Music Sequencer
VOICE LISTS AND MIDI DATA
VS40920 405CRIP 12.2-01A0 Printed in Japan
M.D.G., EMI Division Yamaha Corporation 1994

Voice List

Program Instrument # Group Piano Chromatic 13 Percussion 20 Organ Guitar Bass Strings Ensemble Brass Program # Instrument Group
Name Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Drawbar Organ Percussive Organ Rock Organ Church Organ Reed Organ Accordion Hamonica Tango Accordion Acoustic Guitar (nylon) Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Acoustic Bass Electric Bass (nger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2
LCD GrandPno BritePno E.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi. Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute.Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello ContraBs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn.Str1 Syn.Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute.Trp Fr.Horn BrasSect SynBras1 SynBras2

Layer 2 2

LCD SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw.Lead CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass &Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes SF Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm WoodBlok TaikoDrm MelodTom Syn.Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot

Layer 2 1

Soprano Sax Alto Sax Tenor Sax Baritone Sax Reed Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Pipe Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Synth Lead Lead 5 (charang) Lead 6 (voice) Lead 7 (fths) Lead 8 (bass+lead) Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) Pad 4 (choir) Synth Pad Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) FX 4 (atmosphere) Synth Effects FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-) Sitar Banjo Shamisen Koto Ethnic Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Percussive Taiko Drum Melodic Tom Synth Drum Reverse Cymbal Guitar Fret Noise Breath Noise Seashore Bird Tweet Sound Effects Telephone Ring Helicopter Applause Gunshot

Drum List

pgm# Key Off Alternate Note# Note 23 B C C D D E F F G G A A B C C D D E F F G G A A B C C D D E F F G G A A B C C D D E F F G G A A B C C D D E F F G G A A B C C O O O

1 Standard Kit Click L Click H Brush Tap Brush Swirl L Brush Slap Brush Swirl H Snare Roll Castanet Snare L Sticks Bass Drum L Open Rim Shot

9 Room Kit

17 Rock Kit

25 Electro Kit

26 Analog Kit

33 Jazz Kit

41 Brush Kit

49 Classic Kit

Reverse Cymbal Hi Q SD Power M Bass Drum M Bass Drum H BD Power SD Rock SD Power Rim Power Tom 1 Power Tom 2 Power Tom 3 Power Tom 4 Power Tom 5 Power Tom 6 Snare M Bass Drum H BD Power BD Gate SD Power L SD Power H E Tom 1 E Tom 2 E Tom 3 E Tom 4 E Tom 5 E Tom 6
Reverse Cymbal Hi Q SD Power H Bass Drum M BD Analog L BD Analog H Analog Side Stick Analog Snare L Analog Snare H Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Tom 6 Brush Slap Brush Tap Brush Tom 1 Brush Tom 2 Brush Tom 3 Brush Tom 4 Brush Tom 5 Brush Tom 6 Brush Slap L

O O O 1

Bass Drum M Bass Drum H Side Stick Snare M Hand Clap Snare H Floor Tom L Closed Hi Hat Floor Tom H Pedal Hi-Hat Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L High Agogo Low Agogo Cabassa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree Hi Q Room Tom 1 Room Tom 2 Room Tom 3 Room Tom 4 Room Tom 5 Room Tom 6

Gran Casa

Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Jazz Tom 6
Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Hand Cym.Open L Jazz Tom 6 Hand Cym.Closed L
Hand Cym.Open H Hand Cym.Closed H
Analog Conga H Analog Conga M Analog Conga L
Scratch Push Scratch Pull

: Same as Standard Kit

Phrase List
Instrument Category Beat 8 beat Type Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Num. 12 10 Sum of each category Instrument Category Beat Type Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Main Fill Loop Fill Cross Intro Ending Specic General Total Phrase Num. 4 1 1 3 Sum of each category

3/4 beat Guitar chord (GC)

16 beat

Drums (DR)

8 beat

3/4 beat

Guitar riff (GR)

Percussion (PC)

Kbd chord (KC)

Bass (BA)

Kbd Riff (KR)

Guitar chord (GC) 16 beat

172 3093

ABC Fingering Chart
Chord Type 7( 5) 7( 5) 7( 9) 3-note Chord 3+ 5+ 7 4-note Chord 1+3+ 5+ 7 1+3+ 5+ 7 3+ 7+ 9 1+3+ 7+ 9 3+5+ 7+ 9 1+3+5+ 7+ 9 7( 9) 7( 13) 1+3+ 7+ 9 1+3+5+ 7+ 9 3+5+ 7+ 13 1+3+5+ 7+ 13 1+3+ 7+ 9+ 13 1+3+ 7+9+ 13 1+3+ 7+ 9+ 13 7(13) 1+3+ 7+13 3+5+ 7+13 3+ 7+9+13 1+3+5+ 7+13 1+3+ 7+ 9+13 1+3+ 7+9+13 7sus4 sus4 m7(11) 7( 11) add9 M M7(9) M7 1+4+ 7 1+4+5+ 7 1+4+5 1+ 3+ 7+11 1+ 3+5+ 7+11 1+3+ 7+ 11 1+3+5+ 7+ 11 1+3+5+9 1+3+5 1+3+5+7+9 1+3+7 1+5+7 1+3+5+7 6(9) 6 1+3+5+6+9 3+5+6 1+3+5+6 3+5+9 7(9) 7 madd9 m m7(9) m7 mM7 m6 1+ 3+6 dim m7( 5) --aug 1+ 3+ 5+6 1+ 3+ 5+ 7 1+3+ 5 Only C (root) accepted as lowest note. E m6 when E is the lowest note. A 9 when B is the lowest note. through Only C (root) accepted as lowest note. 3+5+9 1+ 3+5 1+ 3+5+ 7+9 1+ 3+ 7 1+ 3+5+ 7 1+ 3+7 1+ 3+5+7 1+ 3+5+6 F9 when E is the lowest note, Am7( 5) when G or A is the lowest note. A add9 when E or B is the lowest note. E 6 when E is the lowest note. 1+3+5+ 7+9 1+3+ 7 1+3+5+ 7 1+ 3+5+9 E Maj7 when E or D is the lowest note. Am7 when lowest note is not C. Em7 when E is the lowest note. Amadd9 when E is the lowest note. F 7( 11) when F or E is the lowest note. Fsus4 when lowest note is not C. Gm7(11) when G or B is the lowest note. G7sus4 when G is the lowest note. F7sus4 when F or B is the lowest note. 5-note Chord Comments (for C chords)

For example: 1: 3: 5:

root of the chord 3rd note above the root 5th note above the root

MIDI Data Format

Tone Generator

(1) TRANSMIT FLOW

(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES

(3-1-1) NOTE OFF

MIDI OUT STATUS NOTE NUMBER VELOCITY Receive-only 1000nnnn (8nH) n = 0 ~ 15 VOICE CHANNEL NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8) 0vvvvvvv v: ignored

NOTE ON/OFF ACTIVE SENSING SW1

9nH FEH

MIDI Transmit Channel

(3-1-2) NOTE ON/OFF

STATUS NOTE NUMBER VELOCITY 1001nnnn (9nH) n = 0 ~ 15 VOICE CHANNEL NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8) 0vvvvvvv (v= 0) NOTE ON / 00000000 (v=0) NOTE OFF
Output MIDI CH selects the MIDI Transmit Channel.

(3-1-3) CONTROL CHANGE

(2) RECEIVE FLOW
NOTE OFF NOTE ON/OFF 8nH 9nH MIDI IN
STATUS 1011nnnn (BnH) n = 0 ~ 15 VOICE CHANNEL NUMBER CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv * CONTROL NUMBERs are not transmitted. * Received CONTROL NUMBERs are as follows. c = 0 BANK SEL MSB: v = 0:GM select, 127:RHYTHM select *2 c = 32 BANK SEL LSB: Always ignored c = 1 MODULATION: v = 0 - 127 *2 c = 6 DATA ENTRY MSB: v = 0 - 127 *1 c = 38 DATA ENTRY LSB: v = 0 - 127 *1 c = 7 MASTER VOLUME: v = 0 - 127 c = 10 PANPOT: v = 0 - 127 c = 11 EXPRESSION: v = 0 - 127 c = 64 SUSTAIN SWITCH: v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2 c = 66 SOSTENUTO: v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2 c = 84 PORTAMENT CONTROL:v = 0 - 127 *2 c = 91 EFFECT SEND LEVEL 1: v = 0 - 127 c = 96 DATA ENTRY INC: v = 127 *1 c = 97 DATA ENTRY DEC: v = 127 *1 *1 Used only when setting parameter designated by RPN. *2 Not effective for rhythm voice. MODULATION controls vibrato depth. For both melody and rhythm voices, PANPOT change is relative to the voices preset value. PORTAMENT CONTROL portamento time is xed at 0. BANK SELECT MSB v=0 selects GM melody voice, v=127 selects GM rhythm voice. All other bank selections set the voice OFF. BANK SELECT LSB is always ignored. Channel 10 is xed for rhythm voice; bank select is ineffective. EFFECT SEND LEVEL 1 controls reverb depth.
BANK SEL MSB BnH, 00H BANK SEL LSB BnH, 20H MODULATION BnH, 01H DATA ENTRY MSB BnH, 06H DATA ENTRY LSB BnH, 26H MASTER VOLUME BnH, 07H PANPOT BnH, 0AH EXPRESSION BnH, 0BH HOLD 1 BnH, 40H SOSTENUTO BnH, 42H PORTAMENT CONTROL BnH, 54H EFFECT SEND LEVEL 1 BnH, 5BH DATA ENTRY INC BnH, 60H DATA ENTRY DEC BnH, 61H PITCH BEND SENSITIVITY BnH, 64H, 00H, 65H, 00H, 06H, mmH FINE TUNING BnH, 64H, 01H, 65H, 00H, 06H, mmH, 26H, llH COARSE TUNING BnH, 64H, 02H, 65H, 00H, 06H, mmH RPN RESET BnH, 64H, 7FH, 65H, 7FH ALL SOUND OFF BnH, 78H, 00H RESET ALL CONTROLLERS BnH, 79H, 00H ALL NOTE OFF BnH, 7BH OMNI MODE OFF BnH, 7CH OMNI MODE ON BnH, 7DH PROGRAM CHANGE PITCH BEND CHANGE CnH EnH

(3-1-4) PROGRAM CHANGE

STATUS 1100nnnn (CnH) n = 0 ~ 15 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p = 0 ~ 127 (Receive) If receive channel is other than 10, and BANK SELECT MSB = 00, then GM melody voice is selected. If receive channel is channel 10 and BANK SELECT MSB = 127, then GM rhythm voice is selected. Dr1 (Standard Kit): p= 0 Dr2 (Room Kit): p= 8 Dr3 (Rock Kit): p = 16 Dr4 (Electonic Kit): p = 24 Dr5 (analog Kit): p = 25 Dr6 (Jazz Kit): p = 32 Dr7 (Brush Kit): p = 40 Dr8 (Classic Kit): p = 48 Values other than those listed above are ignored.
F0H 7EH 7FH 09H 01H F7H (GM MODE ON) F0H 7FH 7FH 04H 01H llH mmH F7H (MIDI MASTER VOLUME) F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H (MIDI MASTER TUNING) ACTIVE SENSING FEH
(3-1-5) PITCH BEND CHANGE
STATUS LSB MSB Resolution: 14 bits 1110nnnn 0vvvvvvv 0vvvvvvv (EnH) n = 0 ~ 15 VOICE CHANNEL NUMBER PITCH BEND CHANGE LSB PITCH BEND CHANGE MSB
(3-4) SYSTEM REALTIME MESSAGES
MSB 00000000B ( 00H ) 01000000B ( 40H ) 01111111B ( 7FH ) Minimum value Middle value Maximum value

(3-4-1) ACTIVE SENSING

STATUS 11111110 (FEH) Transmitted approximately once every 180ms. Not transmitted while disk read or disk write is in progress. Receipt of this code causes the system to begin sensing. If status or data fail to arrive within about 500msec, the system clears the MIDI Receive buffer, forces off the current sound and the sustain switch, and resets control values.
(3-2) CHANNEL MODE MESSAGES

(3-2-1) ALL SOUND OFF

STATUS 1011nnnn (BnH) n = 0 ~ 15 VOICE CHANNEL NUMBER CONTROL NUMBER 01111000 CONTROL VALUE 00000000 Immediately shuts off the sound coming in over the designated channel, and deletes any channel-message conditions (NOTE ON, HOLD ON, etc.).
(3-5) SYSTEM EXCLUSIVE MESSAGE
(3-5-1) GENERAL MIDI MODE ON
F0H 7EH 7FH 09H 01H F7H The controller settings are reset to the following values: VOLUME 100 PAN Center PROGRAM CHANGE 1 (Grandpno) BANK SELECT MSB 0 REVERB DEPTH 4 PITCH BEND CHANGE 0 (center) MODULATION 0 (off) EXPRESSION 127 (Max) SUSTAIN SWITCH 0 (off) SOSTENUTO SWITCH 0 (off) RPN Unset condition: internal data does not change PORTAMENT CONTROL Reset MIDI MASTER VOLUME 127 (Max) PITCH BEND SENSITIBITY 02 (2 semitones) FINE TUNING 0 COARSE TUNING 0

(3-2-2) RESET ALL CONTROLLERS
STATUS 1011nnnn (BnH) n = 0 ~ 15 VOICE CHANNEL NUMBER CONTROL NUMBER 01111001 CONTROL VALUE 00000000 Resets controller values as follows. PITCH BEND CHANGE MODULATION EXPRESSION SUSTAIN SWITCH SOSTENUTO SWITCH RPN PORTAMENT CONTROL The following data do not change. PROGRAM CHANGE, BANK SELECT MSA/LSB, VOLUME, PAN. EFFECT SEND LEVEL 1, PITCH BEND SENSITIBITY, FINE TUNING, COARSE TUNING 0 (center) 0 (off) 127 (Max) 0 (off) 0 (off) Unset condition: internal data does not change Reset

(3-2-3) ALL NOTE OFF

All ON notes on the relevant channel go OFF. But if HOLD 1 or Sustenuto is ON, sound continues until the HOLD 1 or Sustenuto switches OFF.
(3-5-2) MIDI MASTER VOLUME
F0H 7FH 7FH 04H 01H llH mmH F7H Changes the MASTER VOLUME value to mm. (The llvalue is ignored.)

(3-2-4) OMNI MODE OFF

Same processing as for ALL NOTES OFF.
(3-5-3) MIDI MASTER TUNING
F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H Changes the MASTER TUNE value in accordance with mm and ll. (n and cc values are ignored.) T = M*200/256-100 where T: Actual tuning value (99 - +99) M: Single byte value, formed by mm bits 0 -3 followed by ll bits 0 -3.

(3-2-5) OMNI MODE ON

Same processing as for ALL NOTES OFF. Note that OMNI does not go ON.
(3-3) REGISTERED PARAMETER NUMBER
(3-3-1) PITCH BEND SENSITIVITY
RPN MSB RPN LSB DATA ENTRY MSB DATA ENTRY LSB 00H 00H mmH --mmH = 00H - 18H (0 - 24 semitone) dont care
* Initial value is 2 semitones.

(3-3-2) MASTER FINE TUNE

RPN MSB RPN LSB DATA ENTRY MSB DATA ENTRY LSB 00H 01H mmH llH
(mmH, llH) = (00H, 00H) - (40H, 00H) - (7FH, 7FH) (-8192*100/8192) - 0 - (+8192*100/8192)
(3-3-3) MASTER COARSE TUNE
RPN MSB RPN LSB DATA ENTRY MS DATA ENTRY LSB 00H 02H mmH ---

dont care

mmH = 28H - 40H - 58H (-24 - 0 - +24 semitone)

(3-3-4) RPN RESET

RPN MSB RPN LSB DATA ENTRY MSB DATA ENTRY LSB 7FH 7FH ----dont care dont care
RPN number becomes unset. Internal setting does not change.
MIDI Data Format (4) Interrelation of Keyboard Switch, Sequencer, and Tone Generator
KEYBOARD SWITCH Selected Track

Sequencer

SW1 NOTE ON/OFF 9nH POLYPHONIC KEY PRESSURE AnH CONTROL CHANGE BnH PROGRAM CHANGE CnH CHANNEL PRESSURE DnH PITCH BEND CHANGE EnH SW2 TIMING CLOCK START CONTINUE STOP SONG POSITION POINTER SONG SELECT ALL SOUND OFF RESET ALL CONTROLLERS LOCAL CONTROL OMNI MODE OFF OMNI MODE ON MONO MODE ON POLY MODE ON F8H FAH FBH FCH F2H F3H BnH 78H BnH 79H BnH 7AH BnH 7CH BnH 7DH BnH 7EH BnH 7FH MIDI

MIDI IN REC SEQUENCER PLAY

MIDI OUT

Receive Channel TONE GENERATOR
The system distinguishes between note data received via MIDI and that generated by the internal sequencer (which includes data from the local keyboard). Hold 1, Sustenuto, and other controllers do not make this distinction, however, and affect all notes from both sources. ALL SOUND OFF makes no distinction between MIDI and local data; it terminates all sound over the relevant channel, regardless of source. An ALL NOTES OFF message received via MIDI terminates only the MIDI-driven notes on the relevant channel. The sequencer does not record the message.
SYSTEM EXCLUSIVE MESSAGE F0H.. F7H SW 1 MIDI Transmit Channel Transmit channel settings and transmit ON/OFF can be set for each track of the channel.
MIDI Control Transmission can be set ON or OFF.
MIDI Data Format (2) RECEIVE FLOW
NOTE OFF 8nH SW1 NOTE ON/OFF 9nH POLYPHONIC KEY PRESSURE AnH CONTROL CHANGE BnH PROGRAM CHANGE CnH CHANNEL PRESSURE DnH PITCH BEND CHANGE EnH SW2 TIMING CLOCK START CONTINUE STOP SONG POSITION POINTER SONG SELECT ALL SOUND OFF RESET ALL CONTROLLERS LOCAL CONTROL OMNI MODE OFF OMNI MODE ON MONO MODE ON POLY MODE ON F8H FAH FBH FCH F2H F3H SW4 BnH 78H BnH 79H BnH 7AH BnH 7CH BnH 7DH BnH 7EH BnH 7FH SW4 SYSTEM EXCLUSIVE MESSAGE F0H.. F7H F0H 43H 0nH 0AH 04H 0AH F0H 43H 0nH 7EH 04H 32H F0H 43H 0nH 0AH 04H 0AH F0H 43H 0nH 7EH 02H 56H LM__0086QY ( QYSEQ DATA ) LM__0086SQ ( SONG DATA ) LM__0018HQ ( HQSEQ DATA ) LM__0018SQ ( SONG DATA ) SW3 SW4 MIDI IN
(3-1) CHANNEL VOICE MESSAGE Transmission occurs only during recording or playback. Transmit channel and transmit ON/OFF can be set for each track. Reception occurs only during recording. The system always receives over all channels. For multitrack recording, tracks 0 -15 respectively record MIDI CH 0 -15 data. * During RECORD MODE, recording is normally set to omni on. During multitrack recording, however, omni is set off and data is divided according to MIDI channel (CH 0 -15).
STATUS 1000nnnn NOTE NUMBER 0kkkkkkk VELOCITY 0vvvvvvv (8nH) n = 0~15 TRACK CHANNEL NUMBER k = 0 (C-2) ~ 127 (G8) v: ignored

Recording only. During playback, converted to 9nH kkH 00H.
STATUS 1001nnnn NOTE NUMBER 0kkkkkkk VELOCITY 0vvvvvvv 00000000 (9nH) n = 0~15 TRACK CHANNEL NUMBER k = 0 (C-2) ~ 127 (G8) (v= 0) NOTE ON / (v=0) NOTE OFF
During recording, can set velocity step recording and edit input ON/OFF.
(3-1-3) POLYPHONIC KEY PRESSURE
STATUS 1010nnnn NOTE NUMBER 0kkkkkkk VALUE 0vvvvvvv (AnH) n = 0~15 TRACK CHANNEL NUMBER k = 0 (C-2) ~ 127 (G8) v = 0 - 127

(3-1-4) CONTROL CHANGE

sum F7H sum F7H sum F7H sum F7H STATUS 1011nnnn (BnH) n = 0~15 TRACK CHANNEL NUMBER CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv All control-change data can be recorded and replayed. Bank Select MSB and LSB are recorded in combination with received Program Change data; you cannot record Bank Select data independently. During playback, the system transmits Bank Select data followed by the corresponding Program Change data; it is not possible to transmit unaccompanied Bank Select data.
Velocity Filter Sets velocity step recording and edit input ON/OFF.

(3-1-5) PROGRAM CHANGE

STATUS 1100nnnn (CnH) n = 0~15 TRACK CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p = 0 ~ 127 When the system receives Program Change data, it records it in combination with the most recently received Bank Select data. If the system has not received any Bank Select data, it records the Bank Select value as 0 (MSB=0, LSB=0). During transmission, the system always includes Bank Select data together with Program Change data. It is not possible to transmit unaccompanied Program Change data.
Clock Condition Select Determines whether the system uses the internal clock or the clock received over MIDI IN.
MIDI Control Sets reception ON or OFF.

(3-1-6) CHANNEL PRESSURE

STATUS VALUE STATUS LSB MSB 1101nnnn 0vvvvvvv 1110nnnn 0vvvvvvv 0vvvvvvv (DnH) n = 0~15 TRACK CHANNEL NUMBER v = 0 ~ 127 (EnH) n = 0~15 TRACK CHANNEL NUMBER PITCH BEND LSB 0 ~ 127 PITCH BEND MSB 0 ~ 127
INPUT FILTER INPUT FILTER settings determine whether reception is enabled or disabled.
(3-1-7) PITCH BEND CHANGE
(3-2) CHANNEL MODE MESSAGE

The system can record and replay the following messages. RESET ALL CONTROLLERS BnH 78H LOCAL CONTROL BnH 7AH OMNI MODE OFF BnH 7CH OMNI MODE ON BnH 7DH MONO MODE ON BnH 7EH POLY MODE ON BnH 7FH
(3-3) SYSTEM COMMON MESSAGE
The system supports both transmission and reception of these messages. These messages provide function control data. They cannot be recorded as sequencer data.
(3-3-1) SONG POSITION POINTER
STATUS LSB MSB 11110010 0vvvvvvv 0vvvvvvv (F2H) SONG POSITION LSB SONG POSITION MSB
Transmitted when song position is changed during SONG PLAY MODE. Received in SONG PLAY MODE during standby.

(3-3-2) SONG SELECT

STATUS SONG NO 11110011 0vvvvvvv (F3H) v=0-9
Transmitted when a song is selected during SONG PLAY MODE. Received in SONG PLAY MODE during standby.
(3-4) SYSTEM REAL TIME MESSAGE
Cannot be recorded as sequencer data.

(3-4-1) TIMING CLOCK

STATUS 11111000 (F8H) Determines whether the system uses the internal clock or the clock received over MIDI IN. Transmit and Receive can be independently enabled or disabled.

(3-4-2) START

STATUS 11111010 (FAH) Transmission and reception can be enabled or disabled.

(3-4-3) CONTINUE

STATUS 11111011 (FBH) Transmission and reception can be enabled or disabled.

(3-4-4) STOP

STATUS 11111100 (FCH) Transmission and reception can be enabled or disabled.
The system records and replay all system-exclusive messages. F0 to F7 are recorded using the same timing, regardless of time disparities in data reception. For replay, interval time is set every 1K bytes. However, when the initial SONG MODE screen is displayed for the bulk data for 1song in the QY20 or QY10, the sequence data is handled locally as bulk data for the QY300, when in RECORD MODE, it is recorded as data. While replaying, the sequence data is transmitted via MIDI, but is not handled locally as bulk data for the QY300. QY300 receives Tracks 1 to 4 of SEQ data and Chord Tr data from within QY10, 20 1-song bulk data. If QY300 includes QY10 code track code data, the data are quantized into quarternote units for reception. QY10 11th code is received as 7th Sus4 code. For information about QY20 and QY10 bulk data. refer to the relevant model's specications.

[ Music Sequencer --- voice part ] Date:24-MAR-1994 Model QY300 MIDI Implementation Chart Version : 1.0 +----------------------------------------------------------------------+ : : Transmitted : Recognized : Remarks : : Function. : : : : :-------------------+----------------+----------------+----------------: :Basic Default : 1 - 16 : 1 - 16 *1 : memorized : :Channel Changed : 1 - 16 *2 : x : : :-------------------+----------------+----------------+----------------: : Default : 3 : 3 : : :Mode Messages : x : x : : : Altered : ************** : x : : :-------------------+----------------+----------------+----------------: :Note : 0 - 127 : 0 - 127 *3 : : :Number : True voice: ************** : 0 - 127 : : :-------------------+----------------+----------------+----------------: :Velocity Note ON : o 9nH,v=1-127 : o v=1-127 : : : Note OFF : x 9nH,v=0 : x : : :-------------------+----------------+----------------+----------------: :After Key's : x : x : : :Touch Ch's : x : x : : :-------------------+----------------+----------------+----------------: :Pitch Bender : x : o 0-24 semi *3 :12bit resolution: :-------------------+----------------+----------------+----------------: : 0,32 : x : o MSB only *3 :Bank Select : : 1 : x : o *3 :Modulation Wheel: : 6,38 : x : o *3 :Data Entry : : 7 : x : o *3 :Volume : : Control 10 : x : o *3 :Panpot : : 11 : x : o *3 :Expression : : Change 64 : x : o *3 :Hold 1 : : 66 : x : o *3 :Sostenuto : : 84 : x : o *3 :Portamento Cont.: : 91 : x : o *3 :Effect Depth : : 96,97 : x : o *3 :Data INC,DEC : : 100,101 : x : o *3 :RPN LSB,MSB : : 120 : x : o *3 :All Sound Off : : 121 : x : o *3 :Reset All Cont. : :-------------------+----------------+----------------+----------------: :Prog : x : o 0 - 127 *3 : : :Change : True # : ************** : : : :-------------------+----------------+----------------+----------------: :System Exclusive : x : o *3 : : :-------------------+----------------+----------------+----------------: :System : Song Pos : x : x : : : : Song Sel : x : x : : :Common : Tune : x : x : : :-------------------+----------------+----------------+----------------: :System :Clock : x : x : : :Real Time :Commands: x : x : : :-------------------+----------------+----------------+----------------: :Aux :Local ON/OFF : x : x : : : :All Notes OFF: x : o : : :Mes- :Active Sense : o : o : : :sages:Reset : x : x : : +----------------------------------------------------------------------+ :Notes: *1 = if REC mode,receive all channels. : : *2 = selected by current track. : : *3 = receive if input filter switch is off. : : : +----------------------------------------------------------------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

YAMAHA

[ Music Sequencer --- sequencer part ] Date:24-MAR-1994 Model QY300 MIDI Implementation Chart Version : 1.0 +----------------------------------------------------------------------+ : : Transmitted : Recognized : Remarks : : Function. : : : : :-------------------+----------------+----------------+----------------: :Basic Default : 1 - 16 : 1 - 16 : memorized : :Channel Changed : x : x : : :-------------------+----------------+----------------+----------------: : Default : x : x : : :Mode Messages : x : x : : : Altered : ************** : x : : :-------------------+----------------+----------------+----------------: :Note : 0 - 127 : 0 - 127 *2 : : :Number : True voice: ************** : 0 - 127 : : :-------------------+----------------+----------------+----------------: :Velocity Note ON : o 9nH,v=1-127 : o v=1-127 : : : Note OFF : x 9nH,v=0 : x : : :-------------------+----------------+----------------+----------------: :After Key's : o : o *2 : : :Touch Ch's : o : o *2 : : :-------------------+----------------+----------------+----------------: :Pitch Bender : o : o *2 : : :-------------------+----------------+----------------+----------------: : 0-121: o : o *2 : : : : : : : : : : : : : Control : : : : : : : : : : Change : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :-------------------+----------------+----------------+----------------: :Prog : o 0 - 127 : o 0 - 127 *2 : : :Change : True # : ************** : : : :-------------------+----------------+----------------+----------------: :System Exclusive : o : o *2 *5 : : :-------------------+----------------+----------------+----------------: :System : Song Pos : o *3 : o *3 : : : : Song Sel : o *3 : o *3 : : :Common : Tune : x : x : : :-------------------+----------------+----------------+----------------: :System :Clock : o *3 : o *4 : : :Real Time :Commands: o *3 : o *3 : : :-------------------+----------------+----------------+----------------: :Aux :Local ON/OFF : o : o *2 : : : :All Notes OFF: x : x : : :Mes- :Active Sense : o : x : : :sages:Reset : x : x : : +----------------------------------------------------------------------+ :Notes: *1 = receive if velocity parameter is 'ext' in step REC mode. : : if parameter is not 'ext',velocity is fixed to 1 - 127. : : *2 = receive if input filter switch is off. : : *3 = if MIDI control switch is on. : : *4 = receive clock at MIDI sync mode. : : *5 = Record Data in Rec, Receive QY10,20 SONG data in Song Top : +----------------------------------------------------------------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No