Contents

Safety Precautions Usage Precautions

Getting Familiar With Some Basic Terms

Names and Functions of Controls and Connectors

Front Panel Rear Panel

Connection Examples

Connection to one guitar amplifier (Example 1) Connection to two guitar amplifiers (Example 2) Connection to Head phone (Example 3)

Playing a Patch (Use of the Play Mode)
Panel display in Play mode Selecting a patch Useful functions in the Play mode

Editing a Patch (Use of the Edit Mode)
Entering the Edit mode Panel display in Edit mode Editing a patch Turning effect modules on and off Compare Storing a patch

Effect Types and Parameters

Effect Module 1: (PRE) Effect Module 2: Equalizer (EQ) Effect Module 3: Modulation Effect Module 4: Delay Effect Module 5: Reverb (REV) Patch level About the TOTAL parameters EXTERNAL LOOP EXTERNAL CTRL OUT (External Control) MINIMUM VOLUME MIDI CH (MIDI Channel) EXP. SELECT (Expression Select)

Edit Mode Application Examples
Tapping input of delay time External effecter loop External control Expression pedal control

Other Functions

Restoring individual factory preset patches (patch recall) Restoring all factory preset patches (initialize) Volume pedal control MIDI control Swapping the pedal functions

Application Examples for Use of Foot Switch and Pedal Switch 14

Using the FS01

Specifications

Thank you for selecting the ZOOM Player Pro 4040 (hereafter simply called the 4040). The 4040 is a sophisticated multi-effect device with the following features and functions: A total of 25 built-in individual effects, which can be combined in patches of up to six effects. 40 preset patches and a user memory for 40 additional patches offer extraordinary flexibility. Integrated volume and expression pedals allow adjustment of output level and effect settings in real time. This is ideal for use during a live performance. Integrated auto-chromatic guitar tuning function lets you quickly and precisely tune instruments on stage. Compression and distortion effects are generated using analog circuitry, to assure rich and natural-sounding sustain and distortion. Send/return Jacks allow connection of external effect devices, and a control out lets you switch guitar amp channels. You can even program the use of these connectors as part of a patch, to create sophisticated sound effects. MIDI OUT for control of external MIDI devices makes the 4040 convenient as a system control center. By using the optional foot switch FS01, single effect on/off switching during a performance is possible, for further enhanced playability.
Please take the time to read this manual carefully, in order to get the most out of your 4040 and to ensure optimum performance and reliability.

Safety Precautions

Please observe the following safety tips and precautions to ensure hazard-free use of the 4040.

Usage Precautions

Electrical interference
The 4040 uses digital circuitry that may cause interference and noise if placed too close to other electrical equipment, such as TV sets and radio receivers. If such problems occur, move the 4040 further away from the affected equipment. Also, when fluorescent lights or devices with built-in motors are close to the 4040, the unit may not function properly.

Power requirements

The 4040 is powered by the supplied AC adapter AD0003/AD0004. To prevent malfunction and safety hazands, Do not use any other kind of AC adapter. When using the 4040 in an area with a different line voltage, please consult your local ZOOM distributor about acquiring a proper AC adapter.

Cleaning

Use a soft, dry cloth to clean the 4040. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface.

Environment

Avoid using your 4040 in environments where it will be exposed to: Extreme temperature High humidity or moisture Excessive dust or sand Excessive vibration or shock
Please keep this manual in a convenient place for future reference.

Handling

Since the 4040 is a precision electronic device, avoid applying excessive force to the switches and buttons. Also take care not to drop the unit, and do not subject it to shock or excessive pressure.

The 4040 has two memory areas or groups where patches are stored: the USER group for patches that can be freely altered and stored by the user, and the PRESET group for factory defined read-only patches. There are 40 patches in each group, for a total of 80 patches.
The 4040 calls up patches in sets of four, and the foot pedals

Front Panel

(1) (2) (3)

DELAY TIME TAP EDIT

PRE MODULE
ADVANCED GUITAR EFFECTS PROCESSOR

(BYPASS)

1 CLN I 3 ODI 4 ODII EFFECT 2 CLN II 5 DST I 6 DST II 1 EQ 7 LEAD 8 METAL PARM 1 PARM 2 PARM 3 PARM 4 PARM 5 TOTAL
2 AMP SIM COLOR [1 3] BOX [1 3] DEPTH [010] TONE [-7 +7] LEVEL [1 8] EXTERNAL CONTROL OUT [1 4] 0= NORM 1= INV VOL 3 AUTO 4 PDL WAH WAH FREQ FREQ [164] SENS [010] EXP. MODE 0= NORM 1= INV MODE [116] (PITCH) 1 PDL PIT 2 PIT PITCH [0 24]

MODULATION

3 FLG 4 PHA 5 TREM 6 STEP 7 SLOW 8 CHO DEPTH [010] RATE [150] PEAK [010] 7 MODE [0, 1] BAL. 8 STR
1 MONO 2 PPD [0 10] (X100mS) DELAY TIME( ) [0 99] (mS) FEEDBACK [0 10] MIX [0 10]

REVERB

1 HALL 2 ROOM TIME [1 10] TONE [-7 +7] 3 DELAY TIME [0 90] (X10mS) FEEDBACK [0 10]
COMP [0 4] TONE [-7+7] GAIN [116] DYNAMICS [0 3] ZNR [015] EXTERNAL LOOP [0,1] 0=OFF, 1=ON
HIGH [-7 +7] MID [-7 +7] MIDf [116] LOW [-7 +7]
SHIFT [dn, UP] FINE [-5 +5] BAL [0 10]
MIX [0 10] PATCH LEVEL [0 50] EXP. SELECT [0 5] 0= OFF 1= DIST 2= EQ 3= MOD 4= DLY 5= REV

EXP.MODE

0= min VAL 1= VAL max

GLOBAL

MINIMUM VOLUME [010]

MIDI CH [1 16]

USER PRESET BOTH

POLPIT MODE

1: Dirty BEND 2: Ham Chokin 3: Detune 4: 2nd 5: 1Oct 1Oct 6: 0 7: 2Oct 8: 9: b3rd 10: 1Oct 11: 5th 12: 5th 13: 4 Octave 14: Hi-BAND 15: X-fade 16: Scratch 3rd 1Oct 4th 6th

TUNER CALIB (435Hz445Hz)

(EDIT TUNER VALUE)
VALUE PARAMETER SELECT EDIT(MANUAL)

CANCEL

GROUP BANK

(5) (6)

(7) (12)
(1) Tuner LED Indicates the bypass/tuner condition. (2) Parameter cursor LED In Edit mode Flashing LED indicates the currently edited parameter. In bypass/tuner mode Serves as a fine tuning meter. (3) Module cursor LED In Play mode Lit LED indicates which effect module in the current patch is ON. In Edit mode Lit LED indicates which effect module in the currently edited patch is ON, and flashing LED indicates the currently edited effect module. (4) GROUP key In Play mode Serves to select the memory group for the patch :USER, PRESET, or BOTH. In Edit mode Serves to compare the currently edited patch with the patch before editing (compare function). For details, please refer to page 12.

(5) Display The display shows vital information for operating the 4040, such as group and bank numbers of a patch, effect parameter values and other messages. (6) STORE key Serves to store an edited patch with its new parameter and level settings in the user group. (7) PARAMETER SELECT keys Serve to select the parameter to be edited in Edit mode. (8) VALUE + / - keys These keys serve to change the value of a setting in any mode. Tapping the VALUE + key increases the value by one step, and tapping the VALUE - key decreases the value by one step. Keeping a key depressed changes the value continuously. To increase the speed of the change, press the other key as well. (9) Edit mode LED This LED lights up when the 4040 is in the Edit (Manual) mode. (10) EDIT (MANUAL) / CANCEL key
Pressing this key switches from Play mode to Edit mode. The Edit mode can also be used as Manual mode to switch effect modules on and off with the pedal switches and the BANK w pedal. The key also serves to return from the Edit mode to the Play mode, and to cancel a store process. (11) BANK pedal switches In Play mode The v pedal selects the next higher bank, and the w pedal the next lower bank. In Edit (Manual) mode The v pedal serves to set the delay time of the effect module. Each tap of the pedal changes the setting by one step. The w pedal serves to switch PRE for the effect module on and off. The pedal LED lights up when PRE is
on. (12) Pedal switches 1 - 4 In Play mode The pedals serve to select a patch. The respective pedal LED lights up. In Edit (Manual) mode The pedals serve to switch the effect modules EQ, MODULATION, DELAY, REVERB on and off. The respective pedal LED lights up. (13) VOL (Volume) pedal Serves to manually control the overall level of a patch. (14) EXP (Expression) pedal Serves to control any selected effect parameter in real time.

Rear Panel

INPUT GAIN H M L
MODEL 4040 ZOOM CORPORATION MADE IN JAPAN/FABRIQUE AU JAPON SERIAL NO

EXT INPUT SEND RETURN R

OUTPUT L/MONO

PHONES

VOLUME

EXT MANUAL CTRL OUT

MIDI OUT DC9V 200mA POWER
(1) INPUT GAIN SWITCH This switch controls the input sensitivity. Select the position most suited to the connected instrument. For reference, standard settings are shown below. H: For guitars with single-coil pickups M: For guitars with hum-bucking or active type pickups L: For guitars with very high output (2) INPUT jack Serves for connection of an instrument such as electric guitar or bass. (3) EXTERNAL SEND/RETURN connectors Serve for connection of an external effect device. The send/return loop is inserted in series between the compressor and distortion sections in the PRE module. The ON/OFF setting of the send/return loop can be stored as part of a patch. (4) OUTPUT L/MONO & R connectors Serves for connection to a guitar amplifier. To use the 4040 in stereo, connect cables to both jacks. For a monaural setup, connect the cable to the L/MONO jack. (5) PHONES jack Allows connection of a pair of stereo headphones, to monitor the output of the 4040.

2 AMP SIM COLOR [1 3] BOX [1 3] DEPTH [010] TONE [-7 +7] LEVEL [1 8] EXTERNAL CONTROL OUT [1 4] 0= NORM 1= INV VOL 3 AUTO 4 PDL WAH WAH FREQ FREQ [164] SENS [010] EXP. MODE 0= NORM 1= INV MODE [116] (PITCH) 1 PDL PIT 2 PIT PITCH [0 24] SHIFT [dn, UP] FINE [-5 +5] BAL [0 10]

(1) (2)

Select the bank with the BANK

pedals.

Useful functions in the Play mode
Some other useful functions available in Play mode are described below.
A bank is a group of four patches. There are ten banks each (numbered 0 through 9) for the USER group and the PRESET group. The BANK v pedal selects the next higher bank, and the BANK w pedal the next lower bank. (The bank number display flashes.)
GROUP=PRESET GROUP=USER GROUP=BOTH
s Adjusting the patch level
The final output level of the patch called the patch level is also stored as a parameter along with the other parameters of the patch. In the Play mode, the patch level can be adjusted. Press the VALUE + / - keys in the Play mode. When one of the VALUE + / - keys is pressed, the current patch level setting is shown on the display as a numeric value (0 50). Pressing VALUE + increases the value and pressing VALUE - decreases it. To change values continuously, hold down the key. To change values more rapidly, press the other key as well.
NOTE The patch level setting change made in this way is only temporary. If you select a different patch without storing the new level setting first, the setting will be lost. (For details on how to store settings, please refer to page 12.)
In the Play mode, the patch level can be adjusted also for patches from the PRESET group, but the new level setting cannot be stored. When wishing to store the level, select a patch from the USER group.
Merely pressing one of the BANK pedals does not yet change the patch. To activate the patch and change the sound, press one of the pedal switches 1 4, as described below.

s Bypassing the effects

You can temporarily turn off all effects in a patch. This is useful for example to check the sonic character of a patch. The bypass mode is also used for the chromatic tuning function. In the Play mode, press the pedal switch 1 - 4 whose LED is lit (i.e. the pedal switch that was used to choose the current patch). All effects in the patch are now bypassed and the original instrument sound is heard. In the bypass condition, the LED of the selected patch flashes and the tuner LED lights up. Press the pedal switch once more to turn the patch on again. Normal Play mode can also be restored by selecting a different patch.

Select the patch by pressing one of the pedal switches 1 4. The LED of that pedal lights up, showing that the patch has been selected. (The BANK number is now constantly lit.) Now would be a good time to try out some of the various patches offered by the 4040 while playing your instrument.

s Tuning a guitar

The 4040 incorporates an automatic guitar tuning function. When the 4040 is set to the bypass mode, the tuning function is automatically enabled. In the Play mode, press the pedal switch whose LED is lit. This activates the bypass mode and the tuner LED lights up.
Pick an open string on the guitar. The display shows the note which is closest to the current pitch. Tune the guitar to the desired pitch.
While the reference frequency is shown, use the VALUE + / - keys to adjust the frequency. The adjustment range is 35 (435 Hz) to 45 (445 Hz).

C= C #= D= D #= E=

F= F #= G= G #=
A= 435Hz : A #= 440Hz : B= 445Hz :
The default reference frequency setting that is established when the 4040 is turned on is 440 Hz.
When the display shows the desired note, perform fine tuning. While the tuner function is being used, the parameter cursor LEDs serve as a fine tuning meter. When the pitch is correct, the PARM3 LED lights. If the pitch is too high, the PARM1 LED lights, and if it is too low, the PARM5 LED lights. Watch the LEDs while fine tuning your instrument.
1 CLN I EFFECT 2 CLN II PARM 1 PARM 2 PARM 3 PARM 4 PARM 5 TOTAL
Press the pedal switch once more or select a different patch to revert to normal Play mode.
For tuning an electric bass, use octave harmonics (lightly touch and release a string above the 12th fret).

s Tuner calibration

The reference frequency of the integrated guitar tuner can be fine adjusted for the reference note A. In the Play mode, press the pedal switch 1 - 4 whose LED is lit once more. This activates the bypass mode and the tuner LED lights up. Press one of the VALUE + / - keys. The current reference frequency is shown for a brief duration on the display.

The optimum ZNR setting depends on the type of guitar you are using.
Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5
COMP TONE GAIN DYNAMICS ZNR

04 -7 +0 15

Explanation (3)GAIN: Determines distortion intensity in the overdrive circuit. The higher the value, the deeper the distortion. (4)DYNAMICS: This parameter changes the volume depending on the picking intensity, but without changing the distortion. The higher the value, the more pronounced the effect.

4 OD II (Overdrive 2)

Overdrive effect with heavy, fuzzy distortion.
PRE 4 OD II Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 COMP TONE GAIN DYNAMICS ZNR 04 -7 +0 15

7 LEAD

Hard distortion with a distinct character.
PRE 7 LEAD Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 COMP TONE GAIN DYNAMICS ZNR 04 -7 +0 15

5 DST I (Distortion 1)

Hard distortion effect similar to a large amplifier driven to full capacity.
PRE 5 DST I Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 COMP TONE GAIN DYNAMICS ZNR 04 -7 +0 15

8 METAL

Distortion which stresses the upper and lower ends of the frequency spectrum, suitable for heavy metal.
PRE 8 METAL Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 COMP TONE GAIN DYNAMICS ZNR 04 -7 +0 15

6 DST II (Distortion 2)

Distortion with a thick, full-bodied character that is ideal for the heavy metal genre.
PRE 6 Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 COMP TONE GAIN DYNAMICS ZNR DST II 04 -7 +0 15
s Effect Module 2: Equalizer (EQ)
This effect module comprises four effect types to control the tonal character of the sound.
2 AMP SIM (Amp simulator)
This effect simulates the sound of a guitar amplifier. By combining it with the PRE module, the sound of picking up a guitar amp with a microphone can be convincingly recreated.
EQ 2 AMP SIM Parameter 1 Parameter 2 COLOR BOX DEPTH TONE LEVEL -7 +7 18

1 EQ (Equalizer)

This is an equalizer with independent boost/cut for the high, mid, and low frequency range. The mid-range control is a parametric type allowing the user to freely select the center frequency.
Parameter EQ Parameter 4 Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 HIGH MID MID f LOW LEVEL -7 +7 Parameter 5 -7 +16 -7 +7 18
Explanation (1)HI (high range): Adjusts the high frequency range. A value of 0 (zero) signifies flat response. The higher the value, the stronger is the high frequency boost. (2)MID (midrange): Adjusts the mid frequency range. A value of 0 (zero) signifies flat response. The higher the value, the stronger the mid frequency boost. (3)MID f (midrange frequency): Determines the center frequency for cut/boost. The higher the value, the higher is the center frequency. (4)LOW (low range): Adjusts the low frequency range. A value of 0 (zero) signifies flat response. The higher the value, the stronger the low frequency boost. (5)LEVEL: Determines the EQ module output level.

Gain Mid f

Explanation (1)COLOR: Determines the frequency response of the simulated amplifier. 1: Flat response 2: Vintage tube amplifier with emphasized midrange 3: Modern amplifier with extended high and low range (2)BOX: Determines the type of simulated speaker enclosure. 1: Stack 2: Combo 3: Compact (3)DEPTH: Determines the amount of speaker box ringing. Higher values will result in pronounced ringing which occurs when an amplifier is operating at a loud volume. When set to 0 (zero), there is no such speaker box ringing, regardless of the selected box type.

3 AUTO WAH

This is an auto wah effect where the emphasized frequency range changes according to the dynamics of the input signal.

EQ 3 AUTO WAH

Frequency
Parameter 1 Parameter 2 Parameter 5

FREQ SENS LEVEL

Equalizer Operation The LEVEL parameter allows compensation for the change in output level due to a tone boost or cut. When HIGH, MID, and LOW are all at the flat setting, the LEVEL setting "5" produces the same volume as EQ OFF.
If LEVEL is set too high, internal clipping may lead to distortion. Adjust the LEVEL parameter to match the input level.
Explanation (1)FREQ (Frequency): Determines the reference frequency. (2)SENS (Sensitivity): Determines the sensitivity of the auto wah effect. The bigger the value, the bigger the frequency change even at low volume levels.

4 PDL WAH (Pedal Wah)

A wah effect which can be controlled in real time with the EXP pedal.
EQ 4 PDL WAH Parameter 1 Parameter 2 Parameter 5 FREQ EXP. MODE LEVEL 0,1 18
1: Dirty bend (Dirty BEND) 2: Harmonized choking (Harm Chokin') 3: Detune (Detune) 4: Bend down (0 2nd) 5: Bend up (0 1oct) 6: Arm down 1 (0 1oct) 7: Arm down 2 (0 2oct) 8: Infinity bend down (0 ) 9: Minor/major ( b3rd

Pedal up

-100 cent

Pedal down

-200 cent+DRY Doubling 0 cent
-10 cent+DRY +50 cent+DRY -200 cent

0 cent

+1 oct
Explanation (2)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal. 0: The frequency is raised with each push of the pedal. 1: The frequency is lowered with each push of the pedal.
When wishing to use this effect, be sure to select the EQ module in the TOTAL parameter EXP. SELECT, as described on page 22.

-1 oct

-2 oct

+300 cent+DRY

+400 cent+DRY
s Effect Module 3: Modulation
This effect module has eight effect types which vary the pitch over time.
10: Octave harmony ( 1oct 1oct) 11: Perfect 5th/perfect 4th 2 ( 5th 4th) 12: 5th/6th ( 5th

-1 oct+DRY

+1oct+DRY

-700 cent+DRY

+500 cent+DRY
1 PDL PIT (Pedal Pitch Shifter)
This effect allows you to shift the pitch using the EXP pedal. By presetting the mode, you can easily select the shift amount.
+700 cent+DRY -2 oct +1 oct+DRY
+900 cent+DRY +2 oct +2 oct+DRY
13: 4-octave shift 14: Manual flanger (Hi-BAND) 15: Cross fade (X-fade)

- +DRY +1 oct+DRY

+1 oct -

16: Stop (Scratch)

1 PDL PIT Parameter 1 Parameter 5 MODE EXP. MODE 1 16
PDL PIT Modes and Pitch Shift Ranges
Explanation (1)MODE: Determines the pitch shift range effected by the EXP pedal. There are 16 different modes. (5)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal.
The various modes and pitch shift ranges are shown at right. We recommend that you try various settings to find the one which suits your needs. 1 cent is 1/100 of a chromatic interval. DRY indicates the original pitch, and oct stands for octave.
When wishing to use this effect, be sure to select the MODULATION module in the TOTAL parameter EXP. SELECT, as described on page 22.

2 PIT (Pitch)

This effect shifts the pitch by a maximum of two octave up or down, and adds the shifted signal to the direct sound.
MODULATION 2 PIT Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 PIT SHIFT FINE BAL EXP. MODE dn , UP -10 +10 0,1

3 FLG (Flanger)

This effect adds a delayed component to the direct sound, with periodically changing delay time in the range of several to tens of milliseconds. The result is an intense, distinct sound. When combined with distortion, a swirling jet sound type flanger effect can be obtained.

MODULATION 3 FLG Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 DEPTH RATE PEAK MODE EXP. MODE 0,1 0,1
Explanation (1)PIT (Pitch): Determines the pitch change in semitone steps. The setting range is one octave up or down. (2)SHIFT: Determines the direction of the pitch shift, either "dn" (down) or "UP". (3)FINE: Allows fine adjustment of pitch. (4)BAL (Balance): Determines the balance between effect sound and direct sound. At a setting of 0 (zero), the output signal contains only the direct sound, and at a setting of 10 only the effect sound. (5)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal. 0: When the pedal is fully pushed down, the balance is as set with the BAL parameter. When the pedal is up, the balance is minimum. 1: When the pedal is fully pushed down, the balance is maximum. When the pedal is up, the balance is as set with the BAL parameter.
By setting the pitch to 0 (zero) and somewhat raising the FINE parameter, you can create a chorus effect with slight modulation.
Explanation (1)DEPTH: Determines the depth of the flanger effect. (2)RATE: Determines the speed of the flanger variation. (3)PEAK: Determines the amount of feedback. Increasing this parameter stresses the modulation impression and adds a distinct character to the sound. (4)MODE:Determines the basic sonic character. 0: Flanger 1: Solid chorus (strong chorus with little modulation) (5)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal. 0: When the pedal is fully pushed down, the feedback is as set with the PEAK parameter. When the pedal is up, the feedback is minimum. 1: When the pedal is fully pushed down, the feedback is maximum. When the pedal is up, the feedback is as set with the PEAK parameter.

4 PHA (Phase)

This effect adds a phase-shifted component to the direct sound, with a variable amount of phase shift. The effect creates a warm, distinct sound that is different from flanger or chorus.

MODULATION 4 PHA Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 DEPTH RATE PEAK MODE EXP. MODE 0,1 0,1
(3)PEAK: Increasing this parameter deforms the tremolo waveform to a trapezoid shape, which causes a strong clipping effect and adds a distinct character to the sound. (4)MODE: Determines the modulation waveform. 0: Chopping 1: Sawtooth (5)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal. 0: When the pedal is fully pushed down, the tremolo rate is as set with the RATE parameter. When the pedal is up, the tremolo rate is minimum. 1: When the pedal is fully pushed down, the tremolo rate is maximum. When the pedal is up, the tremolo rate is as set with the RATE parameter.

Level Level

Explanation (1)DEPTH: Determines the depth of phase shift. (2)RATE: Determines the speed of phase shift. (3)PEAK: Adds a distinct character to the sound by emphasizing the effect. (4)MODE: Determines the basic sonic character. 0: Warm 1: Clear (5)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal. 0: When the pedal is fully pushed down, the sonic change is as set with the PEAK parameter. When the pedal is up, the sonic change is minimum. 1: When the pedal is fully pushed down, the sonic change is maximum. When the pedal is up, the sonic change is as set with the PEAK parameter.

Time PEAK=0 PEAK=10

Effect of the PEAK Parameter

6 STEP

This effect causes random pitch changes and creates an auto arpeggio sound.
MODULATION 6 STEP Parameter 1 Parameter 2 Parameter 3 Parameter 4 DEPTH RATE PEAK MODE EXP. MODE 0,1 0,1

5 TRM (Tremolo)

This effect periodically varies the intensity of the sound. The effect can be adjusted from conventional tremolo to a strong clipping effect.
MODULATION 5 TRM Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 DEPTH RATE PEAK MODE EXP. MODE 0,1 0,1

Parameter 5

Explanation (1)DEPTH: Determines the depth of the tremolo effect. (2)RATE: Determines the speed of the tremolo variation.
Explanation (1)DEPTH: Determines the depth of the pitch change. (2)RATE: Determines the speed of the effect (arpeggio rate) (3)PEAK: Determines the amount of feedback. Increasing this parameter stresses the feeling of modulation and adds a distinct character to the sound. (4)MODE: Determines whether there is a portamento effect when changing the pitch. 0: Effect disabled 1: Effect enabled (5)EXP. MODE (Expression Mode): Determines the direction of the change caused by the EXP pedal. 0: When the pedal is fully pushed down, the feedback is as set with the PEAK parameter. When the pedal is up, the feedback is minimum. 1: When the pedal is fully pushed down, the feedback is maximum. When the pedal is up, the feedback is as set with the PEAK parameter.

Some of the TOTAL parameters can be stored as part of a patch and some are global settings for operation of the 4040. When a patch parameter has been changed, it must be stored with its patch in the same way as an effect parameter. When a global parameter has been changed, storing any patch will also store the global parameter setting.
Explanation (1)TIME (x10 ms): This parameter adjusts the delay time in 10-ms steps. (2)FEEDBACK: Determines the number of repetitions of the delay sound. The higher the value, the more repetitions are added. (3)MIX: Determines the balance between effect sound and direct sound. At a setting of 0 (zero), the output signal contains only the direct sound, and at a setting of 10 only the effect sound.
When the 4040 is used in a monaural configuration, only long delay signals are output from the OUTPUT L/MONO jack. This is opposite to the operation of the ping-pong type delay.

s EXTERNAL LOOP

The send/return loop for an external device is inserted between the compression and distortion sections in the PRE module. This parameter controls the on/off setting of the loop. This parameter can be stored as part of an individual patch. For details, please refer to page 23.
EXTERNAL LOOP Parameter EXTERNAL LOOP 0,1
Explanation EXTERNAL LOOP: Controls the on/off setting of the external send/return loop. 0 (zero) is OFF and 1 is ON.
The external loop can be used also when the PRE module is off.

s Patch Level

Parameter 4 of the REVERB module serves to set the patch level. This setting, although not actually an effect, can also be stored as part of the patch.
PATCH LEVEL Parameter 4 PATCH LEVEL 0 50
s EXTERNAL CTRL OUT (External Control)
Determines the setting of the EXTERNAL CONTROL OUT connector which serves to switch the channel of an external amplifier. This parameter can be stored as part of an individual patch. For details, please refer to page 23.
EXTERNAL CTRL OUT Parameter EXTERNAL CONTROL OUT 14
Explanation (4)PATCH LEVEL: Determines the individual output level for each patch.
The patch level parameter can be set regardless of the REVERB module on/off status. It is also possible to change the patch level in the Play mode, using the VALUE +/- keys.
Explanation EXTERNAL CTRL OUT: Controls the setting of the EXTERNAL CONTROL OUT connector. For details, please refer to page 23.

s MINIMUM VOLUME

This parameter controls the volume level setting between the EQ module and the MODULATION module, when the VOL pedal is fully raised. This is a global parameter which affects operation of the entire 4040.

The effect of the EXP (expression) pedal depends on which module is selected for the current patch. The direction and intensity of the change depends on the module settings. Edit the respective parameters and check the results to find your desired sound. Modules which are currently off and modules which cannot be controlled by the EXP pedal cannot be selected (are not displayed). When wishing to control a module with the EXP pedal, be sure to set it to on.
MINIMUM VOLUME Parameter MINIMUM VOLUME 0 10
Explanation MINIMUM VOLUME: Determines the minimum volume level when the VOL pedal is fully raised. At a setting of 0 (zero), no sound is heard.

s MIDI CH (MIDI Channel)

This parameter controls the channel for the MIDI signal supplied at the MIDI OUT connector. This is a global parameter which affects operation of the entire 4040. For details, please refer to page 26.
MIDI CH Parameter MIDI CH 1 16
Explanation MIDI CH (MIDI Channel): Determines the MIDI send channel.
When you have changed a global parameter (MINIMUM VOLUME/MIDI CHANNEL) and want to retain the setting, simply store any patch. This will also store the global parameter setting. If you turn off the 4040 without storing a patch, the global parameter setting will revert to the default value.
s EXP. SELECT (Expression Select)
This parameter determines which module is controlled by the expression pedal. This parameter can be stored as part of an individual patch.
EXP. SELECT Parameter EXP. SELECT 05
Explanation EXP. SELECT (Expression Select): Determines which module is controlled by the expression pedal. 0: OFF 1: PRE 2: EQ 3: MODULATION 4: DELAY 5: REVERB
This section gives pointers on how to use some advanced features of the Edit mode and the TOTAL parameters.
Tapping input of delay time
The delay time of the delay module can be set by tapping the BANK v pedal in the desired interval. By mastering this technique, you can easily adjust the delay time to match the tempo of a song. In Play mode, select the patch you want to edit (from either the USER or the PRESET group). Press the EDIT/CANCEL key to activate the Edit mode. Tap the BANK v pedal at least twice, in the desired tempo. The 4040 detects the interval between taps of the pedal switch and sets the delay time accordingly. Press the EDIT/CANCEL key once more to return to the Play mode.
The tapping input method can be used only for the delay time of the DELAY module, and only when the DELAY module is on. The maximum delay time is 1000 ms. If the tapping interval is between 1000 and 2000 ms, the delay time will be set to one half the interval time. If the tapping interval is more than 2000 ms, the delay time is not set.

C-4040 ZOOM Specifications
Image Pickup Element 1/1.8" (.55") solid-state 4.13 million pixel CCD (effective 3.98 million pixels) Lens Olympus aspherical glass 3x zoom lens; 7.1 21.3mm f1.8/2.6 f10 (equivalent to 35 105mm lens on 35mm camera); 10 elements in 7 groups Digital Zoom Up to 7.5x continuous Recording System Still image: TIFF (non-compressed), JPEG, DCF (Design rule for Camera File system), DPOF support; Motion picture: QuickTime motion JPEG; Sound: WAV format DPOF Setting Print reservation; All print reservation; Date/time; Trimming Pixel Mapping Selectable mode remaps CCD via bicubic interpolation Optimum Image SHQ: 3200 x 2400, 2816 x 2112; HQ: 3200 x 2400, 2816 x 2112 (all four OIE Enlargement resolutions interpolated from maximum optical resolution of 2272 x 1704) Noise Reduction Mode available at shutter speeds of 1 second or longer; Sharpness: +/- 5 steps; Contrast: +/- 5 steps Memory 3V (3.3V) SmartMedia card (4, 8, 16, 32, 64 or 128MB); 16MB SmartMedia included Viewfinder Optical real-image viewfinder with AF/backlighting correction mark; LCD monitor LCD Monitor 1.8" (4.5 cm) Wide-View color TFT LCD monitor with 114,000 pixels; Brightness adjustment ISO Auto; Fixed: 100, 200, 400 (equivalent) Working Range Macro mode: 8" 31" (0.2 m 0.8 m); Standard mode: 31" (0.8 m ) Focusing iESP Multi-pattern AF (autofocus) TTL system (contrast detection system): 8" (0.2 m ); Manual focus (setting by gauge): 8" (0.2 m ). Exposure Control Programmed Auto mode: f1.8 f10, 1 1/800 sec.; Aperture Priority mode: f1.8 f10, 1/3EV steps; Shutter Priority mode: still image 4 1/800 sec. (used with mechanical shutter), 1/3EV steps; Manual exposure: up to 16 seconds; Exposure compensation: +/- 2EV by 1/3EV steps; Auto bracketing: 3 or 5 images, selectable from 1/3EV, 2/3EV and 1EV; QuickTime mode: 1/30 1/10,000 sec Metering Digital ESP Multi-pattern; Spot; 8-point Multi-spot; AE lock White Balance iESP Multi-pattern auto TTL; Pre-set manual (Daylight, Overcast, Tungsten, Fluorescent); One-touch manual calibration; Manual compensation Flash Modes Built-in flash modes: Auto (low- & backlight), Red-Eye Reduction, Fill-in (Forced On), Forced Off, Slow Shutter Synchronization (First Curtain and Second Curtain); External terminal: Auto, Forced On, Forced Off Flash Working Range Wide: 31" 18' (0.8 m 5.6 m) (approximately) @ ISO 100; Tele: 8" 12.5' (0.2 m 3.8 m) (approximately) @ ISO 100 Flash Charging Time Less than 6 seconds (at normal temperature with new batteries) Sequence 2 frames per second burst up to 8 frames in HQ mode Panorama Up to 10 frames stitchable with CAMEDIA Master software when using Olympus brand SmartMedia QuickTime Movie Up to approximately 32 seconds with sound at 15 frames/second in 320 x 240 HQ mode with 16MB SmartMedia; Up to approximately 130 seconds with sound at 15 frames/second in 160 x 120 SQ mode with 16MB SmartMedia; 4 second sound captioning of still images Movie Edit Cut; Index Image Effects Sepia mode, Black and White mode, Blackboard mode, Whiteboard mode Selftimer/Remote 12 second delay (camera)/3 second delay (remote control) Setting Memorization On, Default, Custom Outer Connectors DC Input, Auto-Connect USB, A/V Output (NTSC), 5-pin External Flash terminal for optional Olympus FL-40 flash Auto-Connect USB Compatible with Windows ME/2000 Pro/XP and Mac OS 8.6 OS X; Windows 98 rev 2 driver provided on CD Image Playback Index display; Up to 4x enlargement; Slide show; Scene rotation Operating Environment Operation: F (C), 30 90% humidity; Storage: -F (-C), 10 90% humidity Power Supply Main power source: 2 x LB-01 CR-V3 lithium battery pack (included), 4 x AA NiMH batteries, 4 x AA lithium batteries, 4 x AA NiCd batteries; 4 x AA alkaline batteries (Manganese batteries cannot be used); optional C-7AU AC adapter Date/Time/Calendar Simultaneous recording onto image data Automatic Calendar Up to year 2031 Dimensions 4.3" W x 3" H x 2.75" D (110 mm x 76 mm x 70 mm) excluding projections Weight 11.3 oz. (320 g) without batteries and SmartMedia card

4.1 Megapixel Digital Camera

C-4040 ZOOM

A 4.1 megapixel digital camera with a super bright 3x zoom lens.

Focus On Life

http://c-4040.olympus.com
The Olympus School of Digital Photography is a one-day workshop covering everything from digital image capture to final output. To register, visit www.olympusphotoschool.com or call 1-800-833-6297 x6161.
Specifications and design are subject to change without any notice or obligation on the part of the manufacturer. All trademarks mentioned herein are the property of their respective holder. 2001 Olympus America Inc. D994

C 4040Z

Finally a reason to quit your day job.
This is it. The camera that may finally convince you to change careers and become a professional photographer. Its the remarkable CAMEDIA C-4040 Zoom. And at its heart is a sophisticated 4.1 megapixel CCD. Youve never seen such unbelievable photographs (like the one below, in fact) from such a compact, versatile camera. But as youll see, the C-4040 Zoom is about more than pixels. Its also about the photographic technology to take full advantage of all those pixels. And its about a lens designed specifically for digital photography. Because without the right lens, all the pixels in the world wont give you pictures like the ones youre about to take.
The easier it is, the more fun it is. With Auto-Connect USB, any USB computer with Windows ME, 2000 Pro, XP or Mac OS 8.6 OS X will instantly recognize and connect the C-4040 Zoom. No software to mess with. Just plug and play.
Our exclusive in-camera Optimum Image Enlargement mode enlarges images to 3200 x 2400 for big, beautiful 16" x 20" prints. The new Auto Pixel Mapping mode checks the CCD and remaps it for maximum CCD performance.
A Wide-View color LCD monitor makes for easy framing and fast reviewing in any lighting situation.
A lens designed exclusively for digital photography.

Film lens

Within the CAMEDIA C-4040 Zooms attractive, compact exterior lies a very special lens. Instead of simply fitting a traditional lens to a digital body, we designed a lens exclusively for digital photography.

C-4040Z lens

The C-4040 Zoom lens focuses light at direct angles to properly fill pixel wells with information.
By focusing light at a more direct angle, all 4 million pixel wells are properly filled, resulting in true, natural color and sharp detail from edge to edge. It also results in a camera youll want to use day and night, indoors and out. So we made it a super bright f1.8. With a lens this versatile, youll find yourself in more right places at more right times than ever before. And naturally, since its an Olympus lens, its crafted with all the precision and clarity thats made us the world leader in film and filmless photography.
More light with the f1.8 aperture means better performance. You can shoot in less light, shoot faster shutter speeds in low light, use the built-in flash up to 18 feet and shoot with a shallower depth of field.
Ten lenses in 7 groups designed for digital photography. Its a 7.1mm 21.3mm aspherical glass 3x optical zoom lens, equivalent to a 35mm 105mm film lens. And with the 7.5x digital zoom, you can go to the equivalent of 262mm.

The rest of the picture.

By themselves, the CAMEDIA C-4040 Zooms superior 4.1 megapixel CCD and breakthrough lens are enough to guarantee the kind of sharp, beautiful pictures youve always wanted to shoot. But when you consider all the features that make it easy, versatile and just plain fun to use, well, the worlds your playground.
The noise reduction system (below) gives you clean colors and sharp detail when shooting long exposures in low light.

A complete system.

MAUSB-4W Dual Slot USB SmartMedia/ CompactFlash Reader-Writer
SmartMedia Wallet SmartMedia MA-2E PCMCIA FlashPath Floppy Adapter SmartMedia Adapter

P-200 Printer

P-330N Printer

P-400 Printer

SmartMedia (16MB included )
8, 16, 32, 64, 128MB available

USB Cable (included)

Video (cable included)

PC/Mac

C-4040 Zoom

NTSC TV Monitor or VCR

Macro Extension Wide Extension Lens Pro Lens Pro LB-01 Lithium Battery Pack (2 included)
NiMH Batteries External Flash Flash Bracket TTL-PC Cable PC Socket Cable TTL-TTL Cable

Lens Adapter Step-Up Ring Tube 43-55mm or 43-46mm

Tele Converter Lens

110V or 220V AC Adapter

NiMH Battery Charger

Silver Protection Plan (1 year)
Gold Protection Plan (2 years)

Soft Leather Case

RM-1 Wireless Remote Control (included)
Just a few of its features.
Auto and one-touch manual white balance Auto, spot metering and multispot metering Shutter priority Aperture priority Auto exposure bracketing Autofocus and manual spot focus Sharpness and contrast Rubberized barrel and grip Multi-mode flash Macro Panorama B&W, sepia 2 fps burst QuickTime sound movies Sound captioning

Storable frames.

Resolution 2272 x x x x x x x x x x x x x x x x x x x 2400* 2816 x 2112* 3200 x 2400* 2816 x 2112* 320 x fps sound movie 130 sec. (approx.) SQ 160 x fps sound movie Number of frames for still images are with no sound recording. *Optimum Image Enlargement mode is interpolated from maximum optical resolution. 16MB SmartMedia 5 or more 16 or more 7 or more 20 or more 11 or more 32 or more 18 or more 49 or more 27 or more 76 or more 66 or more 165 or more 2 or more 3 or more 8 or more 10 or more 32 sec. (approx.) Mode TIFF TIFF TIFF TIFF TIFF TIFF SHQ HQ SQ1 high SQ1 normal SQ1 high SQ1 normal SQ1 high SQ1 normal SQ2 high SQ2 normal SQ2 high SQ2 normal SHQ SHQ HQ HQ HQ

What you get.

CAMEDIA C-4040 Zoom Digital Camera 16MB SmartMedia Card (2) LB-01 CR-V3 Lithium Battery Pack RM-1 Wireless Remote Control CAMEDIA Master Software Adobe Photoshop LE Digital Camera Win/Mac USB Cable NTSC Audio/Video Cable Lens Cap with Retaining Cord Carrying Strap
A simplified menu, shortcut settings and a customizable button make for quick, easy adjustments.