PERCUSSIVE

SOUND EFFECTS
Kalimba Bagpipe Fiddle Shanai Shanai2 Pungi Hichiriki Tinkle Bell Bonang Altair GamelanGongs StereoGamlan Rama Cymbal Asian Bells Agogo Steel Drums Glass Perc. Thai Bells Woodblock Castanets Taiko Drum Gran Cassa Melodic Tom MelodicTom2 Real Tom Rock Tom Synth Drum Analog Tom ElectroPerc. Rev.Cymbal GtrFretNoise Breath Noise Seashore Bird Tweet TelephonRing Helicopter Applause Gunshot CuttingNoise CuttingNoiz2 String Slap Fl.Key Click Shower Thunder Wind Stream Bubble Feed Dog Horse Bird Tweet 2 Ghost Maou Phone Call Door Squeak Door Slam Scratch Cut ScratchSplit Wind Chime TelphonRing2 CarEngineIgn CarTiresSqel Car Passing Car Crash Siren Train Jet Plane Starship Burst RollrCoaster Submarine Laugh Scream Punch Heartbeat FootSteps Machine Gun Laser Gun Explosion Firework
Drum/key Assignment List Liste der Tastenzuordnungen der Schlaginstrumente Liste dassignation instrument de batterie/touche du clavier Lista de asignacin de teclas/batera
Bank Select MSB (0-127) Bank Select LSB (0-127) Program Change (0-127) MIDI Note# Note 91 C#-1 D-1 D#-1 E-1 F-1 F#-1 G-1 G#-1 A-1 A#-1 B-1 C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 Keyboard Key Alternate Note Off Group (C#0) (D0) (D#0) (E0) (F0) (F#0) (G0) (G#0) (A0) (A#0) (B0) C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 (C#6) (D6) (D#6) (E6) (F6) (F#6) (G6) 0 Standard Kit1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree 1 Standard KitHit Kit 8 Room Kit 16 Rock Kit 24 Electro Kit 25 Analog Kit 27 Dance Kit

Reverse Cymbal Hi Q 2 Snare Snappy Electro Kick 3 Kick 2 Kick Gate Snare Snappy Snare Tight Snappy Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Snare Rock Snare Rock Tight Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6 Kick Gate Kick Gate Heavy Snare Noisy 2 Snare Noisy 3 Tom Electro 1 Tom Electro 2 Tom Electro 3 Tom Electro 4 Tom Electro 5 Tom Electro 6
Reverse Cymbal Hi Q 2 Snare Noisy 4 Kick 3 Kick Analog Short Kick Analog Side Stick Analog Snare Analog Snare Analog 2 Tom Analog 1 Hi-Hat Closed Analog Tom Analog 2 Hi-Hat Closed Analog 2 Tom Analog 3 Hi-Hat Open Analog Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6
Reverse Cymbal Hi Q 2 Snare Techno Kick Techno Q Rim Gate Kick Techno L Kick Techno Side Stick Analog Snare Clap Snare Dry Tom Analog 1 Hi-Hat Closed 3 Tom Analog 2 Hi-Hat Closed Analog 3 Tom Analog 3 Hi-Hat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Snare Soft 2

Snare Electro

Snare Noisy

Kick Tight L Open Rim Shot H Short Snare Pitched Kick Wet Kick Short Kick Tight H Side Stick Light Stick Ambient Snare Short Snare Ambient Snare Tight H Snare Tight 2 Hybrid Tom 1 Hi-Hat Closed 2 Hybrid Tom 2 Hi-Hat Pedal 2 Hybrid Tom 3 Hi-Hat Open 2 Hybrid Tom 4 Hybrid Tom 5 Hybrid Tom 6
Tambourine Light Cowbell Analog Cowbell Analog
Conga Analog H Conga Analog M Conga Analog L

Maracas 2

Claves 2

Scratch H 2 Scratch L 2

Key Off: Keys marked O stop sounding the instant they are released. Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number Same as Standard Kit 1 No Sound
Bank Select MSB (0-127) Bank Select LSB (0-127) Program Change (0-127) MIDI Note# Note 91 C#-1 D-1 D#-1 E-1 F-1 F#-1 G-1 G#-1 A-1 A#-1 B-1 C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 Keyboard Key Alternate Note Off Group (C#0) (D0) (D#0) (E0) (F0) (F#0) (G0) (G#0) (A0) (A#0) (B0) C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 (C#6) (D6) (D#6) (E6) (F6) (F#6) (G6) 3 3

32 Jazz Kit

40 Brush Kit

48 Symphony Kit

80 Sty Std.Kit

82 Sty BrushKit

35 Arabic Kit

0 SFX Kit1

1 SFX Kit2
O O O Snare Jazz H Brush Slap 2 Kick Soft 2 Open Rim Shot Light Kick Jazz Side Stick Light Snare Jazz L Snare Jazz M 1 Tom Brush Tom Brush Tom Brush 4 Tom Brush 5 Hand Cymbal Tom Brush 6 Hand Cymbal Short Kick Jazz Side Stick Light Brush Slap 3 Brush Tap 2 Tom Brush 1 Gran Cassa Gran Cassa Mute Band Snare Band Snare 2

MARCH & WORLD

R&B

POP BALLADS

BALLROOM

COUNTRY

PIANIST

SWING & JAZZ

Effect Type List / Liste der Effekttypen / Liste des types deffet / Lista de tipos de efecto
Effect Type (for Natural Voices)
Reverb ROOM HALL 1 HALL 2 STAGE PLATE Chorus CHORUS CELESTE FLANGER DSP DELAY LCR DELAY LR ECHO CRS-DELAY SYMPHONIC ROTARY SP TREMOLO VIB ROTER AUTO PAN PHASER AUTO WAH PIANO REV NO EFFECT Brilliance DARK MELLOW NORMAL BRIGHT METALLIC

Variation

Effect Name HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 CELESTE1 CELESTE2 SYMPHONIC1 SYMPHONIC2 KARAOKE1 KARAOKE2 KARAOKE3 ER1 ER2 GATE REVERB REVERS GATE EQ DISCO EQ TEL 2BAND EQ 3BAND EQ FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 DELAY LCR1 DELAY LCR2 DELAY LR ECHO CROSS DELAY DIST HEAVY OVERDRIVE DIST HARD (DISTORTION HARD) DIST HARD2 DIST HARD3 DIST SOFT (DISTORTION SOFT) DIST SOFT2 AMP SIM (AMP SIMULATOR) ST AMP2 ST AMP3 PHASER1 PHASER2 EP PHASER1 EP PHASER2 ROTARY SP1 ROTARY SP2 ROTARY SP3 ROTARY SP4 ROTARY SP5 ROTARY SP6 ROTARY SP7 ROTARY SP8 ROTARY SP9 ROTARY SP10 AUTO PAN1 AUTO PAN2 AUTO PAN3 EP AUTOPAN EP AUTOPAN2 TREMOLO1 TREMOLO2 TREMOLO3 TREMOLO4 EP TREMOLO EP TREMOLO2 GT TREMOLO1 AUTO WAH1 AUTO WAH2 AUTO WAH3 AUTO WAH4 THRU Type MSB 64 Type LSB 0

XG Effect Type

Reverb Type
Effect Name HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 WHITE ROOM TUNNEL CANYON BASEMENT NO EFFECT Type MSB Type LSB 0 0

Chorus Type

Effect Name CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 NO EFFECT Type MSB Type LSB 0 0
Effect Parameter List / Liste der Effektparameter Liste des paramtres deffets / Lista de parmetros de efectos
Parameters marked with a in the Control column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion).

Effect Name

HALL1, HALL2 ROOM1, ROOM2, ROOM3 STAGE1, STAGE2 PLATE No.

FLANGER1, 2, 3 No.

MSB = 67 Display

PHASER 1 See Table

LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage
0.00Hz-39.7Hz 0-127 0-127 63-+63 32Hz-2.0kHz 12-+12dB 500Hz-16.0kHz 12-+12dB D63>W-D=W-D<W63 6, 7, 8, 9, 10

LFO Phase Difference

180-+180deg (resolution=3deg.)

SYMPHONIC No.

MSB = 68 Display
0.00Hz-39.7Hz 0-127 0.0mS-50mS

PHASER 2 See Table

table#1 table#2
LFO Frequency LFO Depth Delay Offset
LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage LFO Phase Difference
0.00Hz-39.7Hz 0-127 0-127 63-+63 32Hz-2.0kHz 12-+12dB 500Hz-16.0kHz 12-+12dB D63>W-D=W-D<W63 3, 4, 5 180deg-+180deg (resolution=3deg.)
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
32Hz-2.0kHz 12-+12dB 500Hz-16.0kHz 12-+12dB D63>W-D=W-D<W63
4-40 52-76 28-58 52-76 1-127

ROTARY SPEAKER No.

MSB = 69, LSB = 0, 16, 17 Display

0.00Hz-39.7Hz 0-127

LFO Frequency LFO Depth

0-127 0-127

LFO Frequency L/R Depth F/R Depth PAN Direction

R, Lturn,

MSB = 72, LSB = 0 Value
0-127 0-127 0-127 1-127 4-40 52-76 28-58 52-76 1-127 6-10

MSB = 72, LSB = 8 Value

0-127 0-127 0-127 1-127 4-40 52-76 28-58 52-76 1-127 3-5 4-124

DISTORTION OVERDRIVE No.

MSB = 73, LSB = 0 MSB = 74 Display
0-127 32Hz-2.0kHz 12-+12dB 1.0kHz-Thru 0-127 100Hz-10.0kHz 12-+12dB 1.0-12.0 D63>W-D=W-D<W63 0-127
NO EFFECT Control No. THRU Control No.
MSB = 0 Display Value See Table Control
Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge (Clip Curve)
0-127 4-40 52-76 34-60 0-127 14-54 52-76 10-120 1-127 0-127

table#3

mild-sharp

AMP SIMULATOR No.

MSB = 75, LSB = 0 Display
0-127 Off, Stack, Combo, Tube 1.0kHz-Thru 0-127
MSB = 64 Parameter Display Value See Table Control
Drive AMP Type LPF Cutoff Output Level

0-127 0-3 34-60 0-127

Table#2 Modulation Delay Offset
Data Value Data Value Data Value Data Value 0 0.3.6.9.0.3.6.9.0.3.6.9.0.3.6.9.0.3.6.10.0.3.6.11.0.3.7.12.0.3.7.13.0.4.7.14.0.4.7.15.1.4.7.17.1.4.7.18.1.4.7.20.1.4.7.21.1.4.7.23.1.4.7.24.1.4.8.26.1.4.8.28.1.5.8.29.1.5.8.31.2.5.8.32.2.5.8.34.2.5.8.35.2.5.8.37.2.5.8.39.2.5.8.40.2.5.9.42.2.5.9.43.2.6.9.45.2.6.9.46.3.6.9.48.3.6.9.50.0
Table#5 Delay Time (200.0ms)
Data Value Data Value Data 0 0.50.1 1.52.2 3.53.3 4.55.4 6.56.5 8.58.6 9.59.7 11.61.8 12.63.9 14.64.10 15.66.11 17.67.12 19.69.13 20.70.14 22.72.15 23.74.16 25.75.17 26.77.18 28.78.19 30.80.20 31.81.21 33.83.22 34.85.23 36.86.24 37.88.25 39.89.26 41.91.27 42.93.28 44.94.29 45.96.30 47.97.31 48.99.Value Data 100.102.104.105.107.108.110.111.113.115.116.118.119.121.122.124.126.127.129.130.132.133.135.137.138.140.141.143.144.146.148.149.Value 151.2 152.8 154.4 155.9 157.5 159.1 160.6 162.2 163.8 165.4 166.9 168.5 170.1 171.7 173.2 174.8 176.4 178.0 179.5 181.1 182.7 184.3 185.8 187.4 189.0 190.6 192.1 193.7 195.3 196.9 198.4 200.0
Table#8 Reverb Width; Depth; Height
Data Value Data Value Data Value Data Value 0 0.8.17.27.0.9.17.27.1.9.18.28.1.9.18.28.1.9.18.28.1.10.19.29.2.10.19.29.2.10.19.29.2.11.20.30.2.11.20.3.11.20.3.11.20.3.12.21.3.12.21.4.12.21.4.12.22.4.13.22.4.13.22.5.13.23.5.14.23.5.14.23.5.14.23.6.14.24.6.15.24.6.15.24.7.15.25.7.15.25.7.16.25.7.16.26.8.16.26.8.17.26.8.17.27.1

Table#3 EQ Frequency

Data Value Data Value THRU(0) 34 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k 2.0k 2.2k 2.5k 2.8k 3.2k 3.6k 4.0k 4.5k 5.0k 5.6k 6.3k 7.0k 8.0k 9.0k 10.0k 11.0k 12.0k 14.0k 16.0k 18.0k THRU(20.0k) 700

Table#6 Room Size

Data Value Data Value Data Value Data Value 0 0.5.10.15.0.5.10.15.0.5.10.15.0.5.10.15.0.5.10.15.0.5.10.15.1.6.11.16.1.6.11.16.1.6.11.16.1.6.11.16.1.6.11.16.1.6.11.16.2.7.12.17.2.7.12.17.2.7.12.17.2.7.12.17.2.7.12.17.2.7.12.17.2.7.12.18.3.8.13.18.3.8.13.18.3.8.13.18.3.8.13.18.3.8.13.18.3.8.13.18.4.9.14.19.4.9.14.19.4.9.14.19.4.9.14.19.4.9.14.19.4.9.14.19.5.10.15.20.0
Harmony/Echo Type List Liste der Harmony/EchoEffekttypen Liste des types dharmonie/dcho Lista de tipos de ecos/armonas

X O O X X X X X X X X X X X X X X X X O X X X X X X X X X O X X O
X X X X X X X X X X X X X X X X X X X X X O O O O X O O X X X X X
Effects Effects Effects Effects Voice Voice -
X O X X O X X X X O O X O O O O O X O X O O O O O O O O X X X X X
Keyboard Voice Keyboard Voice Mic. Setting Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice -
X X X X X O X X X X X X X X X X X X O X X X X X X X X X X X X X X
X X X X X X X X X O O X X X O O O X X X O O O O O O O O X X X X X
O O O O O X X X X O O O O O O O O X O X O O O O O O O O X X X O X

Split Split -

The data that is saved to Regist./OTS is not actual Voice, but Program Change.
For songs that have no channel on/off message, all are set to on.
Filter settings when registering Registration.

O X X X X O O O O O X O

X X X X X X X X X X X X

X X X X X X X O O X X O

Lyrics Language

X O O O O X X X X X X X

Scale Scale Scale Scale -
O O O O O MainWindow MainWindow O X X

X X X X X

Style -
O (Left only) O (Left only) X

LPDL LPDL X

O Keyboard Voice (Left only) O Keyboard Voice (Left only) X -

Pedal Pedal X

System SetUp O O X X O

Voice Set Group -

Song Setup Group
Registration Regist Freeze/Memory Group Voice Voice -

Param Lock Group -

PedalPolarity Keyboard/Panel TouchSense TouchOffLevel TouchOnOff TransposeAssign Regist.Sequence/Freeze/VoiceSet RegistrationSequence RegistSequenceData RegistSequenceEnable Regist(+)Pedal Regist(-)Pedal SequenceEnd Freeze FreezeGroupSetting VoiceSet VoiceSetEnable Main VoiceSetEnable Layer VoiceSetEnable Left Harmony/Echo Type Volume Speed Assign ChordNoteOnly TouchLimit Utility Configuration Speaker DisplayVoiceNumber MetronomeVolume MetronomeSound TimeSignature ParameterLock TapCountPercussion TapCountVelocity LCDBrightness FadeInTime FadeOutTIme FadeOutHoldTime Disk FloppyDiskSongAutoOpen Owner OwnerName Language SystemReset FactoryResetSetting MIDI System Local Control Clock Transmit Clock Receive Transpose Receive Start/Stop SysEx Transmit SysEx Receive Chord SysEx Transmit Chord SysEx Receive Transmit Part (Ch1~16) Filter (Ch1~16) Receive Mode(Ch1~32) Filter (Ch1~32) Root Chord Detect MIDI Template Template No. Template Name VideoOut NTSC/PAL Size CharactrorColor BackgroundColor Lyrics BackGround(Panel Setting) BackGround(Song Setting) MusicScore Left on/off Right on/off Lyric on/off Chord on/off NoteName on/off Size Left ch. Right ch. KeySignature Quantize NoteName ColorNote Song Track1, 2 On/Off ExtraTracks On/Off Synchro Start StartStop A-B Repeat DigitalStudio>DigitalRecording>Song Creator Rec Mode Rec Start PunchiInAt Rec Stop PunchOutAt

Effect Keyboard Voice Keyboard Voice Mic. Setting Keyboard Voice -

O X X X X X X X X O

X X O O X X X O X X

DSP1 Return Level -

X X X X X X

X X O O X X

Effect Effect -

X O O O O X

O X X X X X

O X O O O X

MIDI Data Format / MIDI-Datenformat / Format des donnes MIDI / Formato de datos MIDI
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter H as a suffix. Also, n can freely be defined as any whole number. To enter data/values, refer to the table below.

Decimal 30 31

Hexadecimal 0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F

Binary 0001 1111

Decimal 62 63
Hexadecimal 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 3F

Binary 0011 1111

Decimal 94 95
Hexadecimal 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F

Binary 0101 1111

Decimal 126 127
Hexadecimal 6A 6B 6C 6D 6E 6F 7A 7B 7C 7D 7E 7F

Binary 0111 1111

Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) denotes the Note On Message for each channel (1-16). 176-191/BnH/ 1011 0000-denotes the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-denotes the Program Change Message for each channel (1-16). 240/FOH/denotes the start of a System Exclusive Message. 247/F7H/denotes the end of a System Exclusive Message. aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low. bbH/0bbbbbbb denotes the byte count. ccH/0ccccccc denotes the check sum. ddH/0ddddddd denotes the data/value.

MIDI CHANNEL MESSAGE (1)

O: available MIDI Events Status byte Status Data 1st Data byte (HEX) Parameter Data 2nd Data byte (HEX) Parameter Corresponding Voice/Part Regular Mic Natural Voice O O MIDI Reception (respond/ignore) Song Main Layer Left O O Keyboard Style Extra MIDI Transmission (generated data) Panel Upper Style Song MIDI (main generation Lower method) X O (Keyboard) O (Voice) X O X O O O X X

Key Off Key On

8nH 9nH
(n:Channel Number) (n:Channel Number) (n:Channel Number)
Key no. (0~127) Key no. (0~127) (00H) Bank Select MSB

Control Change

Modulation
Velocity (0~127) Key On: vv=1~127 Key Off: vv=(00H) Normal 64 (40H) SFX voice 126 (7EH) SFX kit 127 (7FH) Drum kit 0~127 (00H.7FH) Data vv

Program Change Channel After Touch Polyphonic After Touch Pitch Bend Change Realtime Message
CnH (n:Channel Number) DnH (n:Channel Number) AnH EnH (n:Channel Number) (n:Channel Number) MIDI Clock Start Continue Stop Active Sens System Reset
pp (00H.7FH) Voice Number (0~127) vv (00H.7FH) Data
kk (00H.7FH) Key no. (0~127) cc (00H.7FH) LSB
(00H.7FH) Data (00H.7FH) MSB
O (Main) O (Main/Layer/ Left) X O (Main/Layer/ Left)
X O (Pedal) O (*3) O (*4) X O (*4) O X

F8H FAH FBH FCH FEH FFH

O (*2) O (*2) X O (*2) O X
*1 The data byte is ignored. *2 Received when the Clock is set to External. *3 Transmitted when the Clock is set to Internal and Transmit Clock is set to on. *4 Transmitted when the Transmit Clock is set to on. About Mic/Vocal Harmony column: The relevant parameters are received by the song part designated by the Effect's Harmony Channel Parameter or Melody Parameter.

MIDI CHANNEL MESSAGE (2)

NRPN MSB LSB Data Entry MSB LSB Parameter Data Range Corresponding Voice/Part Regular Mic Natural Voice X Song MIDI Reception (respond/ignore) Main Layer Left O Keyboard Style Extra MIDI Transmission (generated data) Panel Upper (main generation Lower method) O (Sound Creator) X Style Song MIDI

08H mmH

Vibrato Rate
mm: 00H-40H-7FH (-64.0.+63)

09H mmH

Vibrato Depth

01H 0AH mmH

Vibrato Delay
01H 01H 01H 01H 01H 14H 15H 16H 17H 18H 19H 1AH 1CH
20H mmH 21H mmH 63H mmH 64H mmH 66H mmH rrH mmH rrH mmH rrH mmH rrH mmH rrH mmH rrH mmH rrH mmH rrH mmH

--------------

Low Pass Filter Cutoff Frequency Low Pass Filter Resonance EG Attack Time EG Decay Time EG Release Drum Low Pass Filter Cutoff Frequency Drum Low Pass Filter Resonance Drum EG Attack Rate Drum EG Decay Rate Drum Pitch Coarse Drum Pitch Fine Drum Level Drum Pan
mm: 00H-40H-7FH (-64.0.+63) mm: 00H-40H-7FH (-64.0.+63) mm: 00H-40H-7FH (-64.0.+63) mm: 00H-40H-7FH (-64.0.+63)

O O O O

O (Harmony Channel/ Melody Channel) O (Harmony Channel/ Melody Channel) O (Harmony Channel/ Melody Channel) X X X X X X X X X X X X X

O (Sound Creator)

O O O O O O O O O O O O O
X X X O X X X X X X X X X
O O O O O X X X X X X X X
X X X O (Sound Creator) X X X X X X X X X
X X X O X O O O O O O O O

1DH 1EH 1FH

MIDI Transmission (generated data) Panel (main generation method) O (Mixing Console *Depends on Reverb Type) O (Mixing Console *Depends on Reverb Type) O (Mixing Console *Depends on Reverb Type) O (Mixing Console *Depends on Reverb Type) O (Mixing Console *Depends on Reverb Type) O (Mixing Console *Depends on Reverb Type) Style O Song O MIDI X
00-7F REVERB PARAMETER 11
Refer to Effect Parameter List
Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type
00-7F REVERB PARAMETER 12
00-7F REVERB PARAMETER 13
00-7F REVERB PARAMETER 14
00-7F REVERB PARAMETER 15
00-7F REVERB PARAMETER 16

TOTAL SIZE

Address (H) 20

Size Data (H) (H) 2

MIDI Reception (effective or not for each part) Song Main Keyboard Style Layer Left O Extra
MIDI Transmission (generated data) Panel (main generation method) O (Mixing Console) Style O Song O MIDI X
00-7F CHORUS TYPE MSB 00-7F CHORUS TYPE LSB 00-7F CHORUS PARAMETER 1
41(=CHORUS1) 00 Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type 00
O (*Depends on Chorus Type)

00-7F CHORUS PARAMETER 2

00-7F CHORUS PARAMETER 3

00-7F CHORUS PARAMETER 4

00-7F CHORUS PARAMETER 5

00-7F CHORUS PARAMETER 6

00-7F CHORUS PARAMETER 7

00-7F CHORUS PARAMETER 8

00-7F CHORUS PARAMETER 9
00-7F CHORUS PARAMETER 10

2C 2D 2E TOTAL SIZE

00-7F CHORUS RETURN 01-7F CHORUS PAN 00-7F SEND CHORUS TO REVERB 0F
-dB.0dB.+6dB (0.96.127) L63.C.R63 -dB.0dB.+6dB (0.96.127)
O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console) X X
00-7F CHORUS PARAMETER 11 Refer to Effect Parameter List 00-7F CHORUS PARAMETER 12
Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type Depends on Chorus Type

00-7F CHORUS PARAMETER 13
00-7F CHORUS PARAMETER 14
00-7F CHORUS PARAMETER 15
00-7F CHORUS PARAMETER 16
O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type ) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type) O (Mixing Console *Depends on Chorus Type)

Address (H) 40

00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB 00-7F VARIATION PARAMETER 1 MSB 00-7F VARIATION PARAMETER 1 LSB 00-7F VARIATION PARAMETER 2 MSB 00-7F VARIATION PARAMETER 2 LSB 00-7F VARIATION PARAMETER 3 MSB 00-7F VARIATION PARAMETER 3 LSB 00-7F VARIATION PARAMETER 4 MSB 00-7F VARIATION PARAMETER 4 LSB 00-7F VARIATION PARAMETER 5 MSB 00-7F VARIATION PARAMETER 5 LSB 00-7F VARIATION PARAMETER 6 MSB 00-7F VARIATION PARAMETER 6 LSB 00-7F VARIATION PARAMETER 7 MSB 00-7F VARIATION PARAMETER 7 LSB 00-7F VARIATION PARAMETER 8 MSB 00-7F VARIATION PARAMETER 8 LSB 00-7F VARIATION PARAMETER 9 MSB 00-7F VARIATION PARAMETER 9 LSB 00-7F VARIATION PARAMETER 10 MSB 00-7F VARIATION PARAMETER 10 LSB 00-7F VARIATION RETURN
Refer to Effect Parameter List -dB.0dB.+6dB (0.96.127)
05(=DELAY L, C, R) 00 Depends on Variation Type
O (*Depends on Variation Type)
O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console *Depends on Variation Type) O (Mixing Console)
Depends on Variation Type

Address (H) 59 5A 5B

Corresponding Voice/Part Regular O O O O O Mic O O O O O Natural Voice X X X X X
MIDI Reception (effective or not for each part) Song Main Keyboard Style Layer Left O O O O O Extra
MIDI Transmission (generated data) Panel (main generation method) X X X X O (Mixing Console) Style O O O O O Song O O O O O MIDI X X X X X
01-7F VARIATION PAN 00-7F SEND VARIATION TO REVERB 00-7F SEND VARIATION TO CHORUS 00-01 VARIATION CONNECTION 00-7F VARIATION PART NUMBER
5C 5D 5E 5F 60 TOTAL SIZE
00-7F MW VARIATION CONTROL DEPTH 00-7F BEND VARIATION CONTROL DEPTH 00-7F CAT VARIATION CONTROL DEPTH 00-7F AC1 VARIATION CONTROL DEPTH 00-7F AC2 VARIATION CONTROL DEPTH 21
L63.C.R63 -dB.0dB.+6dB (0.96.127) -dB.0dB.+6dB (0.96.127) INSERTION, SYSTEM Reception: Part1.16(0.15) Transmission: Part1.16(0.15) AD(64) OFF(127) -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63

O O O X X

00-7F VARIATION PARAMETER 11 00-7F VARIATION PARAMETER 12 00-7F VARIATION PARAMETER 13 00-7F VARIATION PARAMETER 14 00-7F VARIATION PARAMETER 15 00-7F VARIATION PARAMETER 16 06

00 7F 7F 0A 00 00

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
O O O O X X X O O X X X X X X X X X X X X X X X O X X X X X
O O O O X X O O O O O O O O O O O O O O O O O O O O O O O O
O X X O X X O O O O O O O O O O O O O O O O O O O O O O O O
X O (Sound Creator) O (Sound Creator) X X X O (Sound Creator) X X X X X X X X X X X X X X X X X X X X X X X
Address (H) 3A 3B 3C 3D 3E 3F 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F 6A 6B 6C 6D 6E TOTAL SIZE
Size Data (H) (H) 1 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-5F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-5F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-01 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 01-7F 3F
Corresponding Voice/Part Regular X X X X X O X X X X X X X X X X X O O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X O O X X X X X X Mic X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Natural Voice X X X X X O X X X X X X X X X X X O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
MIDI Reception (effective or not for each part) Song X X X X X O X X X X X X X X X X X O O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X O O X X X X X X Main Keyboard Style Layer Left X X X X X X X X X X X X X X X X X O O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X O O X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Extra X X X X X X X X X X X X X X X X X O O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X O O X X X X X X
MIDI Transmission (generated data) Panel (main generation method) X X X X X X X X X X X X X X X X X O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) O (Function) X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Style X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Song X X X X X O X X X X X X X X X X X O O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X O O X X X X X X MIDI X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

Rcv PITCH BEND Rcv CH AFTER TOUCH (CAT) Rcv PROGRAM CHANGE Rcv CONTROL CHANGE Rcv POLY AFTER TOUCH (PAT) Rcv NOTE MESSAGE Rcv RPN Rcv NRPN Rcv MODULATION Rcv VOLUME Rcv PAN Rcv EXPRESSION Rcv HOLD1 Rcv PORTAMENTO Rcv SOSTENUTO Rcv SOFT PEDAL Rcv BANK SELECT SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B CAT PITCH CONTROL CAT LOW PASS FILTER CONTROL CAT AMPLITUDE CONTROL CAT LFO PMOD DEPTH CAT LFO FMOD DEPTH CAT LFO AMOD DEPTH PAT PITCH CONTROL PAT LOW PASS FILTER CONTROL PAT AMPLITUDE CONTROL PAT LFO PMOD DEPTH PAT LFO FMOD DEPTH PAT LFO AMOD DEPTH AC1 CONTROLLER NUMBER AC1 PITCH CONTROL AC1 LOW PASS FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH AC1 LFO FMOD DEPTH AC1 LFO AMOD DEPTH AC2 CONTROLLER NUMBER AC2 PITCH CONTROL AC2 LOW PASS FILTER CONTROL AC2 AMPLITUDE CONTROL AC2 LFO PMOD DEPTH AC2 LFO FMOD DEPTH AC2 LFO AMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME VELOCITY LIMIT LOW VELOCITY LIMIT HIGH
OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -63.0.+63[cent] -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 0.95 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 0.95 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 OFF, ON 0.127 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63 1.127 1.127
01 XG mode=01, GM mode=01 7F
NOT USED NOT USED 00-7F EQ BASS GAIN 00-7F EQ TREBLE GAIN 04

-12dB.+12dB -12dB.+12dB

O (*2) O (*2)

O (*2) O (*2) O (Mixing Console) (*2) O (*2) O (*2) O (Mixing Console) (*2)
Address (H) 7A 7B 7C 7D 7E 7F TOTAL SIZE

Size Data (H) (H) 1 1

XG Default (H) 0C 36 -
Corresponding Voice/Part Regular O (*2) O (*2) Mic X X Natural Voice X X -
MIDI Reception (effective or not for each part) Song O (*2) O (*2) Main Keyboard Style Layer Left O (*2) O (*2) X X X X Extra
MIDI Transmission (generated data) Panel (main generation method) Style X X Song O O MIDI X X -
NOT USED NOT USED 04-28 EQ BASS FREQUENCY 32.2.0k[Hz] 1C-3A EQ TREBLE FREQUENCY 500.16.0k[Hz] NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED 0C
O (*2) O (Sound Creator) (*2) O (*2) O (Sound Creator) (*2) -
nn = PART NUMBER If there is a Drum Voice assigned to the part, the following parameters are ineffective. BANK SELECT LSB MONO/POLY MODE SCALE TUNING PORTAMENTO PITCH EG FILTER MODULATION DEPTH (FMOD DEPTH) AMPLITUDE MODULATION DEPTH (AMOD DEPTH) *2 The following parameters are not accepted, or are not transmitted by the Panel operations. EQ BASS GAIN EQ TREBLE GAIN EQ BASS FREQUENCY EQ TREBLE FREQUENCY
MIDI Parameter Change table (A/D PART)
Address (H) 0A 0B 0C 0D 0E 0F 14 TOTAL SIZE Size Data (H) (H) 1 00-01 INPUT GAIN 1 00-7F BANK SELECT MSB 1 00-7F BANK SELECT LSB 1 00-7F PROGRAM NUMBER 1 00-1F,7F Rcv CHANNEL 1 NOT USED 1 NOT USED 1 NOT USED 1 NOT USED 1 NOT USED 1 NOT USED 1 00-7F VOLUME 1 NOT USED 1 NOT USED 1 01-7F PAN 1 NOT USED 1 NOT USED 1 00-7F DRY LEVEL 1 00-7F CHORUS SEND 1 00-7F REVERB SEND 1 00-7F VARIATION SEND 15 MIC, LINE 0.127 0.127 0.127 1.16,OFF Parameter Description Corresponding Voice/Part Regular X X X X X X X X X X X Mic X X X X O O O O O O O Natural Voice X X X X X X X X X X X MIDI Reception (effective or not for each part) Song X X X X X X X X X X X Main Keyboard Layer Left X X X X X X X X X X X X X X X X X X X X X X Style X X X X X X X X X X X Extra X X X X X X X X X X X MIDI Transmission (generated data) Panel (main generation method) X X X X X O (Mixing Console) O (Mixing Console) O (Mixing Console) O (Mixing Console) O (Mixing Console) O (Mixing Console) Style X X X X X X X X X X X Song X X X X O O O O O O O MIDI X X X X X X X X X X X

About the Floppy Disks

To handle oppy disks with care:
Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep oppy disks in their protective cases when they are not in use. Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids. Do not open the sliding shutter and touch the exposed surface of the oppy disk inside. Do not expose the disk to magnetic elds, such as those produced by televisions, speakers, motors, etc., since magnetic elds can partially or completely erase data on the disk, rendering it unreadable.
About the Display Messages
A message (information or conrmation dialog) sometimes appears on the screen to facilitate operation. When such messages appear, simply follow the instructions as shown by pressing the corresponding button.
You can select the desired language from the Help display (page 49).
For this example, press the [G] (YES) button to execute formatting.

Table of Contents

SPECIAL MESSAGE SECTION.. 2 PRECAUTIONS... 3 About this Owners Manual and Data List. 5 Accessories... 6 Handling the Floppy Disk Drive (FDD) and Floppy Disk... 6 About the Display Messages. 8 Application Index... 12 What can you do with the PF-1000?.. 14 Setting Up the PF-1000.. 16
About the pedal unit... 16 About the music rest... 16 Turning the Power On and Off.. 16 Using headphones... 17
Help Messages... 49 Using the Metronome.. 50 Adjusting the Tempo.. 50 Tap Tempo... 51
Reference Playing the Demos..52 Voices..54
Selecting a Voice.. 54 One-touch Piano Play... 55 Layer/Left Playing Several Sounds Simultaneously.. 56 Layer Layering Two Different Voices. 56 Left Setting Separate Voices for the Left and Right Sections of the Keyboard. 57 Applying Voice Effects.. 57 Using the Pedals... 58
Panel Controls and Terminals.. 18

Quick Guide

Playing the Demos.. 20 Song Playback... 21 Playback of Songs..21 Playing Voices... 25 Playing a Voice...25 Playing Two Voices Simultaneously.26 Playing Different Voices with the Left and Right Hands...27 Playing Styles.. 28 Playing a style...28 Style Sections...30 One Touch Setting...32 Music Finder... 33 Using the Music Finder..33 Searching the Music Finder Records..34 Saving and Recalling Music Finder Data.35 Playing and Practicing with the Songs. 36 Playing Along with the PF-1000.36 Recording...37

Select a style (page 28). Press one of the [ONE TOUCH SETTING] buttons. Not only does this instantly call up all the settings (voices, effects, etc.) that match the current style (see page 67) it also automatically turns on ACMP and SYNC. START, so that you can immediately start playing the style.
As soon as you play a chord with your left hand, the auto accompaniment starts.
Play melodies with your right hand and play various chords with your left hand. Try out other One Touch Setting setups.
You can also create your own One Touch Setting setups. For details, refer to page 68.
Heres another way to further automate musical changes and spice up your performance: Use the convenient OTS (One Touch Setting) Link function to automatically change One Touch Settings when you select a different Main section (page 68).

Music Finder

MUSIC FINDER button

Reference on page 69

If you want to play in a certain song but dont know which style and voice settings would be appropriate, the convenient Music Finder can help you out. Simply select the song name from the Music Finder and the PF-1000 automatically makes all appropriate panel settings to let you play in that music style!

Using the Music Finder

Press the [MUSIC FINDER] button.

Select a record.

Press the [BACK]/[NEXT] button to select the desired page of records. For this example, ALL is selected.
Select the desired record.
For this example, press the [1 - 3LM] button to select a record by song title.
Play along with the style playback.
You can also have the voice and other important settings change automatically with the style changes. To do this, turn on OTS LINK (page 68) and set the OTS LINK TIMING (page 127) to REAL TIME.
Searching the Music Finder Records
The Music Finder is also equipped with a convenient search function that lets you enter a song title or keyword and instantly call up all the records that match your search criteria.
Press the [I] button to call up the MUSIC FINDER SEARCH 1 display.
The results of Search 1 and 2 appear in the correspondingly numbered SEARCH 1/ 2 displays.
Refer to page 45 for instructions on entering characters.
For this example, press the [A] button to call up the display for inputting the song title.

If the selected song does not contain lyric data, lyrics are not displayed.
Press the SONG [START/STOP] button and play the part.
If you want to start the song right away without an intro, use the Sync Start function. To set Sync Start to standby, simultaneously hold down the [TOP] button and press the SONG [START/STOP] button. Song playback starts automatically the moment you start playing the melody. If you can hear the PF-1000 playing the melody part as well, check the channel setting for the melody part in the song data, and change the channel assigned to Track 1 (page 126). You can also change the song channel itself permanently (page 101).
The PF-1000 lets you record, too quickly and easily. Try out the Quick Recording feature now and capture your keyboard performance.
Select a voice for recording. Use the same operations as in Playing a Voice on pages 25, 26.
Press the [REC] and [TOP] buttons simultaneously to select New Song for recording.
REC TOP START/STOP REW FF REPEAT
Simultaneously hold down the [REC] button and press the [TRACK1] button.
REC EXTRA TRACKS TRACK2 STYLE L TRACK1 R
Recording starts as soon as you start playing the keyboard.
When youve nished recording, press the [REC] button.
To hear your newly recorded performance, return the song to the beginning by using the [TOP] button and press the SONG [START/STOP] button.
The recorded data will be lost if you turn off the power. To keep your important recordings, youll need to save them to the User drive or oppy disk.
Save the recorded data as required (pages 38, 44).
Basic Operations Organizing Your Data
The PF-1000 utilizes a variety of data types including voices, accompaniment styles, songs and registration memory settings. Much of this data is already programmed and contained in the PF-1000; you can also create and edit your own data with some of the functions on the instrument. All this data is stored in separate les just as is done on a computer. Here, well show you how to use the basic operations of the display controls in handling and organizing the data of the PF-1000 in les and folders. Files can be opened, saved, named, moved, or deleted in their respective Open/Save displays. You can select these displays according to their respective le types, as well: Song, Voice, Style, etc. Moreover, you can organize your data efciently by putting various les of the same type into a single folder. The Open/Save displays for Song, Voice, Style, and Registration Bank can be called up from the MAIN display (the display shown when the power is turned on) by pressing the appropriate [A] - [J] button.

1 Playback the song or the accompaniment style

(page 59, 74).

You can also use Tap Tempo to automatically start the song or accompaniment style at the desired tempo. While both the song and accompaniment style are stopped, tap the [TAP TEMPO] button several times, and the selected accompaniment style starts automatically at the tempo you tapped. While a song is set to Sync. Start stand-by (page 60, 74), tapping the [TAP TEMPO] button starts the song playback in the same manner. For songs and styles in 2/4 and 4/4 time, tap four times; for 3/4 time, tap three times; for 5/4 time, tap ve times.
Tap the [TAP TEMPO] button twice to change the tempo.
I Tempo Indications MAIN Display
There are three different tempo indications in the Main display, as shown below.
Indicates the default (initial) tempo setting for the currently selected song (unless the tempo has been changed manually). Indicates the current tempo for the selected song, accompaniment style or the metronome which is now playing back. When nothing is playing back (stopped), this indicates the tempo for the selected style. When the song and style are played back simultaneously, the tempo of the style is automatically changed to match the tempo of the song, and is displayed here. This tempo is used for recording when recording a song or accompaniment style. Indicates the default (initial) tempo setting for the currently selected accompaniment style (unless the tempo has been changed manually).
Playing the Demos The PF-1000 is an extraordinarily versatile and sophisticated wide variety of dynamic voices Referencewealth of advanced functions. Three differentinstrument, featuring a have been specially prepared and rhythms, plus a types of Demo songs
showcasing the stunning sound and features of the PF-1000.
2-1 Use the [BACK][NEXT] buttons to select the desired Demo category.
Function Demos. These demonstrate each of the different functions on the PF-1000. Voice Demos. These showcase the voices of the PF-1000. Style Demos. These introduce you to the rhythms and accompaniment styles of the PF-1000.
2-3 Press one of these buttons twice
once to select the desired demo, and once again to start it.

2-2 Use these to select

different display pages.
Press this to play back all Demo songs/items continuously, starting from the rst item at the top left of the display. This is available only from the FUNCTION page. All of the available demos are played back in sequence, starting from the one at top left. The VOICE and STYLE pages do not have the [AUTO] button; however, all demo songs are played back in sequence. Pressing this button cancels the interactive features of the Function Demos (otherwise available in step 3 below).

Select the song and start playback by pressing the SONG [START/STOP] button. Select the desired accompaniment style. Start the style by pressing the STYLE CONTROL [START/STOP] button. While the song is playing, insert a break or change sections (with the STYLE section buttons.) Fill-in patterns play when you switch sections.
The style automatically stops when the song nishes or is stopped.
Some of the internal songs have been created using the accompaniment styles. For these songs, the accompaniment styles are automatically started when starting song playback.
Playing Back Songs on Disk
Insert the disk into the drive.
Before proceeding, make sure to read the section Handling the Floppy Disk Drive (FDD) and Floppy Disk (page 6).
Insert the disk shutter side rst and label face up.
You can set whether or not the PF-1000 automatically calls up the rst disk song when a disk is inserted (page 139).
The method for playing back is the same as in the Playing the Internal Songs instructions (page 74), except that you should select FLOPPY DISK page in the SONG display.
Some song data for the PF1000 has been recorded with special free tempo settings. During playback of such song data, the measure numbers shown in the display will not correspond to the actual measure; this only serves as a reference as to how much of the song has been played back.
Other Playback-related Operations
I Repeat / Rewind / Fast forward
During playback, you can have the song return to the top and play back again from the beginning by pressing this button. When playback is stopped, pressing this button returns the song to the beginning.
Songs containing a large amount of data may not be able to be read properly by the instrument, and as such you may not be able to select them. The maximum capacity is about 200 300KB, however this may differ depending on the data contents of each song.
Press this button to call up the SONG POSITION display (see below). To return to the SONG display, press the [EXIT] button.

SONG POSITION display

When BAR is selected, you can specify a measure number (counted from the beginning of the song) by using the [REW] and [FF] buttons. When PHRASE MARK is selected, specify the phrase mark number by using the [REW] and [FF] buttons.
Phrase Mark This data species a certain location in the song data.
PHRASE MARK is shown only when the song contains phrase marks. Press the [J] button to toggle between BAR and PHRASE MARK, then use the [REW] and [FF] buttons to select the desired measure or phrase mark.
I Adjusting the Volume Balance / Muting Specic Channels
Press this button to call up the BALANCE display (page 61). Press this button to call up the CHANNEL ON/OFF display (see below).

Specifying only Point A results in repeat playback between Point A and the end of the song.

Stop the song.

To cancel the Repeat function, press the button again.
The specied A and B points will be erased when selecting a different song number, cancelling the Repeat function, or selecting a different repeat mode such as Phrase Repeat or repeat in Song Chain Play (page 126).
Displaying Music Notation Score
With this feature, you can have the notation automatically shown on the display as the song plays. This can be used with your own recordings as well as the internal Demo songs.
Select the desired song (page 74, 76).
Enables/disables display of the left-hand key range. Depending on other settings, this parameter may be unavailable and may appear grayed out. If this is the case, go to the detailed setting display (shown below; use the [8LM] buttons) and set the LEFT CH. parameter to any channel except AUTO. Or, go to the SONG SETTING display in the Function menu (page 126) and set the TRACK 2 parameter to any channel except OFF.
The displayed notation is generated by the PF-1000 based on the song data. As a result, it may not be exactly the same as commercially available sheet music of the same song especially when displaying notation of complicated passages or many short notes.
Some song data for the PF1000 has been recorded with special free tempo settings. For such song data, the tempo, beat, measure and music notation will not be displayed correctly.
[RIGHT] and [LEFT] cannot be turned off at the same time.
The note name is indicated at the left of the note. When the space between the notes is too small, the indication may be moved to the top left of the note.
Enables/disables display of the right-hand key range. Channel 1 is automatically selected when [TRACK1] is set to [OFF] from the SONG SETTING display (page 126). Enables/disables display of the lyrics. If the selected song does not contain lyric data, lyrics are not displayed. Enables/disables display of the chords. If the selected song does not contain chord data, chords are not displayed. Enables/disables display of the note name (pitch). Determines the display resolution (or zoom level) of the notation. SMALL.. Notation is shown in small size. LARGE.. Notation is shown in large size. This calls up the detailed setting display for notation. For details, see the next page.

Edit the Created Accompaniment Style
Change the Rhythmic Feel Groove and Dynamics
These versatile features give you a wide variety of tools for changing the rhythmic feel of your created accompaniment style. The operations here apply to step 4 on page 107.

I Groove

A F B G
Calls up the Style display and lets you store the edited accompaniment style data.
Executes the Groove operation. After the operation is completed, this button changes to [UNDO], letting you restore the original data if youre not satised with the Groove results. The Undo function only has one level; only the previous operation can be undone.
Determines the settings for each of the Groove parameters (see the list below).

Groove parameters

Original Beat Species the beats to which Groove timing is to be applied. In other words, if 8 Beat is selected, Groove timing is applied to the 8th notes; if 12 Beat is selected, Groove timing is applied to 8th-note triplets. Actually changes the timing of the beats (specied in the ORIGINAL BEAT parameter above) to the selected value. For example, when ORIGINAL BEAT is set to 8 Beat and BEAT CONVERTER is set to 12, all 8th notes in the section are shifted to 8th-note triplet timing. The 16A and 16B Beat Converter which appear when ORIGINAL BEAT is set to 12 Beat are variations on a basic 16th-note setting. Produces a swing feel by shifting the timing of the back beats, depending on the ORIGINAL BEAT parameter above. For example, if the specied ORIGINAL BEAT value is 8 Beat, the Swing parameter will selectively delay the 2nd, 4th, 6th, and 8th beats of each measure to create a swing feel. The settings A through E produce different degrees of swing, with A being the most subtle and E being the most pronounced. Selects a variety of Groove templates to be applied to the selected section. The PUSH settings cause certain beats to be played early, while HEAVY settings delay the timing of certain beats. The numbered settings (2, 3, 4, 5) determine which beats are to be affected. All beats up to the specied beat but not including the rst beat will be played early or delayed (for example, the 2nd and 3rd beats, if 3 is selected). In all cases, A types produce minimum effect, B types produce medium effect, and C types produce maximum effect.

Make sure to connect or disconnect the pedal only when the power is turned off.
8 Connecting to a Computer (MIDI terminals/TO HOST terminal)
Connect your PF-1000 to computer and take advantage of the wide range of powerful and versatile software for creating and editing music. The PF-1000 can be connected in three ways.
I Using the TO HOST terminal I Using the MIDI terminals I Connecting to a USB terminal by using an optional
USB interface (UX series)
Youll need an appropriate music/MIDI software program (such as a sequencer), compatible with your computer platform. When connecting the PF-1000 to a personal computer, rst turn off the power to both the PF-1000 and the computer before connecting any cables and setting the HOST SELECT switch. After making the proper connections and settings, turn on the power of the computer rst, then that of the PF-1000. If you do not use the TO HOST terminal of the PF-1000, make sure you disconnect the cable from the terminal. If the cable is left connected, the PF-1000 may not function properly. When the HOST SELECT switch is set to PC-1, PC-2, or Mac, you can use the TO HOST terminal, but the MIDI connectors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the HOST SELECT switch is set to MIDI, you can use the MIDI connectors, but not the TO HOST terminal since no data is transferred via the TO HOST terminal.
7 Connecting external MIDI devices (MIDI terminals)
Using a standard MIDI cable, connect the external MIDI device to the MIDI terminal(s) of the PF-1000. Make sure to set the HOST SELECT switch (page 18) to MIDI when you use these connectors. For more information about connections, see What You Can Do With MIDI on page 147. MIDI IN. Receives MIDI messages from an external MIDI device MIDI OUT. Sends out MIDI messages generated by the PF-1000 MIDI THRU.. Simply relays the MIDI messages received at MIDI IN For a general overview of MIDI and how you can effectively use it, refer to the following sections: Whats MIDI? (page 145) What You Can Do With MIDI (page 147) MIDI functions (page 134)

I GM System Level 1

This is one of the most common voice allocation formats. Many MIDI devices are compatible with GM System Level1, as is most commercially available software.
XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specically to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure compatibility of data well into the future. Song data recorded on the PF-1000 using voices in the [XG] category is XG-compatible.
This voice allocation format is compatible with many of Yamahas MIDI devices, including the PF-1000 series instruments.This is also a common format used with various Yamaha software.
Assembling the Keyboard Stand
You can use the PF-1000 without installing the stand. However, if you wish to attach the stand to the PF-1000, follow the steps below. CAUTION Be careful not to confuse parts. Make sure that you install all parts in the correct orientation. Assemble the stand in accordance with the steps below. At least two persons should assemble the stand together. Be sure to use the correct-size screws, as indicated below. Use of incorrect screws can cause damages to the stand. When you attach each part, be sure to tighten all screws. Reverse the assembly procedure to disassemble the stand. Use the included wrench.
Attaching the front legs to the stand.
1 Place the stand on the oor so that the bottom side (with smaller holes) faces up.
2 Use a short screw to attach the bracket of the front right leg to the bottom side of the stand. 3 Use two long screws to x the bracket of the front right leg to the front side of the stand.
4 Attach the front left leg in the same way.

Keyboard

Attaching the rear legs to the stand.
Remove the following parts from the package.

Stand 2

3 Attach the rear right leg in the same way. Rear left leg Front left leg Pedal unit AC power cord Align the holes on the plate with the holes of the rear side of the bracket on the rear legs, then x them using four short screws. Rear right leg Front right leg
1 Use a short screw to attach the bracket of the rear left leg to the bottom side of the stand. 2 Use two long screws to x the bracket of the rear left leg to the rear side of the stand.

Attaching the plate.

Screws
Long screws (6x65mm) x 8 Cord holders x 2 Short screws (6x20mm) x 8

Cap bolts x 4

Wrench x 1
Raising the stand to the standing position.
Use the front legs as support to raise the stand.
Connecting the pedal unit.
1 Place the pedal unit in front of the rear legs. 2
2 Connect the pedal cord plug into the PEDAL jack on the left side of the keyboard, with the arrow on the plug facing up.
CAUTION Be careful not to pinch your ngers.
3 Attach the cord holders in the position shown in the illustration, and clip the pedal cord to the holders. * You can also clip the power cord to the cord holders.

Mounting the keyboard.

Set the voltage selector and connect the power cord to the AC INLET on the keyboard.
Be sure to hold the four corners of the keyboard. Mount the keyboard so that the rubber feet on the bottom of the keyboard fall into the holes on the stand.

Voltage Selector

Before connecting the AC power cord, check the setting of the voltage selector (provided in some locations). To set the selector for 110V, 130V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may also be provided in some areas to match the pin conguration of the AC wall outlets in your area.
CAUTION Be careful not to pinch your ngers or drop the keyboard. CAUTION Do not hold any part of the keyboard other than four corners as shown in the illustration.
An improper voltage setting can cause serious damage to the PF1000 or result in improper operation.

Fixing the keyboard.

Attach the cap bolts on the bottom of the stand and tighten them with your hand to x the keyboard.
After completing the assembly, please check the following. Are any parts left over? Review the assembly procedure and correct any errors. Is the PF-1000 clear of doors and other movable xtures? Move the PF-1000 to an appropriate location. Does the PF-1000 make a rattling noise when you shake it? Tighten all screws. Are the pedal and power cords inserted securely into the sockets? Check the connections. If the keyboard stand creaks or is otherwise unsteady when you play the keyboard, refer to the assembly diagrams and retighten all screws.

Specifications

PF-1000 Registration Memory Buttons Regist Sequence Freeze Others Demo Language Help Direct Access Piano setting button (including Piano Lock) Master Volume Fade In/Out Transpose Tuning Tuning Curve Scale Touch Response Jacks/Connectors Flat/Stretch (Natural Piano Voice only) Equal Temperament, Pure Major/Pure Minor, Pythagorean, Mean Tone, Werckmeister/Kirnberger, Arabic 1/level PHONES 2, MIDI (THRU, OUT, IN), TO HOST, HOST SELECT, AUX PEDAL, AUX IN (L/L+R), AUX OUT (LEVEL FIXED) (L/R), AUX OUT (L/L+R) MIC (INPUT VOLUME, MIC/LINE IN),VIDEO OUT Pedals Number of Pedals Pedal Functions 3 VOLUME, SUSTAIN, SOSTENUTO, SOFT, GLIDE, PORTAMENTO, PITCHBEND, MODULATION, DSP VARIATION, VIBROTOR ON/OFF, SONG START/STOP, STYLE START/STOP, etc. 30 W 2 (16 cm + 5 cm) 2 main unit main unit with keyboard stand main unit main unit with keyboard stand 165 mm [56-5/16" 19-15/16" 6-1/2"] 782 mm [56-5/16" 19-15/16" 30-7/8"] 31 Kg [68 lbs., 5 oz] 43 Kg [94 lbs., 13 oz] Keyboard/Song/Master Function, Voice, Style 6 languages (English, Japanese, German, French, Spanish, Italian) 8

Ampliers/ Speakers

Ampliers Speakers
Dimensions [W D H] (without music rest, pedal unit)
Weight (without music rest, pedal unit)
* Specications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Numerics

1 - 16... 103 [1LM] - [8LM] buttons.. 18, 3845 Channel Muting...61 [CHANNEL ON / OFF] button..18, 61, 76 Channel Transpose...102 CHD...104 Chord...92 Chord Detect...136 Chord Events...104 Chord Fingering..62, 128 Chord Tutor..128 Chord Types Recognized in the Fingered Mode..63 Chorus...121 Clock....135 COMMON...87 Compatible Song Types...73 CONFIG 1...137 CONFIG 2...138 Connect the power cord..16 Connecting Audio & Video Devices.142 Connecting external MIDI devices..143 Connecting the Microphone or Guitar..141 Connecting to a Computer..143 Controller...128 Converting into Kanji (Japanese language)..45 Cool!...55 COPY...43 Copying and Formatting Disks..139 Copying Files/Folders..43 Copying from Disk to Disk..139 Creating Accompaniment Styles..106 Current Memory..39 Customizing the Event List Filter..105 CUT...42
[A] - [J] buttons... 18, 40 [AC INLET]... 16, 19 Accessories... 6 Accompaniment style parts... 92 [ACMP] button... 18, 60 Adjust the Volume Balance and Changing Voices. 116 Adjusting the display contrast.. 17 Adjusting the Effects... 119 Adjusting the Tempo.. 50 Adjusting the Volume Balance.. 61 Adjusting the Volume Balance / Muting Specific Channels. 76 Adjusting values.. 46 AI.... 62 AI FINGERED... 62 AI FULL KEYBOARD.. 62 Append... 71 Applying Voice Effects... 57 Appropriate Panel Setting for the Selected Style.. 67 Arabic... 125 Arranging the Style Pattern... 64 Assembling an Accompaniment Style.. 110 Assembling the keyboard stand.. 150 ATTACK... 88 AUTO.... 20 Auto Revoice... 117 [AUTO FILLIN] button.. 18, 66 Automatically Changing One Touch Settings with the Sections... 68 AUX IN [L / L+R] [R] jacks.. 19, 142 AUX OUT (LEVEL FIXED) [L] [R] jacks. 19, 142 AUX OUT [L / L+R] [R] jacks.. 19, 142 [AUX PEDAL] jack... 19, 143

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions include, but are not limited to, the following: Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. Main Power Supply Verication: Yamaha products are manufactured specically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verication and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specically recommended by Yamaha. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. Ventilation: Electronic products, unless specically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. Temperature considerations: Electronic products should be installed in locations that do not signicantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity.

(class B)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires) This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR VITER LES CHOCS LECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQUAU FOND.
(polarity) This applies only to products distributed by Yamaha Canada Music Ltd. Ceci ne sapplique quaux produits distribus par Yamaha Canada Musique Lte.
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
Yamaha Musica Italia S.P.A., Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid) Spain Tel: 91-201-0700

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577