English -.3

Introduction.3 Product Features.3 Whats in the Box?.3 About The Manual.3 Connecting Your Keyboard.3 Windows XP and Mac OS X.4 Other Operating Systems.4 Getting Started.5 Advanced functions.7 MIDI - If All Goes Wrong.10 Trouble-Shooting.11 Contact M-Audio.11 Warranty Info.12 Technical Info.12 Appendices - Useful MIDI Data.13
This Page Blank Intentionally

English Introduction

Congratulations on your purchase of the M-Audio Keystation 61e, a 61-note USB keyboard with velocity-sensitive, semi-weighted keys that is designed to easily integrate with your PC or Macintosh computer. The Keystation 61es offers semi-weighted keys that give you the feel of a piano in a compact, affordable MIDI controller. Ideal for a multitude of music creation and education applications, the Keystation 61es offers you modulation and Pitch Bend Wheels, plus assignable buttons and a slider for hands on control. Though the Keystation 61es is class compliant and features true plug-and-play operation under Windows XP and Mac OS X, we recommend that you spend a few minutes reviewing this manual to learn about proper operation, advanced functionality, and programmability.

Ports:

Power:

MIDI out USB MIDI in/out

Product Features

Keyboard:

USB powered DC in for external PSU 61-note velocity-sensitive keyboard Pitch Bend Wheel Modulation Wheel Volume/Control slider Sustain foot pedal input Octave +/- buttons Advanced Functions button
Your M-Audio Keystation 61es package should contain the following items: If any of the above listed items are missing, please contact the retailer where you purchased the product. This instruction manual covers the operation of the Keystation 61es USB keyboard. Though this manual does not provide a detailed explanation about how to set up your keyboard for use with third party music software, the majority of music software applications will work seamlessly with the Keystation 61es keyboard. Please consult your software applications manual for additional information. You can power the keyboard either via a powered USB port or an optional external power supply. However, the Keystation 61es is a very low power device and an external power supply should not be necessary. It is recommended that you connect the Keystation 61es to an onboard USB port or to a powered USB hub. M-Audio Keystation 61es USB keyboard User Manual USB cable

Whats in the Box?

About The Manual

Connecting Your Keyboard

Power and Connection Via USB
1. Check that the on/off button on the back of the unit is set to OFF. 2. Plug the USB cable provided with the Keystation 61es keyboard to a free USB port on your computer. 3. Plug the other end of the USB cable to the USB input on the Keystation 61es keyboard.
The single USB cable not only powers the keyboard but also sends MIDI data to and from your computer system.
Using An External Power Supply
You can also use a power adapter (not included) with the following specification: 9V DC output, 250- 300mA, center positive. Note: Do not leave the adapter plugged in for long periods of time if the unit is not in use.
Make sure you are not already powering the Keystation 49e keyboard via USBif you are receiving power from the USB hub, no external supply is needed. If not, then simply plug the power supply in to the DC 9V input and switch the power on.
If you are using Windows XP or Mac OS X, you can now simply move the keyboards power switch to the ON position. Because the Keystation 61es keyboard is class compliant, it will work without any further installation.

Windows XP and Mac OS X

If you are using an operating system other than OSX or Windows XP, please refer to our website at www.m-audio.com for the latest Keystation 61es drivers for Macintosh or Windows operating systems.

Other Operating Systems

Installation in Mac OS9 Installing OMS:
1 2. 3. 4. 5. 6. 1. 2. 3. 4. 5. 6.
If you do not have OMS installed, please run the OMS installer first. Otherwise start by Installing the OMS Driver. Make sure that all programs are shut down before you begin the installer. Also make sure you have removed any dongles or copy protection devices you may be using. Insert the Keystation 61es Installer CD-ROM. Double click on the Keystation 61es Installer CD icon on your desktop Double click on the OS 9 folder. Double click on Install OMS 2.3.8 Follow the on-screen instructions It will now take a few moments to install OMS. When it has finished, it will ask you to restart the computer. Click Restart. Click and drag the USB Drivers Installer to the desktop from the OS 9 window it resides in. Double click on the icon. If a window appears, click Open. Double click on the newly created USB Drivers Installer on your desktop. Click Install. (The installer automatically places the drivers in the correct system folders.) Once the installer has finished installing the drivers, click Restart. Once your computer has restarted, switch on the Keystation 61es.

Installing the OMS driver

OMS Setup

You now have to run the OMS Setup program:
1. Open the Hard Drive > Opcode folder > OMS Applications folder > OMS Setup. 2. If you get a message to switch Appletalk on or off, you may choose either option, as this will not affect the OMS Setup. 3. In the next window, click OK.
You should now have a final window showing your current Studio Setup. If Quicktime Music is crossed out, double click on it, and then click in the on circle to enable it. Then click OK. Now youre ready to go. Just make sure your Keystation 61es keyboard is selected as the MIDI input in your music software.

4. 5. 6. 7. 8.

Click Search. Click OK. Click OK again. Click Save. If asked, click Replace.
Installation in Windows 98 or ME
1. Power up your PC. 2. Insert the Keystation 61es Installer CD-ROM. Open My Computer or Windows Explorer to locate your CD-ROM drive. Click on the folder labeled Keystation 61es. 3. Open the Keystation 61es folder and click on the installer icon. 4. Follow instructions on screen. 5. When finished, exit the setup. 6. Switch on the Keystation 61es.
Windows will proceed with the installation of a USB driver and a MIDI driver. Once completed, you are ready to go. Windows may ask you to restart your computer, in which case click Restart.
Installation in Windows 2000
1. Power up your PC. 2. Insert the Keystation 61es Installer CD-ROM. Open My Computer or Windows Explorer to locate your CD-ROM drive. Click on the folder labeled Keystation 61es. 3. Open the Keystation 61es folder and click on the installer icon. 4. Follow the instructions on your screen. 5. When finished, exit the setup. 6. Switch on the Keystation 61es keyboard. Windows will automatically recognize the keyboard and ask for the Keystation 61es Installer CD-ROM. 7. Select the CD-ROM drive and click OK. Windows will ask you to select the CD-ROM drive again for the MIDI driver. 8. If Windows reports the drivers have not been digitally signed, click on Continue Installation. 9. Select the drive once more. 10. Click OK. 11. In the event that Windows asks you to restart your computer, click Restart. Once you have finished installation you will need to configure your MIDI application software to use the Keystation 61es. Please notice that when you press a key on the keyboard you will not hear any sound. This is because pressing a key causes the keyboard to send out MIDI data. MIDI data gives instructions on how a sound should play, but in order to actually hear that sound you need to configure your music software to read the MIDI data being sent from the Keystation 61es and play the sound back accordingly. This setup will more than likely entail going into an Options or Device Set-Up menu in your music software application and selecting the appropriate device. The Keystation 61es should appear under the name USB Audio Device for Windows XP or as Keystation 61es for other Operating Systems in the MIDI devices section of your music software application. Please consult the manual that came with your software for the proper set up procedure.

Getting Started

Key Names
Each white key on the Keystation 61es is labeled with a letter and a number. The letter represents the note played and the number represents the octave (the definition of octave is explained in the next section). Although the black keys are not labeled, they also have names (F# 4 or Eb2 are examples of black key names). If the name of a black key contains a # sign, it is referring to the black key above the same note white key. For example, F# 3 refers to the black key above F3. If the name of a black key is expressed with a b sign, it is referring to the black key below the same note white key. For example, Eb3 refers to the black key below E3. As a result, the black key between C3 and D3 is both C# 3 and Db3.

Octave Buttons

An octave contains 12 notes. Each octave is denoted on your Keystation 61es by black and white sections starting on C. Each octave is given a number.
If you press the octave + button once, the led above the octave - button will go out, indicating the keyboards octave is now shifted up. If you press the octave + key again, you will shift one more octave up, and so on. It is possible to shift the keyboard up 3 octaves or down 3 octaves from 0 octave shift. To shift the octave down, press the octave - button and notice that the led above the octave + goes out. If only the led above the octave - key is lit, the octave is shifted down and, if only the led above the octave + key is lit, the octave is shifted up. To return the octave shift to 0, press both the octave + and - keys together. Both LED's will light, indicating that the octave shift has returned to 0.

The Pitch Bend Wheel

As the name indicates, the assignable Pitch Bend Wheel is primarily used to bend the notes played on the keyboard up or down. This allows you to play phrases not normally associated with keyboard playing, such as guitar-style riffs. Your sound source determines how far you can bend the note. The usual setting is two semitones, but it can be up to two octaves +/-.

The Modulation Wheel

The Modulation Wheel is typically used for modulation of the sound you are playing. This type of real-time controller was originally introduced on electronic keyboard instruments to give the performer options such as adding vibrato just like players of acoustic instruments do. Just like the Pitch Bend Wheel, the Modulation Wheel is fully MIDI assignable.

The Volume Slider

The Volume Slider sends a MIDI message that controls the volume of the notes you are playing.
The Volume Slider can also be assigned to different effects such as pan (balance), attack, reverb, chorus and many more. (See Advanced Functions for more information.)

Using with a Foot Pedal

A foot pedal can be used for sustaining the sound that you are playing, without having to keep your hands on the keyboard (just like the sustain pedal on a piano). You can plug a foot pedal of any polarity, sold separately, into the foot pedal input on your M-Audio keyboard. The keyboard will automatically detect the correct polarity when powering up. If you want to reverse the polarity, simply depress the pedal when you switch on your keyboard.
The Advanced Function Button
The Advanced Functions button is used to access all the advanced functions of the keyboard that are located on the keybed.
When the Advanced Functions button is pressed, the keyboard goes into Edit Mode. In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. Your keyboard will slip out of Edit Mode as soon as a function is selected, or the CANCEL or ENTER keys are pressed (the light above the Advanced Functions button will turn off). The keyboard can then be used to play notes again. The following diagram shows what each key on the keyboard represents in Edit Mode:
The light above the Advanced Functions button indicates whether or not Edit Mode is engaged. In Edit Mode, the black keys on the keyboard are used for selecting functions, while the white keys are used for data entry and channel selection.
In addition to setting an octave shift, the two octave + and - buttons discussed earlier in the manual under the section Octave Buttons can also be used to control one of five MIDI functions. To select an alternate function:

Advanced functions

In the diagram above, you will see that the first 6 black keys are labeled DATA = ________. These keys are used to select the function of the octave buttons. Some of the functions that these keys can be used for cannot send out a value less than 0. When used to control these functions, both lights above the buttons will remain on, regardless of the current setting of that function. Press the Advanced Functions button, putting the keyboard into Edit Mode. Press the black key that represents the function you want. Edit Mode will finish as soon as you have selected the function and you will be able to play notes again.
The five available alternate functions of the octave buttons are described next:

Octave Shift

The Octave + And - Keys

Another method of shifting the Keystation 49es octaves is with the use of the keys labeled octave + and -. After the Advanced Function button has been pressed, placing the keyboard is in Edit Mode, pressing these keys will shift the keyboards pitch up or down one or more octaves (one for time each pressed). The default octave shift designation is 0 and will be the octave setting each time you power up the keyboard. The lights above the octave buttons indicate that 0 octave shift is set when both are on. To assign the + and - keys to control the octave: Press the Advanced Functions button to get the keyboard into Edit Mode. Press the black key above C1 (named C# 1), representing DATA = OCTAVE. Edit Mode will finish as soon as C# 1 has been pressed.
There is also a method of performing a quick octave change, which can be useful when using the octave buttons to control another MIDI function and is accompplished as follows: Press the Advanced Functions button to put the keyboard in Edit Mode. Press the black key below B2 (Bb2)in Edit Mode, this key functions as OCTAVE +, increasing the octave by 1 (you may press it again to increase the octave by 2, and so on), Press the black key above F2 (F# 2)in Edit Mode, this key functions as OCTAVE -, decreasing the octave by 1 (you may press it again to decrease the octave by 2, and so on), OR, press the black key above G2 (named G# 2)in Edit Mode, this key functions as OCTAVE 0 to reset the octave shift to 0). When you have chosen your octave shift press C5, representing ENTER, to leave Edit Mode.

Transposition

In some cases it may be useful to reduce or increase the pitch by a number of semitones rather than an entire octave. For example, if you are playing a song with a singer that is having difficulty hitting the top notes, you may want to reduce the pitch by one or two semitones.* This is achieved using a MIDI function called Transpose. Transpose works in the same way as Octave Shift above, except the shift is +/- 12. As with Octave Shift, there are two ways of transposing the keyboard. You can use the Octave + and - buttons, or the black keys F# 3, G# 3 and Bb3. These black keys represent TRANSPOSE -, TRANSPOSE 0 and TRANSPOSE +, respectively. To assign the octave + and - buttons to transpose:
*A semitone represents the change in pitch from one note to another. Therefore, changing two semitones is the same as playing a note two notes higher.
Press the Advanced Functions button to engage Edit Mode. Press the black key above D1 (named D# 1), representing DATA = TRANSPOSE. (Edit Mode will disengage as soon as D# 1 has been pressed.) Press the + key and you will hear the pitch of the note you play go up. Press both + and - together to cancel transpose.

Channel

MIDI data from the keyboard can be sent on any of 16 MIDI Channels. However, certain MIDI devices and MIDI software applications require the keyboard to send data on a specified channel. If this is the case, you can change the channel the data is sent using the following method: For example, if a device specifies that you need to send data on Channel 10, press the Advanced Functions button, and then key F2 to select Channel 10. Press the Advanced Functions button to engage Edit Mode. Press one of the 16 Channel keys from D1 to E3, according to the Channel that you need.

The Channel can also be assigned to the Octave + and - buttons. Once assigned, pressing + or - will increase or decrease the channel incrementally. When Channel 16 is reached and + is pressed, Channel 1 will be selected. If the Octave + and - keys are selected to vary the Channel, the lights above the buttons will not change, since it is not possible to have a Channel with a negative value. Pressing both the + and - buttons together will recall Channel 1.

Program Change

Program Changes are used to change the instrument or voice you are using. For the sake of example, we will change the instrument to a bass sound. To do this we need to send a program change of 32, which will select an acoustic bass sound from the General MIDI Instruments list in the Appendix. There are two ways to send a program change: Press the Advanced Functions button. Press the black key above F1 (named F# 1). Now the Octave + and - keys can be used to change the program. Press + and continue to play notes until you find the instrument you want. Incremental/Decremental Program Change:
2. Quick Select Program Change:
If the Octave + and - keys are selected to vary the Program number (Method 1), the lights above the buttons will not change, since it is not possible to have a Program with a negative value. Pressing both the + and - buttons together will recall Program 0, which selects a grand piano sound. The full list of instruments that can be accessed via Program Changes is listed in the Appendix at the end of this manual.
The first method is useful if you want to cycle through different instruments to see which sounds best in your song. The second is more useful if you want to select a specific number, as is the case here.
Press the Advanced Functions button. Press the black key above F4 (named F# 4), representing Program. Press keys C4, then E3 then C5. This enters the combination: 3, 2, ENTER. Alternatively, you can use the + and - buttons to change the value, then press ENTER. Now the keyboard will play a bass sound: Number 32 as listed in the General MIDI Instruments list.

Bank LSB and Bank MSB

Program Changes are most commonly used to change instruments and voices. However, the number of instruments accessible via Program Changes is limited to 128. Some devices have more than 128 voices and require a different method to access these extra voices. Generally, these devices use Bank LSB and Bank MSB messages. Press the Advanced Functions button. Press the black key above G1 (named G# 1). Now the Octave + and - keys can be used to change the program. Press + and continue to play notes until you find the instrument you want. Incremental/Decremental Bank LSB and Bank MSB Changes:

2. Using the Quick Select Method:
Alternatively, you can use the + and - buttons to change the value, and then press ENTER.
As with Program Change, if the Octave + and - keys are selected to vary the Bank LSB or MSB number (Method 1), the lights above the buttons will not change, since it is not possible to have a Bank with a negative value. Pressing both the + and - buttons together will recall Bank 0.
Press the Advanced Functions button. Press the black key above G4 (named G# 4), or A4 (named A# 4), representing Bank LSB or Bank MSB respectively. Press keys C4, then E3 then C5. This enters the combination: 3, 2, ENTER.
01 Modulation 07 Volume 10 Pan (balance) 05 Portamento
It is possible to assign MIDI effects to the Modulation Wheel. Some useful effects are:
There are 131 effects in total. However, for these effects to have any affect on the sound, the receiving MIDI device has to be able to read and respond to these MIDI effect messages. Most devices will at least respond to volume, modulation, and pan data. (The full list of effects is given at the back of this manual.) To assign an effect to the Modulation Wheel: Press the Advanced Functions button to engage Edit Mode. Press the black key above C4 (named C# 4), representing WHEEL ASSIGN. Use the Numerical Data Entry keys G3-B4 to enter the number of the effect you want to assign to the Modulation Wheel. Press the ENTER key (C5). Move the Modulation Wheel upwards to increase the value of the effect.
Alternatively, you can use the + and - buttons to change the value.
If you have made an error while entering the numerical data value, you can press the CANCEL key (C1) to exit Edit Mode without changing the effect assigned to the Modulation Wheel. Note that each time the keyboard is turned off the data assigned to the Modulation Wheel will be lost. Each time the keyboard is powered up, the Modulation Wheel will be assigned to modulation (effect number 01) by default. For the sake of example, we will assign effect number 10 (pan, or balance) to the Modulation Wheel. Press the Advanced Functions button to engage Edit Mode. Press the black key above C4 (named C# 4), representing WHEEL ASSIGN. Press A3 to enter 1. Press G3 to enter 0 so you have entered 10. Press C5 for ENTER.
As with the Modulation Wheel, the Volume Slider can be assigned to any of the 131 effects listed at the end of this manual. To assign the Volume Slider to an effect: Press the Advanced Functions button to engage Edit Mode. Press the black key above D4 (named D# 4), representing SLIDER ASSIGN. Use the Numerical Data Entry keys G3-B4 to enter the number of the effect you want to assign to the Volume Slider. Press the ENTER key (C5). Move the Volume Slider upwards to increase the value of the effect.

If you have made an error while entering the numerical data value, you can press the CANCEL key (C1) to exit Edit Mode without changing the effect assigned to the Volume Slider. Note that each time the keyboard is turned off, the data assigned to the Volume Slider will be lost. Each time the keyboard is powered up, the Volume Slider will be assigned to volume (effect number 07) by default.

Pitch Bend Sensitivity

It is possible to alter the sensitivity of the Pitch Bend Wheel by assigning effect number 128 to the Modulation Wheel or Volume Slider. This will allow you to alter the pitch bend range up to one octave up and down. The Keystation 61es has been designed to make working with MIDI on your computer as simple as possible. Nonetheless, you may still experience some difficulties. In many cases, the keyboard is not at fault; the problem lies with the receiving device. To counter this, there are two useful MIDI functions:

MIDI - If All Goes Wrong

All Notes Off
If you find there are hanging notes that you cannot stop playing, send an All Notes Off MIDI message by performing the following: Press the Advanced Functions button to engage Edit Mode. Press the black key above D3 (named D# 3), representing ALL NOTES OFF. Edit Mode will disengage, eliminating any hanging notes.

Reset All Controllers

If you find there is an effect on a voice that you do not want, rather than having to isolate and identify that effect, you can send a Reset All Controllers MIDI message by performing the following: Press the Advanced Functions button to engage Edit Mode. Press the black key above C3 (named C# 3), representing RESET ALL CONTROLLERS. Edit Mode will disengage, eliminating all effects.

MIDI Out

The MIDI Out port is located on the back of the keyboard, and can be used to connect the keyboard to an external sound module or MIDI keyboard. By default (when you switch the unit on), all controller data is sent out via the MIDI output as well as the USB out. If you want the MIDI output to act like a traditional USB-to-MIDI interface, engage MIDI Out from USB mode by carrying out the following: Press the Advanced Functions button to engage Edit Mode. Press the black key above D2 (named D# 2), representing MIDI OUT FROM USB. Edit Mode will disengage. The keyboard is now able to send data received from the computer via its MIDI OUT jack to whatever device is connected.

In order to use the MIDI output, select the Keystation 61es USB MIDI Out as the MIDI output device in your sequencer.
Solution 1: Switch off the unit and leave for 10 seconds. Then restart your computer and try again. If the problem persists you may have to re- install drivers for the unit. Solution 2: The polarity of the sustain pedal is calculated by the keyboard when it is powered up. On power up, the sustain pedal is assumed to be in the OFF position. So if you want the sustain pedal to be off when it is unpressed, make sure the pedal is unpressed when you power up. Solution 3: This delay is known as latency. Latency with MIDI signals is due to the softsynth you are using. MIDI data is simply control data. The MIDI is read by the softsynth. The softsynth then completes a large number of complex calculations in order to produce the sound you hearall this takes time. We strongly recommend a proper soundcard. Refer to www.m-audio.com for a selection of USB, PCI and Firewire audio cards. If you already have an adequate sound card, try reinstalling the latest drivers for the sound card, or try reducing the buffer sizes of the audio drivers. Problem 3: When I press a key, there is a delay before I hear any sound. Problem 2: I have plugged in a sustain pedal into my M-Audio keyboard, but it works the wrong way around.
Here are answers to common trouble-related questions you may have, using your Keystation 49e:

Trouble-Shooting

Problem 1: My M-Audio hardware suddenly stopped working after having performed fine since installation.

Contact M-Audio

M-AUDIO Deutschland (Germany)
Sales Information: Sales Information (email): Technical Support: Technical Support (email): Fax: Internet Home Page:

M-AUDIO U.S.

Sales Information: Sales Information (email): Tech Support: Tech Support (email): Fax: Internet Home Page:
5795 Martin Road, Irwindale, CA 91706-6211, U.S.A.
626-633-9050 info@m-audio.com 626-633-9055 techsupt@m-audio.com 626-633-9060 http://www.m-audio.com
Kuhallmand 34, D-74613 Ohringen, Germany
info@m-audio.de support@m-audio.de http://www.m-audio.de

M-AUDIO U.K.

Unit 5, Saracen Industrial Estate, Mark Road, Hemel Hempstead, Herts HP2 7BJ, England 44 (0)info@maudio.co.uk 44 (0)richard@maudio.freeserve.co.uk 44 (0)http://www.maudio.co.uk

M-AUDIO Canada

1400 St-Jean Baptiste Ave. #150, Quebec City, QC G2E 5B7, Canada Tel: Fax: Email: Internet Home Page:
418-872-0444 418-872-0034 midimancanada@m-audio.com http://www.m-audio.ca

M-AUDIO France

Unit 5, Saracen Industrial Estate, Mark Road, Hemel Hempstead, Herts HP2 7BJ, England Sales Information: Sales Information (email): Technical Support: Technical Support (email): Fax: Internet Home Page: 105 info@m-audio-france.com 731 support@m-audio-france.com 44 (0)http://www.maudio.co.uk

M-AUDIO Japan

Annex Buliding 6F, 2-18-10 Marunouchi, Naka-Ku, Nagoya 460-0002, Japan Tel: Fax: Technical Support: Email: Internet Home Page: 0731 info@m-audio.co.jp http://www.m-audio.co.jp
Register your Keystation 61es online to receive FREE product updates and be entered to win FREE M-Audio gear (www.m-audio.com/register).

Warranty Info

M-AUDIO warrants this product, under normal use, to be free of defects in materials and workmanship for a period of One (1) Year from date of purchase, so long as: the product is owned by the original purchaser, with proof of purchase from an authorized M-AUDIO dealer and, the product has been registered to the original purchaser, the purchaser having returned to M-AUDIO the completed product warranty card. This warranty explicitly excludes power supplies and included cables which may become defective as a result of normal wear and tear. In the event that M-AUDIO receives, from an original purchaser and within the warranty coverage period, written notice of defects in materials or workmanship, M-AUDIO will either replace the product, repair the product, or refund the purchase price at its option. In the event repair is required, shipment to and from M-AUDIO and possible nominal handling charges shall be born by the purchaser. In the event that repair is required, a Return Authorization number must be obtained from M-AUDIO. After this number is obtained, the unit should be shipped back to M-AUDIO in a protective package with a description of the problem and the Return Authorization clearly written on the package. In the event that M-AUDIO determines that the product requires repair because of user misuse or regular wear, it will assess a fair repair or replacement fee. The customer will have the option to pay this fee and have the unit repaired and returned, or not pay this fee and have the unit returned un-repaired. The remedy for breach of this limited warranty shall not include any other damages. M-AUDIO will not be liable for consequential, special, indirect, or similar damages or claims including loss of profit or any other commercial damage, even if its agents have been advised of the possibility of such damages, and in no event will M-AUDIO's liability for any damages to the purchaser or any other person exceed the price paid for the product, regardless of any form of the claim. M-AUDIO specifically disclaims all other warranties, expressed or implied. Specifically, M-AUDIO makes no warranty that the product is fit for any particular purpose.

This warranty shall be construed, interpreted, and governed by the laws of the state of California. If any provision of this warranty is found void, invalid or unenforceable, it will not affect the validity of the balance of the warranty, which shall remain valid and enforceable according to its terms. In the event any remedy hereunder is determined to have failed of its essential purpose, all limitations of liability and exclusion of damages set forth herein shall remain in full force and effect. Caution: Electro Static Discharge, Electrical Fast Transient and Conducted RF interference may cause the unit malfunctioning. In such case, unplug the unit and plug in again to restore normal operation. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Re-orient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/ TV technician for help. Note: Your M-AUDIO Keyatation 61es has been tested To Comply With FCC Standards FOR HOME OR OFFICE USE. Modifications not authorized by the manufacturer may void users authority to operate this device.

Technical Info

ASIO is a trademark of Steinberg Soft und Hardware GmbH. VST is a trademark of Steinberg Soft und Hardware GmbH

Keystation 61es

Tested to comply with FCC standards

FOR HOME OR STUDIO USE

Appendix A - General MIDI Instruments
Appendices - Useful MIDI Data
0 Acoustic Grand Piano Piano 1 Bright Acoustic Piano 2 Electric Grand Piano 3 Honky Tonk Piano 4 Electric Piano Harpsichord 7 Clavinet 8 Celesta 5 Electric Piano 2
32 Acoustic Bass Bass 35 Fretless Bass 36 Slap Bass Syn Bass Violin 41 Viola 42 Cello 39 Syn Bass Slap Bass 2
33 Electric Fingered Bass 34 Electric Picked Bass
64 Soprano Sax Reed 65 Alto Sax 68 Oboe 66 Tenor Sax 70 Bassoon 71 Clarinet 72 Piccolo Pipe 73 Flute 67 Baritone Sax

96 SFX Rain

Synth Effects 98 SFX Crystal
97 SFX Soundtrack 101 SFX Goblins 102 SFX Echoes 103 SFX Sci- Fi 104 Sitar Ethnic 105 Banjo 107 Koto

69 English Horn

99 SFX Atmosphere 100 SFX Brightness
Chromatic Percussion 9 Glockenspiel 10 Music Box 12 Marimba 15 Dulcimer Organ 11 Vibraphone 13 Xylophone
Strings/ Orchestra 43 Contrabass 47 Timpani Ensemble
14 Tubular bells 16 Drawbar Organ 18 Rock Organ 21 Accordion 22 Harmonica Guitar 19 Church Organ 20 Reed Organ

44 Tremolo Strings

74 Recorder 78 Whistle

45 Pizzicato Strings

75 Pan Flute 79 Ocarina
46 Orchestral Harp 48 String Ensemble Syn Strings Syn Strings Choir Aahs 54 Syn Choir 56 Trumpet Brass 58 Tuba 53 Voice Oohs

76 Bottle Blow

106 Shamisen 108 Kalimba 110 Fiddle 111 Shanai 109 Bag Pipe

77 Shakuhachi

17 Percussive Organ
49 String Ensemble 2 (Slow)
80 Syn Square Wave Synth Lead 83 Syn Chiff 82 Syn Calliope 85 Syn Voice 84 Syn Charang

81 Syn Sawtooth Wave

112 Tinkle Bell Percussive 113 Agogo
114 Steel Drums 115 Woodblock 118 Syn Drum 116 Taiko Drum 117 Melodic Tom
23 Tango Accordion 24 Nylon Acoustic 25 Steel Acoustic 26 Jazz Electric 29 Overdrive 30 Distorted 27 Clean Electric 31 Harmonics 28 Muted Electric
55 Orchestral Hit 57 Trombone
86 Syn Fifths Sawtooth Wave 87 Syn Brass & Lead Synth Pad 89 Warm Syn Pad 91 Choir Syn Pad 94 Halo Syn Pad 93 Metal Syn Pad 88 New Age Syn Pad 90 Polysynth Syn Pad 92 Bowed Syn Pad 95 Sweep Syn Pad
119 Reverse Cymbal 120 Guitar Fret Noise Sound Effects 122 Seashore 123 Bird Tweet 125 Helicopter 126 Applause 127 Gun Shot 121 Breath Noise 124 Telephone Ring
59 Muted Trumpet 60 French Horn 62 Syn Brass Syn Brass Brass Section
Appendix B - Standard MIDI Controller Numbers (MIDI CCs)
00 Bank Select 01 Modulation 05 Porta Time 06 Data Entry 08 Balance 10 Pan 46 Controller Controller Tremelo Depth 93 Chorus Depth 95 Phaser Depth

English English

Introduction

Congratulations on purchasing an M-Audio Keystation keyboard. The Keystation line offers 49-, 61- and 88-note velocity-sensitive USB keyboards designed to easily integrate with your PC or Macintosh computer. The Keystation 61es and 88es offer semi-weighted keys that give you the feel of a piano in a compact, affordable MIDI controller. Ideal for a multitude of music creation and education applications, the Keystation line offers modulation and pitch bend wheels, plus assignable buttons and a slider for hands-on control. Though the Keystation line is class compliant and features true plug-and-play operation under Windows XP and Mac OS X, we recommend that you spend a few minutes reviewing this manual to learn about proper operation, advanced functionality, and programmability.

Product Features

Ports:
< MIDI out < USB MIDI in/out

Power:

< USB power < DC in for external PSU

Keyboard:

< < < < < < < 49, 61, 88-note velocity-sensitive keyboard Pitch bend wheel Modulation wheel Volume/Control slider Sustain foot pedal input Octave +/- buttons Advanced Functions button

Whats in the Box?

Your M-Audio Keystation package should contain the following items: < M-Audio Keystation USB keyboard < User Manual < USB cable If any of the above listed items are missing, please contact the retailer where you purchased the product.

About the Manual

This instruction manual covers the operation of the Keystation 49e, 61es, and 88es USB keyboards. Though this manual does not provide a detailed explanation of how to set up your keyboard for use with third-party music software, the majority of music software applications will work seamlessly with the Keystation keyboards. Please consult your software applications manual for additional information.

Connecting Your Keyboard

You can power the keyboard either via a powered USB port or an optional external power supply. The Keystations are low-power devices and an external power supply should not be necessary. It is recommended that you connect the Keystation to an onboard USB port or to a powered USB hub.
Power and Connection Via USB
1. Check that the on/off button on the back of the unit is set to OFF. 2. Plug the USB cable provided with your Keystation keyboard to a free USB port on your computer. 3. Plug the other end of the USB cable to the USB input on the Keystation keyboard. The single USB cable not only powers the keyboard but also sends MIDI data to and from your computer system.
Using an External Power Supply
You can also use a power adapter (not included) with the following specication: 9V DC output, 250- 300mA, center positive. Make sure you are not already powering the Keystation via USBif you are receiving power from the USB hub, no external supply is needed. If not, then simply plug the power supply in to the DC 9V input and switch the power on. Note: Do not leave the adapter plugged in for long periods of time if the unit is not in use.

Windows XP and Mac OS X

If you are using Windows XP or Mac OS X, you can now simply move the keyboards power switch to the ON position. Because the Keystation line of keyboards is class compliant, the unit will work without any further installation.

Other Operating Systems

If you are using an operating system other than Mac OS X or Windows XP, please refer to our website at www.m-audio.com for the latest Keystation drivers for Macintosh or Windows operating systems. Please note that the Keystation 88es does not support Mac OS 9.

Installation in Mac OS 9

If you do not have OMS installed, please run the OMS installer rst. Otherwise, start by Installing the OMS Driver.

Installing OMS:

Make sure that all programs are shut down before you begin the installer. Also, make sure you have removed any dongles or copy protection devices you may be using. 1 2. 3. 4. 5. 6. Insert the Keystation Installer CD-ROM. Double click on the Keystation (49e or 61es) Installer CD icon on your desktop Double click on the OS 9 folder. Double click on Install OMS 2.3.8 Follow the onscreen instructions It will now take a few moments to install OMS. When it has nished, it will ask you to restart the computer. Click Restart.
Installing the OMS driver
1. 2. 3. 4. 5. 6. Click and drag the USB Drivers Installer to the desktop from the OS 9 window it resides in. Double click on the icon. If a window appears, click Open. Double click on the newly created USB Drivers Installer on your desktop. Click Install. (The installer automatically places the drivers in the correct system folders.) Once the installer has nished installing the drivers, click Restart. Once your computer has restarted, switch on the Keystation.

OMS Setup

You now have to run the OMS Setup program: 1. 2. 3. 4. 5. 6. 7. 8. Open the Hard Drive > Opcode folder > OMS Applications folder > OMS Setup. If you get a message to switch AppleTalk on or off, you may choose either option, as this will not affect the OMS Setup. In the next window, click OK. Click Search. Click OK. Click OK again. Click Save. If asked, click Replace.
You should now have a nal window showing your current Studio Setup. If QuickTime Music is crossed out, double click on it, and then click in the on circle to enable it. Then click OK. Now youre ready to go. Just make sure your Keystation keyboard is selected as the MIDI input in your music software.
Installation in Windows 98 or ME
1. Power up your PC. 2. Insert the Keystation Installer CD-ROM in your computers CD-ROM tray. Open My Computer or Windows Explorer to locate your CD-ROM drive. Click on the folder labeled Keystation (49e, 61es, or 88es). 3. Open the Keystation (49e, 61es, or 88es) folder and click on the installer icon. 4. Follow the onscreen instructions. 5. When nished, exit the setup. 6. Switch on the Keystation.
Installation in Windows 2000
NOTE: Please make sure to run the driver installer before powering on your Keystation keyboard. 1. Power up your PC. 2. Insert the Keystation Installer CD-ROM.Open My Computer or Windows Explorer to locate your CD-ROM drive. Click on the folder labeled Keystation (49e, 61es, or 88es). 3. Open the Keystation (49e, 61es, or 88es) folder and click on the installer icon. 4. Follow the instructions on your screen. 5. When nished, exit the setup. 6. Switch on the Keystation keyboard. Windows will automatically recognize the keyboard and ask for the Keystation 61es Installer CDROM. 7. Select the CD-ROM drive and click OK. Windows will ask you to select the CD-ROM drive again for the MIDI driver. 8. If Windows reports the drivers have not been digitally signed, click on Continue Installation. 9. Select the drive once more. 10. Click OK. 11. In the event that Windows asks you to restart your computer, click Restart.

Getting Started

Once you have nished installation you will need to congure your MIDI application software to use the Keystation. Please note that when you press a key on the keyboard, you will not hear any sound. This is because pressing a key causes the keyboard to send out MIDI data. MIDI data gives instructions on how a sound should play, but in order to actually hear that sound you need to congure your music software to read the MIDI data being sent from the Keystation and play the sound back accordingly. This setup will more than likely entail going into an Options or Device Set-Up menu in your music software application and selecting the appropriate device. The Keystation should appear under the name USB Audio Device for Windows XP or as Keystation (49e, 61es, or 88es) for other Operating Systems in the MIDI devices section of your music software application. Please consult the manual that came with your software for the proper set up procedure.

Key Names

Each white key on the Keystation is labeled with a letter and a number. The letter represents the note played and the number represents the octave (the denition of octave is given in the next section). Although the black keys are not labeled, they also have names (F# 4 or Eb2 are examples of black key names). If the name of a black key contains a # sign, it is referring to the black key above the same note white key. For example, F# 3 refers to the black key above F3. If the name of a black key is expressed with a b sign, it is referring to the black key below the same note white key. For example, Eb3 refers to the black key below E3. As a result, the black key between C3 and D3 is both C# 3 and Db3.

Octave Buttons

An octave contains 12 notes. Each octave is denoted on your Keystation by black and white sections starting on C. Each octave is given a number. If you press the octave + button once, the LED above the octave - button will go out, indicating the keyboards octave is now shifted up. If you press the octave + key again, you will shift one more octave up, and so on. It is possible to shift the keyboard up 3 octaves or down 3 octaves from 0 octave shift. To shift the octave down, press the octave - button and notice that the led above the octave + goes out. If only the led above the octave - key is lit, the octave is shifted down and, if only the led above the octave + key is lit, the octave is shifted up. To return the octave shift to 0, press both the octave + and - keys together. Both LEDs will light, indicating that the octave shift has returned to 0.

The Pitch Bend Wheel

As the name indicates, the assignable pitch bend wheel is primarily used to bend the notes played on the keyboard up or down. This allows you to play phrases not normally associated with keyboard playing, such as guitar-style riffs. Your sound source determines how far you can bend the note. The usual setting is two semitones, but it can be up to two octaves +/-.

The Modulation Wheel

The modulation wheel is typically used for modulation of the sound you are playing. This type of real-time controller was originally introduced on electronic keyboard instruments to give the performer options such as adding vibrato, just like players of acoustic instruments do. Just like the pitch bend wheel, the modulation wheel is fully MIDI assignable.

English

Windows will proceed with the installation of a USB driver and a MIDI driver. Once completed, you are ready to go. Windows may ask you to restart your computer, in which case click Restart.

The Volume Slider

The Volume Slider sends a MIDI message that controls the volume of the notes you are playing. The Volume Slider can also be assigned to different effects such as pan (balance), attack, reverb, chorus and many more. (See Advanced Functions for more information.)

Using with a Foot Pedal

A foot pedal can be used for sustaining the sound that you are playing, without having to keep your hands on the keyboard (just like the sustain pedal on a piano). You can plug a foot pedal of any polarity, sold separately, into the foot pedal input on your M-Audio keyboard. The keyboard will automatically detect the correct polarity when powering up. If you want to reverse the polarity, simply depress the pedal when you switch on your keyboard.
The Advanced Functions Button
The Advanced Functions button is used to access all the advanced functions of the keyboard that are located on the keybed. When the Advanced Functions button is pressed, the keyboard goes into Edit Mode. In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. The light above the Advanced Functions button indicates whether or not Edit Mode is engaged. In Edit Mode, the black keys on the keyboard are used for selecting functions, while the white keys are used for data entry and channel selection. Your keyboard will slip out of Edit Mode as soon as a function is selected, or the CANCEL or ENTER keys are pressed (the light above the Advanced Functions button will turn off). The keyboard can then be used to play notes again. The following diagram shows what each key on the keyboard represents in Edit Mode:

Advanced Functions

In addition to setting an octave shift, the two octave + and - buttons discussed earlier in the manual under the section Octave Buttons can also be used to control one of ve MIDI functions. In the diagram above, you will see that the rst 6 black keys are labeled DATA = ________. These keys are used to select the function of the octave buttons. Some of the functions that these keys can be used for cannot send out a value less than 0. When used to control these functions, both lights above the buttons will remain on, regardless of the current setting of that function.
To select an alternate function: < Press the Advanced Functions button, putting the keyboard into Edit Mode. < Press the black key that represents the function you want. Edit Mode will nish as soon as you have selected the function and you will be able to play notes again. The ve available alternate functions of the octave buttons are described below:

Octave Shift

The Octave + And - Keys Another method of shifting the Keystation octaves is with the use of the keys labeled octave + and -. After the Advanced Function button has been pressed, placing the keyboard in Edit Mode, pressing these keys will shift the keyboards pitch up or down one or more octaves (one for each time pressed). The default octave shift designation is 0 and will be the octave setting each time you power up the keyboard. The lights above the octave buttons indicate that 0 octave shift is set when both are on. To assign the + and - keys to control the octave: < Press the Advanced Functions button to get the keyboard into Edit Mode. < Press the black key above C1 (named C# 1), representing DATA = OCTAVE. Edit Mode will nish as soon as C# 1 has been pressed. There is also a method of performing a quick octave change, which can be useful when using the octave buttons to control another MIDI function. This is accomplished as follows: < Press the Advanced Functions button to put the keyboard in Edit Mode. < Press the black key below B2 (Bb2)in Edit Mode, this key functions as OCTAVE +, increasing the octave by 1 (you may press it again to increase the octave by 2, and so on). < Press the black key above F2 (F# 2)in Edit Mode, this key functions as OCTAVE -, decreasing the octave by 1 (you may press it again to decrease the octave by 2, and so on), OR, you can press the black key above G2 (named G# 2)in Edit Mode, this key functions as OCTAVE 0 to reset the octave shift to 0. < When you have chosen your octave shift press C5, representing ENTER, to leave Edit Mode.

Transposition

In some cases it may be useful to reduce or increase the pitch by a number of semitones rather than an entire octave. For example, if you are playing a song with a singer that is having difculty hitting the top notes, you may want to reduce the pitch by one or two semitones.* This is achieved using a MIDI function called Transpose. Transpose works in the same way as Octave Shift above, except the shift is +/- 12. As with Octave Shift, there are two ways of transposing the keyboard. You can use the Octave + and - buttons, or the black keys F# 3, G# 3 and Bb3. These black keys represent TRANSPOSE -, TRANSPOSE 0 and TRANSPOSE +, respectively. To assign the Octave + and - buttons to transpose: < Press the Advanced Functions button to engage Edit Mode. < Press the black key above D1 (named D# 1), representing DATA = TRANSPOSE. (Edit Mode will disengage as soon as D# 1 has been pressed.) < Press the + key and you will hear the pitch of the note you play go up. < Press both + and - together to cancel transpose. *A semitone represents the change in pitch from one note to another. Therefore, changing two semitones is the same as playing a note two notes higher.

Channel

MIDI data from the keyboard can be sent on any of 16 MIDI Channels. However, certain MIDI devices and MIDI software applications require the keyboard to send data on a specied channel. If this is the case, you can change the channel the data is sent using the following method: < Press the Advanced Functions button to engage Edit Mode. < Press one of the 16 Channel keys from D1 to E3, according to the Channel that you need. For example, if a device species that you need to send data on Channel 10, press the Advanced Functions button, and then key F2 to select Channel 10. The Channel can also be assigned to the Octave + and - buttons. Once assigned, pressing + or - will increase or decrease the channel incrementally. When Channel 16 is reached and + is pressed, Channel 1 will be selected. If the Octave + and - keys are selected to vary the Channel, the lights above the buttons will not change, since it is not possible to have a Channel with a negative value. Pressing both the + and - buttons together will recall Channel 1.

Program Change

Program Changes are used to change the instrument or voice you are using. For the sake of example, we will change the instrument to a bass sound. To do this we need to send a program change of 32, which will select an acoustic bass sound from the General MIDI Instruments list in the Appendix. There are two ways to send a program change: 1. < < < < Incremental/Decremental Program Change: Press the Advanced Functions button. Press the black key above F1 (named F# 1). Now the Octave + and - keys can be used to change the program. Press + and continue to play notes until you nd the instrument you want.

2. Quick Select Program Change: < Press the Advanced Functions button. < Press the black key above F4 (named F# 4), representing Program. < Press keys C4, then E3 then C5. This enters the combination: 3, 2, ENTER. Alternatively, you can use the + and - buttons to change the value, then press ENTER. Now the keyboard will play a bass sound: Number 32 as listed in the General MIDI Instruments list. The rst method is useful if you want to cycle through different instruments to see which sounds best in your song. The second is more useful if you want to select a specic number, as is the case here. If the Octave + and - keys are selected to vary the Program number (Method 1), the lights above the buttons will not change, since it is not possible to have a Program with a negative value. Pressing both the + and - buttons together will recall Program 0, which selects a grand piano sound. The full list of instruments that can be accessed via Program Changes is listed in the Appendix at the end of this manual.

Bank LSB and Bank MSB

Program Changes are most commonly used to change instruments and voices. However, the number of instruments accessible via Program Changes is limited to 128. Some devices have more than 128 voices and require a different method to access these extra voices. Generally, these devices use Bank LSB and Bank MSB messages. 1. < < < < Incremental/Decremental Bank LSB and Bank MSB Changes: Press the Advanced Functions button. Press the black key above G1 (named G# 1). Now the Octave + and - keys can be used to change the program. Press + and continue to play notes until you nd the instrument you want.
2. Using the Quick Select Method: < Press the Advanced Functions button. < Press the black key above G4 (named G# 4), or A4 (named A# 4), representing Bank LSB or Bank MSB respectively. < Press keys C4, then E3 then C5. This enters the combination: 3, 2, ENTER. Alternatively, you can use the + and - buttons to change the value, and then press ENTER. As with Program Change, if the Octave + and - keys are selected to vary the Bank LSB or MSB number (Method 1), the lights above the buttons will not change, since it is not possible to have a Bank with a negative value. Pressing both the + and - buttons together will recall Bank 0.
It is possible to assign MIDI effects to the Modulation Wheel. Some useful effects are: < < < < 01 Modulation 07 Volume 10 Pan (balance) 05 Portamento
There are 131 effects in total. However, for these effects to have any affect on the sound, the receiving MIDI device must be able to read and respond to these MIDI effect messages. Most devices will at least respond to volume, modulation, and pan data. (The full list of effects is given at the back of this manual.) To assign an effect to the Modulation Wheel: < Press the Advanced Functions button to engage Edit Mode. < Press the black key above C4 (named C# 4), representing WHEEL ASSIGN. < Use the Numerical Data Entry keys G3-B4 to enter the number of the effect you want to assign to the Modulation Wheel. Alternatively, you can use the + and - buttons to change the value. < Press the ENTER key (C5). < Move the Modulation Wheel upwards to increase the value of the effect.

Note that each time the keyboard is turned off, the data assigned to the Modulation Wheel will be lost. Each time the keyboard is powered up, the Modulation Wheel will be assigned to modulation (effect number 01) by default. For the sake of example, we will assign effect number 10 (pan, or balance) to the Modulation Wheel. < < < < < Press the Advanced Functions button to engage Edit Mode. Press the black key above C4 (named C# 4), representing WHEEL ASSIGN. Press A3 to enter 1. Press G3 to enter 0 so you have entered 10. Press C5 for ENTER.
As with the Modulation Wheel, the Volume Slider can be assigned to any of the 131 effects listed at the end of this manual. To assign the Volume Slider to an effect: < Press the Advanced Functions button to engage Edit Mode. < Press the black key above D4 (named D# 4), representing SLIDER ASSIGN. < Use the Numerical Data Entry keys G3-B4 to enter the number of the effect you want to assign to the Volume Slider. Alternatively, you can use the + and - buttons to change the value. < Press the ENTER key (C5). < Move the Volume Slider upwards to increase the value of the effect. If you have made an error while entering the numerical data value, you can press the CANCEL key (C1) to exit Edit Mode without changing the effect assigned to the Volume Slider. Note that each time the keyboard is turned off, the data assigned to the Volume Slider will be lost. Each time the keyboard is powered up, the Volume Slider will be assigned to volume (effect number 07) by default.

Pitch Bend Sensitivity

It is possible to alter the sensitivity of the Pitch Bend Wheel by assigning effect number 128 to the Modulation Wheel or Volume Slider. This will allow you to alter the pitch bend range up to one octave up and down.
Troubleshooting MIDI Functionality
The Keystation keyboards have been designed to make working with MIDI on your computer as simple as possible. Nonetheless, you may still experience some difculties. In many cases, the keyboard is not at fault; the problem lies with the receiving device. To counter this, there are two useful MIDI functions:

All Notes Off

If you nd there are hanging notes that you cannot stop playing, send an All Notes Off MIDI message by performing the following: < Press the Advanced Functions button to engage Edit Mode. < Press the black key above D3 (named D# 3), representing ALL NOTES OFF. < Edit Mode will disengage, eliminating any hanging notes.

Reset All Controllers

If you nd there is an effect on a voice that you do not want, rather than having to isolate and identify that effect, you can send a Reset All Controllers MIDI message by performing the following: < Press the Advanced Functions button to engage Edit Mode. < Press the black key above C3 (named C# 3), representing RESET ALL CONTROLLERS. < Edit Mode will disengage, eliminating all effects.

MIDI Out

The MIDI Out port is located on the back of the keyboard, and can be used to connect the keyboard to an external sound module or MIDI keyboard. By default (when you switch the unit on), all controller data is sent out via the MIDI output as well as the USB out. If you want the MIDI output to act like a traditional USB-to-MIDI interface, engage MIDI Out from USB mode by carrying out the following: < < < < Press the Advanced Functions button to engage Edit Mode. Press the black key above D2 (named D# 2), representing MIDI OUT FROM USB. Edit Mode will disengage. The keyboard is now able to send data received from the computer via its MIDI OUT jack to whatever device is connected.
In order to use the MIDI output, select the Keystation USB MIDI Out as the MIDI output device in your sequencer.
If you have made an error while entering the numerical data value, you can press the CANCEL key (C1) to exit Edit Mode without changing the effect assigned to the Modulation Wheel.

General Troubleshooting

Here are answers to common questions you may have, using your Keystation keyboard: Problem 1: Solution 1: Problem 2: Solution 2: My M-Audio hardware suddenly stopped working after having performed ne since installation. Switch off the unit and let it sit for 10 seconds. Then restart your computer and try again. If the problem persists you may have to reinstall drivers for the unit. I have plugged a sustain pedal into my M-Audio keyboard, but it works the wrong way around. The polarity of the sustain pedal is calculated by the keyboard when it is powered up. On power up, the sustain pedal is assumed to be in the OFF position. So if you want the sustain pedal to be off when it is not depressed, make sure the pedal is not depressed when you power up. When I press a key, there is a delay before I hear any sound. This delay is known as latency. Latency with MIDI signals is due to the software application you are using. MIDI data is simply control data. The MIDI data is read by your software. The software then completes a large number of complex calculations in order to produce the sound you hearall this takes time.

Problem 3: Solution 3:

We strongly recommend a proper soundcard. Refer to www.m-audio.com for a selection of USB, PCI and FireWire audio cards. If you already have an adequate sound card, try reinstalling the latest drivers for the sound card, or try reducing the buffer sizes of the audio drivers.

Contact M-Audio

If you have any questions, comments or suggestions about this or any M-Audio product, we invite you to contact us by using the following information:
M-AUDIO U.S. 5795 Martin Road, Irwindale, CA 91706-6211, U.S.A.
Sales Information:.626-633-9050 Sales (fax):. 626-633-9070 Sales Information (email):. info@m-audio.com Tech Support (email):. techsupt@m-audio.com Tech Support (fax):.626-633-9060 Internet Home Page:.http://www.m-audio.com
M-AUDIO Deutschland (Germany) Kuhallmand 34, D-74613 Ohringen, Germany
Sales Information:. +49 (0)Sales Information (email):. info@m-audio.de Technical Support:. +49 (0)Technical Support (email):. support@m-audio.de Technical Support (fax):. +49 (0)70070 Internet Home Page:. http://www.m-audio.de
M-AUDIO U.K. Floor 6, Gresham House, 53 Clarendon Road, Watford, WD17 1LA, United Kingdom
Sales Information (phone):. 44 (0) Sales Information (fax):.44 (0) Sales Information (email):. info@maudio.co.uk Technical Support (PC):.44 (0) Technical Support (Mac):. 44 (0) Technical Support (email):.support@maudio.co.uk Internet Home Page:.http://www.maudio.co.uk
M-AUDIO Canada 1400 St-Jean Baptiste Ave. #150, Quebec City, Quebec G2E 5 B7, Canada
Technical Support (e-mail):. techcanada@m-audio.com Technical Support (PC):. (418) 872-0444 Technical Support (Mac):. 1-800-638-2120 Technical Support (fax):. (418) 872-0034 Sales (e-mail):.infocanada@m-audio.com Sales (phone):. (866) 872-0444 Sales (fax):. (514) 396-7102 Internet Home Page. http://www.m-audio.ca
M-AUDIO France Floor 6, Gresham House, 53 Clarendon Road, Watford, WD17 1LA, United Kingdom
Assistance Technique (aucune questions relies aux ventes) courriel (assistance PC):. support@m-audio-france.com courriel (assistance Mac):. mac@m-audio-france.com tlphone (assistance PC):.731 (0,12 Euros par minute) tlphone (assistance Mac):. 191 (0,12 Euros par minute) tlcopieur/fax:. 52 Ventes (aucun appels dassistance technique) tlphone:. 105 (Numero Azur) courriel:. info@m-audio-france.com tlcopieur/fax:. 52
M-AUDIO Japan 460-0002 2-18-10 052-218-0859 (Macintosh): (Windows): 052-218-0875
Warranty Terms M-Audio warrants products to be free from defects in materials and workmanship, under normal use and provided that the product is owned by the original, registered user. Visit www.m-audio.com/warranty for terms and limitations applying to your specic product. Warranty Registration Thank you for registering your new M-Audio product. Doing so immediately both entitles you to full warranty coverage and helps M-Audio develop and manufacture the nest quality products available. Register online at www.m-audio.com/register to receive FREE product updates and for the chance to win FREE M-Audio gear.

Technical Info

Caution: Electro Static Discharge, Electrical Fast Transient and Conducted RF interference may cause the unit malfunctioning. In such case, unplug the unit and plug it in again to restore normal operation. Note: Your M-Audio Keystation keyboard has been tested to comply with FCC Standards FOR HOME OR OFFICE USE. Modications not authorized by the manufacturer may void users authority to operate this device. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: < < < < Re-orient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment to an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/ TV technician for help.
ASIO is a trademark of Steinberg Soft und Hardware GmbH. VST is a trademark of Steinberg Soft und Hardware GmbH.

Keystation 49e

Tested to comply with FCC standards

Keystation 61es

Keystation 88es

FOR HOME OR STUDIO USE

ESD and Fast Transient may cause the unit to temporarily malfunction. Switch off and on again to restore normal operation. 11

Warranty Info

Appendices - Useful MIDI Data
Appendix A - MIDI Implementation Chart
Function Basic :Default Channel: Changed :Default Mode :Messages :Altered Note Number: True Voice Velocity: Note ON : Note OFF After Touch : Keys :Chs Transmitted 1-16 1-16 --------X ********* 0-127 ********* 0 X X 0-119 X Received Remarks
Pitch Bend Control Change 120-127 Program Change: True Number System Exclusive

0-127 ********* X X X

Song Position Common: Song Select

System :Clock Exclusive: Commands Aux Messages :Local ON/OFF :All Notes OFF :Active Sense :Reset Notes:

X X 0 = YES

Appendix B - Standard MIDI Controller Numbers (MIDI CCs)
MIDI CC 0-119 120-255 Description Standard MIDI CCs Channel Mode Messages Pitch Bend Sensitivity Channel Fine Tune Channel Coarse Tune Channel Pressure RPN Coarse RPN Fine NRPN Coarse NRPN Fine Master Volume GM* Master Pan GM* Master Coarse Tune GM* Master Fine Tune GM* Chorus Mod Rate GM2* Chorus Mod Depth GM2* Feedback GM2* Send to Reverb GM2* Pitch Bend Controller Off*** RPN LSB RPN LSB NRPN LSB NRPN LSB Volume LSB Pan LSB Tuning LSB Tuning LSB Mod rate Mod depth Feedback level Reverb send level Pitch shift LSB Data Lsb (Press Twice) RPN MSB RPN MSB NRPN MSB NRPN MSB Volume MSB Pan MSB Tuning MSB Tuning MSB Pitch shift MSB Data Msb (Press Twice)
* Sys Ex messages ** MMC Sys Ex messages *** This value cannot be typed in using the numerical keypad. Type in 144 and then press the Preset + button to set this value.
Appendix C - General MIDI instruments
Piano 0 Acoustic Grand Piano 1 Bright Acoustic Piano 2 Electric grand Piano 3 Honky Tonk Piano 4 Electric Piano Electric Piano Harpsichord 7 Clavinet Chromatic Percussion 8 Celesta 9 Glockenspiel 10 Music Box 11 Vibraphone 12 Marimba 13 Xylophone 14 Tubular bells 15 Dulcimer Organ 16 Drawbar Organ 17 Percussive Organ 18 Rock Organ 19 Church Organ 20 Reed Organ 21 Accordion 22 Harmonica 23 Tango Accordion Guitar 24 Nylon Acoustic 25 Steel Acoustic 26 Jazz Electric 27 Clean Electric 28 Muted Electric 29 Overdrive 30 Distorted 31 Harmonics Bass 32 Acoustic Bass 33 Electric Fingered Bass 34 Electric Picked Bass 35 Fretless Bass 36 Slap Bass Slap Bass Syn Bass Syn Bass 2 Strings/Orchestra 40 Violin 41 Viola 42 Cello 43 Contrabass 44 Tremolo Strings 45 Pizzicato Strings 46 Orchestral Harp 47 Timpani Ensemble 48 String Ensemble String Ensemble 2 (Slow) 50 Syn Strings Syn Strings Choir Aahs 53 Voice Oohs 54 Syn Choir 55 Orchestral Hit Brass 56 Trumpet 57 Trombone 58 Tuba 59 Muted Trumpet 60 French Horn 61 Brass Section 61 Syn Brass Syn Brass 2 Reed 64 Soprano Sax 65 Alto Sax 66 Tenor Sax 67 Baritone Sax 68 Oboe 69 English Horn 70 Bassoon 71 Clarinet Pipe 72 Piccolo 73 Flute 74 Recorder 75 Pan Flute 76 Bottle Blow 77 Shakuhachi 78 Whistle 79 Ocarina Synth Lead 80 Syn Square Wave 81 Syn Sawtooth Wave 82 Syn Calliope 83 Syn Chiff 84 Syn Charang 85 Syn Voice 86 Syn Fifths Sawtooth Wave 87 Syn Brass & Lead Synth Pad 88 New Age Syn Pad 89 Warm Syn Pad 90 Polysynth Syn Pad 91 Choir Syn Pad 92 Bowed Syn Pad 93 Metal Syn Pad 94 Halo Syn Pad 95 Sweep Syn Pad 13 Synth Effects 96 SFX Rain 97 SFX Soundtrack 98 SFX Crystal 99 SFX Atmosphere 100 SFX Brightness 101 SFX Goblins 102 SFX Echoes 103 SFX Sci-Fi Ethnic 104 Sitar 105 Banjo 106 Shamisen 107 Koto 108 Kalimba 109 Bag Pipe 110 Fiddle 111 Shanai Percussive 112 Tinkle Bell 113 Agogo 114 Steel Drums 115 Woodblock 116 Taiko Drum 117 Melodic Tom 118 Syn Drum 119 Reverse Cymbal Sound Effects 120 Guitar Fret Noise 121 Breath Noise 122 Seashore 123 Bird Tweet 124 Telephone Ring 125 Helicopter 126 Applause 127 Gun Shot