The Celestron NexImage astronomy is a complete CCD solar system imager capable of producing high quality planetary images with greater light sensitivity and color fidelity. The software automatically filters out video frames most affected by poor atmospheric "seeing" leaving only the sharpest, clearest frames to be stacked and aligned into one high-quality image.
Part Numbers: 1982425, 3081150, 93712, CI-TA-93712, CNNI, NexImage CCD Solar
UPC: 0050234937122, 050234937122
[ Report abuse or wrong photo | Share your Celestron Neximage photo ]
Celestron Neximage, size: 5.7 MB
Jupiter 2010 Opposition Celestron 4SE NexImage Registax
User reviews and opinions
No opinions have been provided. Be the first and add a new opinion/review.
Quick Guide to Capturing Images with the Celestron NexImage Solar System Imager
Version 1.1 - 2 May 2009 By Mike Swanson
The NexImage camera from Celestron is an excellent choice for planetary imaging. Basically it is a very sensitive CCDbased webcam that is mated to a 1.25" barrel that works with any telescope utilizing a standard eyepiece clamp. The camera comes with a program called AMCap from Microsoft which creates standard AVI video files that can be processed with stacking software such as the included RegiStax. NexImage also does an okay job with snapshots of the Moon and the Sun. Video - best for planets 1. If you have an infrared blocking filter, thread it into the NexImage camera to improve color balance. I use the FringeKiller filter for its IR and Ultraviolet blocking characteristics. For any of the planets you will want to use a 2x or higher Barlow lens or you will not be able to capture as much detail as possible with your scope and the NexImage camera. 2. Start AMCap. 3. On the Options menu, be sure Preview is selected (it will have a check mark next to it when it is selected). 4. On Capture menu, set Frame Rate to 5fps - NOTE: you will likely want to use a faster frame rate during focusing, but return to 5fps as this is fastest rate that will result in no compression of the video stream 5. In Options, Video Capture Pin, the Output Size should be set to 320 x 240. I've only experimented a bit with 640 x 480 and didn't get good results. It may be that the seeing condition simply didn't support it, or it might be that at this image size (4 times the data) the camera simply can't perform well due to compression or other issues. 6. In Options, Video Capture Filter, be sure Full Auto Mode is not checked. Leave white balance set to auto. Set gain to minimum, gamma to minimum and brightness and saturation to the middle. Adjust the shutter speed to give an image that looks a little darker than you would like the final product - stacking frames later will make it significantly brighter. Note that on a larger scope (8" or larger), you should see good color and some significant detail. You may want to Save this as the User Defaults though tweaking is still necessary for various objects. Leave this option dialog up on the screen, though move it to the side - you can tweak the settings here while you focus. 7. Here is the hardest part - focusing. As mentioned in step 3, you will find it easier to focus with a faster frame rate - 10 fps or higher. (Don't forget to return the frame rate to 5fps before capturing the video.) It is simply difficult to see when the image is perfectly focused. There are some tricks using a Hartmann mask and also a pair of crossed bungee cords - otherwise you might want to get it as close as possible and then capture separate video clips at this setting and at focus settings a bit inside and outside of this initial setting. A potential trick for focusing on more subtle subjects like Mars is to GoTo a nearby bright star for focusing (Sync on that star as well to get your object closer to the center of the NexImage FOV). But for high contrast objects like Jupiter and Saturn, focus on the planet itself. 8. Go to File, Set Capture File and create a new file for this video clip. Set 1MB for the file - AMCap will expand the file as it captures video. 9. Be sure your object is framed correctly then go to Capture, Start Capture. When you think you have enough video frames, go to Capture, Stop Capture. You can also Set Time Limit on the Capture menu to have AMCap automatically stop after a set time. At 5fps, 1000 frames is of course 200 seconds. 10. If you want to take another video clip, go to step 8 and create a new file for the next clip. Adjust any settings and capture the new video. 11. Process in RegiStax to create a final image. Snapshots - good for the Sun (with proper filter!) and the Moon 1. Create a folder to hold the snapshots - I generally place it on the Desktop in Windows. 2. On the Capture menu, select Still and check the Enable option. Then on the Capture menu, select Still and then Folder to specify the folder you created in step 1. 3. Focus and frame your subject and then press Ctrl+S on the keyboard to snap the picture. You can repeat this as often as you would like, for example, slew around the surface of the Moon and press Ctrl+S to capture different features. 4. Each time you press Ctrl+S, a new image of 640 x 480 pixels is created as a separate BMP file in the folder you designated. This document available at the NexStar Resource Site - http://www.NexStarSite.com
Table of Contents
Quick-Start and Tutorial Imaging Basics Registax Users Guide Troubleshooting
Make sure your NexImage comes with all of the following:
USB Cable Installation CD Rom
1. Plug camera into the USB port of your computer. 2. Double click the Amcap icon to start the program. on your computers desktop
3. Make sure Preview is selected from the Options menu. If Preview is not already selected (checked), click on it once.
4. Select an easy target like the moon to begin with. Center and focus your telescope on the specific feature you wish to image.
5. Remove the barrel cap from the 1.25 barrel of the imager. Remove the eyepiece from the telescope and slide the barrel of the imager into the eyepiece barrel of your telescope.
You should see bright light displayed in the imaging window of Amcap. 6. Use your telescopes focuser to focus down the image until the moon is visible and sharp. 1
7. From the Options menu select the Video Capture Filter. Adjust the Brightness and Gain settings to make sure the image is not over or under exposed. In order to control the gain setting, deselect (uncheck) the Auto box under the Exposure group of controls.
Once the desired image is focused and centered in the imaging window you are ready to capture a video image. Before taking the image you must first set the frame rate, time limit and resolution for the video.
8. From the Options menu select the Video Capture Pin. Set the output size to 640x480 resolution. Set the compression to I420
9. From the Capture menu, choose Set Frame Rate. Check the Use Frame Rate box Set the frame rate to the desired frames per second. For example 30 f/sec.
10. From the Capture menu, choose Set Time Limit. This determines how long of a video image will be recorded. Check the Use Time Limit box Set the time limit to the desired amount of time. For example 20 seconds. Now you are ready to capture the image. 11. From the Capture menu select Start Capture Select OK to begin image capture. The bottom of the imaging window will display the amount time of video recorded and the number of frames captured. 12. Once recording stops select Set Capture File from the File menu. Select a location on your hard drive and name the file that you have taken including the.avi extension at the end, for example, moon.avi.
Now that your video stream has been captured the individual frames can be inspected, aligned and stacked using the included RegiStax software. Before you begin processing your image, take a moment to read and use the tutorial provided in the next section. 3
Your NexImage CD ROM comes with a sample.AVI file which you can use to learn and experiment with the features of the included RegiStax software. This tutorial will guide you through the steps you need to align, stack and process video frames into a single high quality image. 1. Start RegiStax by clicking the icon on your desktop. Press the Select Input button to select the directory where the NexImage CD is located. 2. Select the file called Lunar Tutorial.avi from the Celestron folder and press Open.
3. Next, indicate what type of image is being processed. Is it a color image of a planet or a black and white image. Since the image being processed is of the moon, color is not important. Uncheck the color checkbox otherwise leave this checkbox checked. 4
4. Now its time to choose which frame from the video file we want to use as a reference. All the other images will be compared and aligned using the reference-image. To find a good candidate use the slider on the lower part of the screen. Just select the slider and step through the images to find an image that looks high in contrast and sharpness. Alternatively, you can check the Show frame list box in the lower left corner and scroll through each frame individually.
Congratulation on your purchase of the Celestron NexImage solar system imaging camera. Parts list Your NexImage comes with the following: NexImage Camera with 1.25 adapter and USB cable attached CD-ROM including: AmCap video capture software Registax image processing software NexImage drivers Complete operating instruction in PDF format Recommended Minimum System Requirements PC running Windows 98SE or better 333Mhz Pentium II or better 128 MB of RAM 40 MB of hard drive space Screen resolution of 1024x768 or higher How it works NexImage utilizes a light sensitive CCD imaging chip to capture streaming video of any solar system object. This video can easily be viewed as hundreds of individual images (frames) that can be digitally stacked to significantly reduce the electric noise inherent in video chips and bring out the unseen fine detail (signal) hidden with in your image. The NexImage camera takes advantage of the fact that the signal to noise ratio of your stacked composite image is proportional to the square root of the number of frames combined. This means that stacking as few as 16 frames will reduce the grainy noise of the composite image by 4 times. While stacking as many 1600 frames will improve the image by 40 times! However, stacking the individual frames is only half the power of the NexImage imager. With the included software package, each individual frame is analyzed for quality to filter out those frames most affected (blurred) by poor atmospheric seeing. This form of after-the-fact adaptive optics, leaves only the sharpest, clearest frames to be stacked and aligned into a high quality image. Finally, powerful processing features automatically break the image up into individual unsharp mask layers that can be used to bring out tremendous detail and reveal final images that will rival those taken with astronomical CCD cameras costing thousands of dollars 10
Focusing As with all astrophotography, sharp focus is essential for high quality results. Although there are many techniques and devices for focusing your telescope, the human eye still remains one of the best detectors in subtle changes in detail. One advantage that video imaging has over imaging with more sophisticated (and expensive) CCD cameras is the speed in which it can display its image. Focusing NexImage is more similar to focusing a eyepiece than a CCD camera. Unlike with long exposure cameras you dont have to wait many seconds to see the effect of a focus change. Focusing Tips To achieve best focus, concentrate on a high contrast feature of the object you are imaging. Focusing on small features such as a moons shadow on Jupiter or Cassinis division in the ring of Saturn will guarantee best focus across the entire image. Once the frames of your video are stacked, the overall brightness of the composite (stacked) image is usually brighter than its individual component frames. For this reason it is best keep the brightness of the video image seen on the screen dimmer than you would normally desire. It is important that no part of the image is over exposed to assure the maximum amount of detail in the final composite image. Collimation No matter what type of telescope you image with, poor collimation (alignment of the optics) will ruin your chances for a good image. Before you begin imaging, always check the collimation of your instrument and make adjustments if necessary. Refer to your telescopes owners manual for instruction in collimating the optics. Finding Objects At first it can be difficult to locate individual planets due to their relative brightness. To make it easier to initially find your object in the imaging window, increase the brightness and gain controls under the Video Capture Filters menu. This will allow you to better see the object as it passes through the imaging window. Once the object is located and centered, you can adjust the setting until the object is at the desired brightness and contrast. 11
How long to take Streaming Video On first thought you may think that the more frames you record the better. However there are some limitation to the duration of video and the amount of frames you can acquire. Rotational speed of the planets Since the NexImage will combine as many sharp frames as possible to achieve one high quality image, you dont want to take so many images that you start to detect the rotation of the planet. For example, assume that you do not want to take a series of images long enough to detect.25 arc seconds of motion. Then by knowing the rotational period and angular diameter of the planet you will know the maximum time you can take an individual video. On average, the rotational time limit for the following planets at their closest approach would be: Jupiter 90 seconds, Saturn 240 seconds, and Mars 440 seconds. File size Each frame of a high resolution video can equal a large file size. Hundreds of frames can take up much of your hard drive space. For this reason, Registax will only process video up to 1 GB in size. To avoid taking images that are too large or too long, it is recommended that you take images at higher frame rates (15-30 frames per second) in order to capture as many high quality frames as possible. Note: Since file sizes of each video taken can be quite large, it is recommended that you save your video data onto a CD-ROM. This way you can have a library of files stored for processing without filling up your hard drive in the process.
1. Select Input (Button) Press this button to start selecting images (bmp, jpeg, fits, tiff) or video sequences (avi) for processing. After the button is pressed a standard windows file-dialog (#4) will open. You can select single avi-files or multiple (use ctrl or shift) bmps, jpgs, fits, tiff. For the latter, you can only choose one type of images and they need to be the same size in terms of width/height (pixels). 2. Save to subdir (checkbox) When you process images or avi-files its often easy to keep the results of the processing at a standard place relative to the input files. When the checkbox is set you can automatically create a subdirectory. You can specify the name of this subdirectory in a textbox (default = processed) 3. Image Window (image) When a set of image-files or a single avi is selected the first image of the sequence is displayed in this window. 4. Dialog The OPEN dialog box appears when the Select Input button. (See #1) 5. Color processing (checkbox) When you process images in full color make sure this checkbox is selected.
6. LRGB (checkbox) This is disabled for B/W processing so only becomes available when you process in color. LRGB allows you to have less color-artifacts during processing. 7. Processing Area (setting) This is the size of the area of an image (width & height) that will automatically be processed during later stages. RegiStax is designed to handle very large images but wavelet-processing them completely is often not recommended. So during wavelet-processing a part of the image will only be processed. The rest of the image can be processed on demand by the user. A large setting will demand a lot more memory to be directly available to the program but little extra calculation to process the full image. A small setting will cost little memory but will cost more time to process a full image (this applies to images larger than 1024x1024 mainly). 8. Alignment box (setting) This box sets the area that is used during alignment. Normally this setting should lead to a box of the given dimensions that is surrounding the topic you intend to process. For planets this is most of the time the full planet but for lunar images a larger crater is often chosen.
9. Show Frame list (checkbox) The user will have the chance so select/deselect frames in a particular AVI-file or set of bitmaps. This can be done by clicking the Show Framelist checkbox (left of the slider). Than a scrollable list of frames will be shown with a checkmark (default) in front of every frame. That means at startup all the images are selected (up to a maximum of 5000 frames). The user can now select/deselect images by stepping through them in the list. The image window (#3) will automatically display the frame selected from the framelist. To change their status press the spacebar or click the checkbox. You can change the status of a whole sequence of frames by selecting the first frame of a set, then while holding the shift-key down, select the last frame you want to change. The last frame will be marked by a dotted edge around the frame number. Double-click that frame number (within the dotted area) and the whole range will change status. The green and red box represent the status of the current active image (green= selected, red= deselected, gray = dropped frame).
17. Load Flatfield Pressing this opens a dialog where the user can select a flatfield (bmp, fits) to use in processing. After selecting flatfield a checkbox will appear that needs to be set to actively use the chosen flatfield. (See #16) 18. Additional Options If you have interlaced images they need to be set before image alignment starts. During alignment RegiStax creates a luminance channel (not with FITS since they are single-colour files). Normally this is derived by the following function Luminance = 0.299*red+0.587*green+0.114*blue. You are however allowed to change this mix yourself to for instance align/register mainly on the red-channel if that has the most contrasting details (in that case increase the value of the red-channel and decrease the values for green and blue at this point). These settings ONLY influence the alignment and will not have any effect on the later colors.
Selecting an alignment feature
After selecting the frames or leaving everything default it becomes time to start the alignment of the images. The first step is to select a good quality frame that is sharp with high contrast features (see Show Frame List above). Start by visually selecting a reasonable good frame by either moving the frame slider or using the frame list. Now choose the FFT size at 32, 64, 128, or 256 pixels) and see (move the cursor over the image) if the FFT box will surround most of the feature you want to use during alignment. Be aware that it is NOT wise to use a small section of an object unless you expect large-scale effects of the seeing (lunar images). Most of the time try to surround the feature! A small FFT box is mainly useful for small objects like stars or a nearby moon of Jupiter. Also remember to choose an area that shows considerable contrast and will be available on all images. Deselected images (or dropped frames in an avi) can not be used as a reference frame, also if you are too close to the borders of the frame (less than a half FFT the alignment box size) you will not be able to set a reference point. Note: when you have moving objects in the image sequence it is recommend to select the first frame or a low numbered frame as a reference. The FFT size should be larger than the biggest jump between images, so a jumpy sequence will be better aligned with a larger FFT size! After pointing/clicking at the alignment feature REGISTAX will automatically advance to the next page: Aligning.
The Aligning Screen contains all the controls needed to accurately and automatically register (align) each frame in your series.
1. Alignment Filter The Alignment (FFT) filter is used to improve the initial alignment estimation. It reduces the noise from images that otherwise can be problematic during alignment. See Setting the FFT filter below) 2. Show FFT (Checkbox) Checking this box displays the FFT Spectrum graph 3. Show Graph (Checkbox) Checking this box displays the Registration Properties graph 4. Quality Filter Band The Quality Filter Band is another important part of the tool, using the FFT-information this setting will give you the ability to estimate and order the images/frames based on quality. (See Quality filter). 5. Use Contrast Checking this box will use the contrast of the aligned part of the image to improve the quality-estimates. Images with lower contrast will be given a lower image quality. Default = on
6. Resampling This control allows you to enlarge the images by interpolation to achieve sub-pixel quality alignment. This will however reduce processing speed greatly. In the processing page the images can be down sampled to their original size. The resampling options are: Bell simple smoothing filter B-Spline no sharp transitions, but it can cause blurring Lanczos can cause "ringing" effect Mitchell no sharp transitions, often a good compromise between "ringing" and "blurring" During stacking and alignment every image is enlarged by the resample-factor.
7. Tracking Options When this option is set, the program will try to track the object when it moves around. Steadily moving objects can be easily followed, unless they move too fast. The largest movement between images the program is able to adjust directly problems is about half the size (in pixels) of the alignment-box. When you enable the predict option, the program will be able to trace faster moving objects as long as they move in a constant direction. When the object moves in a more random fashion do NOT use the predict option, instead increase the FFT-size to keep the feature easier in view. If the misalign warning is set you will be notified when the program thinks it looses track of the alignment feature, then you will be asked to realign the image. If the object you want to register moves over the image-space like you can see in the above example you will need to set the track object option. Track object will try to keep track of the object by using the information of the previous shift. If the object slightly moved to the left we expect it to be at least shifted to this position in the next frame also. If the object moves in a steady fashion this feature will keep track of the necessary alignment. But for steady moving or fast moving objects the predict track might also be helpful, With this feature the program makes an expectation of the objects position based on the last shifts. If the object moves fast or in a random way over the image the user is advised to use a larger FFT box. 8. Auto-optimization This setting is associated with three controls in the optimizing options panel (#15). During optimization the pixel-by-pixel difference between the image and the reference image is measured and minimized. Setting the "Optimize until" thumbwheel (%) will make the optimization run until the difference between successive runs is less than this value.
During optimization the program searches for the "best fit" in a box with a dimension set by the search area control. At every optimization run (through all the frames) the program searches the best possible shift for every frame versus the reference frame you selected. Every run starts with the latest optimal shift. When you choose a small search path the program will process faster but the optimizer might miss the perfect alignment position. On the other hand if you search a real large area for every optimization run, it will increase the amount of time it takes to for each processing run. A search radius of 5-10 pixels is usually sufficient. Lastly you can set the lowest image quality (relatively to the best image) that you want to be optimized (and later on stacked !!). Setting this to 0 will optimize all images, setting it to 100 will only optimize the single best frame (not recommended), a setting about 75% often is useful. Be aware that when processing a set of FITS files it will be wise to include them all, set the lowest quality to a low value to arrange this!! 9. Fast optimize during optimization this control will only optimize images that still need (according to the settings) optimization. This feature is on by default. 10. Manual alignment When this is set you are asked to point at the alignment feature in every image by hand. The alignment only starts after pushing the Align button or the Align & Stack button. When you uncheck this checkbox after aligning several images by hand the program will run on with automatic alignment. 11. Bias Subtract When you are aligning images sometimes static noise influences the alignment. This static noise usually has a pattern (for example lines). This feature subtracts a value from every pixel in the image during alignment. If the "real" value of a pixel in a frame after subtraction becomes smaller than zero its considered equal to zero. In a sense the whole picture gets dimmed slightly. It's rather effective and should be used only if excessive static noise is seen in the background. Static noise is more common when operating your camera at lower frame rates. 12. Optimize This button is disabled at startup and can be used after aligning the images when auto-optimize is not set. The button optimizes all images in the sequence only once. You need to have the "show graph" option on to see if this has any effect on the registered images. 13. Align This button will start the alignment process. If auto-optimize is on then the optimization will also be started. When aligning is completed, the program will take you to the stacking page. 14. Align & Stack This is the sit back and watch command. This button will start a fully automated process to first align the images then optimize them (if auto-optimize is on). After that phase it will move to the stacking page and stack the images that were optimized based on the settings in the optimizing options. After stacking, the program will advance to the processing page. The routine is optimized for users that like fast processing!
1. Stackgraph (dropdown panel) Quality-cutoff: This slider sets the lower-edge of the image quality used during stacking. In the graph above the slider a red line represents the (ordered) quality of the different images that are used. You can select all the images (move the slider to the right) or only a few if the quality drops after a certain point. On the screen above the quality cutoff line intersects the image quality curve at the 91% mark. This eliminates all the images to the right on the cutoff line. The effect of the sliders on the total number of images to be stacked is shown in the lower part of the screen (text). Be aware that selecting images in the dotted-line section is not recommended. These images were not optimized and still can show unwanted shifts. Difference-cutoff: Next to image-quality, the difference between an image and the reference image can also be useful in selecting images. If you see a few high spikes in an otherwise more or less equal field, it's logical to cut those images out of the final stack. Just lower the slider (and the corresponding blue line) until the peaks are above the line.
The effect of both sliders on the total number of images to be stacked will be shown in the lower part of the screen (text). 2. Show Stacklist When this checkbox is set, it will open a window that allows you to select/deselect images of a sequence at will. The images are ordered by image quality therefore limiting the de-selection process to the best images. Due to the fact that the image-estimation is not always effective this will allow you to weed out the worst of the images before stacking. The control has the same functionality as the frames list window on the initial Select Input page. It also shows the images directly when the slider moves. 3. Options panel Colour processing: You can (re)decide at this stage to go for a colour or a B/W image. The B/W images will (if you use colour input) be based on the intensity-sum of the RGB components (intensity = 0.114* blue + 0.587 * green + 0.299 * red). LRGB: This new setting allows you to process the image further as LRGB. In the wavelet-page a new control will appear that allows the setting of the L= a*R+b*G+c*B mix. This has the advantage of keeping the original colours that appear after stacking and still improve on the resolution by using the L-channel (can be separately loaded in case of FITS) Use image quality: During stacking, the quality of every image (red line in the graph) is used as a weighing factor. When unchecked, every image gets an equal weight in the stack otherwise images with a lower quality will be less important in the stack. Expand image: This will expand the final image to a size that covers all the area contained in a set of frames. If you combine two images with a common feature as alignment that are for instance shifted 50 pixels in X-direction the output of the image will be 50-pixels wider than the original image. This can be especially usefull in the creation of moon-mosaics. Be aware that the outer edges of expanded images are often only covered by a few frames and therefore look noisier. The stack does balance for different amount of frames used for a single pixel.
Image Processing Screen
This is the most interesting phase of RegiStax. This is where your stacked image is processed with wavelets. Wavelet processing is similar to a series of unsharp masks applied to an image to strip information from that image into separate layers. Upon entry in this page you will see the previously stacked image.You can reach this page either by pressing Align & Stack in the Align Frames page or pressing the Stack in the Stack Frames page.
1. Wavelet Scheme This control sets the scales for the wavelet layers. Dyadic means you will use a fixed set of layers, 1,2,4,8,16 and 32 bits in width (not often useful). Linear scaling means you can set the layers in many different fashions. The scale of the first layer is set by the Initial setting. Every subsequent layer is increased in size with the Step-value. So a setting of 1/0 leads to all layers set to size =1. When using 1/1 we get 1,2,3,4,5,6 etc. The size of the layer controls the size in pixels of the blurring filter used to construct the layers. Small values are useful for small-scaled (few pixels and sharp images) features and large values for larger scaled features. The best settings depends on the imaged subject and the image-scale during recording (Eyepiece, telescope etc). Use these settings in combination with the wavelet-filter settings.
2. Wavelet sliders The sliders run from -5 to 100 in steps of 0.1. The information available for a layer can be seen by pressing the button above the slider. This will shows the "information" in the layer. High-intensity red means that the pixel-intensity of this area will decrease when the slider is moved to the right, high-intensity green means an increase in value will result from that action. All red values will result in a decrease and all greens in an increase. The intensity of the reds/greens shows the amount of change to be expected. Inspecting these previews is helpful in deciding which layers not to use. When a layer looks very noisy, simply uncheck the layers or choose another type of wavelet filter. You can set the sliders by using the mouse and you can fine tune the setting using the left-right arrow keyboard controls. 3. Hold settings This holds the current settings of the wavelets even when you reload a new set of images or a new AVI-file. 4. Auto Processing Dragging the wavelet sliders will result in direct processing when auto-processing is on. When auto-processing is off the sliders will only react after you have finished moving its ruler. 5. Show processing area When selected the corners of the processing-area will be visible on the image. When you point at a spot in the image and left-click with the mouse the area around this point will be processed directly. Use this to change your workingarea until you are happy with the result, than press Do_All when you use a large image. 6. Partial processing When this is set only the processing area will be processed even if you go to the final processing page. When you want the whole image to be calculated directly before going to the final processing page either press "Do All" (#7) before moving or uncheck this checkbox. 7. Do All Allows the entire image area to be processed. See Partial Processing above. 8. Re-Align with Processed When choosing a re f e rence frame in RegiStax at the start of processing you need to select a sharp image to use as a reference for stacking. However the frame you select is never a perfect frame. This feature on the wavelet page lets you run the whole alignment/stacking process once more, but now uses as a reference the image you have available on the wavelet-page. This image should always be far better in terms of image quality and also deformations (common in lunar images due to turbulence). It's a far better candidate for aligning the frames. Doing so can usually result in a noticeable improvement. 9. Reset button This resets all the sliders to their default values (1) 10. Resize button This launches the Resize window. You can resize the image that is being processed to a different size (larger/smaller) by changing the size of the window. The best way to do this is dragging the lower right corner of the window. All image processing (change of a slider) will also appear directly on the Resize window. The enlarging/shrinking
is done with one of the re-sampling filters and you can choose it directly in the Resize window. Also you can go back to the original input image scale by pressing "original". The Resize window has an easy system to resize by %'s 25, 50, 75, 100, 150 and 200 are pre-programmed settings 11. Process button When auto-processing is off, you can process the images at will by pressing this button. 12. Show wavelet filter (under options panel) this opens the heart of the wavelet processing system. When checked you will be presented with a window that allows you to set the filter-values used during construction of the wavelet layers. When for instance you set these to equal values (load the evenly 5x5.rsf filter), you have created a 5x5 unsharp mask. The values in the wavelet-filter are in use after you press the set-button. Now you can also load and save these filters to a simple textfile (*.rsf) for later usage and sharing with other users. Experimenting with these filters is recommended and can be very helpful to get the most out of your images. 13. Set RGB shift (options panel) This control is useful when processing images of objects that are low to the horizon. The atmospheric dispersion in these cases will lead to the red and blue channels shifted away from the green-channel. This control allows automatic (Estimate button) de-shifting and also allows you to move the R & B channel vs the green-channel manually. The ShowRed, ShowGreen and ShowBlue (not available when using LRGB) make manual alignment easier. You can also reposition the RGB alignment area by setting the set-alignment-area and then moving the mouse over the image until you find a zone with chromatic effects and then left-click. Often a brighter part or an edge of a planet will be the best to get a good estimate. When you have repositioned press estimate once more. Also be aware that this is an estimate of the RGB shift and often fine tuning by hand will result in even better alignment of RGB. Also this command cannot compensate for chromatic aberration where the images in the channels are of unequal size.
14. Noise reduction (options panel)
Noise reduction is an advanced feature of Registax. At the wavelet-page under options you can set the checkbox "Noise reduction". The noise reduction window will appear. This has a set of sliders and checkboxes for every corresponding wavelet layer. The sliders control the "cutoff"- pixel values in a layer, values below this cutoff are not used in the images (the preview buttons do show this too). The checkbox allows you to decide which layer(s) you want to de-noise. First enhance a single wavelet layer with its default slider (right-side of the screen). Choose a noisy layer (the 1st) to test things. Then set the checkbox in the noise reduction window for this layer on. Now you can select several methods to reduce noise just choose them and see what they do with your image. When you have found one you like then turn over to manual. Now play with the slider belonging to the layer to refine the settings. Anti-ringing (Noise reduction window) when you set the checkmark it will already filter all values below zero out of the image. Often that is unwanted since we want only the "ringing" around stars removed. Point your cursor at a "normal-dark" background area, than press the RIGHT-mouse button. This makes the program estimate the background level, every value of the image below that level is considered to be "ringing" and will be replaced with data from the stack directly. The slider allows you to alter this estimated level manually.
15. Histogram Stretch & RGB (checkbox) This feature allows you to use a Histrogram stretch technique to enhance the images. When checked, the Histrogram-window appears. The two checkboxes control the graph of the histogram. Smooth takes the spikes out of the graph and show peak ensures that the highest value is still visible. The red and green triangles control the histogram-stretch operation. When you slide them and press "stretch", the image will change its appearance. Reset brings everything back to the original positions. Now the window also has weights for the R,G,B channels, these weights together with the RGB sliders allow you to tune the colours of the image (to let peaks in the RGB channels for instance coincide). The sliders and the weights together form the contrast/brightness settings per color-channel.
16. Gamma Curve checkbox and Gamma thumbwheel control In addition to the gamma-control this curve allows you to set the gamma-response yourself. By default the relation between image-intensity and output is set to 1 (straight line) equalling a gamma=1 setting. But you can change the shape of the curve by dragging the anchor (red circle) or adding new anchors (right-click) to the line. The curve settings overrules the thumbwheel control until the latter is used again. The gamma-curve allows you to also move the first and last anchors of the line up an down and allows you to switch to a linear curve between points instead of the usual smooth curve; you can add, delete points at will with this control. 17. Contrast/Brightness sliders These control the standard contrast/brightness common to many image processing programs
Final Processing Screen
Many users wanted to do some simple additional processing after the wavelets before saving the images.
1. Controls Flip X and Flip Y: These are easy ways to flip images around the X and Y axes 2. Rotation A set of three controls allow easy rotation of the image (the image will be clipped when it shifts over the edge!). There's a numerical control with direct response in steps of a degree, a combo box (dropdown) control with programmed steps of 15 degrees and finally a large round button that allows you to set the rotation at steps of 10 degrees. Be aware that using the new advance hue-lookup feature will not work when the image is rotated, so do the rotation at a final stage. 3. Hue/Saturation/Lightness These allow you to alter the colour of the image rather delicately. Hue changes the overall image-colour, Saturation the colour-depth and Lightness is comparable to brightness.
When processing images I get a Failed to decompress AVI frame message. Typically this message will appear if the avi. file you are trying to open is too large. Registax will only process video up to 1GB in size. To reduce the size of the file you should eliminate some of the frames from the frame list from the Select Input screen. If you receive this warning message, notice which frame was being processed when it appears. Usually you can simply uncheck the remainder of the frames from that point on to make the file manageable to Registax. NOTE: To make sure that your.avi does not exceed 1GB in size, you can set the maximum file size to a predetermined limit before capturing the image. Using AmCap, select File set file size and then enter the amount of disk space you would like to allocate to your video file. For updates and other information regarding RegiStax, visit the RegiStax homepage at http://aberrator.net/registax. For questions and product support, contact the author at firstname.lastname@example.org or through the Product Support page of RegiStax software.
PDC 2150 XL500 CJ-N88CL Specs Speaker Mac CDP-227ESD Ccd Images FW780 P5KPL-c 1600 33MS25UD R-880D CHC-CL1 Berlin LE32A465c1M TMS320F2812 HQ382 DVP-K370 MP724 CT-5072S Bizhub 181 VL125E LE32A769r1W DCT646 HT-X720 Ballon NAD T744 Alesis DG8 Nokia 1108 X-session PRO Backbeat 903 LE37B530 Cc-MC100W AR01 SCH-C280 PT-L6510UL HGA7T AL-1540CS NSG3902D YZ125-2005 30lcdb03B PT-LB10SU ME4050 PMH1000 AR-304 Windows 7 Hundred LE32C355d1W BAR629HG 21MS76CT Detector AV-R700 BTR2000 Ultra Zoom 42PFL7762D DVP3055V HL-1660E EMP-700 Mity 8 1500 Rack MW86N-S D-NE300 11 Home Samsung 943N HTC Tytn DS8421P ETX-60AT 3000 C100 Aculaser CX28 32LG5900 AEU TS320GSJ25M DR-BT101 TUE-T200DVB Review GR-DVL20 TX-L42s10E GH22NS30 RS-D7RII JBL CM62 247-3 HD160JJ-SCC P-304 SB-25 Janome 204D KX-TG7100HG WFH 1677 DSC-W370 B RE-201 SC-DC173 Windows 7 Drivers Reducer Lens MZ-B10 KDC-4090R IPF610 E2220 EWF984 HF25M260 Orange Nakamichi 480 Innova AR7L 125 T733V MHS-TS10 FP931 Flatbed W580IM All-IN-ONE
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101