NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Model Serial No. Purchase Date

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

PLEASE KEEP THIS MANUAL

92-BP (bottom)

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-3C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.

COPYRIGHT NOTICE

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI les, WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

Trademarks:

Apple and Macintosh are trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corporation. All other trademarks are the property of their respective holders.

Accessories

Owners Manual Music Rest Sustain Pedal PA-3C AC Power Adaptor (Included or optional depending on locale)

P-90 Accessories

Application Index
Use this index to nd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices.. Listening to the Demonstration Tunes on page 14 Listening to songs from 50 Greats for the Piano.. Listening to 50 Piano Preset Songs on page 15 Listening to my recorded performance...Playing Back Recorded Songs on page 30

Playing

Using a included pedal.. Connecting the AC Power Adaptor and external equipment on page 9 Playing an accompaniment that matches pitch..Transposition [TRANSPOSE] on page 22 Selecting a touch sensitivity type... Touch Sensitivity [TOUCH] on page 21 Fine tuning the pitch of the entire instrument when you play the P-90 along with other instruments or CD music... Fine tuning of the pitch on page 35

Changing voices

Viewing the list of voices....Preset Voice List on page 50 Simulating a concert hall.... [REVERB] on page 19 Combining two voices... Combining Two Voices (Dual mode) on page 23 Playing different sounds with left and right hands...Splitting the Keyboard Range and Playing Two Different Voices (Split mode) on page 24 Making the sound more brilliant or mellower... [BRILLIANCE] on page 20 Adding spread or swell to the sound.... [EFFECT] on page 20 Enhancing the sound with effects...[VARIATION] on page 19

Practicing

Muting the right- or left-hand part.. Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) on page 16 Practicing a specied phrase repeatedly..A-B Repeat for 50 Preset Songs on page 18 Practicing with an accurate and steady tempo...Using the Metronome on page 25 Practicing using your recorded song... Recording Your Performance on page 26

Connecting the AC Power Adaptor and external equipment
SUSTAIN IN MIDI OUT HOST SELECT TO HOST

DC IN 12V STANDBY /

OUTPUT PHONES

3 L /L+R

1 [DC IN 12 V] connector
Connect the included PA-3C AC Power Adaptor here. 1. Make sure that the [STANDBY/ON] switch is off (in the STANDBY position). 2. Insert the plug of the PA-3C cable into the [DC IN 12V] connector. 3. Plug the PA-3C into an AC outlet of the correct voltage. When disconnecting the PA-3C, you must reverse this procedure. WARNING
Use ONLY a Yamaha PA-3C AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-90.

AC outlet

Unplug the AC Power Adaptor when not using the P-90, or during electrical storms.
P-90 Before using the P-90

ENGLISH 9

1-4.fm Page 10 Tuesday, December 21, 2004 9:17 AM

2 [STANDBY/ON] switch

This is the power switch. Refer to Turning the power on (page 11).
3 OUTPUT [L][R] jacks (RCA phono jacks), [L/L+R] [R] jacks (phone jacks)
You can use audio cables to connect an external audio device to these jacks. The audio output of the P-90 is sent from the OUTPUT jacks, allowing you to play it from an external audio device. For monaural output, use [L/L+R] (phone jack). CAUTION

Stereo System

Before connecting the P-90 to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all-volume levels to minimum.
When turning the power on, rst turn the P-90s power on and then turn the power on of the external amplier/speaker system. When turning the power off, simply reverse the order.
Since the P-90 does not contain speakers, you will need to connect external audio equipment or use headphones in order to hear its sounds.

Instrument amplifier

4 [PHONES] jacks (1/4-inch stereo phone jacks)
You can connect headphones to these jacks. Since there are two [PHONES] jacks, you can connect two pairs of headphones so that two people can listen. (If connecting only one pair of headphones, you may use either jack.) CAUTION
Do not use the P-90 at a high volume level for a long period of time, or your hearing may be damaged.

5 [SUSTAIN] jack

You can connect the included pedal to this jack. While this pedal is pressed, notes you play will be sustained even if you take your nger off the key. Since half-pedaling is supported, pressing the pedal more deeply will produce longer sustain. On the [GRAND PIANO 1] voices (including its variation), pressing this pedal will also add sympathetic resonances of the sound board and strings (sustain sampling).

Turn off the power before connecting or disconnecting the pedal. When you press the pedal here, the notes you play before you release the pedal have a longer sustain.
If the foot pedal seems to produce effects opposite to your intensions, make sure that the foot pedal plug is properly connected to the [SUSTAIN] jack before turning on the power to the P-90. Do not press the pedal while turning on the power to the P-90.
You can adjust the depth of the sound board and string resonance effect (page 39).
6 MIDI [IN] [OUT] connectors
You can use MIDI cables to connect external MIDI devices. If using these MIDI connectors, set the [HOST SELECT] switch to MIDI. Refer to page 44 About MIDI.
7 [TO HOST] connector and [HOST SELECT] switch
You can connect your personal computer to the [TO HOST] connector. If you are using the MIDI connectors, set the [HOST SELECT] switch to MIDI. If you have connected your personal computer to the [TO HOST] connector, set this switch to the setting (other than MIDI) appropriate for your model of computer. For details on connecting a personal computer, refer to page 45 Connecting a Personal Computer.

Turning the power on

For details on connecting the AC power adaptor and external equipment, refer to page 911.
You must turn the volume of connected devices to the minimum setting (zero) before turning the power on or off. When turning the power on, rst turn on the P-90 and then any external audio devices. When turning the power off, rst turn off any external audio devices and then the P-90. Failing to observe the correct order may cause malfunctions or electrical shock.
Make sure that the AC Power adaptor is connected correctly, and press the [STANDBY/ON] switch located on the left side panel. The display will become active. To turn off the power, press the [STANDBY/ON] switch again. CAUTION
Even when the switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level.
When you are not using the P-90 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

MIDI reception is not possible in Piano Song mode. Piano song data is not transmitted via the MIDI connectors.
Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)
The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK1] and the left-hand part is played by [TRACK2].
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part. When you rst select a song, both [TRACK1] and [TRACK2] indicators light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the corresponding part playback is muted. Pressing the buttons repeatedly toggles playback between on and off.
The Preset Song Part Cancel function cannot be used during ALL or rnd (page 15) playback.
2. Start playback and playing.
Press the SONG [START/STOP] button to start playback. Play the part you just turned off.
The parts can be turned on or off even during playback.
The Preset Song Part Cancel Volume function described on page 39 can be used to set the canceled part so that it plays at a volume from 0 (no sound) to 20. The normal setting is 5.
Starting playback automatically as you start playing the keyboard (Synchro Start) When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the song number SONG [START/STOP] button while holding the synchro start mark part button for the ON part. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard.
If you hold a track button that is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the unit will engage Synchro Start mode.
When playback is complete, it automatically stops and the P-90 locates the top of the song. If you wish to stop playback in the middle of a song, press the SONG[START/STOP] button.
Both parts are automatically turned ON whenever a new song is selected.
A-B Repeat for 50 Preset Songs
The A-B Repeat function can be used to continuously repeat a specied phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difcult phrases.
START/ STOP ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY GRAND PIANO 1 HARD MEDIUM SOFT GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN WOOD BASS

Releasing the [REVERB] button changes the reverb type. If you are changing the reverb depth by holding the [REVERB] button, pressing the [REVERB] button will not change the reverb type.
depth 0: no effect depth 20: maximum reverb depth depth

[EFFECT]

The [EFFECT] button allows you to select an effect to give your sound greater depth and animation. OFF: CHORUS: PHASER: TREMOLO: DELAY: When no effect is selected, no EFFECT indicator is lit. A shimmering, broadening effect Adds a sweeping effect to the sound. Tremolo effect Echo effect
Default depth settings are different for each voice.
The default effect type (including OFF) and depth settings are different for each voice.
To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off. Adjusting Effect Depth You can adjust the effect depth for the selected voice by using the [/NO] and [+/YES] buttons while holding the [EFFECT] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [EFFECT] button is held.
Releasing the [EFFECT] button changes the effect type. If you are changing the depth settings by holding the [EFFECT] button, pressing the [EFFECT] button will not change the effect type.
depth depth 0: no effect depth 20: maximum effect depth
Touch Sensitivity [TOUCH]
You can select four different types of keyboard touch sensitivity HARD, MEDIUM, SOFT or FIXED to match different playing styles and preferences.
HARD: MEDIUM: SOFT: FIXED: Requires that the keys be played quite hard to produce maximum loudness. Produces a fairly standard keyboard response. Allows maximum loudness to be produced with relatively light key pressure. All notes are produced at the same volume no matter how hard the keyboard is played. You can adjust the volume.

This setting does not change the weight of the keyboard.

Normal setting = MEDIUM

The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the Preset Voice List on page 50.)

[/NO] [+/YES]

[TOUCH]
To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when FIXED is selected.
Changing the volume when FIXED is selected When you select FIXED, you can set the volume for notes played in FIXED mode by using the [/NO] and [+/YES] buttons while you hold the [TOUCH] button. The current volume level appears on the display. The volume range is from 1 through 127. The default setting is 64.
1: minimum volume 127: maximum volume volume range The touch volume set in FIXED mode will become the common setting for all voices.
Releasing the [TOUCH] button changes the touch type. If you are changing the volume by holding the [TOUCH] button, pressing the [TOUCH] button will not change the touch sensitivity type. (FIXED mode will remain selected.)
Transposition [TRANSPOSE]
The P-90s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to 5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the P-90 will transpose it to the key of F.

[TRANSPOSE]

Use the [/NO] and [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is 0.

You can record your performance (audio data) to a cassette tape recorder or other recording device via the OUTPUT connector (page 10).
Recording vs. Saving: The format of performance data recorded on a cassette tape differs from that of data recorded on the P-90. A cassette tape records audio signals. The P-90 saves information regarding note timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the P-90 produces sound based on the saved information. Therefore, recording on the P-90 may be more accurately called saving information. However, this book often uses the word recording because it seems to make more sense.
Recording to the First Track
ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY GRAND PIANO 1 HARD MEDIUM SOFT GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN
E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR WOOD BASS
Notes on recording All user song recorder data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods of time, turn the power on for a few minutes at least once a week. It is also possible to store the data to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 42.
When the unit is in Demo Song or Preset Song mode, Record mode cannot be engaged.
1. Make all the initial settings.
Before you begin to record, select the voice you want to record (or voices if you will be using Dual or Split mode). Make any other desired settings (tempo, reverb, etc.) as well. You might also want to set the volume. You can also adjust the playback volume using [MASTER VOLUME].
To avoid erasing data from the track: Press the [TRACK1/2] button. If the indicator lights up green, the track already contains data. Note that the existing data will be erased if you record new data on the track.
P-90 Recording Your Performance
2. Engage Record Ready mode.

Reference page

Fine Tuning of the Pitch Selecting a Scale

Dual Mode Functions

Dual Balance Dual Detune Voice 1 Octave Shift Voice 2 Octave Shift Voice 1 Effect Depth Voice 2 Effect Depth Reset

Split Mode Functions

Split Point Split Balance Right Voice Octave Shift Left Voice Octave Shift Right Voice Effect Depth Left Voice Effect Depth Sustain Pedal Range Reset

Other Functions

Sustain Sample Depth Keyoff Sample Volume
Metronome Volume Preset Song Part Cancel Volume MIDI Functions
MIDI Transmit Channel Selection MIDI Receive Channel Selection Local Control ON/OFF Program Change ON/OFF Control Change ON/OFF MIDI Transmit Transpose Panel/Status Transmit Bulk Data Dump

Backup Functions

Voice MIDI Tuning Others
P-90 Detailed Settings [FUNCTION]
Basic Procedure in Function Mode
Follow the steps below to use the functions. (If you become lost while using a function, return to this page and read the basic procedure.)

1. Engage Function mode.

Press the [FUNCTION] button so that its [FUNCTION] indicator lights. will appear on the display. (The indication of the status of the unit and usage.) varies depending on
Functions cannot be selected during Demo/Preset Song mode or when the user song recorder is in operation.

2. Select a function.

Use the [TEMPO/FUNCTION# , ] buttons to select the desired function from F1F9.
START/ STOP TEMPO/ FUNCTION# FUNCTION
To cancel the function in Step 2, 3, or 4, press the [TEMPO/ FUNCTION# , ] button any time to exit Function mode.
3. Use the [/NO] [+/YES] buttons.
If the function does not include sub-modes, start setting the parameters. If the function includes sub-modes, press the [+/YES] button once to enter the respective sub-mode.
4. Operate the desired function using the following

two buttons.

1 [TEMPO/FUNCTION# , ] Selects the desired function/sub-mode. 2 [/NO] or [+/YES] After you select the desired function or sub-mode, set the ON/OFF, select the type, or change the value, accordingly. Depending on the setting, the default setting (which is used when you rst turn on the power to the P-90) is recalled by pressing the [/NO] and [+/YES] buttons simultaneously.

1. Record your performance on the P-90. 2. Connect the P-90 to MDF3, a MIDI data ler via MIDI, and set up the MDF3 so it will receive bulk data. 3. Engage Function mode and select. 4. Press the [+/YES] button to begin bulk transmission. will appear on the LED display when the data has been successfully transmitted.
Even if the backup function is turned on via one of the functions described below, the data will be retained in memory for only about one week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer periods, be sure to turn the power on for a few minutes at least once a week.
No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation.
You can turn the backup function on or off for each function group (each of the following sub-mode functions).
1. Engage Function mode and select. 2. Press the [+/YES] button to engage the backup functions sub-mode, then use the [TEMPO/FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] or [+/YES] button to turn the backup function on or off.
Receiving (returning) the transmitted data: 1. Connect the P-90 via MIDI to the device to which the data was previously transmitted. 2. Start sending the data from the device. The P-90 automatically receives the data from the unit. (At this time, any data previously stored in the P-90 will be erased.) Then, follow the usual playback procedure. (For the data to be accepted, the P-90 that receives the data should be the same model as the one from which the data was once transmitted to the MIDI data ler.)

Sub-mode

The reload operation cannot be executed when Demo/Preset Song mode or the user song recorder is in operation, or when Function mode is engaged.

F9.1: Voice F9.2: MIDI

For more information on transmitting and receiving bulk data via MIDI, refer to the owners manual for the connected MIDI device.
F9.3: Tuning F9.4: Others
Setting range: ON/OFF Normal setting: OFF (all groups)
Description of sub-modes Voice
Voice (Keyboard, Dual, and Split) Dual (ON/OFF, Voice, and Dual Functions for each voice combination) Split (ON/OFF, Voice, and Split Functions for each voice combination) Reverb (ON/OFF, Type, and Depth for each voice) Effect (ON/OFF, Type, and Depth for each voice) Touch Sensitivity (including the FIXED volume) Metronome (Beat, Volume < settings>) Preset Song Part Cancel Volume ( settings)

GrandPiano 1

(Variation) GrandPiano 2 (Variation)

E.Piano1

E.PIANO1

ON (Variation)

E.Piano2

E.PIANO2

Clavi.

ON Harpsichord

Vibraphone

ON NylonGuitar

P-90 Demo Song List/Preset Song List
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. This is the organs full coupler sound often associated with Beachs Toccata and Fugue. The sound of a tonewheel type electric organ. Often heard in jazz and rock idioms. Uses a rotary speaker effect with a different speed. The variations speed is faster. If the variation is selected while holding a chord, the speed of the effect will gradually change. Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL mode. Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. A choir voice with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. An upright bass played ngerstyle. Ideal for jazz and Latin music. Adds a cymbal voice to the bass sound. Ideal for walking bass lines in jazz tunes. Electric bass for a wide range of music styles, jazz, rock, popular, and more. A fretless bass good for styles such as jazz, fusion, etc.

ChurchOrgan

JazzOrgan

Strings

ON SlowStrings

ON SlowChoir

WoodBass

E.Bass

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2. Contains a very subtle sample that is produced when the keys are released.

Demo Song List

Piano Voice Demo Description
GRAND PIANO1 GRAND PIANO2 E.PIANO1 E.PIANO2 CLAVI./HARPSI. Stereo sampling Monaural sampling Dynamic sampling; mezzo piano Dynamic sampling; mezzo forte Dynamic sampling; forte With sustain sampling Without sustain sampling With key-off sampling Without key-off sampling

Piano Voice Demo

VIBES/GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS

Preset Song List

25 Invention No. 1 Invention No. 8 Gavotte Prelude (Wohltemperierte Klavier I No.1) Menuett G dur BWV.Anh.114 Le Coucou Piano Sonate No.15 K.545 1st mov Turkish March Menuett G dur Little Serenade Perpetuum mobile Ecossaise Fr Elise Marcia alla Turca Piano Sonate op.13 Pathtique 2nd mov. Piano Sonate op.27-2 Mondschein 1st mov. Piano Sonate op.49-2 1st mov. Impromptu op.90-2 Moments Musicaux op.94-3 Frhlingslied op.62-2 Jgerlied op.19b-3 Fantaisie-Impromptu Prelude op.28-15 Raindrop Etude op.10-5 Black keys Etude op.10-3 Chanson de ladieu

5. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing

Data F8H FAH

Transmission Transmitted every 96 clocks Recorder start
Reception Received as 96-clock tempo timing when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.

Recorder stop

Transmitted every 200 milliseconds
Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = dont care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.
9. SYSTEM EXCLUSIVE MESSAGES (P-90 MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H = 43H = 73H = 01H = nnH = nn 02H 03H F7H = or Exclusive status Yamaha ID Clavinova ID Product ID (CLP common) Substatus Control Internal MIDI clock External MIDI clock End of Exclusive
Data format: [F0H] -> [43H] -> [73H] -> [7FH] -> [xxH] -> [nnH] -> [F7H]
F0H = 43H = 73H = 7FH= xxH = nnH = nn 02H 03H 06H F7H = Exclusive status Yamaha ID Clavinova ID Extended Product ID Product ID (P-90: 32H) Substatus Control Internal MIDI clock External MIDI clock Bulk Data (the bulk data follows 06H) End of Exclusive
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H]

After Touch Pitch Bend Control Change

0,91 94

Bank Select Volume Expression Damper Sostenuto Soft pedal Reverb Depth Effect Depth

Prog Change

True #

**************

System Exclusive Common
: Song Pos. : Song Sel. : Tune
System : Clock Real Time : Commands Aux : : : Mes- : sages: : All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
(120,126,127) (121) (122) (123-125)
Notes: *1= Receive Mode is always multi timbre and Poly mode.
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO

: Yes : No

Specications / Technische Daten / Caractristiques techniques / Especicaciones
Item KEYBOARD SOUND SOURCE POLYPHONY VOICE SELECTION REVERB EFFECT DEMO SONGS TOUCH SENSITIVITY SONG CONTROLS PEDAL CONTROL OTHER CONTROLS Specication 88 Keys (A-1C7) AWM Dynamic Stereo Sampling 64 Notes Max. 24 voices (including Variation) ROOM, HALL 1, HALL 2, STAGE CHORUS, PHASER, TREMOLO, DELAY 12 Voice Demo Songs, 9 Piano Voice Demo Songs, 50 Preset Songs HARD, MEDIUM, SOFT, FIXED PRESET, TRACK 1, 2, START/STOP, REC SUSTAIN MASTER VOLUME, BRILLIANCE, DEMO, TRANSPOSE, SPLIT, METRONOME START/STOP, TEMPO/FUNCTION#, FUNCTION, /NO, +/YES, LED Display, HOST SELECT OUTPUT: L and R Pin Jacks, L/L+R and R Phone Jacks, MIDI IN/OUT, TO HOST, PHONES x 2, SUSTAIN, DC IN 12V Yamaha PA-3C power adaptor 1347 x 285 x 128 mm (53" x 11-1/4" x 5") 16.9 kg (37 lbs., 4oz)
JACKS/CONNECTORS POWER SUPPLY DIMENTIONS (W x D x H) WEIGHT
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behlt sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankndigung zu verndern oder zu modizieren. Da die technischen Daten, das Gert selbst oder Sonderzubehr nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Hndler in Verbindung. * Les caractristiques techniques et les descriptions du mode demploi ne sont donnes que pour information. Yamaha Corp. se rserve le droit de changer ou modier les produits et leurs caractristiques techniques tout moment sans aucun avis. Du fait que les caractristiques techniques, les quipements et les options peuvent diffrer dun pays lautre, adressez-vous au distributeur Yamaha le plus proche. * Las especicaciones y descripciones de este manual del propietario tienen slo el propsito de servir como informacin. Yamaha Corp. se reserva el derecho a efectuar cambios o modicaciones en los productos o especicaciones en cualquier momento sin previo aviso. Puesto que las especicaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite informacin a su distribuidor Yamaha.

FRONT OF HOUSE, MONITORS AND BACK LINE
The sound system must have an optimal quality and meet the following requirements: A minimum of four electronical stereo ways controlled from the front of the house. Db acoustic pressure between 100 AND 115 Db spl in the front of the house. For these purposes we recommend the following trademarks: L. ACUSTIC, MEYER SOUND, D&B OR EAW

F.O.H.

Console 40 channels: DIGICO, YAMAHA OR MIDAS. In case of an analogue console, it is required: 15 compression channels 8 gate noise channels 3 digital effects processor For these purposes we recommend the following trademarks: KLARK TEKNIK, BSS, EVENTIDE, LEXICOM

MONITORS

The monitors systems must have an optimal quality and meet the following requirements: Console 40 channels: DIGICO, YAMAHA OR MIDAS. In case of an analogue console, we require: 12 compression channels 12 graphic equalizer channels 1/3 octave 8 gate noise channels 2 digital effects processor For these purposes we recommend the following trademarks: KLARK TEKNIK, BSS, LEXICOM. 1st OPTION: 12 wireless IN-EAR SYSTEM for the musicians. It is important to choose only between these trademarks: SHURE: PSM-700 / SHURE Earphones: SE-530-PTH / SENNHEISER: ew-300-IEM G2 / SENNHEISER Earphones: IE-30. A side fill system with a minimum of three electronical stereo ways controlled from the monitor desk (minimum 6000 watts) For these purposes we recommend the following trademarks: L. ACUSTIC, D&B, MEYER SOUND 2nd OPTION: 13 Slat monitors for the musicians 1000 watts each one, A side fill system with a minimum of three electronical stereo ways controlled from the monitor desk (minimum 6000 watts) For these purposes we recommend the following trademarks: L. ACUSTIC, D&B, MEYER SOUND

BACK LINE

The promoter will provide the backline required or an equivalent: Piano ROLAND RD600 OR YAMAHA P90 (WITH STAND) Bass amplifier 600W AMPEG, HARTKE, SWR, MARKBASS Acoustic guitar amplifier ROLAND AC 90 OR SIMILAR Kick Drum Yamaha Stage Custom or similar 4 Chairs without arms Guitar stand Bass stand 3 congas (QUINTO, CONGA AND TUMBA) LATIN PERCUSSION GIOVANNI HIDALGO with tuner key Kettledrum (Timbales) LATIN PERCUSSION TITO PUENTE LP with accessories clamp, stand, tuner key, cymbals dark crash 16 and stand (ZILDJIAN Z OR SIMILAR) Bongos LATIN PERCUSSION WITH TUNER KEY 8 music stands with light 2 drums seats

CHANNEL LIST

CHANNEL INSTRUMENT KICK TIMBAL L TIMBAL R OVER HEAD OVER HEAD CONGA CONGA BELL BONGOES BASS PIANO L PIANO R TRES TROMBON SAX TRUMPET TRUMPET BCKNG VOX TRES BCKNG VOX GUIRO GUIRO VOX LEAD SOLOS SAMPLER SPARE MICRO BETA 52 A L MD-441 R MD-441 L C-414 R C-414 HI 98-Beta LO 98-Beta KM-184 BETA- 57 A D.I D.I D.I D.I MD-Beta SM-57 SM57 OM-5 OM-5 SM58 SHURE UHF-R SHURE SM 57 D.I SHURE UHF-R INSERT COMP COMP COMP
COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP