FCC INFORMATION (U.S.A)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
* The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

LithiumbatteriEksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri af samme fabrikat og type. Levr det brugte batteri tilbage til leverandoren.

NEDERLAND NETHERLAND

q Dit apparaat bevat een lithium batterij voor geheugen back-up. q This apparatus contains a lithium battery for memory back-up. q Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat aan het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing: Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Tel. 030-2828425 q For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows: Yamaha Music Nederland Service Center Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 q Gooi de batterij niet weg, maar lever hem in als KCA. q Do not throw away the battery. Instead, hand it in as small chemical waste.

Model Serial No. Purchase Date

PLEASE KEEP THIS MANUAL

Welcome to the P50-m
Congratulations and thank you for purchasing the Yamaha P50-m Piano Tone Generator! The P50-m is an advanced tone generator with piano and other keyboard Voices. It provides exceptionally realistic and high-quality piano Voices with complete 32-note polyphony when connected to a MIDI keyboard or when used with a sequencer or computer. Reverb and Chorus effects are also built into the Voices for a rich, natural sound. The P50-m gives you easy and intuitive control over the sound, including Brightness, Reverb Send, fine and coarse tuning, and touch sensitivity. Convenient EQ sliders on the panel let you adjust the timbre in real time. Other special controls such as Program Change Table and MIDI OUT ensure easy and trouble free operation when using the P50-m in General MIDI applications and with additional tone generators. Whats more, you can combine two P50-m units together (using the Receive Mode control) for full 64-note polyphony.

WELCOME TO THE P50-m

Unpacking
Your P50-m package should include the items listed below. Make sure that you have them all. Also, write down the serial number of your P50-m in the box below, for future reference. P50-m Serial No.: PA-3B AC Adaptor Owners Manual

UNPACKING

Table of Contents
Welcome to the P50-m.... i Unpacking.... ii Table of Contents..... iii How to Use This Manual.... iv Precautions.... v The Controls of the P50-m.... 1 Front Panel.... 1 Rear Panel..... 3 Setting Up and Playing Your P50-m... 4 What Youll Need.... 4 Making the Connections... 4 Using in Larger MIDI Systems.... 6 Powering Up and Playing the Demo Song... 6 Powering Up... 7 Playing the Demo Song... 7 Playing all Demo Songs... 8

OPERATION GUIDE

Voice Controls.... 9 Selecting a Voice.... 9 Selecting Voices From Your MIDI Keyboard... 10 Tone Controls.... 11 Changing the Brightness of a Voice... 11 Changing the Reverb Send for a Voice.. 12 3-Band EQ Sliders.... Tune Controls.... 14 Changing the Master Tune Setting... 14 Changing the Note Shift Setting.... 15 Utility Controls.... 16 Changing the Touch Sensitivity... 16 Changing the MIDI Receive Channel... 17 Advanced Functions.... 18 Program Change Table... 18 Changing the Device Number... 19 Receive Mode.... 20 Changing the MIDI OUT Setting... 21 Factory Set.... 22

APPENDIX

Power Adaptor

Amplifier Speaker System

L/MONO

MIDI IN MIDI CABLE

PHONES MIDI OUT

MIDI Keyboard
Using in Larger MIDI Systems
The P50-m is equipped with MIDI IN and OUT terminals, allowing you to use it in any MIDI system. In the system example shown below, the P50-m is connected to both a computer and another tone generator. Here, the computer (with sequencer or other music software) plays back song data using the Voices of the P50-m and the connected tone generator.

MIDI Interface

Computer

Tone Generator

In systems such as this, you should make sure that: The MIDI Receive Channel on the P50-m (see page 17) is set to the same channel as that for the piano part (or track) on the software. The MIDI OUT Mode is set to ot2. (See page 21.) This ensures that the piano part data will play the Voices of the P50-m, and not the other tone generator. Also, if you are using General MIDI (GM) compatible software, set the Program Change Table to on. (See page 18.) This ensures that the Voices on the P50-m will match the intended program changes in the software.
Powering Up and Playing the Demo Song
Once youve connected everything properly, youre ready to turn the P50-m on and start playing it. However, a small word of caution before you begin: Follow the instructions given below to avoid possible damage to your equipment and speakers.

Powering Up 1. 2. 3. 4.

If you havent done so already, press the POWER/VOL control on the P50-m. Turn on the power of your MIDI keyboard. Make sure that all volume controls (on the P50-m and the connected amplifier) are turned down. Then, turn on the power of your amplifier speaker system. Finally, set the volume control on the P50-m to about the midway position initially (you can raise it later if needed), and set the volume on the amplifier to a suitable level.

Playing the Demo Song

Now that youve set everything up properly, try playing the builtin Demo Song. This showcases the high-quality Voices and the AWM2 tone generation system of the P50-m. Simultaneously press the MASTER TUNE and NOTE SHIFT buttons.
The Demo song for the selected Voice starts playing immediately and repeats indefinitely until stopped (by pressing any panel button). (The LEDs and lamps flash in a pattern during playback.) More about Demo Song There are actually two Demo Song modes. In the Single Demo Play mode (described above), the currently selected Voice is used for the Demo song. Each Voice has its own Demo song, specially programmed to suit and showcase that particular Voice. In the All Demo Play mode (described below), all Demo songs can be played back in succession.

Playing all Demo Songs

With the power off, simultaneously hold down the MASTER TUNE and NOTE SHIFT buttons and turn the power on.

Changing the MIDI Receive Channel
In order to properly use the P50-m with another MIDI device, the MIDI channels on both machines must match. The MIDI Receive Channel setting allows you to set which MIDI channel the P50-m responds over. The ALL setting allows the P50-m to respond over all 16 MIDI channels. Settings: 01 16, ALL
Press the MIDI CH button.
Use the DATA dial to change the MIDI Receive Channel setting.
MIDI Receive Channel setting.

Advanced Functions

The advanced functions are special functions not generally used in normal operation, but for specific applications. These are also hidden functions, accessed by double-clicking a button or pressing two buttons together.

Program Change Table

The Program Change Table setting is for use with XG applications, specifically when using the P50-m to replace the piano sounds of a connected second tone generator. Settings: off (oFF), on Normally (and when power is turned on), this is set to oFF. When set to oFF, the P50-m responds only to program changes 0 28. All other numbers are ignored, and the last selected Voice stays active. When set to on, the P50-m functions as a XG module for piano parts only. In this case, program changes (0 5, 7) corresponding to piano parts (according to XG) will select similar Voices on the P50-m, and all other numbers select a blank silent Voice (Voice No. 29). This ensures that the P50-m will play only the piano parts in XG song data.
Double-click the SELECT button (press it twice quickly).

Lamp flashes.

Double-click.
Use the DATA dial to change the Program Change Table setting.
Program Change Table setting.
q When Program Change Table is set to oFF The P50-m does not respond to XG System On or GM Mode On messages. q When Program Change Table is set to on The P50-m responds to XG System On or GM Mode On messages and performs the following: Resets all controllers to default or zero values. Selects Voice number 9 (the Voice most similar to GM voice 001, Grand Piano). Parameters of all voices are set to the same values as the Voice number 9 (Grand Piano). Sets Reverb Send of selected Voice to 040. Sets Transpose to 00.
Changing the Device Number
Device Number is a kind of MIDI identification number. This is convenient when using two or more P50-m units together in a MIDI chain. It is also important when sending System Exclusive data. When each unit in a chain is assigned a different Device Number, the controlling MIDI device can distinguish between different units. The ALL setting allows the P50-m to respond to all 16 Device Numbers. For normal operation, this should be set to ALL. Settings: 01 16, ALL

Double-click the TOUCH button (press it twice quickly).
Use the DATA dial to change the Device Number setting.

Device Number setting.

Receive Mode
When connecting two P50-m units together, the Receive Mode allows you to expand the maximum polyphony (simultaneous number of notes) from 32 to 64. When set to ALL (normal operation), the P50-m plays all incoming MIDI notes. When set to E0n, the P50-m plays only even-numbered MIDI notes. Similarly, when set to odd, only odd-numbered MIDI notes are played. When combining two units for 64-note polyphony, set the Receive Mode to E0n on one unit and to odd on the other. Settings: ALL, Evn (even), odd
Simultaneously press the TOUCH and MIDI CH buttons.

Both lamps light.

Use the DATA dial to change the Receive Mode setting.

Receive Mode setting.

Changing the MIDI OUT Setting
The MIDI OUT setting determines what incoming MIDI data is relayed via MIDI OUT terminal on the rear panel. With ot1, all incoming MIDI data (over all MIDI channels) is relayed via the MIDI OUT terminal. With ot2, data received over the selected MIDI Receive Channel (see page 17) is filtered out, and only the data on the other channels is relayed. Generally, when connecting another tone generator to the MIDI OUT and using the P50-m with a sequencer or computer, this should be set to ot2.
If MIDI Receive Channel is set to ALL or the Voice number is set to 29 (no sound), all incoming MIDI data is relayed, regardless of the MIDI OUT setting.

Settings: ot1, ot2

Double-click the MIDI CH button (press it twice quickly).
Use the DATA dial to change the MIDI OUT setting.

MIDI OUT setting.

Factory Set
This function restores the original factory settings of the P50-m. When you make changes to the various controls of the P50-m, the new settings automatically replace the original factory settings and are retained in memory even when power is turned off. Use Factory Set to cancel your own settings and restore the factory settings.
Keep in mind that this function completely alters any changes you have made to the settings. If you want to keep your custom settings, make a note of them before using Factory Set.

Error Messages

The battery voltage (for internal memory backup) may be too low. Bring the unit to your local Yamaha dealer or any other autorized Yamaha service personnel.
The address of the received System Exclusive message is incorrect. Check the address and try transmitting again.
The data of the received System Exclusive message is incorrect. Check the data (as to whether it requires an MSB or LSB header) and try transmitting again.
The data size of the received System Exclusive message is incorrect. Check the size of the message and try transmitting again.
The checksum of the received System Exclusive message is incorrect. Check the checksum of the message and try transmitting again.

Specifications

Tone Generation Method
AWM2 (Advanced Wave Memory 2)
Maximum Simultaneous Polyphony

32-note

Voices

Effects

Reverb (with Reverb Send control), Chorus; effects are built into certain Voices 3 band EQ

Demo Songs

28 (not editable, stored in ROM)

Display

Three 8-segment LEDs

Controls

POWER/VOL control; VOICE SELECT button; BRIGHT button; REVERB SEND button; MASTER TUNE button; NOTE SHIFT button; TOUCH button; MIDI CH button; DATA dial; EQ sliders

Jacks and Terminals

MIDI OUT/IN terminals; DC IN jack; OUTPUT R, L/MONO jacks; PHONES jack

Power Supply

Yamaha PA-3B AC Adaptor (included)

Dimensions

44 mm (8-5/8 8-1/4 1-3/4)

Weight

1.2 kg (2 lbs., 10 oz.)

Included Accessories

Owners Manual, Yamaha PA-3B AC Adaptor

All Demo Play mode.. 78

OUTPUT R, L/MONO jacks. 3, 45
BRIGHT button.. 1, 11 Brightness... 11
PHONES jack.. 1 POWER/VOL control.. 1 Precautions... vi Program Channge Table.. 6, 18
connections, audio.. 4 connections, MIDI. 46
Receive Mode.. 20 REVERB SEND button.. 1, 12 Reverb Send.. 12
DATA dial.. 2 DC IN jack.. 3 Demo Song.. 7 Device Number.. 19

Specifications... 26

Effect Lists.. 31 EQ sliders.. 2, 13 Error Messages.. 25
Tone controls... 11 TOUCH button. 2, 16, 19, 20 Touch Sensitivity. 16 Troubleshooting.. 23 Tune controls... 14

Factory Set.. 22

MASTER TUNE button. 2, 7, 14 Master Tune.. 14 MIDI CH button.. 2, 17, 20, 21 MIDI Data Format.. 33 MIDI Implementation Chart. 42 MIDI IN/OUT terminals. 3, 46 MIDI OUT setting.. 6, 21 MIDI Receive Channel. 4, 6, 17 Utility controls.. 16

table#2 Modulation Delay Offset (msec)
Data 42 Value 0.0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 4.0 4.1 4.2 Data 85 Value 4.3 4.4 4.5 4.6 4.7 4.8 4.9 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 6.8 6.9 7.0 7.1 7.2 7.3 7.4 7.5 7.6 7.7 7.8 7.9 8.0 8.1 8.2 8.3 8.4 8.5 Data Value 8.6 8.7 8.8 8.9 9.0 9.1 9.2 9.3 9.4 9.5 9.6 9.7 9.8 9.9 10.0 11.1 12.2 13.3 14.4 15.5 17.1 18.6 20.2 21.8 23.3 24.9 26.5 28.0 29.6 31.2 32.8 34.3 35.9 37.5 39.0 40.6 42.2 43.7 45.3 46.9 48.4 50.0
table#3 EQ Frequency (Hz)
Data 42 Value THRU (20) 900 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k 2.0k 2.2k 2.5k Data Value 2.8k 3.2k 3.6k 4.0k 4.5k 5.0k 5.6k 6.3k 7.0k 8.0k 9.0k 10.0k 11.0k 12.0k 14.0k 16.0k 18.0k THRU (20.0k)
table#4 Reverb Time (sec)
Data 42 Value 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 4.0 4.1 4.2 4.3 4.4 4.5 Data 69 Value 4.6 4.7 4.8 4.9 5.0 5.5 6.0 6.5 7.0 7.5 8.0 8.5 9.0 9.5 10.0 11.0 12.0 13.0 14.0 15.0 16.0 17.0 18.0 19.0 20.0 25.0 30.0
table#5 Delay Time (msec)
Data 42 Value 0.1 1.7 3.2 4.8 6.4 8.0 9.5 11.1 12.7 14.3 15.8 17.4 19.0 20.6 22.1 23.7 25.3 26.9 28.4 30.0 31.6 33.2 34.7 36.3 37.9 39.5 41.0 42.6 44.2 45.7 47.3 48.9 50.5 52.0 53.6 55.2 56.8 58.3 59.9 61.5 63.1 64.6 66.2 Data 85 Value 67.8 69.4 70.9 72.5 74.1 75.7 77.2 78.8 80.4 81.9 83.5 85.1 86.7 88.2 89.8 91.4 93.0 94.5 96.1 97.7 99.3 100.8 102.4 104.0 105.6 107.1 108.7 110.3 111.9 113.4 115.0 116.6 118.2 119.7 121.3 122.9 124.4 126.0 127.6 129.2 130.7 132.3 133.9 Data Value 135.5 137.0 138.6 140.2 141.8 143.3 144.9 146.5 148.1 149.6 151.2 152.8 154.4 155.9 157.5 159.1 160.6 162.2 163.8 165.4 166.9 168.5 170.1 171.7 173.2 174.8 176.4 178.0 179.5 181.1 182.7 184.3 185.8 187.4 189.0 190.6 192.1 193.7 195.3 196.9 198.4 200.0
table#6 Reverb Width; Depth; Height (meter)
Data 42 Value 0.5 0.8 1.0 1.3 1.5 1.8 2.0 2.3 2.6 2.8 3.1 3.3 3.6 3.9 4.1 4.4 4.6 4.9 5.2 5.4 5.7 5.9 6.2 6.5 6.7 7.0 7.2 7.5 7.8 8.0 8.3 8.6 8.8 9.1 9.4 9.6 9.9 10.2 10.4 10.7 11.0 11.2 11.5 Data 85 Value 11.8 12.1 12.3 12.6 12.9 13.1 13.4 13.7 14.0 14.2 14.5 14.8 15.1 15.4 15.6 15.9 16.2 16.5 16.8 17.1 17.3 17.6 17.9 18.2 18.5 18.8 19.1 19.4 19.7 20.0 20.2 20.5 20.8 21.1 21.4 21.7 22.0 22.4 22.7 23.0 23.3 23.6 23.9 Data 104 Value 24.2 24.5 24.9 25.2 25.5 25.8 26.1 26.5 26.8 27.1 27.5 27.8 28.1 28.5 28.8 29.2 29.5 29.9 30.2

MIDI Data Format

1. Channel voice messages

1.1 Note Off

1000nnnn 0kkkkkkk 0vvvvvvv 8n kk vv Status Note No. Velocity n=channel number k=0 (C-2)~127 (G8) v=0~127 1.4.4 Data Entry Cntrl No. parameter 6 Data Entry MSB 38 Data Entry LSB Data Range 0~127 0~127 Used to set the value of the parameter specified by RPN and NRPN. 1.4.5 Main Volume Cntrl No. parameter 7 Main Volume
Velocity is not received. Not received when the Part Parameter setting Rcv NOTE MESSAGE = OFF.

1.2 Note On / Note Off

1001nnnn 0kkkkkkk 0vvvvvvv 9n kk vv Status Note No. Velocity n= channel number k=0 (C-2)~127 (G8) v=0: Note off, v=1~127: Note on

Data Range 0~127

Volume is not received when the Part Parameter setting Rcv VOLUME = OFF. 1.4.6 Pan Cntrl No. 10
Velocity is received only for Note On. Not received when the Part Parameter setting Rcv NOTE MESSAGE = OFF.

parameter Pan

1.3 Polyphonic Aftertouch
1010nnnn 0kkkkkkk 0vvvvvvv An kk vv Status Note No. Value n= channel number k=0 (C-2)~127 (G8) v=0~127 1.4.7
0 is left, 127 is right. Pan is not received when the Part Parameter setting Rcv PAN = OFF. Expression Cntrl No. parameter 11 Expression
With the default settings, has no function. Polyphonic Aftertouch is not received when the Part Parameter setting Rcv POLYPHONIC AFTER TOUCH = OFF. The effect will apply only to the range of note numbers 36~97.
Expression is not received when the Part Parameter setting Rcv EXPRESSION = OFF. 1.4.8 Hold1 Cntrl No. 64

parameter Hold1

Data Range 0~127 (0-63:off, 64-127:on)

1.4 Control Changes

1011nnnn 0ccccccc Bn cc Status n= channel number Control No. The range of possible values for c is described in section 1.4.1 and following. Control Value v=0~127
Hold1 is not received when the Part Parameter setting Rcv HOLD1 = OFF. 1.4.9 Portamento Cntrl No. parameter 65 Portamento

0vvvvvvv

Control Changes are not received when the Part Parameter setting Rcv CONTROL CHANGE = OFF. 1.4.1 Bank Select Cntrl No. parameter 0 Bank Select MSB 32 Bank Select LSB
Portamento is not received when the Part Parameter setting Rcv PORTAMENTO = OFF. 1.4.10 Sostenuto Cntrl No. 66
Data Range 0:Normal, 1~127:Silent 0~127

parameter Sostenuto

Sostenuto is not received when the Part Parameter setting Rcv SOSTENUTO = OFF. 1.4.11 Soft Pedal Cntrl No. parameter Data Range 67 Soft Pedal 0~127 (0-63:off, 64-127:on) Soft Pedal is not received when the Part Parameter setting Rcv SOFT PEDAL= OFF. 1.4.12 Harmonic Content Cntrl No. parameter Data Range 71 Harmonic Content 0~127 (0:-64, 64:+0, 127:+63) This parameter adjusts the resonance specified by the voice. Since it is a relative change parameter, it produces a boost or cut relative to a mid-point of 64. Higher values will produce a more distinctive sound. Depending on the voice, the effective range of this parameter may be narrower than the range that can be set.

When transmitting Portamento Control, you specify a currently-sounding Note On key. The value 0~127 specifies the Portamento Source Key number. When Portamento Control is received, the currently sounding note will change at a Portamento Time of 0 to the key of the Note On that is received next on the same channel. This is received even if Rcv PORTAMENTO = OFF. 1.4.17 Effect1 Depth (Reverb Send Level) Cntrl No. parameter Data Range 91 Effect1 Depth 0~127 This sets the send level to the Reverb effect. Since this parameter is remembered independently for each voice, the Reverb Send Level value of the currently selected voice number will be stored, and when the voice number is changed the Reverb Send Level value will also change. 1.4.18 Effect3 Depth ( Chorus Send Level ) Cntrl No. parameter Data Range 93 Effect3 Depth 0~127 This sets the send level to the Chorus effect. When the voice number is changed, this will change to the value that is preset for each voice number. 1.4.19 Data Increment/Decrement (for RPN) Cntrl No. parameter Data Range 96 RPN Increment 0~RPN Decrement 0~127 The data bytes are ignored.
1.4.21 RPN (Registered Parameter Numbers) Cntrl No. parameter Data Range 100 RPN LSB 0~RPN MSB 0~127 Default:LSB=127, MSB=127 This is not received by a Part if its Part Parameter setting Rcv RPN = OFF. The next RPN can be received. RPN MSB LSB 00H 00H Data entry MSB LSB mmH Parameter name and range of values Pitch Bend Sensitivity mm:00~18H(0~2 semitones) Settable in semitone steps up to 2 octaves Default:02H The LSB value is ignored. Fine Tuning mm:00H~40H~7FH (64~0~+63) Coarse Tuning mm:28H~40H~58H (24~+24 semitones) The LSB value is ignored. RPN null

mmH 11H

This message specifies a condition in which RPN and NRPN numbers are un-set. Values of internal settings will not change.

1.5 Program Change

1100nnnn 0ppppppp Cn pp Status n= channel number Program No. p=0~127

2.4 Omni Off

1011nnnn Bn 7C 00 Status n= channel number Control No. Control Value
Program Change messages are not received when the Part Parameter setting Rcv PROGRAM CHANGE = OFF. When MIDI PROGRAM CHANGE TABLE = OFF, values other than 0~28 are ignored.

depends on reverb type " " " " "
2A 2B 2C 2D 2E TOTAL SIZE
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F
CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB
refer to Effect Program List 00 : basic type refer to Effect Parameter List " " " " " " " " " dB0dB+6dB(064127) L63.C.R63(1.64.127) dB0dB+6dB(064127)
depends on voice number 00 depends on chorus Type " " " " " " " " " depends on voice number depends on voice number depends on voice number
00-7F List depends on chorus Type 00-7F 00-7F 00-7F 00-7F 00-7F TOTAL SIZE 6
CHORUS PARAMETER 11 [L2-OP] CHORUS PARAMETER 12 [L2-OP] CHORUS PARAMETER 13 [L2-OP] CHORUS PARAMETER 14 [L2-OP] CHORUS PARAMETER 15 [L2-OP] CHORUS PARAMETER 16 [L2-OP]
refer to Effect Parameter " " " " " " " " " "
When the voice number is changed, EFFECT 1 will have the value that is preset for the new voice number.

< Table 1-4 >

MIDI Parameter Change table ( PART ) [XG]
Address (H) 06 Size (H) 1 Data (H) 00 - 7F 00 - 7F 00 - 1C 00 - - - 02 Parameter NOT USED BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN NOT USED NOTE SHIFT DETUNE Description 0 - - - - 16,ALL 0:MONO 1:POLY 0:SINGLE 1:MULTI 12 - +12[semitones] 12.8 - +12.7[Hz] 1st bit3-0bit7-4 2nd bit3-0bit3-- - - 127 0/random, 1/L63 - 64/C - 127/R63 C-2 - G8 C-2 - G- - - +- +- +- - +- +- +- +- +24[semitones] 9600 - +9450[cent] 64 - +- - - - +24[semitones] 9600 - +9450[cent] 64 - +- +100[%] 100 - +100[%] 100 - +100[%] Default value (H) 01 00
0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 1

34 - 4C 00 - FF

00 (80) 00 7F 40 0A 40 40
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH NOT USED CHORUS SEND REVERB SEND NOT USED VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW PITCH CONTROL MW FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH MW LFO AMOD DEPTH [L3-80] BEND PITCH CONTROL BEND FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH BEND LFO AMOD DEPTH [L3-80]

TOTAL SIZE 39 3A 3B 3C 3D 3E 3F 4A
00 - - - - - - - - - - - - - - - - - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
Rcv PITCH BEND [L2-OP] Rcv CH AFTER TOUCH(CAT) [L2-OP] Rcv PROGRAM CHANGE [L2-OP] Rcv CONTROL CHANGE [L2-OP] Rcv POLY AFTER TOUCH(PAT) [L2-OP] Rcv NOTE MESSAGE [L2-OP] Rcv RPN [L2-OP] Rcv NRPN [L2-OP] Rcv MODURATION [L2-OP] Rcv VOLUME [L2-OP] Rcv PAN [L2-OP] Rcv EXPRESSION [L2-OP] Rcv HOLD1 [L2-OP] Rcv PORTAMENTO [L2-OP] Rcv SOSTENUTO [L2-OP] Rcv SOFT PEDAL [L2-OP] Rcv BANK SELECT [L2-OP] SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING C [L2-OP] C# [L2-OP] D [L2-OP] D# [L2-OP] E [L2-OP] F [L2-OP] F# [L2-OP] G [L2-OP] G# [L2-OP] A [L2-OP]
0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent]
Address (H) Size (H) 00 4B 4C 00 4D 4E 4F 5A 5B 5C 5D 5E 5F 1 3F
Data (H) 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 01 - 7F
Parameter SCALE TUNING A# [L2-OP] SCALE TUNING B [L2-OP] CAT PITCH CONTROL [L2-OP] CAT FILTER CONTROL [L2-OP] CAT AMPLITUDE CONTROL [L2-OP] CAT LFO PMOD DEPTH [L2-OP] CAT LFO FMOD DEPTH [L2-OP] CAT LFO AMOD DEPTH [L3-80] PAT PITCH CONTROL [L2-OP] PAT FILTER CONTROL [L2-OP] PAT AMPLITUDE CONTROL [L2-OP] PAT LFO PMOD DEPTH [L2-OP] PAT LFO FMOD DEPTH [L2-OP] PAT LFO AMOD DEPTH [L3-80] AC1 CONTROLLER NUMBER [L2-OP] AC1 PITCH CONTROL [L2-OP] AC1 FILTER CONTROL [L2-OP] AC1 AMPLITUDE CONTROL [L2-OP] AC1 LFO PMOD DEPTH [L2-OP] AC1 LFO FMOD DEPTH [L2-OP] AC1 LFO AMOD DEPTH [L3-80] AC2 CONTROLLER NUMBER [L2-OP] AC2 PITCH CONTROL [L2-OP] AC2 FILTER CONTROL [L2-OP] AC2 AMPLITUDE CONTROL [L2-OP] AC2 LFO PMOD DEPTH [L2-OP] AC2 LFO FMOD DEPTH [L2-OP] AC2 LFO AMOD DEPTH [L3-80] PORTAMENTO SWITCH [L2-OP] PORTAMENTO TIME [L2-OP] PITCH EG INITIAL LEVEL [L2-OP] PITCH EG ATTACK TIME [L2-OP] PITCH EG RELEASE LEVEL [L2-OP] PITCH EG RELEASE TIME [L2-OP] VELOCITY LIMIT LOW [L2-OP] VELOCITY LIMIT HIGH [L2-OP]
Description 64 - +63[cent] 64 - +63[cent] 24 - +24[semitones] 9600 - +9450[cent] 64 - +- - - - +24[semitones] 9600 - +9450[cent] 64 - +- - - - - +24[semitones] 9600 - +9450[cent] 64 - +- - - - - +24[semitones] 9600 - +9450[cent] 64 - +- - - 127 0/OFF,1/ON 0 - - +- +- +- +- - 127

Default value (H) 01 7F

00 6A 00 6B 00 6C 00 6D 00 6E TOTAL SIZE
If a Stereo voice is not selected, setting PAN to random will produce the same result as center.

< Table 2-1>

Parameter Base Address Model ID = 55 [P50-m] Parameter Change Address Address (H) (M) (L) P50-m SYSTEM 00 System 0A Switch Remote REMOTE SWITCH

< Table 2-2 >

MIDI Parameter Change table ( SYSTEM ) [P50-m]
Address (H) 02 Size (H) 4 Data (H) 00-1C 00-01 0000-07FF Parameter PROGRAM NUMBER MASTER TUNE DISPLAY MODE MASTER TUNE Description 1 - 29 0:Hz, 1:cent 100.0 - +100.0[cent] 1st bit3-0bit15-12 2nd bit3-0bit11-8 3rd bit3-0bit3-0 4th bit3-0bit3-- +12[semitones] 1-- 16, ALL 0:ALL, 1:EVEN, 2:ODD 0:ot1, 1:ot2 0:OFF, 1:ON 64 - - - 63 Default value (H) 00 00

0A 0B 0C 0D 0E

34-4C 00-06 00-10 00-02 00-01 00-01 00-7F 00-7F 00-7F
NOTE SHIFT TOUCH CURVE MIDI RECEIVE CHANNEL RECEIVE MODE MIDI OUT MODE PROGRAM CHANGE TABLE VOICE 1 BRIGHTNESS VOICE 1 REVERB SEND VOICE 2 BRIGHTNESS
Address (H) 0F 1A 1B 1C 1D 1E 1F 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 3F TOTAL SIZE

Size (H) 1 44

Data (H) 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
Parameter VOICE 2 REVERB SEND VOICE 3 BRIGHTNESS VOICE 3 REVERB SEND VOICE 4 BRIGHTNESS VOICE 4 REVERB SEND VOICE 5 BRIGHTNESS VOICE 5 REVERB SEND VOICE 6 BRIGHTNESS VOICE 6 REVERB SEND VOICE 7 BRIGHTNESS VOICE 7 REVERB SEND VOICE 8 BRIGHTNESS VOICE 8 REVERB SEND VOICE 9 BRIGHTNESS VOICE 9 REVERB SEND VOICE 10 BRIGHTNESS VOICE 10 REVERB SEND VOICE 11 BRIGHTNESS VOICE 11 REVERB SEND VOICE 12 BRIGHTNESS VOICE 12 REVERB SEND VOICE 13 BRIGHTNESS VOICE 13 REVERB SEND VOICE 14 BRIGHTNESS VOICE 14 REVERB SEND VOICE 15 BRIGHTNESS VOICE 15 REVERB SEND VOICE 16 BRIGHTNESS VOICE 16 REVERB SEND VOICE 17 BRIGHTNESS VOICE 17 REVERB SEND VOICE 18 BRIGHTNESS VOICE 18 REVERB SEND VOICE 19 BRIGHTNESS VOICE 19 REVERB SEND VOICE 20 BRIGHTNESS VOICE 20 REVERB SEND VOICE 21 BRIGHTNESS VOICE 21 REVERB SEND VOICE 22 BRIGHTNESS VOICE 22 REVERB SEND VOICE 23 BRIGHTNESS VOICE 23 REVERB SEND VOICE 24 BRIGHTNESS VOICE 24 REVERB SEND VOICE 25 BRIGHTNESS VOICE 25 REVERB SEND VOICE 26 BRIGHTNESS VOICE 26 REVERB SEND VOICE 27 BRIGHTNESS VOICE 27 REVERB SEND VOICE 28 BRIGHTNESS VOICE 28 REVERB SEND
Description 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 127