Yamaha MG32 14FX
32-Input, 14-Bus Mixer with Dual DSP MG24/14FX, MG32/14FX Serious Capacity For Sound Reinforcement and Installations If your application is live sound reinforcement youll want all the channel capacity you can get just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And w... Read more
Part Numbers: MG32/14FX, MG3214FX 32
UPC: 0086792658964, 086792278988, 086792658964
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Yamaha MG32 14FX, size: 7.8 MB
Yamaha MG32-14FX Mg24-14FX
Yamaha MG32 14FX
Yamaha MG Mixers
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MG32/14FX Rear Panel
High capacity and features for serious live sound applications, plus built-in SPX effects.
16 mono inputs and 4 stereo inputs on the MG24/14FX; 24 mono inputs and 4 stereo inputs on the MG32/14FX. Top-quality microphone preamplifiers with switchable phantom power. Insert I/O patch points on mono input channels as well as the stereo and group buses. Mid-sweep 3-band mono channel EQ, 4-band stereo channel EQ. 14 buses for flexible signal routing: main stereo bus, four group buses, six auxiliary buses, and send buses for the two
internal effect processors.
Ample sends and returns for monitoring and external effects. Dual Yamaha SPX digital signal processors provide a selection of 16 advanced digital effects. Reliable XLR output connectors. OPTIONS Variable LPF on mono output for convenient subwoofer setup. 12-segment level meters. FC5 Illuminated switches for high visibility. Foot Switch Talkback microphone input for convenient communication.
Total harmonic distortion (Master Output) Frequency response (Master Output) Hum & noise*1 MG32/14FX Less than 0.1% (THD+N) 20Hz-20kHz @ +14dBu 600 (with gain control at maximum level) 0+1dB, -3dB 20Hz-20kHz @ +4dBu 600 (with gain control at minimum level) -128dBu (Equivalent input noise) -99dBu (Residual output noise) 20Hz-20kHz, Rs=150, Input Gain=Maximum, Input Pad=OFF, Input Sensitivity=-60dBu Crosstalk Phantom Power Effect Dimensions (W x H x D) Weight Power consumption Power requirements -70dB (@1kHz) +48V SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control) 1027 x 140 x 551mm (40-7/16" x 5-1/2 x 21-11/16") 22.0kg (48.5lbs.) 120W AC100V, 50/60Hz AC120V, 60Hz AC220V, 60Hz AC230V, 50Hz *1 Hum & Noise are measured with a 6dB/octave filter @ 12.7kHz;equivalent to a 20kHz filter with infinite dB/octave attenuation. 819 x 140 x 551mm (32-1/4" x 5-1/2" x 21-11/16") 18.5kg (40.8lbs.) 100W MG24/14FX
Input Termial Pad 0 CH INPUT [A, B] *Gain Trim -60 3k -16 -10 10k 10k 10k 10k 10k Actual Load Impedance For Use With Nominal Input Level*1 Nominal -60dBu -34dBu -16dBu +10dBu -34dBu +10dBu 0dBu 0dBu +4dBu -50dBu -10dBV Connector Max. In Mixer before Clip -40dBu A:XLR3-31 type* -14dBu B:TRS Phone +4dBu jack* +30dBu -14dBu +30dBu +20dBu +20dBu +24dBu -30dBu +10dBV Phone jack** RCA Pin jack** TRS Phone jack** Phone jack** XLR-3-31 type** RCA Pin jack
Connection ST OUT [L, R] MONO OUT GROUP OUT (1-4) AUX OUT (1-6) ST SUB OUT [L, R] EFFECT OUT (1, 2)
CH INSERT OUT *1 GROUP INSERT OUT (1-4) ST INSERT OUT [L, R]
Actual Source Impedance 600 100
For Use With Nominal 600 Lines 600 Lines 10k Lines 10k Lines 10k Lines 40 Phones
Output Level*1 Nominal +4dBu +4dBu +4dBu 0dBu -10dBV 3mW Max. before Clip +24dBu +20dBu +20dBu +20dBu +10dBV 75mW
Connector In Mixer XLR-3-32 type* TRS Phone jack* TRS Phone jack* TRS Phone jack** RCA Pin jack Stereo phone jack
50-600 Mics & 600 Lines
ST CH INPUT*8, 9
600 Lines 600 Lines 600 Lines 600 Lines 50-600 Mics 600 Lines
CH INSERT IN* GROUP INSERT IN (1-4) SUB IN (1, 2) [L, R] TB IN 2TR IN [L, R]
REC OUT [L, R] PHONES OUT
*1. MG32/14FX: CH1-24, MG24/14FX: CH1-16.
unit : mm
MG32 / 14FX
MG24 / 14FX
CH NPUT [-60dB~-16dB] [-34dB~+10dB] A MG24/14FX:CH1-16 MG32/14FX:CH1-24
PHANTOM 8CH/SW MG24/14FX :[CH1-8] [CH9-16] MG32/14FX:[CH1-8] [CH9-16] [CH17-24]
+48V SUM [0dB] PEAK SIGNAL [0dB] CH Fader [-10dB] BA ON ST AFL [-6dB] [0dB] INSERT I/O [0dB] L R L REC OUT R [-10dB] 1-2 3-4 ST [-6dB] AUX1 BA AUX2 AUX3 PRE AUX4 [-6dB] EFFECT1 (AUX5) SUM [0dB] MONO Fader [-10dB] LPF LPF 80~120Hz (12dB/oct) FREQ AFL *3 Signal Phase: Reverse *1 PFL [0dB] BA PRE [-6dB] ST SUB BA BA AFL SUM [0dB] INV INV PAN [0dB] EFFECT2 (AUX6) SUM AUX5-6 PFL [0dB] INV [0dB] AUX1 AUX2 PRE AUX3 AUX4 PRE EFFECT1 (AUX5) [-6dB] ST PAN 3-4 INSERT I/O [0dB] BA 1-2 GROUP Fader [-10dB] GROUP OUT1-4 [+4dB]
B 26dB INSERT I/O [0dB] MG24/14FX :CH1-16 MG32/14FX:CH1-24
PAD HA HPF GAIN [-60dB~-16dB] [-34dB~+10dB] LO Gain Mid f Mid Gain Hi Gain HPF 3-Stage EQ
PFL L PFL R PFL CTRL AFL L AFL R
EFFECT1 EFFECT2 GROUP1 GROUP2 GROUP3 GROUP4 ST L ST R
AUX1 AUX2 AUX3 AUX4 AUX5 AUX6
BA ST Fader [-10dB] BA
ST OUT [+4dB] L R
ST CH NPUT [-34dB~+10dB] MG24/14FX : CH17(L)/18(R), CH19(L)/20(R) L PAD BAL GAIN [-34dB~+10dB] SIGNAL ON ST CH fader PAD 4-Stage EQ HA Lo Lo-Mid Hi-Mid Hi PEAK HA [0dB] 4-Stage EQ BA [0dB] [-10dB] [0dB] [0dB] MG32/14FX: CH25(L)/26(R), CH27(L)/28(R) R
ST SUB OUT [+4dB] L R
MONO OUT [+4dB]
EFFECT2 (AUX6) AUX5-6
ST, PFL-AFL/GROUP GROUP2 GROUP3 GROUP4
PEAK ST (L) GROUP1
ST CH NPUT [-34dB~+10dB] Same As *1 L ST SUB IN 1, 2 [+4dB] L (MONO) [+4dB]
INV INV MG24/14FX: CH21(L)/32(R), CH23(L)/24(R)
PEAK ST (R) GROUP2
[-6dB] [-6dB] AUX1 AUX2 AUX3 AUX4
MG32/14FX: CH29(L)/30(R), CH31(L)/32(R)
SUM SUM [0dB] SUM [0dB] [-16dB] PHONES SUM SUM PA * PA: Invert PFL PA
PEAK PFL-AFL (L) GROUP3 2TR IN (L) PEAK PFL-AFL (R) GROUP4 2TR IN (R) PHONES [3mW @ 40ohms]
2TR IN [-10dBV]
[0dB] 2TR IN
PFL [-10dB] TB [-16dB] TB IN [-50dB]
[-10dB] ST AUX SUM IN L OUT R OUT PROGRAM PARAMETER DIGITAL EFFECT1 [-6dB]
[0dB] AUX AFL ON Same As *2 *2 IN L OUT R OUT PROGRAM PARAMETER TAP FOOT SWITCH TAP DIGITAL EFFECT2 [-6dB] [-16dB] EFF RTN [-12dB] ON *Same As C128 AUX1 AUX2 AUX3 AUX4 AFL SUM 3-4 ST SUM [-6dB]
AUX OUT 1~6 [+4dB]
EFFECT 1 [-12dB] BA
EFFECT OUT 1 [+4dB]
EFFECT 2 BA PFL AFL
EFFECT OUT 2 [+4dB]
BLOCK & LEVEL DIAGRAM
GROUP1 GROUP2 GROUP3 GROUP4 ST L ST R
0dB=0.775V 0dBV=1V +30dB +20dB +10dB 0dB -10dB -20dB -30dB -40dB -50dB -60dB CH INPUT PAD OFF GAIN Max. [-60dB] CH INPUT PAD ON GAIN Max. [-34dB] ST CH INPUT GAIN Max. [-34dB] CH INPUT PAD OFF GAIN Min. [-16dB] CH INPUT PAD ON GAIN Min. [+10dB] Clip Level ST CH INPUT GAIN Min. [+10dB] INSERT I/O [0dB] 2TR IN [-10dBV] CH Level ST CH Level 2TR IN CH EFFECT ST CH EFFECT (ST CH EFFECT) EFFECT Master EFFECT RTN AUX EFFECT RTN Clip Level Clip Level Clip Level EFFECT OUT [+4dB] ST SUB IN [+4dB] Clip Level
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
MG32-14FX_E.book Page 3 Thursday, June 12, 2003 3:10 PM
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
Only use the voltage specied as correct for the device. The required voltage is printed on the name plate of the device. Use only the included power cord. Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands.
If you notice any abnormality
If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the idevice inspected by qualied Yamaha service personnel. If this device should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualied Yamaha service personnel.
Do not open
Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. - On a thick carpet or other such surface - While it is inside an unventilated touring case Failure to observe the above precautions may cause the device to overheat, resulting in equipment damage and re hazard. Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the device, TV, or radio may generate noise.
When transporting or moving the device, always use two or more people. Before moving the device, remove all connected cables. Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers. Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not place the device in an unstable position where it might accidentally fall over. Never block the vent holes during use. Vent holes are located on the top, bottom, front, rear, and sides of this machine. All vent holes must remain unblocked to prevent overheating. To further ensure adequate ventilation, never use this device - Upside down or on its side - In a poorly ventilated location (in a closet, inside a bookcase, etc.) - With its rubber footpads removed
Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum.
Do not insert your nger or hand in any gaps or openings on the device (vents, etc.). Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents, etc.). If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualied Yamaha service personnel. Do not use the device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.
MG32-14FX_E.book Page 4 Thursday, June 12, 2003 3:10 PM
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (). Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.
Yamaha cannot be held responsible for damage caused by improper use or modications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use. The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualied Yamaha service personnel about replacing defective components. Copying of commercially available music data and/or digital audio les, except for personal use, is strictly prohibited. Illustrations in this manual are for explanatory purposes only, and may not match the actual appearance of the product during operation. Company names and product names used in this Owners Manual are trademarks or registered trademarks of their respective owners.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
MG32-14FX_E.book Page 7 Thursday, June 12, 2003 3:10 PM
Connecting to Power
(1) Be sure that the mixers power switch is off ( ). (2) Connect the socket end of the power cord to the AC IN connector on the rear of the mixer.
(1) Before connecting to microphones and instruments, be sure that all devices are turned off. Also be sure that all of the mixers channel faders and master control faders are set all the way down. (2) For each connection, connect one end of the cable to the relevant microphone or instrument and connect the other end to the appropriate input jack on the mixer.
NOTE On each monaural channel, you may use either INPUT A or INPUT B, but not both. On stereo channels that provide both a phone input jack and an RCA-pin input jack, you may use either of these but not both. Please connect to only one of these jacks on each channel.
(3) Power up the devices in the following order: Peripheral devices mixer power amps (or powered speakers). (3) Plug the other end of the power cord into a standard household power outlet.
Be sure to unplug the power cord from the outlet if you are not going to use the mixer again for an extended period, and whenever there are lightning storms in the area. NOTE When shutting the system down, turn off the power in the opposite order: Power amps (powered speakers) mixer peripheral devices.
Do not block the vents. Vent holes are located on the top, bottom, front, rear, and sides of this machine. All vent holes must remain unblocked to prevent overheating.
MG32-14FX.fm Page 8 Monday, June 30, 2003 2:43 PM
Front & Rear Panels
Note: Within this manual, all panel illustrations show the MG32/14FX panel.
Channel Control Block
Master Control Block
1 MONAURAL CHANNELS Section (p. 10) 2 STEREO CHANNELS Section (p. 10)
3 STEREO/MONO Section (p. 13) 4 GROUP Section (p. 14) 5 SEND Section (p. 14) 6 RETURN Section (p. 15) 7 INTERNAL DIGITAL EFFECTS Section (p. 16) 8 METER/PHONES Section (p. 17) 9 2TR INPUT Section (p. 17) 10 TALKBACK Section (p. 18) 11 LAMP Jack (p. 18)
MG32-14FX_E.book Page 9 Thursday, June 12, 2003 3:10 PM
Rear Input/Output Block
12 CHANNEL I/O Section (p. 19) 13 MASTER I/O Section (p. 20)
MG32-14FX_E.book Page 10 Thursday, June 12, 2003 3:10 PM
I MONAURAL CHANNELS Section STEREO CHANNELS Section
Monaural Channels 1 to 24 (MG32/14FX) 1 to 16 (MG24/14FX) Stereo Channels 25/26 to 31/32 (MG32/14FX) 17/18 to 23/24 (MG24/14FX)
1 PAD Switch
When this switch is on ( signal by 26 dB. ), the mixer attenuates the input
2 GAIN Control
Adjusts the gain applied to the input signal level. To get the best balance between the S/N ratio and the dynamic range, adjust the gain so that the PEAK indicator (B) comes on just as the signal approaches its maximum level. On monaural channels: When the PAD switch (1) is off ( ), the GAIN control adjusts for input levels from 60 dBu to 16 dBu. When the PAD switch is on ( ), the GAIN control adjusts for input levels from 34 dBu to +10 dBu. On stereo channels: The GAIN control adjusts for input levels from 34 dBu to +10 dBu.
Switch (High-Pass Filter)
This switch toggles the HPF on or off. To turn the HPF on, press the switch in ( ). The HPF cuts frequencies below 80 Hz.
4 Equalizer Controls
On monaural channels A three-band equalizer adjusts the channels high, mid, and low frequency bands. For each band, setting the knob to the position produces a at frequency response. Turning the knob to the right boosts the corresponding frequency band, while turning to the left cuts the band. The following table shows the EQ type, base frequency, and maximum cut/boost for each of the three bands.
Band Type Shelving Peaking Shelving Base Frequency 10 kHz 250 Hz to 5 kHz (variable) 100 Hz 15 dB Maximum Cut/Boost
HIGH MID LOW
On stereo channels A four-band equalizer adjusts the channels high, hi-mid, lo-mid, and low frequency bands. For each band, setting the knob to the position produces a at frequency response. Turning the knob to the right boosts the corresponding frequency band, while turning to the left cuts the band. The following table shows the EQ type, base frequency, and maximum cut/boost for each of the four bands.
Band HIGH HI-MID Type Shelving Peaking Peaking Shelving Base Frequency 10 kHz 3 kHz 15 dB LO-MID LOW 800 Hz 100 Hz Maximum Cut/Boost
A B C D E
MG32-14FX_E.book Page 11 Thursday, June 12, 2003 3:10 PM
5 AUX Controls (AUX1 to AUX6)
These knobs adjust the channels signal levels into AUX buses 1 to 6. Each knob controls the signal into the corresponding AUX bus. For AUX1 to AUX4, you use the PRE switch (6) to select whether the pre-fader or post-fader signal is fed to the bus. For AUX5 and AUX6, only the post-fader signal can be fed. These knobs should generally be set close to the position.
0 ON Switch
Sets the channel on or off. To turn the channel on, press the switch in ( ) so that it lights up orange. Be sure to turn on all the channels that you wish to use. If you set the channel off ( ), you cut off all of its signal feed into the ST, GROUP, AUX, and EFFECT buses.
NOTE The ON switch does not affect the operation of the PFL switch (A). You can monitor the channels pre-fader signal through the PHONES jack even when the ON switch is set off. To reduce noise, turn all unused channels off ( ).
On stereo channels, the L (odd) and R (even) input signals are mixed before moving into the AUX bus.
NOTE To enable use of AUX5 and AUX6, you must turn on the AUX5/AUX6 switch (8).
A PFL (Pre-Fader Listen) Switch
Use this switch to feed the channels pre-channel-fader signal into the PFL bus, so that you can monitor the signal from the PHONES jack. To turn PFL feed on, press the switch in ( ) so that it lights up.
NOTE If you switch on output to both the PFL and AFL buses, the mixer outputs only the PFL signal. If you set PFL on for multiple channels, the mixer feeds the mixed signal from the channels into the PFL bus.
6 PRE Switch
Selects whether the pre-fader or the post-fader signal is fed to the corresponding pair of AUX buses. The upper PRE switch controls the signal to AUX1 and AUX2; the lower switch controls the signal to AUX3 and AUX4. If the switch is on ( ), the mixer feeds the pre-fader signal to the corresponding buses. If off ( ), the mixer feeds the post-fader signal.
NOTE There is no PRE switch for AUX5 and AUX6. For these buses only the post-fader signal is available.
B PEAK indicator 7 EFFECT Controls
These knobs adjust the channels signal levels into EFFECT buses 1 and 2. Since the signal to the EFFECT buses is post-fader, the level is always determined by the combination of the EFFECT control and the channel fader. On stereo channels, the L (odd) and R (even) input signals are mixed before moving into the EFFECT bus.
NOTE These knobs operate as EFFECT controls only if the AUX5/AUX6 switch is in off position ( ). If the switch is on, these knobs adjust the output to the AUX5 and AUX6 buses. (See 8 below.)
Lights up when the channels post-equalizer signal level comes within 3 dB of the clipping level.
C SIGNAL indicator
Lights up when a signal is being input into the channel.
D GROUP Switches
Use these switches to feed the channels signal to the GROUP 1-2 and/or GROUP 3-4 buses. Setting the switch on ( ) causes the signal to feed into the corresponding GROUP buses.
NOTE These switches allow you to independently assign the signal to groups regardless of the setting of the ST switch (E).
8 AUX5, AUX6 Switch
Selects whether the channel signal is sent to AUX buses 5 and 6 or EFFECT buses l and 2. If the switch is on ( ), the signal goes to AUX5 and 6 buses; if off ( ), the signal goes to the EFFECT buses. Note that the signal to these buses is always post-fader.
E ST Switch
Set this switch on ( bus. ) to feed the channels signal to the ST
F Channel Fader
Adjusts the output level of the channels signal. Use these faders to adjust the volume balance among the various channels.
NOTE To reduce noise, set the fader sliders for unused channels all the way down.
9 PAN Control (Monaural Channels) BAL Control (Stereo Channels)
The PAN control adjusts the signals pan positioning into the Group 1-2 bus pair, into the Group 3-4 bus pair, and into the Stereo buss L and R lines. The BAL control knob sets the balance between left and right channels. Signals into the L input (odd channel) feed to the Group 1 and Group 3 buses and to the L line of the Stereo bus. Signals into the R input (even channel) feed to the Group 2 and Group 4 buses and to the R line of the Stereo bus.
NOTE If you are inputting to a stereo channel through the L (MONO) jack only, the BAL knob operates as a PAN knob.
MG32-14FX.fm Page 12 Thursday, December 11, 2003 10:30 AM
G PHANTOM +48 V Switch
Toggles phantom power on or off to a set of eight adjacent channels. The MG32/14FX has three of these switches: for CHs 1 to 8, for CHs 9 to 16, and for CHs 17 to 24. The MG24/14FX has two: for CHs 1 to 8 and for CHs 9 to16. If using condenser microphones, set the switch on ( ) for all channels to which these microphones are connected.
NOTE If this switch is on ( ), the mixer supplies DC +48 V power to pins 2 and 3 of all XLR-type jacks in the corresponding channels. Be sure to leave these switches off ( ) if you do not need phantom power. Humming or damage may result if you connect to an unbalanced device or to an ungrounded transformer while this switch is on ( ). But note that the switch may be left on without problem when connecting to balanced dynamic microphones. To avoid damage to speakers, be sure to turn off ampliers (or powered speakers) before turning these switches on or off.
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I STEREO/MONO Section
You use this section to independently adjust the levels of the outputs from the ST bus. You can independently adjust the main stereo output, the sub stereo output, and the mixed monaural output.
5 LPF (MONO)
LPF Switch Set this switch ON to apply a low-pass lter to the signal output from the MONO output jack, or OFF to turn this LPF off. If the switch is ON, the LPF will cut frequencies that are above the cutoff set by the Frequency Adjustment dial. Frequency Adjustment Dial Adjusts the cutoff frequency for the LPF. The adjustment range is 80 Hz to 120 Hz. This dial is effective only if the LPF switch is set to ON.
NOTE Use a straight screwdriver or something similar to turn the dial.
1 ST SUB OUT Control
Adjusts the level of the signal that feeds from the ST bus into the ST SUB OUT jack (8 on page 20).
NOTE This control has no effect on the output level to the ST OUT jacks.
2 AFL (After-Fader Listen) Switch
Feeds the signal that is going to the ST OUT and MONO jacks into the AFL bus, so that this signal can be monitored at the PHONES jack.
3 ST Master Fader
Adjusts the level of the signal that feeds from the ST bus into the ST OUT jacks (9 on page 20).
4 MONO Fader
Adjusts the level of the signal that feeds from the ST bus into the MONO output jack (0 on page 20).
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I GROUP Section
This section adjusts the level and controls the ow of the signals from the four GROUP buses. While the signal from each GROUP bus is always fed into the corresponding GROUP OUT jack (see page 20), you are also free to use the TO ST and AFL switches to selectively feed these groups into the ST and AFL buses.
I SEND Section
This section adjusts the levels and controls the ow of the signals from the six AUX buses and the two EFFECT buses. Each of these signals ows to the corresponding SEND output jack (to AUX1AUX6, EFF1, and EFF2, respectively).
1 PAN Control
If you are feeding the signal from the GROUP bus into the ST bus (that is, if the corresponding TO ST switch (2) is on), this knob controls how the signal is positioned on the ST L/R lines.
2 TO ST Switches
For each group: If the switch is on ( ), the mixer feeds the signal from the GROUP bus into the ST bus, after rst passing the signal through the GROUP fader (4) and the PAN control (1).
1 AUX Controls (AUX1 to AUX6)
Each knob adjusts the level of the signal from the indicated AUX bus into the corresponding AUX SEND jack.
2 Effect Controls (EFF1, EFF2)
Each knob adjusts the level of the signal from the indicated EFFECT bus into the corresponding EFFECT SEND jack and also into the corresponding internal digital effect.
NOTE For each channel, you use the channels AUX5/6 switch (see page 11) to select between feed into the AUX5 and 6 buses or feed into the EFFECT 1 and 2 buses. If the switch is on ( ), the signal goes to the AUX5 and AUX6 SEND jacks. If the switch is off ( ), the signal goes to the EFF1 and EFF2 SEND jacks.
3 AFL (After-Fader Listen) Switches
Feeds the corresponding GROUP OUT signal into the AFL bus, so that this signal can be monitored at the PHONES jack.
4 Group Faders
Each fader adjusts the level of the signal that is fed to the corresponding GROUP OUT jack.
For each AUX and EFFECT bus: Use this switch to feed the corresponding AUX SEND or EFF SEND signal into the AFL bus. Feeds the corresponding AUX SEND or EFF SEND signal into the AFL bus, so that this signal can be monitored at the PHONES jack.
NOTE If you set this switch on for EFF1 or EFF2, you can use the PHONES jack to monitor the signal to the corresponding internal digital effect.
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I RETURN Section
This section adjusts the levels of the input from the RETURN 1 and RETURN 2 jacks (see page 20). For each RETURN, you can set independent levels for feeds into the ST bus and AUX buses 1 to 4.
1 AUX Mix Controls (1 to 4)
Each knob adjusts the level of the signal from the corresponding RETURN jack into the corresponding AUX bus (AUX1 to AUX4). If you are inputting a stereo signal, the L and R signals are mixed before moving to the AUX buses.
2 ST Control
Adjusts the level of the signal from the corresponding RETURN jack into the ST bus. If you are inputting a stereo signal, the L signal goes into the ST L line and the R signal goes into ST R line. If you are inputting a mono signal, the same signal is fed to both ST L and ST R.
3 PFL (Pre-Fader Listen) Switch
Use this switch to feed the corresponding RETURN signal, taken from before the ST and AUX Mix controls, into the PFL bus, so that you can monitor the signal at the PHONES jack. To turn the PFL feed on, press the switch in ( ).
MG32-14FX_E.book Page 16 Thursday, June 12, 2003 3:10 PM
I INTERNAL DIGITAL EFFECTS Section
You use this section to control the dual internal effects processor: to select the two effect types, to set the effects on or off, and to adjust the related signal levels and ows.
3 AUX PRE Controls (1 to 4)
Each knob adjusts the level of the effected sound into the corresponding AUX bus (AUX1 to AUX4).
4 TAP Button and Indicator
This feature lets you set the delay time for internal EFFECT 2 by tapping on the button. The feature only works if you have set the effect type for EFFECT 2 to  TAP DELAY. To set the delay time, tap on the button at the appropriate interval. The mixer measures the interval between the last two taps and sets this as the delay time. Continue tapping as necessary until you get the timing right.
The mixer retains the last time setting even after power goes off, and restores this setting the next time you set the effect type to TAP DELAY. The indicator next to the button ashes in sync with the delay time.
5 ON Switches
This switch turns the corresponding internal digital effect on ( ) or off ( ).
6 PFL (Pre-Fader Listen) Switches
Use this switch to feed the corresponding digital effect signal, taken from before the EFFECT RTN fader, into the PFL bus, so that you can monitor the signal from the PHONES jack. To turn the PFL feed on, press the switch in ( ).
NOTE The signal will not feed into the PFL bus if the effects ON switch (5) is turned off.
7 GROUP Switches
Set the switch on ( ) to feed the corresponding internal digital effect signal into the corresponding GROUP buses. The top button feeds the signal to Groups 1 and 2; the lower button feeds it to Groups 3 and 4.
8 ST Switches
Set this switch on to feed the corresponding internal digital effect signal into the ST bus.
9 EFFECT RTN faders (1, 2)
This fader adjusts the level of the effected sound into the ST and GROUP buses.
1 PROGRAM Dials
This dial sets the effect type for the corresponding internal digital effect. For information about the effect types, see page 24.
2 PARAMETER Controls
This knob sets the parameter value for the corresponding internal digital effect. The setting applies to the currently selected effect type.
NOTE The signal from these jacks is not adjusted by the ST master fader and is not affected by input or output at the INSERT I/O jacks. When using these jacks to record, adjust the level as necessary at the external recording device.
Sleeve Sleeve Ring Tip
To the output jack of the external processor
6 GROUP OUT Jacks (1 to 4)
These are impedance-balanced phone output jacks. These jacks output the signals from GROUP buses 1 to 4. Use these jacks to connect to the input jacks of MTRs, external mixers, and other such devices.
Friday, April 23, 2004
7 ST INSERT I/O (L, R) Jacks
These are balanced TRS (tip, ring, sleeve) phone-type bidirectional jacks. You use these jacks, for example, to connect to an external effector, submixer, or other such device.
9 ST OUT Jacks (L, R)
These are balanced XLR output jacks. These jacks output the mixed stereo signal from the mixers ST bus. The level for this output is adjusted by the ST master fader in the Master Control block (see page 13). You typically use the jacks to connect to your main output, such as to the power ampliers driving your main speakers.
0 MONO Jack
This balanced XLR input jack outputs a monaural mix of the stereo signal from the ST bus. The level for this output is controlled by the MONO fader in the Master Control block (see page 13). The output is a mix of the ST buss L and R signals.
A FOOT SWITCH TAP Jack
This phone input jack is for connection to a foot switch, for use with the TAP DELAY feature. If you connect the (separately sold) YAMAHA FC5 foot switch to this jack and then set internal EFFECT 2 to  TAP DELAY, you can use the foot switch (as an alternative to the TAP button) to set the delay. The mixer will automatically set the delay to the interval between the last two taps.
8 ST SUB OUT Jacks (L and R)
These are impedance-balanced phone output jacks. These jacks output a clone of the mixed stereo signal from the ST bus. The level for this output is adjusted by the ST SUB OUT control in the Master Control block (see page 13). You would typically use these jacks to connect to an external mixer or a supplementary SR system.
NOTE The ST master fader does not operate on the signals from these jacks.
B POWER Switch
Use this switch to turn the mixers power ON and OFF. Press the switch in to set the power on ( ), and press again to set the power off ( ).
C AC IN Connector
Connects to the socket end of the AC power cord included with the mixer.
INPUT A, ST OUT, MONO
Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold ()
Pin 1: Ground Pin 2: Hot (+) Pin 3: Ground Tip: Hot (+) Ring: Cold () Sleeve: Ground Tip: Output Ring: Input Sleeve: Ground
INPUT B, GROUP OUT, AUX SEND (1 to 6), EFFECT SEND (1, 2), ST SUB OUT*
INSERT I/O, GROUP INS I/O, ST INSERT I/O
Tip: L Ring: R Sleeve: Ground
Stereo channel input jacks, RETURN (1, 2)
Tip: Hot Sleeve: Ground Stereo channel input jacks, 2TR IN, REC OUT
*These jacks also accept connection to monaural phone plugs. If you use monaural plugs, the connection will be unbalanced.
I General Specications
Frequency Characteristics (Master Output) Total Harmonic Distortion (Master Output)
20 Hz20 kHz +1 dB, 3 dB @+4 dBu, 600 (with gain control at minimum level) < 0.1% (THD+N) @+14 dBu, 20 Hz20 kHz, 600 (with gain control at maximum level) = Equivalent input noise (CHs 1 to 24 (MG32/14FX)/CHs 1 to 16 (MG24/14FX)) Residual output noise (ST, MONO OUT, AUX, EFFECT, GROUP OUT) ST, MONO, GROUP Master fader at nominal level; all Ch assign switches off. AUX master control at nominal level; all channel mix controls at minimum level. ST, GROUP Master fader and one Ch fader at nominal level. 64 dBu (68 dB S/N) (CHs 1 to 24 (MG32/14FX)/CHs 1 to 16 (MG24/14FX)) 60 dB CH IN CH INSERT OUT 84 dB CH IN GROUP OUT/ST OUT (CH to ST) 94 dB CH IN ST OUT (GROUP to ST) 70 dB CH IN GROUP INSER OUT, ST INSERT OUT (CH to ST) 62.2 dB CH IN REC OUT (CH to ST) 76 dB CH IN AUX SEND (PRE) 86 dB CH IN AUX SEND (POST)/EFF SEND 80 dB CH IN ST SUB OUT (CH to ST) 58 dB ST CH IN GROUP OUT/ST OUT (ST CH to ST) 47 dB ST CH IN AUX SEND (PRE) 57 dB ST CH IN AUX SEND (POST)/EFF SEND 16 dB RETURN ST OUT 9 dB RETURN AUX SEND 27.8 dB 2TR INPUT ST OUT 44 dB variable 80 Hz 12 dB/octave 0 dB/26 dB 70 dB between input channels 70 dB between input/output channels (CH INPUT) HIGH 10 kHz shelving MID 0.255 kHz peaking LOW 100 Hz shelving 15 dB HIGH 10 kHz shelving HI-MID 3 kHz peaking LO-MID 800 Hz peaking LOW 100 Hz shelving Effect 1: 16 programs, parameter control Effect 2: 16 programs, parameter control TAP DELAY Control, Foot Switch (TAP) 80 - 120 Hz 12 dB/octave One red LED per channel. Comes on when post-EQ signal level reaches +17 dBu. One green LED per channel. Comes on when post-EQ signal level reaches 10 dBu. Four 12-point LED meters [Stereo (L, R), PFL/AFL, GROUP (1 - 4)] Peak point: red indicator +5, +3, +1, and 0 points: yellow indicators 1, 3, 5, 7, 10, 15, 20: green indicators +48 V DC supply to balanced inputs. Can be switched ON/OFF in groups of eight channels. (One switch for every eight channels.) Power cord, Owners Manual FC5 (Foot Switch) XLR-3-31 type (12 V AC between pins 2 and 3; 5 W max.) Refer to page 18 for details. USA and Canada: 120 V AC, 60 Hz Korea: 220 V AC, 60 Hz Others: 230 V AC, 50 Hz MG32/14FX: 120 W, MG24/14FX: 100 W MG32/14FX: 551 mm, MG24/14FX: 551 mm MG32/14FX: 22 kg, MG24/14FX: 18.5 kg 15 dB 128 dBu 99 dBu 83 dBu (87 dB S/N) 78 dBu (82 dB S/N)
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2313
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868
Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2441
Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2003 Yamaha Corporation WA66540 406CRZC1.3-01D0 Printed in Indonesia
32-Input, 14-Bus Mixer with Dual DSP MG24/14FX, MG32/14FX Serious Capacity For Sound Reinforcement and Installations If your application is live sound reinforcement youll want all the channel capacity you can get just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board you wont need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy. INPUT SECTION 24 or 32 Input Channels Choose either the 24-channel MG24/14FX or the 32-channel MG32/14FX according to your needs. All other features are the same. The MG24/14FX has 16 mono microphone/line channels while the MG32/14FX has 24. Both offer four stereo line channels in addition to the mono mic/line channels.
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