MIDI OUT

The MIDI output jack is used to transmit all MIDI control information from the X-15 to whichever MIDI device you wish to control. Connect the MIDI cable to the 5 pin MIDI OUT jack on the X-15 and then to the MIDI IN jack of the device you are going to control.

MIDI IN

This jack receives the MIDI signal containing the MIDI messages. It enables you to talk to the X-15 from an external source such as a computer equipped with MIDI ports and associated software or a sequencer. Actually, you may use any MIDI device to send messages to the X-15. Any MIDI information sent to the MIDI In jack is echoed to the MIDI Thru jack.

LED Indicators

LEDs located in the upper left hand corner of the activator pads 1 through 10 indicate which pad is active. The MODE and BYPASS activator pads have their indicator LEDs located towards their upper right corner. These LEDs are also used to indicate the different programming modes you may be in.

MIDI THRU

A MIDI Thru jack is provided on the X 1 allowing you to -5 continue a chain of MIDI devices and let MIDI information pass thru the unit to the next one. Information leaving the Thru jack is a direct copy of the MIDI messages received at the MIDI In jack. The information is buffered so the integrity of the signal is not degraded when passing thru. All MIDI Jacks are standard 5 pin DIN connectors utilizing standard MIDI connections. No phantom power is present on the unused terminals. ART recommends these unused terminals remain unused. See Appendix B for MIDI hook-up illustrations.

A tv t rPads ci ao

Pads on the pedal are labeled from left to right: Select Arrow UP and Arrow DOWN, MODE, BYPASS, l/EXCITER, 2/COMPRESSOR, 3/DlSTORTlON, 4/EQUALlZER, 5/EXPANDER/NOlSE GATE, 6/REVERB, 7/DELAY, 8/PlTCH TRANSPOSER, 9/FLANGE/CHORUS and 10/SPECIAL EFFECTS. The black activator pads are what you use to activate or program the X-15's many functions.

BYPASS/DC FOOTSWITCH

A standard 1/4" jack is the output port for a variety of footswitch configurations. This jack may be programmed to operate in conjunction with the BYPASS pad as a momentary open or closed switch or an on/off switch. Some amp channel switching or other switch applications could be done using this jack. Use a standard two conductor guitar cord to connect this jack to its intended termination. A standard two conductor speaker cable may also be used since no audio is being passed along the conductors.

P o r m M s a e Change r ga e s g
C A G N BETWEEN MODES HNIG
Pressing and releasing the MODE button alone toggles between preset and effect mode. Pressing the MODE button along with the 1, 2, 3, 4, 5, or 6 buttons enters Setup Mode.

FIRST TIME USE

When you hook up your X-15 ULTRAFOOT for the first time, we suggest you perform a Factory Reset to ensure all parameters and functions are at their initial values. This will alleviate some minor aggravation on your part if the X 1 does not -5 operate as we describe them in the manual! To perform a factory reset, press simultaneously the UP, 2, and 5 buttons with the power on. You may find it much easier to perform this function with your hands!
PRESET MODE Example o Recalling a P e e f rst As an example, if you want to select preset 77 while you
are in Preset Mode, press and hold the UP pad until 71 is displayed by the seven segment display, then press pad 7. VIOLA!, preset 77 is active. NOTE: In preset mode, whenever the display is showing a preset, the numbered LED associated with that preset is lit. Whenever the display is showing a bank, none of the numbered LEDs are lit. When power is applied to the X-15, it automatically comes up in Preset Mode ready to recall a preset. Preset Mode allows you to use the activator, UP, and DOWN pads to select MIDI presets 1 thru 128 (MIDI program numbers 0 thru 127) in the device youre hooked up to. Presets are arranged in twelve
R t r i gto Pee Mode From EffectMode e u nn rst
If you return to Preset Mode from Effect Mode, your last preset recalled remains active. When you switch back to Preset Mode, the preset number is displayed and the corresponding LED is lit automatically.
EFFECT MODE S l ci g Pee e t a rst en
To select a preset in Effect Mode, use the UP/DOWN pads. Each time either pad is pressed, you increment up or down one preset. The preset is recalled automatically and is displayed by the seven segment display only. No pad LED indicator will light. Upon entry to Effect Mode, a check is made to see if a program change message has been sent since power-on. if one has, the X-15 shows the preset number and unlike in preset mode, the associated LED is not lit. Pressing a numbered button causes a controller change message to be sent out the MIDI port. The controller number is defined either by the X-15s initial values or by you from editing Setup Mode.
bypass LED is turned on and off as in mode three, but the bypass LED can also be remotely controlled via the MIDI port. For detailed information see the section for Set-up Mode 3. Mode six sends a bypass message two different ways. Both the MIDI Out port and the 1/4 jack are used to send a Bypass message. The 1/4 jack acts like it would in mode 1 and the MIDI port would act as it would in mode 5.

SETUP MODE

You may never need to use Setup Mode due to its complete preprogramming. Read this section for all information necessary to change settings and how Setup Mode works. As mentioned earlier, when the MODE button is pressed , together with the 1 2, 3, 4, 5 or 6 buttons, Setup Mode is entered. You may change between the six different setup sub-modes at any time while you are in setup mode. in this example we will enter Setup Mode and select submode 5 parameter 3, setting the BYPASS function for a normal on/off switch. First, enter Setup Mode by pressing and holding down the MODE pad and then pressing the #5 pad. The display will show a flashing an S 1 and the MODE LED will be flashing. To select parameter 3, press the BYPASS pad [3] times. The display now shows a flashing b 6. Press the UP button [3] times, the number now changes to 3. The BYPASS function is now programmed to operate like a normal on/off switch. When the LED associated with the Bypass pad is lit, it indicates the switch is on. To exit Setup Mode press the MODE pad. This will store your change into memory and exit you to either Preset or Effect Mode, whatever mode you were in previous to editing. Read this section for detailed Setup Mode information. If you wanted to assign the left expression controller but mistakenly entered Setup Mode to assign the right expression controller, heres what to do. First, what you did was press and hold in the MODE and #1 pad, DONT press the #2 button, nothing will happen if you do. To choose the correct sub-mode, press and hold the MODE and #2 pad. To change between sub-modes you must use the MODE button. For more information about Setup Mode, keep reading this section.
The X-15 remembers the state (on or off) of each of the ten controllers. Pressing a numbered button toggles the current state, which in turn does two things, (1) send a controller change message out the MIDI port, and (2) change the state of the LED. The LEDs show the current state of each controller, lit is on and unlit is off. Pressing the UP and DOWN buttons increments and decrements the current preset by one, and sends a program change message out the MIDI port. UP and DOWN wrap at the minimum and maximum values, pressing DOWN while at the lowest bank yields the maximum bank, and vice-versa. To edit the assigned controllers, use sub-mode 4 in Setup Mode. Bypass works as described under preset mode.
Exampleo E t rn Setup Mode and Changing a Parameter f nei g

BYPASS MODE

The BYPASS button and LED operate identically in either preset or effect mode. There are six possible settings for bypass: Value Jack 1 X X X 4 X X MIDI Momentary Toggle LED Polarity X normal X reverse X normal X reverse X X remote X X remote
Exampleof Changing to a Df e e t Sub-Mode While in Setup Mode if r n
In modes one through four, the bypass jack is used to communicate bypass mode to the outside world. In mode five, the bypass jack is not used at all, bypass mode is sent as a controller message out the MIDI port. Within the six bypass modes, there are two principal submodes; momentary and toggle. In momentary mode, the state of the bypass output changes for as long as the BYPASS button is held down mimicking directly a momentary switch. Toggle mode allows for the state of the bypass jack to change every time the BYPASS button is initially pressed, just like an on/off switch. in modes one and three, the state of the bypass LED is the state of the bypass jack when the bypass jack is on (closed), the bypass LED is lit. Modes two and four reverse this when the bypass jack is off (open), the bypass LED is lit. Mode five acts like mode three, except instead of the bypass jack, the MIDI port is used as the bypass output. The
In each of the sub-modes, pressing the UP and DOWN pads increment and decrement the current value of the parameter being edited. These wrap when the minimum and maximum values are reached. Pressing DOWN while at the minimum value for a parameter yields the maximum value, and vice-versa. Sub-modes 1, 2, and 3 are indicated by the MODE LED flashing, along with the 1, 2, or 3 LEDs flashing. Sub-mode 4 is indicated by only pad indicator number 1 flashing. Sub-mode 5 is indicated by just the MODE LED and the first character in the display flashing. Submode 6 is not indicated by anything. Each sub mode parameter has a factory default setting. These settings are present so the X 1 may be used immediately -5 out of the box to your setup. The defaults are selected for average use. Of course, the parameters may be changed to meet your requirements. This section covers the programming of your X-15.
The six sub-modes, what they do, how to change them and default settings are as listed below. FUNCTION SUB MODE # ACCESS 1 MODE + 1 Set left pedal controller. 2 MODE + 2 Set right pedal controller. 3 MODE + 3 Set bypass controller. 4 MODE + 4 Set effect controller. 5 MODE + 5 Set miscellaneous parameters. 6 MODE + 6 Dump parameters
#5 pad. The display will show a flashing an S 1 and the MODE LED will be flashing. To select parameter 5, press the BYPASS pad [3] times. The display now shows a flashing b 1(*). Press the UP button [4] tlmes, the number now changes to 5. The BYPASS function is now programmed to send MIDI commands. (*)NOTE: If you programmed the BYPASS function in a previous example the numbers in the display will flash b 3, and you need only press the UP button [2] times.

SUB-MODE 1: Setting the Left Pedal Controller
SUB-MODE 4: Setting the Effects Controllers
Sub-Mode 4 allows you to assign the ten effect (number) activator pads to turn on and off MIDI controllable effects. The following chart shows the pad number, effect controlled and assigned controller #s of the X-15s initial settings. PAD # 10 EFFECT MIDI CONTROLLER # EXCITER 70 COMPRESSOR 71 DISTORTION 72 EQUALIZER 73 EXPANDER/NOISE GATE 74 REVERB 75 DELAY PITCH TRANSPOSER FLANGE/CHORUS 78 SPECIAL EFFECTS 79
In sub-mode 1, you determine what controller the left pedal becomes. See the list of MIDI controllers in Appendix D for the number corresponding with the MIDI controller. To set the pedal function, enter sub-mode 1 and select the proper controller number using the UP/DOWN buttons. The seven segment display shows the parameter value which is the MIDI controller number. DEFAULT VALUE = 4 (FOOT CONTROLLER)
SUB-MODE 2: Setting the Right Pedal Controller
In sub-mode 2, you determine what controller the right pedal becomes. See the list of MIDI controllers in Appendix D for the number corresponding with the MIDI controller. To set the pedal function, enter sub-mode 2 and select the proper controller number using the UP/DOWN buttons. The seven segment display shows the parameter value which is the MIDI controller number. DEFAULT VALUE = 11 (EXPRESSION CONTROLLER)
The above assigned effects controlled directly relate to ARTs SGX product line but can be assigned to control any MIDI devices effects if they are MIDI controllable. The effects controllers only operate in EFFECT Mode. You may edit the MIDI controller numbers while in Sub-mode 4. DEFAULT VALUES = MIDI CONTROL NUMBERS SHOWN IN ABOVE CHART
SUB-MODE 3: Setting the Bypass Controller
Sub-Mode 3 allows you to program how the BYPASS switch operates when set for MIDI operation. See the list of MIDI controllers in Appendix D for the number corresponding with the MIDI controller. Enter sub-mode 3 and select the proper controller number using the UP/DOWN buttons. The seven segment display shows the parameter value which is the MIDI controller number. DEFAULT VALUE = 84 (UNDEFINED)

EXAMPLE: Editing the Activator Pad MIDI Controller Number
In this example we will enter Setup Mode and select submode 4 and edit the controller number for pad number 1. First, enter Setup Mode by pressing and holding down the MODE pad and then pressing the #4 pad. The display will show the number 70, and the #1 pad LED will be flashing. To edit the value for pad #1, press the UP/DOWN pads until the desired # appears. The display will show the MIDI controller number. To exit Setup Mode press the MODE pad. This will store your change into memory and exit you to either Preset or Effect Mode, whatever mode you were in previous to editing. Read this section for detailed Setup Mode information.
EXAMPLES: Setting t eMIDI Bypass Function To Respond to Controller #7 h
Sub-mode three is an excellent way to induce extreme value settings via MIDI. For example, you want to affect the main volume of your keyboard remotely using your foot. Using the X-15 you may do this. Enter sub-mode 3. The MODE and #3 LED indicator will start to flash, and the display will show 1. Use the UP (or DOWN) pad to change the display to 7. Doing this sets the BYPASS button to send either a 0 or 7F (127) out the MIDI port when the BYPASS switch is pressed, if it is programmed to send a MIDI message. When the switch is pressed, the main volume of the keyboard is toggled either to minimum or maximum.
ProgrammingtheBYPASS Function to Bend a MIDI Bypass Command
In this example we will enter Setup Mode and select submode 5 parameter 5, setting the BYPASS function for MIDI commands. Flrst, enter Setup Mode by pressing and holding down the MODE pad and then pressing the 5

SUB-MODE 5

In sub-mode five, there are six parameters that can be edited. Submode five flashes the first character of the display, and uses the other two digits to show the value. To edit the parameter, enter sub-mode 5, press the BYPASS button to cycle through the parameters, and use the UP and DOWN buttons to select the appropriate value. This table shows the display, parameter, description, and the available settings for the parameter.
PARAMDISPLAY ETER DESCRIPTION RANGE DEFAULT VALUE
Value 5 acts like value 3, except instead of the bypass jack, the MIDI port is used as the bypass output. The bypass LED is turned on and off as in mode three, but the bypass LED can also be remotely controlled via the MIDI port, Mode six sends a bypass message two different ways. Both the MIDI Out port and the 1/4" jack are used to send a Bypass message. The 1/4" jack acts like it would in mode 1 and the MIDI port would act as it would in mode 5. Since both a MIDI message and the Bypass DC footswitch jack are active the LED remains lit. If you wish momentary function only, change the value to 1. DEFAULT VALUE = 6 (MIDI 84 and NORMALLY OPEN MOMENTARY SWITCH)

DEFAULT VALUE = 2 (80ms DELAY)
SUB-MODE 6: Dumping Parameters
Sub-mode 6 allows you to dump all your MIDI parameters from the X-15 to a MIDI storage device. Make sure your MIDI out cable is connected to the storage device then press the MODE and #6 pad. Data will be dumped in less than five seconds.
S VN EDITED PARAMETERS AI G

STORE/SAVE PARAMETERS

To SAVE any parameter value you changed, press and release the MODE button. By doing this you write any changed parameters to EEPROM (Electrically Erasable Read Only Memory), and returns to the last mode prior to entering setup mode. Pressing MODE and buttons 1, 2, 3, 4, or 5 will switch to another sub-mode of setup. Information is held in the EEPROM until you change it again. You must be in Setup Mode to store changed parameters.
either an "L" or r indicating which pedal has most recently moved, and its value. Exit by pressing the MODE button, When you are viewing the pedal value no MIDI information is being sent out the MIDI Out port. While you are in this mode, press any activator pad except the MODE pad and the software version will be displayed.

Factory Reset

To set all values of the X-15 back to factory settings you can perform a Factory Reset. Press simultaneously the UP, 2, and 5 buttons with the power on. You may find it much easier to perform this function with your hands! Factory defaults will be written to the EEPROM and the X-15 will respond as if it has had power applied for the first time.

ERROR MESSAGES

All error messages take the form of a flashing E-" followed by a non-flashing letter. In some cases (such as the checksum error), the display is timed. If you select an impossible preset the display maintains the error message until something else is written to the display. The following table lists all error messages the X-15 can display, and what they mean. CODE E-C E-P E-E E-r E-t ERROR MESSAGE DESCRIPTION Error in ROM checksum. Impossible preset error. Error while writing to EEPROM. MIDI receive buffer overflow. MIDI transmit buffer overflow.

Preset Changes

The X-15 ULTRAFOOT is ready from the factory to be used instantly with any MIDI device, The MIDI channel is set to channel 1 which means the X-15 is sending information on only channel 1. You may change presets (programs, patches) right out of the box by hooking up a MIDI cable from the MIDI OUT jack of the X-15 to the MIDI IN jack on the device you wish to control. After the cable has been connected, press any activator pad numbers 1 through 10 to recall presets. If nothing happens, check the receiving devices MIDI channel and set it to channel 1 or turn OMNI Mode on.

Parameter Changes

When the X-15 is used with ART SGX and ALPHA processors, you may use the left and right pedal controllers to change parameter values already assigned in the preset right out of the box. The SGX 2000, SGX NIGHTBASS, and ALPHA have presets programmed for immediate use with the X-15s continuous controllers. The only connection needed is the hook-up of a MIDI cable from the X-15s MIDI OUT jack to the MIDI IN jack of the controlled device.

MISCELLANEOUS

If you find you must replace the power adapter, make sure the specifications meet or exceed the specifications of the original adapter. The ART X-15 was designed to work with just about any battery eliminator. The Pedal will work with eliminators that produce a minimum 100 milliamperes (ma) of Alternating Current (AC or VAC) at 6.3 to 15 volts or Direct Current (DC or VDC) at 9 volts to 24 Volts.

Pwr oe

Changing the MIDI Channel

Life of t eEEPROM h

You may change and store parameters over ten thousand times before you wear out the EEPROM. So, to wear out the EEPROM, you would have to change and store parameter values six times every day for the next five years!
You may send MIDI data on up to three channels. When the X-15 is first powered up, all information is assigned to be sent on channel 1. You may change the channel for the left and right expression pedal and the system channel. Enter Setup Mode, sub-mode 5 to change the MIDI channel for these parameters. To permanently store the new values, make sure you press the MODE pad before powering down the unit.
Miscellaneous MIDI I f r ai n nom to
Enclosed with your X-15 are six round cork feet. Pop out the feet from the surrounding cork and place one each at the four outside corners of the X 1 next to the screws. Stick the -5 remaining two feet along the outside edge of the chassis near the center. You may set up the X 1 to display visually the value of -5 the expression pedals. Directly after power-up and before the display shows Art, press simultaneously the BYPASS, 9 and 10 pads. You are now in pedal test mode. Moving either pedal will show the pedals hexadecimal value in the numeric display (00 to 7F). The first digit of the display will show

When dumping parameter information, wait five seconds before sending any MIDI information to the X-15. Inbound MIDI information has priority over any X-15 MIDI data. When sending MIDI SYS-X data to the X-15, you must be on a designated channel. As with any mechanically mounted device there is the possibility of the mounting loosening. If your X-15s expression pedals loosen to the point where they will not stay in place, you may tighten them.

E p e so Pedals x r si n

Pedal T s Mode et
***WARNING***: DO NOT OVER-TIGHTEN THESE BOLTS, : YOU CAN EASILY STRIP THE THREADS AND CAUSE YOUR X-15 TO NEED REPAIR! IF YOU DO NEED TO TIGHTEN THEM, BE CAREFUL. The bolt heads are 1/2" inch.

APPENDIX A

PROGRAMMING EXAMPLES
For both programming examples, the X-15 MIDI OUT must be connected to the effect device MIDI IN. The MIDI channel on the MIDI device must be the same channel the X-15 will be sending messages on, or the receiving devices OMNI mode must be ON.
Using the X1 to Turn On or Off EffectsIn a Pe e Using -5 rst Effect Mode and Activator Pads
You can use the X 1 activator pads in Effect Mode to turn -5 certain individual effects on and off in an effects devices preset. With any programmable ART product this is easy, simply add MIDI Control to the preset and assign it to the effect Type, i.e., DST: TYPE = TURBO-DIST 2. Use the suggested scaling settings found in Appendix D. The key to turning the effect on and off is to toggle between the effect type and the OFF setting for that effect. This example will show you how to set up a preset in an SGE MACH II turning Distortion and Chorus on and off. To make the example easier, copy preset # 91 TURBO CHORUS to blank preset #120.
Edit C n r le Device's MIDI Po r m Table (MPT) wt the X-15: o t ol d r ga ih
When used with a keyboard or other device receiving MIDI PROGRAM CHANGE messages, MPT editing may be simplified. Use this method of editing by selecting the desired patch on the X-15 and assigning the MIDI devices MPT for the desired preset.
- Set up the MIDI device you wish to control for MPT editing.
*If you are using this device with any ART product enter the MIDI Utility Mode and scroll to the screen showing the [MIDI PROG = ] on the top, and [PRESET = - ] on the bottom of the LCD. Make sure the cursor (-) is on the PRESET line.

- Select a patch on the X-15 so that 01 is displayed. (Select
BANK 1 and press the 1/6 pad) *With any ART product, use the encoder knob or value UP/ DOWN keys to select the preset you want when selecting patch 1 on the X-15
- after you have copied the preset remain in EDIT MODE. - add t o MIDI Controls (press ADD EFFECT eight times, w
dont forget to press ENTER).
- Select another patch with the X-15. - Adjust the MIDI device accordingly.
*Continue to program the X-15s patches in this manner assigning the MIDI devices preset #'s to the X-15s patch numbers. Setup an
Press the STORE button as a precaution. Press the Select Left button eight times. Use the Value Up button to select DISTORTION 2. Press the Select Right button once.
Use the Value Down button to select MIDI Controller 72. *We are choosing this controller number because it is the default setting number for the #3 activator pad labeled Distortion on the X-15.
ART Multiverb DR-X or SGE f r MIDI C n r lo the o o to f Pitch Parameter ol the Pt hTransposer ic
To control the pitch parameter via MIDI in any of the above ART products you first must setup the effects device to be controlled by MIDI messages. In the effects device:
Create or choose a preset with the Pitch Transposer. Add a MIDI Controller to the preset. Set the controller to control PTr:PITCH
Press the Select Right button twice. Use the Value Down button to select TYPE = OFF. Press the Store button. Press the Select Left button once.
Use the Value Down Button to set the SCALE to (+) 23. *Now, each time you press the #3 pad the TYPE will toggle between DISTORTION 2 and OFF turning the effect on and off.
Set the controller for MC 4: FOOT CTLR *This corresponds to the default setting of the X-15 left expression pedal. MIDI controller #4 FOOT CONTROLLER.
- Set the scale to (-)14. - Set the PITCH = (-)6 - Store the preset.
By setting up a preset like this, you will be able to imitate a whammy bar, detuning your signal from zero pitch deflection when the pedal is up, to an octave down when the pedal is down. To decrease the range of pitch shift, make the scale smaller. You may control any MIDI controlled parameter with the X-15. Use the above example as a reference substituting other parameters to be controlled. For more information, refer to programming examples in the the effects devices manuals.
Press the Select Right button twice. Use the Value Up button to select TYPE = PRE. Press the Select Right button once.
Use the Value Down button to select MIDI Controller 78. *We are choosing this controller number because it is the default setting number for the #9 activator pad labeled FLANGER/CHORUS on the X-15.

Use the Value Down Button to set the SCALE to (+) 10. *Now, each time you press the #9 pad the TYPE will toggle between PRE and OFF turning the effect on and off.
- Press the Select Right button twice. - Press the STORE button to save all parameters.
APPENDIX B CONNECTION ILLUSTRATIONS
GUITAR INTO EFFECTS DEVICE CONTROLLED BY ART X-15

ART X-15

MIDI IN GUITAR AUDIO IN AUDIO OUT
X-15 USED FOR MIDI CONTROL OF A SINGLE DEVICE
X-15 USED TO CONTROL TWO EFFECTS DEVICES

MIDI IN THRU/OUT

KEYBOARD CONTROLLING SEPARATE DEVICE AND AN X-15 WHICH CONTROLS ONE EFFECTS DEVICE
APPENDIX C SYSTEM EXCLUSIVE MESSAGES
In addition to the MIDI program and controller change messages described earlier in this manual, the X-15 also sends and responds to MIDI system exclusive (SysEx) messages. This section requires an basic understanding of MIDI protocols and the hexadecimal numbering system. How you actually send and receive SysEx messages is beyond the scope of this manual. The X-15 SysEx messages are used to set/get operating parameters, determine the presence of the X-15 in a MIDI network, and to verify reads and writes to the X-15s EEPROM. The general form of an X-15 SysEx message is:
The <func> byte defines the SysEx message type. For the X-15, there are six possible <func> bytes, as expressed in the following table.

APPENDIX C

UNlT H N S A E GROUP A DH K
The unit handshake group of messages can be used to see if an X-15 is present on a channel of a MIDI network. After receiving an inbound 41 message, the X-15 replies with an outbound 01 message. There are no data bytes in either inbound or outbound messages.

PARAMETER EXCHANGE GROUP

The parameter exchange group of messages can be used to get or set the X-15s operating parameters. After receiving an inbound 4B message (or by pressing MODE and SIX on the front panel), the X-15 replies with a outbound OB message. The nineteen data bytes describe the current operating parameters of the X-15 If the X-15 receives an inbound OB message, it is used to set the operating parameters. The subsequent data bytes set the X-15s operating parameters and store them to the EEPROM.

UNIT STATUS GROUP

The unit status group of messages can be used to determine the EEPROM was accessed without incident, This is most useful after sending a parameter exchange message to the X-15 to ensure it was written to the EEPROM. After receiving an inbound 4D message, the X-15 sends an outbound OD message. The two data bytes that follow reflect the state of the X-l.% EEPROM. The first byte is always zero, and the second byte can be one of four possible values. No EEPROM error has occurred EEPROM write error EEPROM read error EEPROM read and write error

TROUBLESHOOTING

If you have difficulty with your X-15, check the following: 1. Make sure that the battery eliminator is working correctly. 2. Make sure that the connection between the eliminator and the pedal is snug. 3. Make sure that the MIDI connections between the devices are correct. 4. If you see the error message E-r in the display, dont become too alarmed, it means the MIDI receive buffer overflowed. Try sending the data again at a slower rate. If the problem keeps occurring contact the factory. 5. If the error message E-t appears in the display, phone home! (we mean contact the factory). Its unlikely this error will occur, it could happen if a large MIDI dump is passed thru the X-15 with the merger on and the sending device has a fast MIDI out. 6. If the error message E-c appears in the display, a checksum error has occurred, press any pad to continue operation. If the problem reoccurs at the next power up, contact the factory. 7. If the pedal is not controlling the intended device, check to make sure the MIDI channel is set correctly or OMNI Mode is on. If none of these are the cause of your problem, you should contact the factory. Review the warranty and service section at the end of the manual for more information.
WARRANTY & SERVICEEIN FORMATlON
Warranty service for this unit will be provided by Applied Research & Technology, Inc. in accordance with the following warrant statement. Applied Research & Technology, Inc. warrants to the original purchaser that this product and the components thereof, will be free from defects in workmanship and materials for a period of one year from the date of purchase. Applied Research & Technology, Inc. (ART) will, without charge, repair or replace, at its option, defective product or component parts upon prepaid delivery to the factory service department or authorized service center, accompanied by proof of purchase date in the form of a valid sales receipt.

EXCLUSIONS:

This warranty does not apply in the event of misuse or abuse of the product or as a result of unauthorized alterations or repairs. This warranty is void if the serial number is altered, defaced, or removed. ART shall not be liable for any consequential damages, including without limitation damages resulting from loss of use. Some states do not allow limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specific rights and you may also have other rights which vary from state to state. Units purchased outside The United States: Service will be provided by an authorized distributor of Applied Research & Technology, Inc. The following information is provided for the unlikely event your unit requires service. 1) Be sure the unit is the cause of the problem. Check to make sure the unit has power supplied, all cables are connected correctly and the cables themselves are in working condition. 2) If you find the unit to be at fault, write down a description of the problem including how and when the problem occurs. 3) Call the factory for a Return Authorization (RA) number. 4) Pack the unit in its original carton or a reasonable substitute. The packing box is not recommended for a shipping carton. Put the packaged unit in another box for shipping. Print the RA number clearly under the address.

MUSIC CITY CENTER Public Art Program Site Plan

Mee ng Room Corridors

Level 1
East Concourse Mee ng Room Entrance
Artwork approximately 6 x 15 framed Art hangs 5 1/2 above ground plane Reveal line at 5 above ground
Detail East Concourse Meeting Room Entrance

1/8= 1 foot

Eleva on Level 1
Tennessee Galleries Mee ng Room Levels 1 and 3
Artwork approximately 4 x 5 framed Art hangs 5 1/2 above ground plane
Reveal line at 4 above ground
51/2 Detail Meeting Room levels 1, 3

Eleva on Sample

Level 2

Level 3

Level 6

Level 7

Budget shown is for ar st fee. Installa on, storage, documenta on, framing and signage will be the responsibility of the Conven on Center Authority and Metro Nashville Arts Commission.

Commissioned Works

Wall Dimension (usable) (H x W x D) (V = variable) FT 50 x 18 x 120 42.75 x 8 42.75 x x 22.X x 50 x 17 57.5 x 50 x x 70 x 26

Medium*

Approx. Art dimension (H x W x D) (V = variable) FT 30 x 10 x V 33 x x x 14 15' X 165' 10 x 40 x x 30 x x 54 x 20

Not to Exceed

1-01 1-14 1-23 1-36 3-25 3-27 7-01 7-03
SU L/RS/Su L/RS/Su RS M- Design fee overlay Su Su Su
$150,000 $30,000 $30,000 $50,000 $20,000 $90,000 $220,000 $220,000
* suspended (Su), light (L), mosaic (M), new media (NM), pain ng (P), relief sculpture (RS), or works on paper, including photography

Acquired Works

Wall Dimension (usable) (H x W x D) (V = variable) FT 17 x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x 13 Approx. Art dimension (H x W x D) (V = variable) FT 6 x x x x x x x x 15 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 6x4 Budget Range Loc. Medium Wall Dimension (usable) (H x W x D) (V = variable) FT 13 x x x 13.x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x 11 Approx. Art dimension (H x W x D) (V = variable) FT 5xx 15 7xx x x x x x x x 15 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 4x6 3x6 4x3 4x3 4x6 4x6 4.5 x 7 Budget Range

Medium

1-02 1-03 1-04 1-05 1-06 1-07 1-08 1-09 1-10 1-11 1-12 1-13 1-15 1-16 1-17 1-18 1-19 1-20 1-21 1-22 1-24 1-25 1-26 1-27 1-28 1-29 1-30 1-31 1-32 1-33 1-34 1-35
P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP
$ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750
2-01 2-02 2-03 3-01 3-02 3-03 3-04 3-05 3-06 3-07 3-08 3-09 3-10 3-11 3-12 3-13 3-14 3-15 3-16 3-17 3-18 3-19 3-20 3-21 3-22 3-23 3-24 3-26 6-01 6-02 6-03 6-04 7-02
P P P/RS P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/RS/NM P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/WoP P/RS
$ 3,500 to$ 4,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 13,500 to$ 14,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 3,500 to$ 4,750 $ 1,500 to$ 2,750 $ 500 to$ 1,750 $ 500 to$ 1,750 $ 1,000 to$ 2,250 $ 1,000 to$ 2,250 $ 8,500 to$ 9,750
* suspended (Su), light (L), mosaic (M), new media (NM), pain ng (P), relief sculpture (RS), or works on paper, including photography (WoP)