH or key pressure messages indicate how a keyboards control functions are being operated. PROGRAM CHANGE messages tell a tone generator to switch to another voice. Channel voice messages are transmitted on a specific channel which will be received by the tone generator for which they are intended. They are different from SYSTEM messages, which are transmitted on all channels and received by all of the devices in a MIDI system.

MIDI Terminals

MIDI devices transmit messages to each other via special MIDI cables, which are connected to special MIDI terminals on each device. There are three types of MIDI terminals: IN, OUT, and THRU. Not all MIDI devices have three MIDI terminals, but most, including the P-200, do. A device with all three terminals will receive incoming data via its MIDI IN terminal, and output its own data via the MIDI OUT terminal. The MIDI THRU terminal merely echoes, or passes, the data received at the MIDI IN terminal unaffected. This allows a device to be connected in the middle of a series (or daisy chain) of instruments, so that the third instrument in the chain will receive the data transmitted by the first instrument rather than that transmitted by the second. Some MIDI instruments, such as the P-200, have a MIDI merge feature which essentially combines the functions of the MIDI OUT and MIDI THRU terminals. For example, when the P-200s MIDI merge function is turned on, the MIDI OUT terminal will output a combination of the P-200s own data plus the messages it receives via its MIDI IN terminal. An instrument receiving this merged data will be controlled by both the P-200 and the device connected to the P-200s MIDI IN terminal.

MU100R(C)

SPX-990
Besides eliminating the possibility of MIDI delays, a MIDI patch bay is essential in a larger setup where you frequently need to perform bulk dump and other operations with specific devices, and dont want to waste time plugging and unplugging cables accordingly. A MIDI patch bay lets you instantly reconfigure the way all MIDI cables are connected for a given application.

s Error Messages

Occasionally you may encounter certain error messages which appear in the LCD screen. Below is a list with descriptions of each.
*** ERROR1 *** REPLACE BATTERY
The internal backup battery charge is low and the battery should be replaced. (See page 6.)
*** ERROR2 *** MIDI RX OVERFLOW
Too much MIDI data is being received at once. Reception of data is interrupted and cannot be continued. Reduce the amount of data and attempt the operation again.
*** ERROR3 *** MIDI DATA ERROR
An error occurred during reception of MIDI data. Check all MIDI connections, settings, etc., and attempt the operation again.
*** ERROR4 *** MIDI BULK ERROR
An error occurred during reception of bulk data. Check all MIDI connections, settings, etc., and attempt the operation again.
*** ERROR5 *** MIDI FILTER ON !
Certain data cannot be transmitted or received because a MIDI Filter is set to On. Check each MIDI Filter setting in Edit mode. (See page 53.)
*** ERROR6 *** DEVICE NO. ERROR
Bulk data cannot be transmitted or received because the Device Number parameter is either turned off or does not match that of the connected device. (See page 62.)
*** ERROR7 *** MERGE SW ON !
The Send Bulk Data operation cannot be executed when MIDI Merge is on. (See page 51.)

s Troubleshooting

The P-200 is a rather sophisticated electronic instrument with many parameter settings which affect its operation status. As such, occasionally you may find that it does not function as you think it should. If this happens, before rushing the P-200 to the service center, carefully and methodically try to isolate the problem. Most of the time youll find the problem to be of an extremely simple nature. The first thing you should do is check whether the problem is in the P-200 itself, or in one of the connected devices, or in any of the audio or MIDI cables. Also try changing the voices or Performances on the P-200 and check if the problem persists. If the problem occurs with only one specific voice or Performance, check each of its parameters to see if you can isolate the specific cause. If the problem occurs regardless of which voice or Performance is selected, check the System parameters to see if a particular global setting is the cause.
Possible Cause and Solution
No sound is output from the P-200 Check that: The [SPEAKER] switch on the rear panel is turned on. The [VOLUME] slider is turned up. The Foot Controller that is assigned to Volume or Expression (011) is pressed down. The Local On/Off feature is set to On. (See page 55.) (If the Local On/Off feature is set to Off and youre using the P-200 with a sequencer), the Transmit Channel is set to the same number as the Receive Channel. (See page 55.) Check that the Keyboard Sensitivity setting is appropriate. (See page 58.)

PRESET VOICE LIST

SINGLE PLAY MODE VOICE MAIN SUB PIANO 1 STEREO/MONO PIANO 2 STEREO/MONO BASS UPRIGHT/ELECTRIC ORGAN COMBINATION HOLD 16' 8' 5-1/3' 4' 2-2/3' 2' 1-1/3' 1' RESPONSE ATTACK 4' 2-2/3' 2' LENGTH EACH/FIRST BALANCE DETUNE SPLIT POINT SPLIT MAIN VOICE AREA TRANSPOSE ENABLE SWITCH INTERNAL MAIN SUB MIDI MAIN SUB MIDI CHANNEL TX CHANNEL RX CHANNEL LOCAL CONTROLLERS PS1 PS2 CS ASSIGN ASSIGN ASSIGN RANGE MIN RANGE MAX FC ASSIGN RANGE MIN RANGE MAX on off off main volume : 128 sub volume (internal) off ++0 DUAL SINGLE Piano1 Strings stereo stereo upright 3 Each C2 Higher Note Range 0 Bass SPLIT
VOICE NAME CONTROLLERS PITCH BEND RANGE
Piano mod.speed normal normal hall 1 off 2 +-4
Piano mod.speed normal normal stage 2 off 2 +-2
Piano mod.speed soft-2 soft-128 hall 1 off 2 -+3
Piano mod.speed normal normal stage 1 off 3 +16 -3 +2
E.Pianomod.speed hard-1 hard-128 room 2 chorus 2 -+5
E.Pianomod.speed hard-1 hard-128 stage 1 tremolo 2 -7 -1 -5
E.Pianomod.speed hard-3 hard-128 hall 3 symphonic 3 +8 -7 +3
VIBES 2 vibrato hard-1 hard-128 hall 2 tremolo 3 +-4
ORGAN mod.speed fixed-2 fixed-128 hall 2 tremolo 0 0
ORGAN mod.speed fixed-1 fixed-128 room 4 tremolo 0 +-3
STRINGS 2 mod.speed hard-1 hard-128 hall 5 off 1 ++3
BASS 2 off hard-1 hard-128 room 2 off 0 0
MODULATION WHEEL ASSIGN KBD SENS. INTERNAL MIDI TYPE TYPE RANGE MIN RANGE MAX REVERB TYPE DEPTH MODULATION EFFECT TYPE SPEED INTERNAL EQUALIZER LOW MID HIGH

PRESET PERFORMANCE LIST

PERF. A 01 SINGLE PLAY MODE VOICE MAIN SUB PIANO 1 STEREO/MONO PIANO 2 STEREO/MONO BASS UPRIGHT/ELECTRIC ORGAN COMBINATION HOLD 16' 8' 5-1/3' 4' 2-2/3' 2' 1-1/3' 1' RESPONSE ATTACK 4' 2-2/3' 2' LENGTH EACH/FIRST BALANCE DETUNE SPLIT POINT SPLIT MAIN VOICE AREA TRANSPOSE ENABLE SWITCH INTERNAL MAIN SUB MIDI MAIN SUB MIDI CHANNEL TX CHANNEL RX CHANNEL LOCAL CONTROLLERS PS1 PS2 CS ASSIGN ASSIGN ASSIGN RANGE MIN RANGE MAX FC ASSIGN RANGE MIN RANGE MAX PERFORMANCE NAME on off off main volume : 128 sub volume (internal) Room Acoustic off ++on off off main volume : 128 sub volume (internal) Honky Tonk 0 DUAL SINGLE Piano1 Strings stereo stereo electric 3 Each C2

Higher Note Range

PERF. A 02 SPLIT SINGLE DUAL DUAL Piano3 Bass Piano2 stereo stereo electric 3 Each 6 C2
PERF. A 03 SPLIT SINGLE DUAL SINGLE Piano3 Bass Strings stereo stereo electric 3 Each 0 C2
PERF. A 04 SPLIT SINGLE DUAL SINGLE Piano4 Bass Strings stereo stereo electric 3 Each 0 C2
PERF. A 05 SPLIT SINGLE DUAL DUAL Piano1 Bass E.P.1 stereo stereo electric 3 Each 0 -C2

PERF. A SPLIT SINGLE

E.Piano Bass

stereo

electri 3

Each 0 -4 0

off ++0

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. 16-28, Jalan SS 2/72, Petaling Jaya, Selangor, Malaysia Tel: 3-717-8977

BRASIL

Yamaha Musical do Brasil LTDA. Ave. Reboucas 2636, So Paulo, Brasil Tel: 011-853-1377

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

ARGENTINA

Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021

DENMARK

YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00

SINGAPORE

Yamaha Music Asia Pte., Ltd. Blk 202 Hougang, Street 21 #02-01, Singapore 530202 Tel: 382-1922
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: 507-269-5311

FINLAND

Warner Music Finland OY/Fazer Music Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011

TAIWAN

Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-717-3812

NORWAY

Norsk filial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

THAILAND

Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317

Bellevue Cadillac Backline edit 12/1/09 Drums Yamaha , Pearl, D.W , top of the line kit (1) 10 Standard Size Mounted Tom (1) 12 Standard Size Mounted Tom (1) 16 Standard Size Mounted Floor Tom , (no legged drum if possible) (2) 14x 5 1/2 Wood Snare Drums (1) 22x 16 Kick Drum remo coated ambassadors on toms, snare, PSIII on kick ( heads to be like new) (4) Boom Cymbal Stands (2) Hi-Hat Stands (2) DW 5000 kick pedals All Necessary Mounting Hardware Drum Throne Drum Carpet Zildjian or Sabian cymbal pack including 20 ride , 18 crash, 16 crash, 18 China and a pair of New Beat 14 hi- hats. Keyboards (1) Hammond B-3 (1) Leslie 122 or 147 with cables & adaptors ( if a B-3 is not available substitutes are : Hammond XK3 or Roland VJ-8 (1) Kurzweil PC-88 , Yamaha p200, or Roland RD-700 - digital Piano w/sustain (1) Bench Seat (1) Two Tier Keyboard Stand (1) Peavey KB-300 Keyboard Amp ( keys can run through monitors if proper monitors are available ( ex. EAW SM 200 or similar ) Guitar (2) Fender Deluxe 65 RI ( 1 as spare ) (2) Guitar Stands Bass
(1) Eden World Tour 800 Head or GK800rb (1) Eden 4x10 Cabinet or SWR 4x10 ( Substitute GK700, SWR SM 900 or 450 ) (1) Guitar Stand
Horns (6) Manhasset Music Stands with Lights All substitutes must be approved by the artist